flightpath

Reporting from WordCamp

WordCamp 2016

WordCamp is a conference that focuses on anything and everything WordPress. They’re wonderfully informal, community-organized events that are put together by WordPress volunteers. Everyone from casual users to core WP developers and contributors participate, share ideas, and get to know one another. WordCamps have been held all over the world going back as far as […]

WordCamp is a conference that focuses on anything and everything WordPress. They’re wonderfully informal, community-organized events that are put together by WordPress volunteers. Everyone from casual users to core WP developers and contributors participate, share ideas, and get to know one another. WordCamps have been held all over the world going back as far as 2006, and this year Belgium had its first Wordcamp in Antwerp!

Recently, l attended WordCamp USA in Philadelphia along with 1,800 other WordPress users ranging from casual bloggers, marketing professionals, experienced designers, tech enthusiasts, and leading technologists. Here’s a break down of a few of my favorite talks I attended while at WordCamp:

Design For Humans Not Robots

 

Tammie Lister was a delightfully brilliant speaker who illustrated the importance of designing for humans and not for robots. Too often, according to Lister, design lacks humanity. Take, for example, the very popular CAPTCHA: I’m not a robot.

“If you’re put into a position that you need to prove that you are human and not a robot … that’s probably not a very good way to have an interface,” Lister said.

via GIPHY

She speaks at great length to use cases and testing cases where we construct these very particular environments where we focus 100% of our attention on the thing we are doing without taking into account that the person using it likely won’t be giving your application 100% of their attention. They’ll be stirring soup, listening to music, having a conversation, and you know, doing other human things.

My takeaway here was that the default in design should not be that I need to prove I am NOT a robot. I am a human until proven robot, not the other way around, and that what I’m creating isn’t about me and what I want and what makes sense to me. Developers need to think about the end user and what makes sense for them.

How To Talk Content

 

Lisa Melegari took a deep dive into how to talk ‘content’ from a developer standpoint. As a developer who knows little about content, I knew this talk would benefit me. I’ve been meaning to get into blogging myself for a while, but I’m always held back by the same self-defeating thought: I don’t know where to begin.

“The blank slate paralyzes clients,” Melegari said. And this couldn’t be more true.

Melegari says to not use the word ‘content’ and to break it down into actual concrete things I need. Having the client fill out an onboarding questionnaire asking for age ranges, audience targets, existing assets, or the person in charge of creating those assets is invaluable as it gets the client to think in specific terms. And when designing or developing a site for someone, specifics are vital.

This was a wildly helpful new way to look at generating content for my own hypothetical blog I swear I’ll create someday. I can absolutely identify with the quote about content paralyzing the client. It ought to be a best practice to break down what I want from the client into bite-sized chunks of real identifiable assets instead of vague jargon like ‘content’ or ‘filler text’. While I understand what those words mean, of course, they do nothing to elicit a creative response.

Teaching the FBI to Photoblog with WordPress

 

When you say “WordPress” I admit I did not think “FBI,” but for Karl Kevilus that is exactly what happened. After a friend reached out to him asking if he’d like to help the FBI set up a website, Kevilus found himself teaching the FBI how to use WordPress to catch bank robbers using bank surveillance photos and footage.

The talk was a brilliant, hilarious, and humble look at the starting of Bandit Tracker, it’s offshoots, its successes, and it’s failures. Some successes include the hundreds of robbers brought to justice thanks to Bandit Tracker and some failures include actually inspiring robberies because Bandit Tracker gave a very succinct overview of a bank’s surveillance technology and layout. Woops. Failures and embarrassments aside, Bandit Tracker has been an invaluable resource for the FBI in catching bank robbers. So much so, that various regional duplicates have cropped up across the country.

Philadelphia is a gorgeous city I had never been to before but will certainly be back. While the talks were engaging, I did manage to find a little spare time to try some of Philly’s world famous delicacies such as the Philly Cheesesteak. I’d had generic cheesesteaks before, of course, and had never really thought them to be anything all that special but this completely changed the game and altered my view on the sandwich. For those curious, I got it with wiz and it was delicious.

All in all, WordCamp was an amazing experience that I will absolutely be repeating in years to come.

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Insta Stories Have Arrived!

On August 2nd, Instagram took a huge bite out of Snapchat by adding the new “Stories” feature. This major development is clearly a carbon copy of Snapchat’s evolutionary platform.   Instagram’s Stories allows users to post short videos and photos that exist for a span of 24 hours. It is a comparable application to Snapchat, […]

On August 2nd, Instagram took a huge bite out of Snapchat by adding the new “Stories” feature. This major development is clearly a carbon copy of Snapchat’s evolutionary platform.

 

Instagram’s Stories allows users to post short videos and photos that exist for a span of 24 hours. It is a comparable application to Snapchat, which is a famous ephemeral app that is mainly popular for its 24-hour video and chat tales, facial recognitions and image filters. The features that Instagram released are almost identical to Snapchat from its very theme and vernacular.

 

Back in 2015, advertisers began to anticipate potential opportunity for marketing on Snapchat with image and branding. The idea of Snapchat gave way to more interactive experiences than Facebook and YouTube (which advertisers believed users commonly watched inertly). Snapchat does not contain traditional ad-targeting tools and is continuously searching for ways to attract bigger brands. While they’re still developing their bouncy infrastructure and competing against major rivals—Now This! Instagram has nearly replicated their services!

 

What does this mean for marketers? The CEO of Instagram, Kevin Systrom, discussed the latest development with TechCrunch and said that, “this is about a format, and how you take it to a network and put your own spin on it. Facebook invented feed, LinkedIn took on feed, Twitter took on feed, Instagram took on feed, and they all feel very different now and they serve very different purposes.” Instagram’s owner, Facebook, took note of how other social networks adapted their feed and decided to flip the script by incorporating Snapchat’s strengths into one mobile first platform: Instagram.

 

Where Snapchat advertising had astronomical cost and exclusivity, Instagram is self-servicing, leaving marketers wondering how advertising will look via Instagram stories. Instagram’s new interface allows for both stories to be displayed at the top of your screen, while in-feed photos and videos appear in your timeline below, without ever having to switch off to another platform, creating a more dynamic means for distributing content. It fulfills the concept of organic experience building between users and brands in a more interpersonal relationship and is even easier for users to follow a brand, watch their stories and like their post. In addition, there are more opportunities for exclusive behind the scenes video clips, contests, giveaways and other incentives rather than the usual photo upload.

 

While we are in favor of this astonishing feature that Instagram impenitently “borrowed,” there’s still speculation about its forthcoming progressions. What will happen with Snapchat? Will new Instagram stories be as affective as anticipated? How will this influence other social media platforms? What will sponsored Instagram stories look like? Will Instagram add those fun filters that Snapchat is synonymous with? Instagram has yet again proven that it is a force to be reckoned with and only time will tell what’s next for this photo-sharing tycoon.

Top 5 Super Bowl Moments in Digital Marketing

In the world of marketing, the Super Bowl is the ultimate platform for brands to get their audiences engaged. It has turned into more than ‘just commercials’; brands are flooding their audiences with campaigns from TV ad spots, tweets, Instagrams, and Facebook posts. Some campaigns get all the attention, and others fall flat. Here are […]

In the world of marketing, the Super Bowl is the ultimate platform for brands to get their audiences engaged. It has turned into more than ‘just commercials’; brands are flooding their audiences with campaigns from TV ad spots, tweets, Instagrams, and Facebook posts. Some campaigns get all the attention, and others fall flat.

Here are some top moments from past years, as well as our favorite from this year’s Super Bowl 50:

#5. Audi Uses the First Hashtag in a Super Bowl Ad

2011 – Super Bowl XLV

audi

Audi created the first 60-second TV spot that used a hashtag for Super Bowl marketing – #ProgressIs. Viewers who used the hashtag and the URL in their tweets were entered into a contest, the grand prize of which was a trip to Sonoma, California and a test drive with Audi – among other things. Although this hashtag didn’t make the “trending” list on Twitter, Audi saw a huge spike in their followers – about a 47% increase. The increase was at the same time as their YouTube teaser campaigns, and this showed that audiences were engaged in the campaign.

#4. JC Penney Super Bowl Mittens

 2014 – Super Bowl XLVIII

jcpenney-tweets

During the game, J C Penney tweeted numerous times with egregious typos. There was a lot of buzz around these miss-spelled tweets. Were they drunk? Did they get hacked?

This never occurred to the company when they were planning their campaign. In reality, the tweets were a part of the ongoing JCPenney campaign for the Olympics – they had “Go Team USA” mittens. The original plan was to tweet a few of these erroneous quips, following up with the hashtag #tweetingwithmittens. Although not interpreted how they were intended, the two jumbled tweets along with the hashtag generated 46,951 retweets and 21,357 favorites. Their brand got a lot of attention and this was a widely talked about digital marketing moment for Super Bowl XLVII.

#3.   Bud Light’s “Up for Whatever” campaign

 2014 – Super Bowl XLVIII

budlight-upforwhatever

The cast of the “Up for Whatever” campaign attracted huge attention from the public, as it featured 5 rock stars, 4 celebrities, and 412 actors. #upforwhatever was a top trending hashtag, also used on three highly shareable videos which received more than 1 million views and 55k Facebook likes within 72 hours.

These videos posed the question to viewers, as well as their star studded cast, “Are you #UpforWhatever ?

#2. Oreo Dunk Tweet

 2013 – Super Bowl XLVII

oreo-image

The Super Bowl, in 2013, had a temporary electrical blackout, and the Oreo marketing team quickly jumped on this opportunity with their ad, which must have been made as a snap decision and put together literally during the Super Bowl.

“You Can Still Dunk In The Dark” got nearly 15k retweets, more than 20k likes on Facebook, and is a great example of real-time marketing.

 

#1. New Super Bowl Moment

2016  – Super Bowl 50

esurance-image

Esurance promoted a contest this year where viewers could tweet and retweet for a chance to win up to $1 million.

Their hashtag, #EsuranceSweepstakes, trended nationally for 15 minutes, and generated 9k tweets per minute last night. In fact, Esurance ranked #1 on Spreadfast’s first quarter Super Bowl data, with 375k tweets.

The Super Bowl has been, and continues to be one of the largest marketing and advertising opportunities for companies advertising in the US. Being different and coming up with new and engaging ideas is the challenge facing these brands year after year, and with all that competition, this list was only able to mention a few of the best, most buzz-worthy campaigns. Check out other Super Bowl ads on YouTube, and remember to tune in every year for these great ads – and also the game.

 

For more on these digital marketing moments:

https://upennsocialbook.wordpress.com/2011/02/09/-study-audi-progressis-super/

http://digiday.com/brands/jc-penny-super-bowl-twitter-mittens/

http://sites.psu.edu/dylanfreieriampr/2015/11/18/38/\

http://www.wired.com/2013/02/oreo-twitter-super-bowl/

http://www.adweek.com/news/technology/esurances-1st-quarter-super-bowl-ad-helped-generate-9000-tweets-minute-169495

Three Things to Consider Before You Begin Influencer Marketing

As marketing shifts from the Age of Mass Media to the Age of Advocacy, influencers have landed at the center. But what is an influencer? Jess Estrada, a digital strategist and blogger explains that, “Influencers are people with significant networks (followers, readers, etc.) who can speak to a broad range of products and services with […]

As marketing shifts from the Age of Mass Media to the Age of Advocacy, influencers have landed at the center. But what is an influencer? Jess Estrada, a digital strategist and blogger explains that, “Influencers are people with significant networks (followers, readers, etc.) who can speak to a broad range of products and services with the ability to sway opinions in their favor.”

At the SXSW panel, “Changing Face of Fame: Social Media Celebrities,” Cubby Graham, Community Builder at Charity Water, Paula Veale, EVP of Corporate Communications and Rob Fishman, Co-Founder of Niche, took a deep dive into the new world of celebrity that is made up of influencers and detailed how to get the most out of a partnership with influencers. Here are three things to consider before you begin influencer marketing:

 

Distribution

Even as brands begin experimenting with the hot new trend that is Influencer Marketing, they often still attempt to push messages out via “traditional media” (TV, print, radio, etc.). However, limiting distribution to the old school way is a big mistake. When partnering with influencers, who are more likely than not, innovators in the digital/social space, it’s important to examine which distribution channels are most successful for each individual influencer and then follow suit.

 

Freedom

As marketers, we’re used to drafting the specifics of any campaign, promotion or initiative months in advance, followed by umpteen rounds of revisions and by the end there is a clear vision and plan laid out. You know exactly what you’re getting (usually); however, often times this necessary process limits creativity and spontaneity. When it comes to partnering with influencers, creativity and spontaneity are two key aspects to a successful partnership. How do you achieve those? Freedom.

Of course, there will always be guidelines (language, usage and timeline) that brands want partners to act within. Make these guidelines as broad and non-limiting as possible for the best results.

 

The Right Audience v.s. The Biggest Audience

Sometimes the biggest audience isn’t the best audience. As Jeremy Welt from Maker Studios put it, “Reaching 10K of the right people is more important that 100K people who don’t care.” When looking for influencers to partner with, marketers must take a deep dive to determine if both audiences (influencer and brand) align. It’s not about who has the most followers, it’s about who’s followers are the most engaged and what demographic do these followers fall into.

 

Social media marketing has become a no brainer for businesses. That said, modern day influencers live and thrive on social media and make for a natural partnership to leverage brands’ social media presence. Influencers don’t begin as advertisers; they begin by making a human connection with people across the web. This connection resonates on a personal level and influencers are seen more as a trusted friend, making their opinions and recommendations extremely influential, hence the title influencer.

Why does this matter? Well, according to Simply Measured, 74% of consumers rely on social media to inform their purchasing decisions, while 90% of consumers trust peer recommendations. Think about it; if someone you admired and followed on social media recommended a brand or product, wouldn’t you be more inclined to at least try it?

Comparing Social Content Curation Platforms: A Review of RebelMouse, Tint and Chute

Keeping up with the overwhelming demand for content was a major obstacle for brands in 2014.  How can you produce massive amounts of engaging, authentic content while under seriously limited time constraints?  One solution is to leverage existing social content from your brand and your customers. Many brands are turning to social media aggregation platforms […]

Keeping up with the overwhelming demand for content was a major obstacle for brands in 2014.  How can you produce massive amounts of engaging, authentic content while under seriously limited time constraints?  One solution is to leverage existing social content from your brand and your customers.

Many brands are turning to social media aggregation platforms to collect, organize and display social, user-generated content.  The end result is a well-curated social hub that looks similar to a digital magazine full of engaging content and conversations around a particular topic or brand.

Now comes the tough part…deciding which social feed curation platform to use.  The number of companies that offer this type of tool or service is extensive and continues to grow.  Each platform has its own strengths and weaknesses so I always recommend evaluating tools based on an individual basis based on the brand’s specific needs.

In this blog post, I compare three of the leading platforms for creating social hubs: RebelMouse, Tint and Chute.  Additional platforms on the market include: Postano, Twine, Offerpop, Votigo and more.

Below is a chart I created for a client to compare the three social feed platforms based on general service needs and product offerings.  In addition, I’ve included my own reviews and takeaways of each platform.

 

socialhubchart1-1024x683

Platform Conclusions & Takeaways

RebelMouse: Launched in 2012, RebelMouse has always referred to itself as a ‘social front page’.  It allows brands and publishers to create very well curated sites, similar to a Tumblr, centered on a topic or news vertical.  Recently, RebelMouse has expanded its focus from solely being a social aggregator to being a full-fledged publishing platform with custom editorial tools, detailed analytics tools and community/contributor profiles.

Tint:  This relatively new platform is self-service and does a little bit of everything when it comes to displaying social feeds.  Its strength lies in curating content from a specific social feed or hashtag versus a general topic.  It is also a very useful tool for event marketing or retail–just think of how interactive the content becomes when shown on a huge projector, in-store screen, or jumbotron.

Chute: Chute’s major function is gathering user-generated visual content and obtaining rights to ‘publish fan photos and videos at every customer touch point — as a mobile app, photo gallery, banner ad or even a billboard in Times Square.’  In addition to using Chute to repurpose UGC content, brands often employ this platform for specific campaigns or contests (both short-term and ongoing) because of how easy it makes it for consumers to submit photos via hashtag or just click a button directly on the microsite to upload.  

***It’s important to note that my review of these platforms is not comprehensive.  To get full information about each platform, it is always best to reach out to a company representative for more information about product details, new updates and pricing models.  I also highly recommend signing up for a free trial or demo of the platform to get the full experience and gain perspective into usability and performance.  

 

 

Influencer Marketing Spotlight: Top Vine Stars Share Video Creation Tips

Video content marketing is on the rise and marketers are increasingly seeking out platform influencers to reach their video-oriented consumers.  Vine, a six-second video sharing service with a primarily teen demographic, is just one of the major sources of video influencers and content creators.  According to a recent study, branded content on Vine accounts for […]

Video content marketing is on the rise and marketers are increasingly seeking out platform influencers to reach their video-oriented consumers.  Vine, a six-second video sharing service with a primarily teen demographic, is just one of the major sources of video influencers and content creators.  According to a recent study, branded content on Vine accounts for 4% of the top 100 tracked Vines.

At the December iMedia Agency Summit, Reed Berglund, CEO of Fullbottle, moderated a perspective-changing discussion about influencer marketing with three top Vine talents, Andres (@EhBeeFamily), Tony Serafini (@Bottlerocket), and Ginger Wesson Lavender (@GingerWesson). 

All 3 panelists explained that they sort of stumbled into their Vine fame.  Andres had been working as a market researcher, Tony was and is a teacher and Ginger was a bored housewife.  Today, they’re doing content creation and distribution deals with A-list brands including Pepsi, Disney, P&G and Toyota.

What are some general content tips from these Vine experts? Keep it simple.  Always think about a beginning, middle and end – with some some kind of interesting or unexpected twist in the middle.   According to them, the best times to post for maximum impact are around 4pm on weekdays (avoid Mondays and Tuesdays; Aim for Wednesdays) and around noontime on weekends.

Once you find consistent success creating videos on Vine, the panelists recommended extending your brand onto other platforms.  Keep in mind you will need to make slight content modifications or variations based on the platform-specific audience and consumption behaviors.  Suggestions include sharing behind the scenes filming pictures on Instagram or vlogging on Snapchat.  And most importantly, always respond to your fans in a timely fashion across all platforms.

Another important topic one of the panelists mentioned was brand integrity.  If you get to the point where you’re creating branded content for an advertiser, remember “money talks but it only talks so much.”  Make sure your branded Vines stay true to your own personal brand so as not to turn off your followers.  Continue to produce original, entertaining work and share new branded content from your own profile first to keep fans feeling like they are your top priority.

What does 2015 hold for these Vine talents?  The sky is the limit.  For now, enjoy a roundup of some of our favorite panelist branded videos from 2014:

[CASE STUDY] Digital Marketing Strategies To Drive Educational Enrollment

I recently had the privilege of speaking at the Social Media Marketing Forum for Educational Institutions about an enrollment marketing campaign Flightpath executed for Fairleigh Dickinson University. At the event, presenters from Harvard Business School, Babson College, Cornell University, Elizabethtown College and Brandwatch imparted insights on how they’re using social media and digital channels to tranform educational […]

I recently had the privilege of speaking at the Social Media Marketing Forum for Educational Institutions about an enrollment marketing campaign Flightpath executed for Fairleigh Dickinson University.

At the event, presenters from Harvard Business School, Babson College, Cornell University, Elizabethtown College and Brandwatch imparted insights on how they’re using social media and digital channels to tranform educational institutions into brands, impact development and enhance student life.  Some of the more interesting educational marketing topics covered were social messaging apps like YikYak, social listening tools and crowd-funding.  

With the help of Jon Wexler, VP of Enrollment Management for Fairleigh Dickinson University, I presented specific details on how we leveraged a multi-channel digital approach to drive overall student enrollments, build a prospect pool for future remarketing, increase enrollments of acceptees (credit walker), and enhance student life & connections. 

Another component of our presentation outlined our gamification initiative, an iOS gamed called Mascot Rush that we developed to help engage prospective FDU students and increase applicant activation.

Check out the full case study presentation below to learn more about the campaign!

 

Your Ultimate Guide to Fall Email Marketing Trends

Once the ugly stepsister of the marketing world, email marketing has made huge strides in 2014.  Don’t take our word for it; recent email statistics prove email marketing is here to stay.  As of 2013, there are nearly 3.9 billion email accounts worldwide, with that number expected to increase to 4.9 billion by the end of […]

Once the ugly stepsister of the marketing world, email marketing has made huge strides in 2014.  Don’t take our word for it; recent email statistics prove email marketing is here to stay.  As of 2013, there are nearly 3.9 billion email accounts worldwide, with that number expected to increase to 4.9 billion by the end of 2017.

It’s important to note that while email users are increasing, they are becoming more sophisticated in regards to consumption habits.  In a recent study, 54% of people reported using automatic sorting filters for their inbox and 58% claimed they will unsubscribe if they receive an unwanted commercial email.  To keep saavy email users happy, marketers have to continually improve the strategy and creative innovation of their email campaigns.

Here are three email marketing trends you’re likely to see in your inbox this fall–plus a list of helpful tools and analytics to implement them.

Image-off Styling

Email users tend to prefer emails that are primarily image-based versus text-based, but unfortunately 85% of email clients block images by default.  To reconcile this, marketers are finding ways to improve the look of images-off emails with styled ALT text, HTML mosaics and bulletproof backgrounds/buttons.  And if you’re really up for a challenge, try SONY Playstation’s technique of using smart Photoshop design and slicing to make images and logo outlines appear in the images-off version (as shown below).

Must-try tool: Mozify is an innovative tool that allows you to convert any image to an HTML mosaic or to formatted HTML text.  The result is a coloured mosaic of table cells that render an approximation of an image even before the image is loaded in emails.

 

playstation

(Source: Sony Playstation)

Advanced Personalization

Basic email personalization, such as name and account information, no longer satisfy the consumers who expect detailed, up-to-date messages that match their unique buying needs.  To truly make enhance the customer experience, emails should take into account detailed interaction data (including how, when and with what customers are engaging) as well as factors like holidays, weather and location.  According to a recent study, about 64% of marketing executives say they want to increase the amount of money they spend on personalization in the next year.

Software essentials:  CRM & Marketing Automation platforms allow marketers to effectively track and engage with customers based on consumer behavior.  Popular solutions include Salesforce, Marketo and HubSpot.

 

opentable

(Source: OpenTable)

Videos & Animated GIFs

Approximately half of the marketers who used video in email campaigns saw increased click-through rates, increased time spent reading the email, and increased sharing and forwarding, according to a survey by eMarketer.  Both videos and animated GIFs are smart alternatives to lengthy copy when trying to encourage click-throughs, give instructions or illustrate complex concepts.

Pro-tip: Animated GIFs can have large file sizes which can be slow to download and play. When it comes to saving your GIFs, one of the best ways to minimize file size is to reduce the number of colors actually saved in the file.

 

jspade

(Source: Jack Spade)

 

 

 

The Dos and Don’ts for Creating Hyperlapse Videos

If you were unsure of the power of social video before, Instagram’s latest brainchild, Hyperlapse, will make you a believer.  Launched earlier this week, Hyperlapse is a stand-alone app for iOS that condenses and stabilizes phone videos into trendy timelapses. Unlike other video editing tools, Hyperlapse allows for users to easily adjust the video from […]

If you were unsure of the power of social video before, Instagram’s latest brainchild, Hyperlapse, will make you a believer.  Launched earlier this week, Hyperlapse is a stand-alone app for iOS that condenses and stabilizes phone videos into trendy timelapses.

Unlike other video editing tools, Hyperlapse allows for users to easily adjust the video from 1x to 12x speed without any delay for scrubbing or processing.  And don’t be fooled by the brilliantly simple user experience, the technology behind this app is pretty serious.

While Hyperlapse certainly helps gives phone videos a more professional look, there are still some guidelines and best practices users should follow before hitting the share button.

Here are some essential do’s and don’ts for making Hyperlapse videos:

DO make sure it’s long enough: We learned the hard way that at 12x speed, a 10 second video does not meet the 3-second minimum requirement to upload a video to Instagram.  To be safe, try to always shoot between 30-45 seconds worth of video to hit the minimum requirement.  (Note: 3 minutes of original footage=15 seconds of timelapse at 12x speed)

DON’T speed up the video if you’re moving the camera.  Videos played back at high speeds look great if you’re keeping the camera still and staying in one place.  However, if you’re following someone or moving, they can be nauseating to watch when sped up.  Keep the speed low and let the smooth video do the storytelling.

DO frame your subject in the center of the shot.  When the app stabilizes your video, it will steady the center portiton of the video and crop out the edges of the frame.  The cropping is minimal but to be safe, keep the important elements of the video towards the center.

DON’T do too much.  Less is often more when it comes to timelapse videos.  You can overdo it with too much movement and action.  Instead, focus on planning out the subject, the length of the event and a clever (but stable) perspective to film from.

DO exercise some posting restraint.  Timelapses are great, but no one wants to see their Instagram newsfeed crammed with timelapse videos.  Think quality over quantity. Your followers will take note.

Now get out there and start filming….because life is extra fun at 12x speed!  And for more best practices and tips, download our 2014 Social Media Marketing guide.

6 Ways Brands Can Win in the ‘Nice Age’

It’s not clear exactly when the marketing world entered the ‘Nice Age’ but if recently your heart has been melting more and more as you’re exposed to commercials, ads and branded content then you’re experiencing this industry shift firsthand.   It’s hard to believe how far marketers and brands have detoured from a very product and […]

It’s not clear exactly when the marketing world entered the ‘Nice Age’ but if recently your heart has been melting more and more as you’re exposed to commercials, ads and branded content then you’re experiencing this industry shift firsthand.   It’s hard to believe how far marketers and brands have detoured from a very product and sales driven belief system to a socially and emotionally connected one.

The bottom line, as a recent NY Times article points out, is that this ‘warm and fuzzy’ content phenomena has major profit potential.

Here’s a look at how brands can make opportunity happen in today’s competitive, often (heart)warming climate:

1. Get sentimental on social media

Use social media in the most personal ways by asking questions and sharing compelling human insights (beyond just a nice video/photo).  Take on the role of your consumers’ best friend by giving followers a good laugh, great advice and genuine conversation.

2. Give your brand stories a fairytale ending

With all the negative news in the media today, people are eager to hear heartwarming stories with happy endings.  Mix up your content/advertising plan by injecting stories about real people and real emotional currency versus being completely brand-focused.  Whether it’s a video of someone’s first kiss, newborn puppies or a random act of kindness, everyone loves to share and support good news.

3. Stop selling and serve up a smile

Pet brands do a great job of using smile-inducing images and stories in their marketing efforts across all platforms.  They know the value of making someone smile; we’re talking about supercharged brand loyalty and trust.  If you think your category doesn’t lend itself to puppies and other emotional content, think again.  Even classic B2B companies are finding that the pathway to richer engagement is through both the service AND the smile!

4. Embrace the haters

With the rise of social media, customer complaints and negative reviews are more public than ever.  Rather than ignore it, saavy brands are acknowledging the issue and addressing it directly to show the brand’s commitment to building an authentic relationship with their consumers.

5. Create “aha” moments by over-delivering on industry expectations

Thanks to technology and digital innovation, brands are now more than ever offering products and services (or even just great content) that extend beyond their traditional verticals.  Whether your brand independently takes on a completely new category like Google is doing with their driverless car, or you enter into an unlikely partnership like ProFlowers and Uber did, the real value lies in showcasing your innovation and passion to consumers.

6. Get into Corporate Social Responsibility (CSR) in a real world way

The intentions behind your CSR strategy should go beyond just “increasing share holder value”.  Your goal should be to show and share the sincere value you have for anyone who interacts with your brand. Winning brands (Think: Ben and Jerry’s and TOMS Shoes) create “forever smiles” by doing good year-round in thoughtful, creative ways.

5 Tips For Creating Sequenced Ad Campaigns on Facebook [INFOGRAPHIC]

A new study by Adaptly, in partnership with Facebook and Refinery29, shows that sequential Facebook ads that incorporate brand storytelling and awareness outperform sustained campaigns with ads solely focused on getting conversions. The survey results were eye-opening: Sequenced ad campaigns that slowly led viewers down the sales funnel received 87 percent more view-throughs and 56 percent more email subscriptions compared to […]

new study by Adaptly, in partnership with Facebook and Refinery29, shows that sequential Facebook ads that incorporate brand storytelling and awareness outperform sustained campaigns with ads solely focused on getting conversions.

The survey results were eye-opening: Sequenced ad campaigns that slowly led viewers down the sales funnel received 87 percent more view-throughs and 56 percent more email subscriptions compared to sustained call-to-action campaigns.

While producing a successful Facebook drip campaign requires notable time, creative input and strategic planning, the payoff can be worth it.  New to the concept? Our cheat sheet covers 5 essential rules for creating a successful sequenced ad campaign!

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What the NFL Can Learn About Emotional Currency From the World Cup

Team USA may not have won the World Cup but soccer in America sure didn’t lose either.  The 2014 World Cup made it very clear that Americans have officially joined the rest of humankind in the worldwide obsession with soccer. I imagine the extraordinary global outpouring of emotion (and by emotion, I mean all-out insanity, […]

Team USA may not have won the World Cup but soccer in America sure didn’t lose either.  The 2014 World Cup made it very clear that Americans have officially joined the rest of humankind in the worldwide obsession with soccer.

I imagine the extraordinary global outpouring of emotion (and by emotion, I mean all-out insanity, joy, passion and craziness) surrounding the games has not gone unnoticed by NFL execs. But what may be less clear is the fuel, if not the spark, of all this euphoria.

National pride and a new generation of youngsters who have grown up with a deep, committed love for the sport may be what sparked Americans into soccer’s intergalactic orbit. But the fuel, is what the NFL could truly learn a great deal from.

I’m sure the NFL is very busy getting ready for the upcoming season so let me cut to the chase. The fuel (yes, the element which ignites and keeps the spark ablaze) is the scoring celebration.  Goal celebrations fuel excitement and we’ve seen this in all the World Cup venues and live remotes. If these players simply high-fived or chest bumped, so would the fans. But they don’t; they celebrate by running 20 yards and then sliding another 10. All the while beaming with the most passionate human emotion!

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Scoring celebrations create an undeniable bond between player and viewer that is founded on emotional currency.  Spurred by an intense connection based on shared experience and passion, emotional currency fosters loyalty and engagement.  It is what creates not just fans, but super-fans.

Need proof?  The 2014 World Cup statistics say it all: Tournament attendance is projected to hit 3.4 million, over 300 million World Cup-related tweets have been posted and in just the first week of the World CupFacebook received more interactions about the tournament than it did for Sochi OlympicsSuper Bowl and Academy Awards combined.   

So I raise the question: Why not embrace goal celebrations after an NFL touchdown?  Why instead, a 15 yard penalty for the littlest of real emotion?

As someone who has studied emotional currency for decades, I urge the NFL to see the positive effect that scoring and celebrating has on fan involvement and overall enjoyment. Not only that, but this type of emotional connection can translate to higher viewership, better ticket sales, increased media and sponsorship opportunities…the list of marketing benefits goes on and on.

Simply put, allowing, let alone fostering, real emotional scoring celebrations could be game changing for the NFL.

This post was written by Cliff Medney (@cliffmedney) Chief Creative Strategist at Flightpath.

The Top Brands Using Twitter Cards

Marketing on Twitter?  You may want to consider using Twitter cards.  Twitter cards allow users to showcase media-rich tweets that expand to reveal more information and visuals.  Technically, Twitter cards have been around since 2012 but in the last several months the feature has improved dramatically, now offering marketers 8 different cards with varying functionality.  […]

Marketing on Twitter?  You may want to consider using Twitter cards.  Twitter cards allow users to showcase media-rich tweets that expand to reveal more information and visuals.  Technically, Twitter cards have been around since 2012 but in the last several months the feature has improved dramatically, now offering marketers 8 different cards with varying functionality.  The cards seem to be especially useful for e-commerce companies and brands that regularly produce a lot of content.

What brands are doing the best job of using Twitter Cards?  We rounded up, in no particular order, 4 brands rocking Twitter Cards to increase clicks, RTs, leads and more.

rands rocking Twitter Cards to increase clicks, RTs, leads and more.

  1. Bonobos: The brand does a great job using player cards to embed videos about product launches, events and thought leadership.

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  1. ModCloth: Product cards are this online retailer’s best friend. And for good reason; they are doubling many brands’ click-through-rates.

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  1. Monster: Earlier this month, Monster announced they would be using Twitter Cards as branded recruitment ads to boost clients’ visibility with potential employees.

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  1. Burberry: In addition to using Twitter Cards for video, photos and product launches, the luxury brand recently added an innovative calendar sync feature that allows users to subscribe to their brand’s calendar and stay engaged.

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Want even more information about social media marketing?  Download our 2014 guide to social media best practices. 

How TV Apps Are Changing The Marketing Landscape

Back in 2009, Flightpath designed one of the first TV Everywhere apps, by incorporating a live streaming feed into Cablevision’s MSG Varsity app.  We’ve just finished the third iteration of the app and in the ensuing years, television viewing habits have changed dramatically. TV Everywhere, a term for authenticated viewing of broadcast shows from channels […]

Back in 2009, Flightpath designed one of the first TV Everywhere apps, by incorporating a live streaming feed into Cablevision’s MSG Varsity app.  We’ve just finished the third iteration of the app and in the ensuing years, television viewing habits have changed dramatically.

TV Everywhere, a term for authenticated viewing of broadcast shows from channels you subscribe to on your cable or satellite network, grew in popularity by 246% over last year, according to a study by Adobe.  Today, 1 out of 5 households use TV Everywhere apps to watch television content.

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While the future of TV in general is still up in the air, marketers would be crazy to ignore the soaring number of TV Everywhere apps when thinking about their upcoming marketing strategies.

Below are four TV app trends marketers should watch out for:

Cross-platform marketing of TV apps

On tablets, over the top (OTT) service apps such as Netflix currently have more users than those offered by both TV networks and operators.  Why is this?  Lack of marketing efforts for existing TV Everywhere apps.  Expect network marketers to increase promotion of their TV app in traditional and digital ads.

Greater selection of advertisements

Consumption habits have shifted and viewers are now watching multiple episodes at a time.  To avoid bombarding the viewer with repetitive ads, marketers need to provide a wider variety of advertising content for these engaged users.

TV as an e-commerce platform

With the recent release of Amazon Fire TV, it’s hard not to think about the synchronization of e-commerce and television.  Imagine a consumer watching content and being able to seamlessly save and purchase their favorite items from the show.  Now is the time for marketers to start thinking about TV as the next screen for commerce.

Integrated social components

Consumers are demanding more and more from the TV watching experience and social media is no exception.  Social media is a natural platform for discussing TV content but consumers want the interaction to be as seamless as possible without taking them away from what they’re watching.  If TV apps begin incorporating social media functionality, marketers will want to take advantage of additional real-time marketing opportunities with TV viewers.

This post was written by Stephanie Bousquet (@sbousquet), Marketing Manager at Flightpath.

The Future of Facebook: Is Paid Reach Declining?

Since Facebook’s recent statements regarding their algorithm change, the topic of conversation for many marketers and business owners has been organic reach (or lack thereof). The issue of declining organic reach is something we have been aware of and dealing with for clients since August 2013. However, lately we have been noticing an even more […]

Since Facebook’s recent statements regarding their algorithm change, the topic of conversation for many marketers and business owners has been organic reach (or lack thereof). The issue of declining organic reach is something we have been aware of and dealing with for clients since August 2013. However, lately we have been noticing an even more alarming trend: the decline of paid reach.

Starting mid-April 2014, we noticed a significant decrease in paid reach on promoted posts across all of our clients’ brand pages. Overall, we’re seeing the cost per reach nearly doubling.  

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There is always the possibility this decline in paid reach was caused by minor changes in content and scheduling but for the most part we have followed a consistent campaign strategy since implementing promoted posts. It seems highly unlikely that we would see this trend across multiple clients all within the same time frame.

One thing to note is that although paid reach decreased, engagement levels appeared to remain the same.

So what does this mean? It’s hard to say for certain but it could force companies to dish out even more money to reach the same number of fans. In other words, expect the cost of effective promoted posts to rise (especially as more and more brands start to utilize this advertising option).

In the future, marketers may want to focus on narrowing the targeted audiences on promoted ads, increasing engagement rates and ramping up influencer marketing strategies to see continued success on Facebook.

This post was written by John Lee (@johnlee27), Senior Director of Digital Marketing at Flightpath.

Build a Better Hamburger Menu; Because It’s Not Going Anywhere

Over the past several weeks, the hamburger menu has received some seriously bad internet PR for being a poor navigation tool that destroys engagement.  One article even referred to the three-lined menu item as “the devil”. Whether you love or loathe the hamburger icon, it is hard to deny that is has become somewhat of […]

Over the past several weeks, the hamburger menu has received some seriously bad internet PR for being a poor navigation tool that destroys engagement.  One article even referred to the three-lined menu item as “the devil”.

Whether you love or loathe the hamburger icon, it is hard to deny that is has become somewhat of a design standard over the past 5 years, thanks to growing mobile apps and users.  Also, now that responsive design is the norm, the hamburger icon is even more prevalent across all screens.

In a recent article, one UX designer raised a very valid question: “Why kill a ubiquitous icon, which our users know and understand, and replace it with a new iteration for them to learn all over again?”

We would have to agree with this logic. We have bigger design problems than the hamburger menu for which we could be finding solutions. Why not simply improve on this design foundation that we worked so hard to build?

In hopes of saving the hamburger menu, we’d like to offer 5 ways to enhance it:

  • Streamline your IA no matter what.  Menu bar items should serve a necessary purpose and be prioritized based on the users needs.  Hamburger menus should not be a dumping ground for worthless content.
  • Add a ‘menu’ label to the icon if you are worried about users not identifying the navigation action.  It’s all about knowing your audience; most mobile users recognize that this icon signifies action so it may not be necessary.
  • Leave user utility items such as ‘sign-in’ or ‘donate’ on the main screen in addition to having them in the sidebar menu.  Without overloaded navigation tabs, this can actually emphasize these important conversion points.
  • On desktop, increase efficiency and changes in navigation patterns by allowing the menu to remain static once it has been opened.  At least for large desktop screens, the existing content should be able to scale accordingly without overwhelming the user with too much information.
  • Have some fun with it. A major reason the design community is so up in arms about the hamburger icon may in part be due to our own laziness and reliance on it.  If nothing else, standardizing the icon should give us more opportunities to present this menu in surprising, exploratory ways.

That being said, there are times when designers should not utilize the hamburger menu: e-commerce and transactional sites (for the most part) and sites with very few navigation tabs.  In these cases, there are plenty of alternative navigation menu options designers can use instead of the hamburger menu.

As designers, we need to make smart, strategic decisions when determining a design format.  It doesn’t make sense to completely write off a design element that serves an important purpose, like the hamburger icon, but it’s important we don’t throw all caution to the wind and abuse it.  There are rules and there are no rules; just guidelines.

 

 

 

 

Flightpath’s Social Session: Facebook App Cutbacks, Instagram’s Most Liked Photo & More

A roundup of the latest and greatest social media stories and news: Twitter got a font update late last week and users had plenty to say about it.  Days after pushing the font update live, Twitter confirmed they did indeed make the switch from Helvetica Neue to Gotham. Facebook keeps us on our toes once […]

A roundup of the latest and greatest social media stories and news:

Twitter got a font update late last week and users had plenty to say about it.  Days after pushing the font update live, Twitter confirmed they did indeed make the switch from Helvetica Neue to Gotham.

Facebook keeps us on our toes once again by changing their News Feed algorithm to deemphasize stories automatically shared by third party apps without actions by the users.

Yahoo takes on YouTube with plans to launch their own video platform this summer.  Reportedly, Yahoo plans to lure users from Google with higher revenue percentages.

Twitter growth predicted to skyrocket in Asia-Pacific and reach 400 million users by 2018, according to an eMarketer report.  A long wait for Twitter execs, who previously hoped to reach that mark by 2013.

Instagram face-off: A study using 1.1 million Instagram photos analyzed with face-detection software showed that pictures with faces are 38% more likely to get ‘likes’.

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Twitter users cash in thanks to anonymous donor @HiddenCash who recently began posting clues to the whereabouts’ of envelopes of money in LA.  His social good experiment has gained widespread attention and new pay-it-forward twitter handles have popped up across the country.

Best brand tweet of 2014 goes to Denny’s Diner for their real-time response to Apple finalizing a $3 billion deal to buy music-streaming company Beats Electronics.

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And The Most Liked Instagram Ever goes to….Kanye West and Kim Kardashian.  The reality star posted their wedding photo to her account last week and it has since gotten 1.98 million likes (and counting).

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Responsive Web Design vs. Standalone Mobile Site: Which is Better for SEO?

It’s no secret that mobile visitors are taking up an ever-increasing amount of visits and pageviews across the web. According to StatCounter, 23.56% of worldwide Internet traffic was on a mobile device in April 2014. Another 5.83% came from tablets. That leaves the traditional desktop with a 70.61% share. One of the more common questions […]

It’s no secret that mobile visitors are taking up an ever-increasing amount of visits and pageviews across the web. According to StatCounter, 23.56% of worldwide Internet traffic was on a mobile device in April 2014. Another 5.83% came from tablets. That leaves the traditional desktop with a 70.61% share.

One of the more common questions we get at Flightpath is how best to address these two distinctive segments. Should a separate mobile site be created on its own domain, such as ‘m.website.com’ ? Or should a single website be developed responsively so that the regardless of what kind of device is used to access the page, it is delivered in a way that provides a user-friendly experience?

The answer to that can be complicated, and that’s not really the point of this article. The point of this article is to address the question from a search engine optimization perspective. What are the advantages and disadvantages to each, and more importantly, what does Google want? If there’s one thing any seasoned SEO strategist knows, it’s that you’ve got to keep Google happy.

Well, first things first. Google absolutely gives preference to mobile-friendly sites for mobile searches, regardless of the technique used to achieve a positive mobile experience. This goes back to one of Google’s most basic tenants used to guide ranking factors: provide a good user experience. Sending mobile visitors to a completely un-optimized desktop oriented site is definitely NOT providing a good user experience.

Now, on to the question at hand.  As it turns out, Google has more or less directly answered this question: they prefer responsive websites.

Google supports smartphone-optimized sites in three configurations:

  1. Sites that use responsive web design, i.e. sites that serve all devices on the same set of URLs, with each URL serving the same HTML to all devices and using just CSS to change how the page is rendered on the device. This is Google’s recommended configuration.
  2. Sites that dynamically serve all devices on the same set of URLs, but each URL serves different HTML (and CSS) depending on whether the user agent is a desktop or a mobile device.
  3. Sites that have separate mobile and desktop URLs. 

For once, we have a seemingly candid response from Google. Hurrah! And oh, hey, the folks at Bing agree.

Why is this Google’s preference, though? Think about it this way, responsive sites serve the same set of URLs with the same HTML to all devices. A straightforward crawl as far as Google is concerned. Now when you introduce multiple domains, URLs, directives and redirects – the elements necessary to run a proper mobile site, it makes Google’s job a lot harder. Google is certainly up to the task, but it’s going to take more time and computational power to perform the same task of indexing the site accurately.

Keeping Google happy isn’t the only SEO-advantage of responsive web design. Responsive sites are actually much easier to optimize around.  You’ll notice that I said “easy” and not “better”. The fact is, you can circumvent most of these issues with proper planning, implementation and maintenance. However, it would be a folly to ignore the element of human error. Furthermore, if you can achieve the same result without adding layers of complication, always go with the more straightforward route. Finally, something SEO’s and Google can agree on.

One of the complications avoided by going to responsive route is duplicate content. Serving the same content on separate URLs is always a bit of a dangerous game. Proper use of canonical tags can alleviate this, but again, this introduces complexity and the opportunity for human error (and let me tell you, I have audited a lot of websites, there is an abundance of human error when it comes to things like canonicalization and proper redirects).

Link-building is also a much more manageable process when there is only a single domain or URL to worry about. All of your link authority is concentrated on a single set of URLs. This applies to social sharing as well – there’s no need to worry that someone will share a mobile URL and send a bunch of desktop users to a mobile site.

One last point that I’ll mention is that setting up a new mobile site usually involves the creation of a new sub-domain, most typically ‘m.website.com’. This means starting from scratch as far as domain authority is concerned.

Are there reasons to consider a separate mobile site over the responsive route? Yes, absolutely. When mobile users follow significantly different usage patterns (restaurant searches, for example), it’s probably a good idea to serve them unique content based on device. There are also sites that have enormous amounts of content that simply can’t be made easily navigable with reasonable load times on today’s mobile technology (imagine trying to make nytimes.com responsive – it would take ages to load and likely be even more difficult to navigate).

While there are situations in which a separate mobile site is the correct answer, responsive sites are still more SEO-friendly. It really comes down to the fact that operating off on one URL is much easier for Google to crawl, simpler for Google’s algorithms to process and easier for visitors to interact with.

What To Consider Before Changing Your Brand’s Facebook Page Name

Change and evolution are inevitable in the marketing world. Luckily, if your brand outgrows its Facebook fan page name and the name no longer reflects your brand’s intent, Facebook offers the option for a “Significant Page Name Change” once per calendar year.  Flightpath recently helped a client with the rebranding of their Facebook page and […]

Change and evolution are inevitable in the marketing world. Luckily, if your brand outgrows its Facebook fan page name and the name no longer reflects your brand’s intent, Facebook offers the option for a “Significant Page Name Change” once per calendar year.  Flightpath recently helped a client with the rebranding of their Facebook page and after experiencing the intricate process firsthand, we compiled the essential information you need to know before moving forward with a page name change.

What Classifies As A “Significant Name Change”?

A “Significant Page Name Change” is any change that falls outside of the general Facebook page name guidelines, which Facebook cites as, “name changes and migrations that do not result in a misleading or unintended connection.  For example, we will allow local to global migrations, such as “Facebook France” to “Facebook”, but will not allow global to local migrations, or location to location migrations, such as “Facebook France” to “Facebook Russia”. Additionally, you may not request a name change or migration that would result in re-categorizing a product Page to a brand Page, a generic or opinion Page to a brand Page, or a Group to a Page. All migrations are at our discretion and are final.”

What Is Different About This Process?

The major difference that occurs when making a “Significant Page Name Change” versus a standard page name change is that your brand’s Facebook audience will be notified of the change via email 14 days prior to the name change taking effect. Users then have the option to visit your brand’s Facebook and unlike the page.  For those worried about a large amount of their fans dropping off, Facebook says they have “seen a very low percentage of users choosing to unlike a Page based on a Significant Page Name Change. There may be an initial spike in unlikes when the email is delivered, but that spike in the unlike rate typically settles within 2-3 days.”

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What Should You Consider Before Making the Change?

Before making the leap to significantly change your brand’s name on Facebook be sure to take into consideration how your Facebook community will feel about the “new you”.   When launching your new brand to existing customers, you do not want to risk losing followers or alienating your audience.  Make sure you have a content marketing strategy in place that allows you to clearly communicate the changes to your audience. Knowing why a company is changing its name, and more specifics about what is and is not changing, may make the transition easier for customers.

Learn More

For more information on Significant Page Name Changes, refer to Facebook’s official documentation.

 

The Finishing Touch: Minwax Launches New DIY Inspired Site

For over 100 years, Minwax has provided professional contractors and craftsmen with high-quality wood finishing products.  However, the wood care brand also services another loyal group of users: DIY-ers.  With the rise of Pinterest and novice home improvement, this group of enthusiasts, many of whom are new to wood finishing, turn to Minwax to help […]

For over 100 years, Minwax has provided professional contractors and craftsmen with high-quality wood finishing products.  However, the wood care brand also services another loyal group of users: DIY-ers.  With the rise of Pinterest and novice home improvement, this group of enthusiasts, many of whom are new to wood finishing, turn to Minwax to help beautify the wood throughout their home and beyond.

As part of an integrated digital marketing campaign, Minwax has teamed up with Flightpath to launch an innovative website that better delivers their products to their diverse customer base.  Serving as a vehicle to inspire and educate their consumers, the new site seamlessly showcases DIY photos, tutorial videos and project plans while also providing detailed product information for all wood finishing needs.

“Our goal for the site was to convey that the completed wood finishing project is the true hero, and the [Minwax] product is the best means to achieve that result,” said Everett Hutton, Senior Account Executive at Flightpath.

Starting from the elegant homepage, Minwax encourages visitors to “Get Inspired”—showcasing beautiful user-generated images of DIY projects they’ve created.  There is even a section proudly dedicated to the ‘Minwax Fan of the Month’–a Facebook contest where Minwax fans upload their own wood finishing projects and vote on a winner.  By displaying real projects made by real people, the site captures an undeniable sense of personal achievement and individuality that goes hand-in-hand with the DIY experience.

“We are all very excited with the result of our intensive collaboration. The site is clean, contemporary, easier to navigate, and is sure to meet the needs of our diverse end users,” said Jacquelyn Ferrara, Director of Marketing for Minwax.

Visit the new Minwax site to explore and get inspired for yourself.

Update: In July 2014, Minwax Australia also partnered with Flightpath to launch a new version of their site based on this same design.

Why Emotion-Driven Marketing Can Increase B2B Sales

Traditionally, B2B marketing focused on product attributes and business value.  While great product features are key for selling, we cannot ignore the influence emotions play on buying decisions even in the B2B marketplace. A recent study showed that personal value has 2x the impact business value does when it comes to making a B2B buying […]

Traditionally, B2B marketing focused on product attributes and business value.  While great product features are key for selling, we cannot ignore the influence emotions play on buying decisions even in the B2B marketplace.

A recent study showed that personal value has 2x the impact business value does when it comes to making a B2B buying decision, with 71% of buyers claiming they will make a purchase if it has personal value.

howemotioninfluencesb2bbuying_businessservices (Source: Kapost)

Here at Flightpath, we firmly believe in the power of emotions and storytelling.  We have a rich history of helping organizations create, connect or use emotional currency via digital channels to maximize potential and opportunities.  Whether it’s on your website, in a marketing video or even throughout your social media strategy, highlighting the personal value of a product can increase your chances of making a sale and strengthen brand loyalty.

Download our case study to learn more about how emotional currency is the key to staying relevant with your consumers in a highly competitive digital landscape.

Flightpath Teams Up With Umbraco Developers For Internet Week New York 2014

New York’s annual technology festival– Internet Week New York–is slated to have it’s biggest year yet and Flightpath is excited to announce we will be hosting our own IWNY event for the growing Umbraco developer community. What’s Umbraco? Built by a Denmark developer, Umbraco is an open source CMS platform known for it’s user-friendly interface and […]

New York’s annual technology festival– Internet Week New York–is slated to have it’s biggest year yet and Flightpath is excited to announce we will be hosting our own IWNY event for the growing Umbraco developer community.

What’s Umbraco? Built by a Denmark developer, Umbraco is an open source CMS platform known for it’s user-friendly interface and hassle-free customization.

In collaboration with the NY Umbraco Meetup group, Flightpath will open our offices on Tuesday, May 20 for a casual meet-and-greet for fellow Umbraco developers to get to know one another and chat about general Umbraco discussion topics. There will also be a special presentation on Merchello, the newest ecommerce package for Umbraco 7 led by Flightpath’s very own Director of Technology, Alex Lindgren.

Register for the event here and add it to your schedule on the IWNY website.  Space is limited so make sure to RSVP before it fills up!  Spread the word about the event using the hashtag #UmbracoIWNY.

 

Calling All Superstar Interns! Apply For A Social Media Internship At Flightpath

Flightpath is searching for a intern extraordinaire to join the social media team for summer 2014. We’re looking for someone with an unrequited love for all things social whose communication skills are sharp (if your wit is too, that’s even better!). Our ideal candidate: • Hates going a day without checking Buzzfeed, Upworthy and all the […]

Flightpath is searching for a intern extraordinaire to join the social media team for summer 2014. We’re looking for someone with an unrequited love for all things social whose communication skills are sharp (if your wit is too, that’s even better!).

Our ideal candidate:
• Hates going a day without checking Buzzfeed, Upworthy and all the other pop-culture sites he/she loves

• Can name a favorite internet meme (or five!) in a heartbeat

• Makes his/her friends jealous with the number of likes they get on Instagram pics

• Sees an awesome Facebook picture with a lame caption and immediately gets sad.

Think you might be a good fit? We would love to hear from you. To learn more about this internship and apply, please visit our careers page!!

Producing A Creative Stop Motion Video When You’re Short on Time

Working on a project that has creative breathing room but lack of time and resources may initially put you in a tough position, as your concepts have to be grounded in the reality of execution.  However, it’s not an artistic death sentence. For a recent Easter video campaign for our client, Fonseca Bin 27, I […]

Working on a project that has creative breathing room but lack of time and resources may initially put you in a tough position, as your concepts have to be grounded in the reality of execution.  However, it’s not an artistic death sentence.

For a recent Easter video campaign for our client, Fonseca Bin 27, I was tasked with producing a 10-second stop motion video, from concept to creation, in less than 3 hours.

Here’s are some tips I learned along the way—helpful for anyone creating stop motion video in a time crunch:

1. Create A Compelling Narrative 

A narrative doesn’t always require a tremendous amount of time to develop but to be effective it should be flexible enough to carry a headline and elevate the brand.

Tip: I always like to extend the story a little further and if the client doesn’t want it, it’s easy to chop off the ending.  For Bin 27, the narrative was originally supposed to end once the foil was wrapped back up but I made the bunny slip back behind the bottle while leaving a trail of chocolate crumbs (and the scene made it into the final video).

2. If Nothing Else, Get A Tripod

Before you shoot any stop motion videos, the one item (besides a camera) that you absolutely need is a tripod. There’s no way humanly possible to hold a camera in an even relatively similar position while moving the subject an 1/8 of an inch after every frame. The result wouldn’t just be a jumpy video; it would look like a random collection of photos.  So grab a tripod and make sure its in a locked off position before filming.

3. Leverage Natural Lighting As Much As Possible

When you don’t have the resources of a professional studio or lighting equipment, the best thing to do is find a space with exceptional natural light that you can shape with reflectors. It’s typically better to go with available light and use longer exposures with a smaller aperture for sharper images rather than using other tungsten continuous light sources like a desk lamp. This ensures that the images are between 2900-3200˚K, which is a warmer color known as tungsten. Normal daylight is around 5600˚K and is whiter or cooler.

Tip: You can always set the cameras color balance. For the Bin 27 video, I set the color balance at 5800˚K. If you leave the color balance on auto the camera will adjust each picture individually and you will most likely end up with a range of cooler and warmer pictures. Not good.

4. Use After Effects For Automatic Sequencing

To save time in post-production, I render out the selected images (after color correcting) into JPEGS and import them into After Effects as a JPEG sequence. This can save you considerable time when making a stop motion piece because After Effects automatically places the images in a sequence so you don’t have to individually place each image in a timeline in the correct order.

5. Invest In a Remote Camera Shutter Release

Every time you physically press the button to fire the camera, you move the camera ever so slightly. The end result is a very jumpy sequence of images. Remote shutter releases are an inexpensive solution to not having to press the shutter button and risk camera shake. An average remote release usually costs under $20 and gives you around 16 feet of leeway from your camera.

Tip: Because I did not have a remote camera release for this stop motion video, there were numerous frames that weren’t properly aligned.  To fix this, you can apply an effect called image stabilizer that analyzes the background and lines up all the images, effectively smoothing out the bumpy frames. 

6. Think Outside the Box 

The biggest take-away from this project was that even when working on the fly, you can do more for your clients than you may think with just a little bit of creativity. The more and more you surprise your clients with something new and creative, the more they appreciate your willingness to take the initiative to push and elevate their brand. And the more they trust your creative authority in guiding their brand. It’s just one more way to build a better atmosphere for client engagement and their trust in the agency.

The Shocking Amount of Data The Internet Creates Every Minute

A minute might feel like an insignificant amount of time in our lives but when it comes to big data 60 seconds is enough time to leave a massive digital trail.  The people at DOMO created this infographic that breaks down the mammoth amount of data all 2.4 billion Internet users produce every minute. Hard […]

A minute might feel like an insignificant amount of time in our lives but when it comes to big data 60 seconds is enough time to leave a massive digital trail.  The people at DOMO created this infographic that breaks down the mammoth amount of data all 2.4 billion Internet users produce every minute.

(Source: DOMO)

Hard to believe that in just one minute we email over 204 million messages, share 2.4 million pieces of Facebook content and upload over 72 hours of video to YouTube.  How are you or your business contributing to this endless stream of data?  Don’t take too long to ponder that question…a lot can happen in just a minute!

5 Reasons You Should Consider Umbraco For Your Next CMS

With so many options available, deciding on a CMS platform can be a daunting and frustrating task—think wedding planning or car buying.  While there are certainly reasons people go with big players like WordPress or Joomla, we think CMS upstart Umbraco is worthy of your consideration if your website wishlist includes hassle-free customization, a user-friendly interface and […]

With so many options available, deciding on a CMS platform can be a daunting and frustrating task—think wedding planning or car buying.  While there are certainly reasons people go with big players like WordPress or Joomla, we think CMS upstart Umbraco is worthy of your consideration if your website wishlist includes hassle-free customization, a user-friendly interface and great customer support.

Umbraco logo

Flightpath recently attended uWestFest 2014, North America’s first Umbraco festival, to learn about their latest software, Umbraco 7, and gain some insight on the benefits of this CMS platform.

1. Easy-to-use interface

The platform prides itself on being extremely intuitive and fast, which makes it an appealing platform for non-developer, non-designer users.  Translation: Less time learning the technology equals more time focusing on your business.

Alex Lindgren at uWestFest

 2. Great search and indexing service

Flightpath’s very own Senior Director of Technology, Alex Lindgren, spoke at uWestFest 2014 about the reasons to love Umbraco’s search capabilities.

“Umbraco provides a powerful API for building custom search because let’s face it, site visitors want to find relevant content quickly,” said Lindgren.

3. Passionate developer community 

While the cult-like community of Umbraco developers is rapidly growing, they remain a tight-knit group eager to answer questions and get involved in forum discussion.

4.  Highly customizable for content managers

Umbraco allows designers to build websites that are equal parts beautiful and customizable.

Screen-Shot-2014-04-16-at-6.04.53-PM

Flightpath recently created an Umbraco site for WageWorks that centers around interactive tiles that can be easily updated by the content manager and provide flexibility for page layout.

5.     Extensive support system

Getting things fixed on your website is a lot easier thanks to Umbraco’s support tools.  Users have access to a library of over 100 video tutorials as well as an umbraco wiki filled with step-by-step tutorials.  (If you’re willing to dish out some cash, Umbraco also offers a premium support service for around $4000)

If this seems like a perfect match for your website needs, Umbraco has a helpful list of developer recommendations on their site—including Flightpath who is now an official Umbraco Certified Partner.

5 Things We Learned at SXSW Interactive

Hard to imagine it’s been 30 days since the Flightpath team set our sights on SWSW 2014. While the SXSW glow slowly fades, what remains is the energy and excitement about the work we do, the clients we serve and the enduring lessons we learned: 1.    If we’re too focused on the technology, we lose […]

Hard to imagine it’s been 30 days since the Flightpath team set our sights on SWSW 2014. While the SXSW glow slowly fades, what remains is the energy and excitement about the work we do, the clients we serve and the enduring lessons we learned:
1.    If we’re too focused on the technology, we lose sight of the psychology
In this evolving digital world, nearly every IPO heralds a new tool that promises increased engagement (ooh!), better functionality (ahh!) and less ads (ohh!). But when we get so excited about the medium, do we lose sight of what we’re trying to share with consumers? That’s when campaigns fall flat.

During Jonah Berger’s session, What Drives Word of Mouth, he highlighted a need for marketers to gain understanding on why people talk and share. True understanding of human psychology will help us create the right message to reach our brand advocates and get them talking. We were so jazzed after the session. We grabbed a copy of the book at the SXSW bookstore and have plans to reinstate our Flightpath book club with Berger’s Contagious as our first selection.
2.    Never underestimate the importance of strategery*
We’ll admit, we first went to this session based on its title: Go Home Marketing, You’re Drunk. And we weren’t disappointed. Kristina Halvorson broke down the importance of a clearly defined strategy in the content marketing space. If our goal is to create and distribute valuable, useful content to our audience, we need know what we’re saying and why we’re saying it. Without a smart strategy? We don’t have focus and will find ourselves working hard but not smart. Smart strategy provides us with the guardrails to know where we’re headed. If we do it right, we end up doing great work with both substance and integrity.
3.    We’ve seen the future, and it’s the debate over wearable technology
Walking around SXSW, we saw our fair share of Glassholes. But as these “explorers” lead us toward a new frontier of wearables, society is asking more questions than the experts are providing answers to at this stage.

During Glassholes: The Cultural Dissonance of Technology, panelists debated wearables as ushering in the next phase of human augmentation (or how we expand our own capabilities with technology). The biggest concern levied by the panelists and the audience was how wearables separate us from the physical world. The Google Glass enthusiasts argued (persuasively) that Glass allowed them to be connected without interference. Those on the other side of the issue felt that the very nature of the wearer using them was interference since unsuspecting bystanders would be drawn into the digital world without their consent. While nothing was solved by the end of the session, it made us think about the digital personas we spend so much time cultivating versus how to live an authentic life where we benefit from technology but aren’t ruled by it.
4.    Use social media for social good
What is a conference without free swag? The notorious stuff we all get was abundant in the exhibit hall. Hordes of people clustered around booths in hopes of securing a shirt, a tote or other tchotchke. But thanks to Twitter and the #SXSW hashtag, we discovered that all those random goodies that we didn’t really need (but couldn’t say no to) could go to a good cause. It made the exhibit hall experience a grab-bag game — how many tees (that you would never wear) could you snag for Austin’s Foundation for the Homeless? Finding the volunteers outside the Convention Center and dropping the goodies into their outstretched arms just felt right.
5.    The true lessons are revealed when you return
Sure, waiting in line for a chocolate chip cookie shot can be a fun way to spend an hour or two, but the real fun? Spending time with colleagues and learning from thought leaders and experts who are pushing the envelope and bringing new technologies forward, left us looking for connections on how we can harness the latest digital trends on behalf of our clients — to help them reach and engage with consumers in a meaningful way.
Until 2015…

 

*Kristina Halvorson even gave a shout out to Will Ferrell’s hilarious George Dubya character from Saturday Night Live.

 

 

Happiness is in the Marketing Air!

Spring is finally in the process of springing, Baseball and Budweiser are trying to get the national past time’s Opening Day to be a national holiday Budweiser Opening Day and even Pharrell William’s “Happy ” shows no pull back or wear out. Oscars or not, it just fills your head with happy. It’s an amazing time to be […]

Spring is finally in the process of springing, Baseball and Budweiser are trying to get the national past time’s Opening Day to be a national holiday Budweiser Opening Day and even Pharrell William’s “Happy ” shows no pull back or wear out. Oscars or not, it just fills your head with happy.

It’s an amazing time to be alive and happy.  Marketers, can’t you just smell it?  I think people are more likely to part with their hard earned money when they’re happy. There’s tons of data regarding “sadness spending”, but volumes of emerging research in the role of happiness and positivity’s role in work and play.Gallop recently asked 350,000 people about happiness. December is the happiest month (and 12/25 is the happiest day!) The food, giving, gifting, spending spirit is hard to compete with.

Holidays aside,  April is a great opening act to all the warm weather, longer days and six months of airy lightness for much of the country. Why is this important?  Glad you asked! The exceptional work within the positive psychology movement validates for marketers that leading with emotionally compelling and meaningful “happy” messaging causes people to act and be more positively disposed.  Which translates to things like greater engagement, richer connection/stickyness and transactional conversion.  In other words, marketers acting happy may very well lead to more action.

Positive psychologist, author and TED extraordinaire Shawn Achor lays out a framework regarding flipping the “work to be happy” (i.e. finding the job of our dreams will lead to a happier life) to the idea of front loading happiness in inspiring productivity and many other positive outcomes in the job we’re already in.

So, the message to my fellow marketers on this sunny day as we start the beginning of April, is raise your happiness game. Could be in simplifying the message, more intuitive navigation or maybe just adding a wink or whimsy to a brand/category not known for it.  Just remember what the Joker said ”Why so serious?”

SXSW Sessions: The UX of Realtime Site Personalization

The static website is dying. We are at an age where having a website just isn’t good enough any more. With our attention spans constantly shortening, and typical web users multitasking, no one wants to dig through content to find what they’re looking for. Your site needs to know your user, and deliver them the […]

The static website is dying. We are at an age where having a website just isn’t good enough any more. With our attention spans constantly shortening, and typical web users multitasking, no one wants to dig through content to find what they’re looking for. Your site needs to know your user, and deliver them the content that they need, with as little effort as possible.

Currently the only major player that has come close to mastering their users needs is Google. I type in a search for “brunch”, and I am immediately presented with restaurants in my area, their user ratings, a map of their locations, and sites listing the top 10 best brunch spots in New York City. The utility navigation underneath the search bar, even rearranges itself making “maps” my second option right after search. I didn’t have to tell it I was in New York, or that I would be looking for the best brunch spots. Google simply knew what content I was looking for, and delivered it right to me.Screen Shot 2014-03-18 at 10.12.37 PM

While all companies may not have the engineering geniuses at Google, let alone their budget, there are still accessible technologies available that can make your site more personalized for your individual users. Geolocating, media queries, and cookies are all technologies that we have at our disposal now, but I feel that the simplest method that can be implemented almost immediately is utilizing hard user data. Most sites are built now with some kind of analytics, tracking page views and click throughs of different users on different devices. That information can, and should be utilized in the design of your product.

There are certain assumptions can already be made about mobile, tablet and desktop users, and understanding their different needs and limitations is the first step in creating a more efficient experience for each device. Desktop users are typical stationary, they are in one place, and will be connected to a stronger internet connection, thus have the time to click through more pages, and the signal strenght to load them. A mobile user on the other hand, may not be stationary, or even connected to wifi, so they will not want to explore your site, or have the capacity to load additional pages. If we take that basic information into consideration, it is easier to create an experience catered to their specialized needs.

Hard numbers are also a great way to understand how your user is interacting with your site, and how to cater to them accordingly. For example, if you see your mobile users frequenting the “our location” section of your site, it may be a smart move to have the information at the ready when they visit your mobile homepage, rather than making them look for it. Your desktop user may have the time to sit and click through two pages to find your address, but your mobile user is possibly on the go, and may not be connected to a wi-fi hotspot. Making a change as simple as that gives your users a better experience, without using seemingly advanced technologies.

As long as we can learn from our users, and iterate accordingly, serving up a personalized web experience may be entirely within our reach.

Impressions from attending a SXSW session by Jesse Friedman

Restaurant Week is Here, for a few weeks…literally

So Eat Your Heart Out NYC…more literally! French, Italian, Vietnamese, Greek, Olympian… now is the time, if you love finer dining, to get your fill.  If you live far from the city, you can live vicariously like I do, through the Flightpath Foodies. Clearly, I’m no foodie, but I DO work with some incredible foodies, the kind of […]

So Eat Your Heart Out NYC…more literally!

French, Italian, Vietnamese, Greek, Olympian… now is the time, if you love finer dining, to get your fill.  If you live far from the city, you can live vicariously like I do, through the Flightpath Foodies.

Clearly, I’m no foodie, but I DO work with some incredible foodies, the kind of people who know all about food and drink and who drool over the culinary arts like I do 70lb+ dogs. People who shock and amaze clients and co-workers with what they know about sources of origin, pairings, and yes – even the best places to go.

So, with our new Mayor calling on all of us to “eat out” (as once only the beloved Mayor Koch could do) I thought “Why not reach out to these remarkable sources of foodiness and get them to share with you their favorite thing or two about Restaurant Week (the app ain’t bad!) or the “epic” food scene of our fair metropolis?” Without further ado, their thoughts:

Denise de Castro, Vice President Client Services: “I have a few tips! I usually make my reservations on the first day they open – this year it was on Feb 10th. The places I usually hit up during #nycrw are SD26 and A Voce – simply because they’re near our office. I’d also recommend ilili – they’ve got a fantastic lamb burger. Another tidbit (noted on my blog):
Be sure to register your American Express credit card to get a $5 statement credit each time you spend a total of at least $25 at a participating restaurant during the NYC Restaurant Week campaign. And don’t forget: it’s also Japanese Restaurant Week in NYC. Enjoy!”

Leslie Poston, Senior Social Media Strategist: “New York is a town of discovery, and I love finding those little quirky places that have a unique feature or fun element (like PDT’s “secret” phone booth entrance), as well as places that have as much atmosphere as quality food. I use Foursquare lists and tips to help me find out what my friends love about the city, find out when a place has become too crowded and “scene” to enjoy – allowing me to choose somewhere else. I also use Foursquare and Twitter to connect with friends when they are out. It’s how I’ve discovered a few local speakeasies and other hidden gems. It’s Restaurant Week – treat yourself!”

Michelle Kelarakos, Social Media Strategist: “Take advantage of Restaurant Week to go to restaurants that are on your food bucket list. The best advice I can give anyone going with a loved one or friend is to order different items from the tasting menu so that you both get to try different dishes. Sometimes, the menu is so good you can’t just pick one so why not make a tasting out of it!”

The Super Bowl, There’s No Icky in Sticky!

Walking down the Super Bowl boulevard of not broken dreams this morning on Broadway in New York City, it became obvious why commercial America loves The Big Game.  People can’t get enough of pre-game hype, pre-game previewing of the spots, pre-game everything Super Bowl, preparing Super Bowl foods, planning parties, etc. No, it’s not just […]

Walking down the Super Bowl boulevard of not broken dreams this morning on Broadway in New York City, it became obvious why commercial America loves The Big Game.  People can’t get enough of pre-game hype, pre-game previewing of the spots, pre-game everything Super Bowl, preparing Super Bowl foods, planning parties, etc.

No, it’s not just the massive eyeballs that come with Super Bowl ads and posts each year.  Spending $4 million bucks can quickly aggregate a lot of eyeballs by any number of “road-block” media strategies on and off-line.  But that’s not it.  Watching adult people running to get their photos taken with Denver and Seattle player “standees” in Herald Sq. and seeing teens running after a living football player for “selfies” brought all the optical clarity one needs to understand the Super Bowl’s gravitational pull.

Best Buds 2014 Budweiser

The Super Bowl is the “stickiest” thing in America. The stickiest thing ever created in our country.  And, it creates a stickiness for any and all things attached, associated or aligned with The Big Game.  Just ask Bruno Mars or his agent.  Plus, the Super Bowl is made and still played in America- even as it expands its global reality. Love French food, Italian fashion, German cars… but the Super Bowl in NYC (no less and way more!) is so us, so USA, USA, USA! Excitement personified.

Year after year where ever it goes, the Super Bowl dominates the media for practically two weeks. The President is even part of the stickiness, joining forces with the Super Bowl pulpit/telecast – even on Fox – to bring the country (car and truck buyers, beer and soda drinkers, website “URL” hunters) together.  And, at the end of the Super Bowl Sunday, its broad stickiness is deeply rooted in the emotional connection it fosters and creates among so many of us.  That’s worth watching and paying for!

So, even though I have viewed the Best Buds dog and horse spot personally 1.5 million times, I still can’t wait to down it with some wings and friends on Super Bowl Sunday!!

Enjoy, America!

 

Editor’s note: We had some internal debate about using “Super Bowl” since this is a blog post and not an event for money or an ad. I bet we are not the only ones debating the finer points of trademark and copyright law this week!

The PDF Must Die & Other Tips for Success on Mobile

With ever-increasing traffic coming from mobile devices, potential clients often ask what they can do to create a more mobile-friendly website. Here at Flightpath, we create a lot of mobile content including apps, and sites with responsive design that scale to whatever device a user is viewing the content on. At BDI’s recent Mobile Leadership […]

With ever-increasing traffic coming from mobile devices, potential clients often ask what they can do to create a more mobile-friendly website. Here at Flightpath, we create a lot of mobile content including apps, and sites with responsive design that scale to whatever device a user is viewing the content on.

At BDI’s recent Mobile Leadership Forum there were some great points made by Michael Pranikoff, the Global Director of Emerging Media at PR Newswire that we wanted to highlight.

Here are the top tips from his presentation, Mobile First. Mobile Now – A look at Mobile Media Consumption:

The PDF Has Got to Die!

As content providers, we need to make content accessible to anyone who wants to read it. Thinking about the format in which content is delivered is essential. No one wants to wait around for a PDF to download to their phone.

Pictures Stop the Swipe!

People love images, gone are the days of creating sites with dense text. In order to engage consumers and stop them from bouncing, sites need to be visually engaging and image-rich.

Make Infographics Bite Size, Not Long & Scrolly

Infographics are a great way to deliver information visually, and people like them. What people don’t like is having a carpal tunnel flare up from all the pinching and scrolling they have to do to read one a mile long. Consider what your infographic will look like on a mobile device before your create it.

Use Less Words!

Big Bird cover your ears. People just don’t like words as much as pictures. Worry less about what your site says, and more about what your site shows.

Responsive Design

Save people the hassle of having to click off into “View Full Desktop Version” land. Creating one site that scales to fit the device it is being viewed upon will make your users happy. It is also more cost effective in the long run than creating separate mobile sites and adding bandaids to an old desktop site.

Content Must Be Appealing …but Not to Everyone

Create valuable content for your target user not for the general public. People will get more value out of content that is tailored to them.

Include Calls to Action

By letting people know what you want them to do next you are making it easier and faster  for those navigating your site. No one wants to hunt around for the content they need, especially on a mobile device.

Plan for the Future

Mobile is only going to grow. Device sizes are ever-changing. The time to choose responsive design is now.

And finally, speaking of calls to action, perhaps you should check out what we’ve got to offer in terms of Mobile Web & App Development.

How to Create B2B Marketing Videos for YouTube & Beyond

how to create b2b marketing videos

Historically business video has mostly been a stepchild (or worse) of brand and consumer agency culture. That has all changed. Today, given the accessibility of amazing content creation and editing tools and even more amazing and widespread talent, business video has emerged as top tier content.

The time to know how to create compelling B2B marketing videos is now! Historically business video has mostly been a stepchild (or worse) of brand and consumer agency culture.  Low on production and portfolio value, the world of great “how to” instructional or corporate storytelling showcases were never top tier emotional or financial investment priorities.

That has all changed.  Today, given the accessibility of amazing content creation and editing tools and even more amazing and widespread talent, business video has emerged as top tier content.  In a way, just like “IT” came from the backroom to superstar status, B2B video is as likely now to have pixel rich and infographic led animation as a gorgeous 30sec. Ford truck spot featuring Denis Leary.

But as we all know and hear virtually daily, great content be it websites,  video, whatever is about story.  Because we live in a content world, people know good content from drek- both are available on YouTube, Vimeo, Netflix, everywhere.

This is what makes B2B video content incredibly compelling to create today- our ability to tell a compelling story.  It is no longer about a “modest” production budget under minding a great idea. And, while the expectation for truly engaging and immersive content is higher because of its ubiquity, great visual language and tight writing always excites. Just like a truly emotional movie never fails to get to us.

In polling our design and production team about five keys for going beyond even a B+ video, they said in no particular order:

  1. Short is better than long. People are trained to watch 30sec. bits of content. 3:00 is to long, by maybe 100%. 1:30-1:45 is a great length for framing a brand or corporate vision or overview.
  2. Beginning, Middle and End. Not needing to be equally distributed lengthwise but with undeniable cues and segues.  And, I quote “don’t screw with William.”
  3. Funny is good. Compelling is better. Find something compelling to say and show and do it early in the video.
  4. Create movement within screen moves. Back drops for b-roll or  animation work. It is eye candy and engages the audience to never let go.
  5. Given the option to have voice over or good music, music totally wins. Not in all cases, but in many. Tell the story on the screen, let people feel the story through the music. Works for me!

Do Blogger Outreach? 6 FTC Guidelines You Must Understand

…if the FTC takes action it will be against a brand, most likely not a blogger. As a marketer this could not only cost you thousands in fines from the FTC, but would jeopardize your relationship with your client. Understanding FTC guidelines is essential to protecting your agency, your client and also the consumers who you are marketing to.

The FTC released an update to their Endorsement Guidelines in March and while there have been a lot of open discussions about the FTC guidelines in the blogging community, there are far fewer within the marketing space, if the FTC takes action it will be against a brand, most likely not a blogger. As a marketer this could not only cost you thousands in fines from the FTC, but would jeopardize your relationship with your client

This past weekend at BlogPaws (a social media conference for pet bloggers) an FTC rep was on hand to disseminate the information to publishers, but this information is extremely valuable to those of us in marketing who conduct blogger outreach.

Understanding FTC guidelines is essential to protecting your agency, your client and also the consumers who you are marketing to.

1. When does a blog post need to have a disclosure?

Whenever there is a material connection between the post’s author and the brand. If a blogger happens to purchase a product that they love and then write a post detailing the product’s virtues, there is no material connection between them and the brand.

A material connection is established when an agency or brand reaches out to a publisher and offers product, gift cards, payment or other items that could be considered a transaction (a free dinner, trip etc.)

So, if you work in-house or at an agency and are conducting blogger outreach you need to be familiar with FTC guidelines. If you chose to ignore them, you are running a risk that your agency and your brand will be the subject of an investigation and possible action by the FTC meaning fines.

Who has been subject to these investigations? The speaker mentioned Porter Novelli, HP, Ann Taylor Loft, and Hyundai.

What were they giving away? As little as a $50 gift card. So, whether you are offering cars or carnations to bloggers you need to know the FTC guidleines.

2. Direct bloggers to use the #ad in any tweets, pins or Instagram images they share to promote product review or sponsored posts. DO NOT use #Spon

The FTC would like to see bloggers on Twitter and other microblogging platforms discontinue the use of the hashtag #spon (which means sponsored post in blogger speak). The meaning of the #spon hashtag may not be apparent to consumers, and the mission of the FTC is to ensure consumers understand the material connection between the blogger and company. It is the responsibility of the brand who did the outreach to communicate this as a necessity.

#Ad is much more clear to everyday people that what they are seeing is an ad of some sort, whether the post is paid for which cash or stems from a product review of items sent free of charge to a blogger.

3. Disclosures should be placed as close as possible to the claim they qualify.

This means, that instead of a blogger writing 4 paragraphs about the nifty gizmo they received and then waiting to the end of a post to mention that the above post was paid or that they got said gizmo for free, bloggers should disclose their material relationship to the brand in the heart of the post, close to where they detail the product.

What language should be used? The important thing is that a normal person can understand the disclosure. Legalese need not apply. So, ask bloggers to disclose that the product was provided free of charge by your company right when they start discussing it. For instance: “Gizmody  Co. just sent me GizmoXY  free of charge for review and I think it is super nifty.”

Asterisks and other weird symbols that refer readers to the bottom of a post for disclosure just don’t cut it in the eyes of the FTC. With an increasing number of mobile users who are viewing content in small bits and bouncing fast, they realize the number of people who read posts in their entirety is small.

4. If you are a marketer, you are not allowed to leave positive reviews for your clients on Yelp, Amazon, iTunes or anywhere else.

Especially if you do not disclose that you are a representative of the company. The FTC rep was very clear that this would not be tolerated and highlighted a case in which the FTC investigated a PR company who left numerous positive reviews for a client’s video game app in the iTunes store. So, just don’t do it.

5. Don’t use hyperlinks for disclosures that are integral to a claim

Linking off to information that the consumer needs to make an informed decision about the value of the opinion stated in the post or for important information like safety or cost. The speaker did add that hyperlinks are permissible if a disclosure is expecially long or has to be repeated over and over on the same site.

6. Make sure your agency or brand has a social media policy that includes mandating disclosure from bloggers you work with.

The speaker said some investigations against agencies and brands ultimately were closed without action because the agency or brand had a social media policy in place and showed that the outreach for the campaign being investigated was done by a “rogue” employee. Having a policy documented and in place could help your agency or brand in the event that an FTC investigation is launched.

Blogger outreach is a great way to build word of mouth, backlinks and to seed a new product with consumers. Just do it responsibly.

Additional resources for brands, agencies and bloggers can be found at www.business.ftc.gov

Pinterest Best Practices for Brands 2013 – How to Get Consumers Pinterested!

We just released our best practices for brands on Pinterest! Here is a sneak peak at the whitepaper, and top tips to ensure your brand is getting the most out of Pinterest.

We just released our best practices for brands on Pinterest! Here is a sneak peak at the whitepaper, to view it in it’s entirety download it here.

If you have an interest in marketing online, then you have an interest in Pinterest. Pinterest provides an opportunity for brands to reach consumers in the golden moment when their intent to purchase is forming- as their boards of product images are growing.

Announce your arrival

Pinterest does not offer promoted content or advertising to brands yet. So how can a brand announce their arrival on Pinterest if not through ads? Here are 3 sure fire ways to jump start your Pinterest presence:

  • A magic formula that is 2 parts Facebook and 1 part Pinterest. Create a Pinterest app on your brand page and support it with Facebook ads aimed at Pinterest users within your brand’s target demo.
  • Email! What happens when you take an old fashioned email and insert ready to pin images? BOOM- pinning a plenty!
  • Add Pin It! buttons to images on your website to remind visitors to share their fav pics on their own

Use awesome images

Want to be repinned? A perfect Pinterest image is 600 pixels wide. There is no maximum length on Pinterest, so aim for pins that are long. Images, taller than 800 pixels will stand out in the crowd.

Fill your brand’s boards with images beyond everyday product shots. Funny, beautiful and touching images have better odds at being repinned. Whether you are creating images for your pinboards or scouring the Internet for cool, repinnable images, chose high contrast images. Break out of the photo mold and create pins that include text, just make sure it is brief and bold.

Read the rest of our tips for marketing on Pinterest by downloading our latest white paper: Pinterest Best Practices for Brands 2013.

Brand Mis-Deception

Today, even with all the big data abounding, brands know you behaviorally. Think about it, only by your actions, purchase patterns, click throughs and by the perks they throw your way. Few brands (or the people who manage them) know you emotionally or get you empathetically.

I love brands.  In fact, some of my best friends are brands.  It’s true, my Nike Pegasus(s) have taken me to more places than I could ever recall. And, I do love, unconditionally my Bic 4 color pen- it too has taken me to many places weird and far.

But, lets be real it is a one-way street.  My old school writing partner wouldn’t know me from Kurt Vonnegut.  And, Nike knows me mostly as the obedient discount reacting Pega$u$ guy.

Today, even with all the big data abounding, brands know you behaviorally.  Think about it, only by your actions, purchase patterns, click throughs and by the perks they throw your way.  Few brands (or the people who manage them) know you emotionally or get you empathetically.  They may be using Radian6 like tools on your Facebook comments or Tweets or what you blog.  There is a lot of heady ( or hoody?) extrapolating and projecting, but for all they know about you, not the persona you, but your emotional you, brands still have along way to go in getting real.

Brands of course want a deep and meaningful relationship, but it’s difficult, let alone really creepy for the “inanimates” to know too much, get too close.   Unless you’re a “people” who position themselves as a brand like Jillian “5 more reps, now!” Michaels or Justin “Be a Belieber” Bieber or anyone with the surname “Kardashian”, then it’s cool.  It’s like who needs another bud, when you just want another Bud?

All I am really saying is, all of us in brand land (all of us!) need to take it easy on the over the top ways of getting attention and penetrating our hopeful or loyalist lives. Just because we now know way more about the navigational and transactional pathways of our “friends” doesn’t mean we should use it against or for them. Most brand and digital brand people especially, live in the never-ending world of new and cooler “shiny objects.”

So  given this, what I’m REALLY saying is just maybe the only way to truly navigate the future of effective brand marketing and cultivate sustainable relationship value is say or sing “R-E-S-P-E-C-T” and practice RESTRAINT.

Still using stock photos on social? It’s really time to stop.

If your grandparents looked like they crawled off a Clairol box, then congrats on hitting the genetic lottery. For the rest of us, stock images showing perfect people in perfect families just aren’t relatable. They also just don’t work well on social and here is why…

What is one of the worst things brands can do on social media? Use stock photos! Stock photos and product shots on social make us cringe, but the practice is all too common. If your social media marketing strategy involves stock imagery and products shots we have rounded up the top reasons to convince you to change it up.

Here are the top reasons not to use stock photos in your social posts:

1. Who are these people anyway?

Screen Shot 2013-04-24 at 11.13.04 AM

If your grandparents looked like they crawled off a Clairol box, then congrats on hitting the genetic lottery. For the rest of us, stock images showing perfect people in perfect families just aren’t relatable.

Showing images of real people using your products, who are truly enthusiastic, are going to go much further with your target audience. Your brand’s likes,  share and overall engagement will go up.

2. Cans lack soul.

Screen Shot 2013-04-24 at 1.38.36 PM

It’s a can of cat food. Yes, if you are a cat owner you probably have a brand of cat food that you like. And, if you are the cat food company then you probably paid thousands for a photo shoot in which each piece of niblet of meat in this can was arranged.

But, chances are if you saw this can of cat food pop up in your newsfeed accompanied by copy like “Like this if your cat eats this”- you would not even pause for a second look. Even if it had the most gorgeous label in the world. It’s still just a can.

On the other hand….

If you are a cat food company and post a pic of a real cat a user shared on your wall or on another social platform, who is super cute, and put your branding on it, BOOM. Magic happens…

Screen Shot 2013-04-24 at 11.24.23 AM

People will share. Fancy Feast rocks this tactic all the time on Facebook, and their images get a lot of love. Always think about your brand’s content from the user’s perspective- not just the brand perspective.

If your brand is posting cans, bags and other product shots- not matter how lovingly poised that product may be, it will never have the soul of a user generated image.

3. Stock photos aren’t funny, smart or interesting

Couple brushing teeth in the bathroom

Think about it for a moment. You went to school for photography. You have to make extra cash. So, you create the most generic images possible like the above “couple brushing teeth” and add a million random tags to the photo in the hopes that your image will be downloaded enough times that you can buy groceries this week.

The result: Boring images.

Screen Shot 2013-04-24 at 11.39.15 AM

This image was posted on Colgate’s wall. A consumer is proving the whitening power of their toothpaste with a photo taken in black light.

That would be a very funny post from the brand as well, but instead Colgate responded “HAHAHA” and let the post wither on the “Recent Posts by Others” vine, instead of using the image in a post on their own wall with thanks to the user who submitted it.

Instead they use images like this…

Screen Shot 2013-04-24 at 1.27.46 PM

I don’t mean to pick on Colgate or their agency or in-house person tasked with picking stock photos of perfect people with perfecter teeth.

They are just typical of the way brands use images to little effect on social.

So, use real user generated image on your wall and consumers will see that you are paying attention to them, and even better that you are celebrating their relationship with your brand. They may also post a pic in the hopes that they will get a star turn in your brand’s posts.

Have you made the switch from product beauty shots and stock images to user generated on social? Leave a comment and share your thoughts!

Change is never easy or fast enough and that won’t change!

Ron Johnson the celebrated former Target, Apple, and now J.C. Penney executive clearly understood the above un-attributed law of change and went all in anyway. So why didn’t Mr. Johnson’s strategy of getting rid of the hundreds of coupon and discount offers with everyday low price (EDLP) work, as well as, dramatic and fundamental changes […]

Ron Johnson the celebrated former Target, Apple, and now J.C. Penney executive clearly understood the above un-attributed law of change and went all in anyway.

So why didn’t Mr. Johnson’s strategy of getting rid of the hundreds of coupon and discount offers with everyday low price (EDLP) work, as well as, dramatic and fundamental changes to merchandise?

Some point to hubris, others to deep-rooted conviction born out of incredible experience.   Here’s my two pennies:  I say the issue was not about changing the discount culture of a store, but the broader reality of brand culture and habitual behavior/expectation that Johnson may have underestimated.

Changing people’s belief about a brand or changing its transactional soul is danger on steroids.  People are creatures of habit. Consumers even more so regarding the ritualistic behavior of imagining they’re winning with a coupon or discount. People like winning at retail and EDLP takes the game away; while, framing a new “believe me/trust me” mindset- without the dopamine.  Plus, for over 100 years J.C. Penney has meant something to its loyalists (dwindling as they may be) and that something was the feeling of special- discounts, days, savings.

Target let alone Apple never had that historical baggage to negotiate.  From day one Apple wrote its own way of defining its unique user experience.  Target with designers like Mr. Graves and Mr. Stark evolved and enhanced the product portfolio without alienating the consumer or their expectation.

Both defined their respective channels through innovation. From a brand POV innovation doesn’t have the negative reverb like change does.  The obvious proof point is Coke changing formulation into New Coke- the #1 “don’t mess with my brand” case study in history.  Coincidentally or ironically one of Mr. Johnson’s advisors, Sergio Zyman was the senior marketing exec. at Coke at the time of the re-launch.  So clearly, Mr. Johnson had first hand and learned experience with this kind of fire.

In the coming days much will be written about Ron Johnson’s tenure- was he given enough time, was he fighting an impossible product, merchant culture battle, did his senior staff leave because they sensed what was happening or not?

Regardless of what gets said or not, this much we know “if change was easy, everyone one would do it!”

In the Wake of Tragedy What Should Brands on Social Do? Be Quiet.

In the wake of tragedies, people turn to social media for instant information, to fulfill our human need to connect. This is when social media really shines, when it’s promise as an instant means of communications and information comes true. Brands on social seem to struggle with tragedy. PR agencies, ad firms and digital shops […]

In the wake of tragedies, people turn to social media for instant information, to fulfill our human need to connect. This is when social media really shines, when it’s promise as an instant means of communications and information comes true.

Brands on social seem to struggle with tragedy. PR agencies, ad firms and digital shops are filled with people who are affected, even if indirectly when tragedy strikes. Everyone struggles with coming up with the right thing to say. There is a very human need to say something.

But brands are not humans.

Even though the people who staff accounts have the best intentions, creating a post in the vain of “We Remember…” or “Our thoughts are with…” is inappropriate. People are turning to each other for comfort, for news outlets for coverage. They are not turning to consumer package goods or B2B companies for solace.

In the aftermath of tragedy, brand posts do two things:

  • Clutter up newsfeeds when people are looking for instant information.
  • Give the perception that a brand is leveraging a tragedy for their own benefit.

So, if you manage social media for brands what should you do? Halt all posts, especially in the hours after the tragic event. By staying quiet, your brand will be doing something important- giving people space to find news, connect and find solace in their friends.

Facebook Quick Tips for Community Managers

Community Managers handling social media accounts for clients sometimes want to find the best and fastest way to zip across all channels. We figured, why not increase your Facebook fitness and share some of the tips and tricks we’ve learned along the way to ‘pump you up!’

Community Managers handling social media accounts for clients sometimes want to find the best and fastest way to zip across all channels.  We figured, why not increase your Facebook fitness and share some of the tips and tricks we’ve learned along the way to ‘pump you up!’

SNL Skit Hans and Franz with Arnold Swarchenegger

Image via Tumblr.com

 

1.  Spelling Fail – How to Edit Post after It’s Out There

Keep in mind; this only applies to posts that have images attached to them.  Nonetheless, good to know when you’re in a pinch and already established high engagement.

Let’s just say you found a tiny little mistake (oops!), well this is how you can fix it after it’s been put out there for the world to see.  The best part is… this also applies for the scheduled posts in your Activity Log.

 Here’s how:

a)  Click on the time stamp of the post you want to edit

Facebook Screen Shot How-To 1

 

b)  Click on “Edit”

Facebook How-To 2

 

c)  Then make the necessary edits in the text box and then hit “Done Editing”

Facebook How-To 3

Huzzah!  All fixed.

 

2. Keyboard Shortcuts for Facebook

Thanks to Mashable we can now do our daily Facebook routine sans mouse.  It’s sort of like playing a game on our keyboard.

Shortcuts are based on your browser so you need to memorize the sequence:

Facebook shortcuts

For the action shortcuts visit Mashable.

 

3. Organize Your Inbox

Want to move messages that you know you’re done with?  Then you can move them out of your inbox and into the “Other” folder. This way you can control how many messages are in your inbox.

Here’s how:

Facebook How To Move Message to "Other" via Facebook.com

Image via Facebook.com

 

Tag you’re it!  What other quick tips do you have to share with fellow social media ninjas? Sound off in our comments below.

Can’t get enough of Facebook tidbits and news from Flightpath?  Have no fear just click here.

The Mainstreaming of “PDA”

Forgive my Huff Po like baiting, but no, not that PDA, the emergence of “Public Display of Analytics” all over the media and business landscape- if you don’t believe me, check out History Channel’s united-stats-of-america where data and insights are dramatically brought to life. No doubt we have all seen the pervasive rise of data […]

Forgive my Huff Po like baiting, but no, not that PDA, the emergence of “Public Display of Analytics” all over the media and business landscape- if you don’t believe me, check out History Channel’s united-stats-of-america where data and insights are dramatically brought to life.

No doubt we have all seen the pervasive rise of data creep in virtually every aspect of our life and business decision making- including creative.  If you buy into the assumption that “numbers speak louder than words” then you’re not alone, but there are also “contrarians at the gate.”  Ad Age covering a panel at Adverting Week Europe heard the unequivocal push back from John Hegarty founder of BBH advertising “You’d expect a creative person to pour slight scorn on data.” He explained, “It’s because I’ve spent my life dealing with people who’ve got all the data in the world and yet they can’t invent anything.” That said, RG/A founder and Chairman Bob Greenberg responded with his own evangelistic zeal “I think creative use of data is also a possibility. Data visualization has created ways in which you can take the data that’s available and tie it into a live event – like when I walk into Nike Town [wearing a Nike + band] and they’ll know who I am and they’ll be able to serve up really relevant content.”

The Ad Age link is really worth clicking not just because Mr. Hegarty wouldn’t have any of it, but because data is clearly here and becoming louder and more pronounced everyday in countless ways. And, as Mr. Greenberg made clear, data is about the end game of customer personalization and engagement. Which is why analytics, especially in reference to “big data” is so compelling.

To bring it back to today, if you haven’t, I urge you to read John Lee’s (head of our SEO/SEM practice) compelling/insightful post How to Rank Better in Google & Bing that he wrote right after attending a SXSW presentation on landscape issues of search effectiveness.   John and I laugh about how we “couldn’t come at it” any more different, but we both agree that the most compelling ideas and themes only matter if they engage a human being in a very human way. Enough said!

How to Rank Better in Google & Bing

flightpath does sxsw - analytics team

I’ve been to presentations in the past featuring Danny Sullivan (Search Engine Land), Matt Cutts (Google) and Duane Forrester (Bing). Collectively, these three will make for an entertaining and informative session, and their open Q&A on How To Rank Better on Google and Bing at SXSW was no exception. Nothing groundbreaking was covered, but still […]

I’ve been to presentations in the past featuring Danny Sullivan (Search Engine Land), Matt Cutts (Google) and Duane Forrester (Bing). Collectively, these three will make for an entertaining and informative session, and their open Q&A on How To Rank Better on Google and Bing at SXSW was no exception. Nothing groundbreaking was covered, but still fun and interesting nonetheless, and did include some important reminders.  Continue reading “How to Rank Better in Google & Bing”

Brands Take Over SXSW

flightpath does sxsw - design team

Looking for a place to charge your phone? Thinking about relaxing with a mini massage Wanting a snack, or free stuff? Brands at SXSW have taken over the Austin Convention Center with their different offers to entice the crowds, but which are making the biggest impacts? Flightpath counts down the top 5 engaged brands at SXSW.

Looking for a place to charge your phone? Thinking about relaxing with a mini massage Wanting a snack, or free stuff? Brands at SXSW have taken over the Austin Convention Center with their different offers to entice the crowds, but which are making the biggest impacts? Flightpath counts down the top 5 engaged brands at SXSW.

Continue reading “Brands Take Over SXSW”

SXSW Session – Connected for Reconstruction

flightpath does sxsw - design team

Major disasters have devastated parts of great cities in recent memory: a massive earthquake in Port au Prince, a tsunami in Northern Japan, and superstore Sandy. In addition to government aid and the help of volunteers, a non-profit organization, Architecture for Humanity, is changing how affected areas are rebuilt – simultaneously.

Major disasters have devastated parts of great cities in recent memory: a massive earthquake in Port au Prince, a tsunami in Northern Japan, and superstore Sandy. In addition to government aid and the help of volunteers, a non-profit organization, Architecture for Humanity, is changing how affected areas are rebuilt – simultaneously. Continue reading “SXSW Session – Connected for Reconstruction”

SXSW Session – Technology, Imagination, and Exponential Thinking

flightpath does sxsw - design team

With the ability to have information at your fingers in a matter of moments, attention is becoming a limited resource. There is a shrinking lag time between what we can imagine and what we can create.

With the ability to have information at your fingers in a matter of moments, attention is becoming a limited resource. There is a shrinking lag time between what we can imagine and what we can create. Continue reading “SXSW Session – Technology, Imagination, and Exponential Thinking”

Facebook isn’t Real…Why This Matters for Marketers

The Facebook you is the best you possible….You are not writing social media content for people, you are writing content for the people your consumers want to be.

Chances are the person you are on Facebook and the person you are IRL are different animals.

The parent you on Facebook shared the most darling thing your daughter said this morning. The Facebook parent you never yells about putting shoes on to go to school or loses it in a homework battle with your 12 year old.

The Facebook you is the best you possible.

The friend that remembers every birthday. The buddy who always knows what to say to a friend in need. The life of the party, a great entertainer, providing an endless stream of amusing images, videos and random thoughts. The supportive spouse “in a relationship” with the most fantastic person in the world.

You are not alone. This is the life we all lead…on Facebook.

There are more than a billion Facebook Yous roaming around Earth right now and all of us “yous” have a lot in common. We try not to share content that is mundane or even worse, a downer. “On Facebook” is the new “in public” so we all mind our language, and post the best moments of our lives as though we live in some sort of never-ending Christmas card.

We all realize on some level that Facebook isn’t real life, like this blogger who refers to Facebook as Fakebook. But, none of us really want to share all the day-to-day difficulties of life when we can use Facebook and the rest of social media as our happy place, especially when everyone is a little paranoid about employers/bosses/recruiters and worst of all their moms reading their posts.

So what does this mean for the Social Media Marketer You?

You are not writing social media content for people, you are writing content for the people your consumers want to be.

Posts that celebrate the best in people will be liked. Images that depict the positive connections we have with others and our environments will be shared. Videos that were created to entertain friends of friends will be shared, embedded, commented on.

Facebook Yous will never share your ad copy, except for the rare cases when it truly entertains, connects or celebrates. When you are creating your next content calendar for a client, ask yourself if you would share it on your own wall. If the Facebook You is happy with it, the rest of us will be too.

Pinterest Asking Brands What Features They Want – Pinterest Analytics Anyone?

Buried deep within the Pinterest Help Center for Businesses is a page that may outline Pinterest’s roadmap for rolling out product features for brands.  Pinterest is asking brands to vote for features they are interested in seeing, but as of this writing each proposed feature has less than 90 votes.

Getting inside the heads of the minds behind the fastest growing social media platform has been an interest of marketers ever since Pinterest came out of seemingly nowhere a few years ago. While there has been a lot of speculation about the platform offering brands analytics, advertising opportunities and other tools to make creating and monitoring Pinterest content, Pinterest has remained silent.

Buried deep within the Pinterest Help Center for Businesses is a page that may outline Pinterest’s roadmap for rolling out product features for brands.  Pinterest is asking brands to vote for features they are interested in seeing, but as of this writing each proposed feature has less than 90 votes.

Features Pinterest wants to know if marketers are interested in:

  • Hashtag Searches
  • Business Analytics
  • Scheduled Pins
  • Moving/Editing/Upload Pins in Bulk
  • Nested Boards/Sub-Boards

Hashtag Searches

Pinterest: “Right now, our search does not support hashtags (ex: #hashtag). It’s a feature we know would be useful for pinners and businesses and that we may add in the future. If you’d also like to see hashtag searches on Pinterest, vote for it using the “Me too!” button below.” 

People are already using hashtag searches on Twitter and Instagram (and you even see people use on Facebook even though they don’t work there).

On Twitter, creating a hashtag generates a link so when a user clicks a hashtag they will see all content in which people are using that tag. On Pinterest, people have been using hashtags, though they do not work to create links to other content. Pinterest search is notoriously bad and much of the reason Pinterest search is so bad is because users do not add text to the images they are pinning.

For marketers, this is frustrating because we can’t track content intended for a sweepstakes entry or discussion around our brands very well. So hashtag searches would be a great improvement- make sure you click “Me Too!” here if you would also like to see this feature.

Business Analytics

Pinterest: “Right now, we don’t offer analytics tracking for business accounts.  It’s a feature we know would be useful for business accounts and that we may add in the future. If you’d also like to see this feature on Pinterest, vote for it using the “Me too!” button below.”

There are no Insights for brands on Pinterest. Clients are always dumbfounded by this. Brands are spending time on developing Pinterest followings that they know are effective, because they see the inbound traffic from Pinterest as a referring source Google Analytics. If you have ever had to compile Pinterest metrics for a client report you know what a headache it is. Save your intern from manually adding up likes, comments and repins by voting “Me Too!” for this one as well.

Scheduled Pins

Pinterest: “Right now, we don’t have a way to schedule the time at which a board or pin is published.  It’s a feature we’re thinking about carefully and may add in the future. If you’d also like to see this feature on Pinterest, vote for it using the “Me too!” button below.”

Scheduling content via Facebook’s relatively new tool is useful for brands. However, social media marketing 101 is to post content at the time of day when you get most traction and how do we know when our content is getting the most attention if we have no analytics. This one seems less urgent to me than rolling out analytics and hashtags, but it would be a nice feature to have.

Moving/Editing/Upload Pins in Bulk

Pinterest: There is no way to move, edit or upload pins in bulk right now. We know this would be a useful feature for pinners and businesses and it’s one we may add in the future. If you’d be interested in this feature, let us know!”

So here is my hesitation with this one. While the marketer in me says go for it upload content, content, content! The person inside me doesn’t want to see The Gap upload 700 pins on a Wednesday afternoon and flood my home feed, forcing me to unfollow them. So this seems as though it would only truly work for brands if it was released with a baked in scheduling feature so brands can control the flow of their output otherwise if content from brands gets too high, Pinterest could throttle brand posts out of necessity- Facebook style.

Nested Boards/SubBoards

Pinterest: “There is no way to nest one board within another. If you’d like to show content from one board on another, you can repin the pins from the first board to the second. If you’d be interested in this feature, let us know!”

This one seems like the least interesting idea of all. Creating a Pinterest rabbit hole of boards within boards within boards seems like it may make content more difficult to find- already a huge headache for brands.

What Pinterest should have on this list of proposed features:

  • API Development
  • Promoted Pins
  • Other Advertising Opps.

Leave a comment and let us know what you think about Pinterest’s ideas for the platform, better yet- go here and tell Pinterest which features you would like to see by clicking the “Me Too!”

Life Is In Your Hands: Truer Words (and Video!) Were Never Spoken!

Mobile subscriptions will pass the world population by 2012 and if that’s not enough to get your attention about the state of mobility, according to Google, 75% of customers prefer a mobile friendly site!

Mobile subscriptions will pass the world population by 2012 and if that’s not enough to get your attention about the state of mobility, according to Google, 75% of customers prefer a mobile friendly site!

So, while many people, even in these economic times are living large, many more are living small…even mini when it comes to living life on the web, on apps or just on their own terms.  Cause when it comes to playing with some Angry Birds or not playing around at retail, life couldn’t more in your hands!

We have enjoyed being party to this explosion through many clients, in several categories from animal health to packaged goods to cable television- all who bought in early to the new world order of “anytime, anywhere” engagement.

The Flightpath video crew distilled this incredibly vibrant and prolific world of mobile life today in a fast paced, visually cool 40 second video.

Some trends you have to hunt demographically or consumption wise to really validate, not with mobile. In fact, “ubiquity” is maybe the only word that truly defines its growth. According to ComScore, in 2011 smartphone adoption increased 99% among 6-person households, 98% among those making less than $25,000, and 92% among retirees and there were more than 400 smartphone devices on the market.

What is also very exciting about the mobile world of today, let alone tomorrow, is the evolution in user expectation.  Clearly, there is nothing second tier, nothing about “dialing back” the experience from the desktop when on a mobile device- 58% of mobile users expect mobile sites to load as quickly as or faster than desktop sites.  And, in the same Google study, they found 38% of mobile users are willing to wait 30 seconds or less for a transaction. Giddy yap!

Lastly, there is so much data, as you know, on platform adoption, usage patterns and other performance indicators that we could be here all day. So let me leave you with some Pew Internet Project stats and a handy user reference chart as a frame of reference of all that is migrating in your hands!

As of January 2013:

  • 26% of American adults own an e-reader
  • 31% of American adults own a tablet computer

As of December 2012:

  • 87% of American adults have a cell phone
  • 45% of American adults have a smartphone

how cells

Sources:

SnapHop 2012 Mobile Stats

Pew Internet Project

 

Yummly vs Pinterest: Social Media Marketing for Food Brands

Yummly is a new player poised to steal the foodies from Pinterest. There are some key differences between Pinterest and Yummly that may influence where brands spend their time and their money.

Yummly is a new player poised to steal the foodies from Pinterest. There are some key differences between Pinterest and Yummly that may influence where brands spend their time and their money.

Food continues to be one of the hottest topics for pins on Pinterest, and food brands and publishers like Kraft Recipes, Goya Foods and Food Network have all jumped aboard the Pinterest train looking to drive brand awareness and traffic back to recipes nested on their brand’s website.

Meanwhile other image sharing and aggregation sites have begun to emerge. Yummly was launched in 2010, but it had some strong players back the site last year. Unilever saw enough promise in the startup to become an investor in Yummly’s Series A funding round and is one of the site’s main advertisers.

Differences Between Pinterest and Yummly for Brands

Pinterest

Promoted Pins: A major frustration for brands is the lack of advertising opportunities available in the form of promoted pins on Pinterest.

Metrics: Brands accustomed to the analytics provided by Facebook Insights and YouTube Insights continue to struggle with the lack of metrics available from Pinterest.

Accounts: Both brands and people create similar accounts (though brand accounts can now be verified Twitter-style). Other than verification, there is no difference in available features between an individual user’s Pinterest account and a brand’s Pinterest account.

Driving traffic: While Pinterest has been a great source of traffic for brands, users have to click twice on a pin to be directed to an image’s source page. There is no prompt to drive users to the pin’s originating source.

Search: Brands have experimented with using hashtags, keywords and other ways to ensure their content ranks high in a Pinterest search. However, Pinterest search lacks the ability for user’s to narrow their search.

Recently unveiled verified brand accounts have helped users distinguish branded accounts from those created by fans. Do a Pinterest search for “Martha Stewart” and you will see why this was a necessary move.

pin1

Sharing: This is where Pinterest excels. One click repinning exposes content to the pinners follower. Users can also view the pins and profiles of other Pinterest users/brands to discover additional content to share. Pinterest is also designed to be a destination, rather than a tool.

Yummly

Promoted Recipes: Yummly allows brands to advertise in the form of Promoted Recipes. These recipes, such as the one shown below for a Skippy peanut butter chicken recipe (Skippy is a Unilever brand) found in a search for “chicken”, rank higher than other recipes to ensure maximum visibility in Yummly search.

yum1

Advertising- Suggested Products: When a user searches for a specific recipe, they will be shown a list of suggested products that match the ingredient list of the recipe they were searching for. For instance, a search of Kraft prompts an ad for I Can’t Believe It’s Not Butter, another Unilever brand. Clicking on the ad drives the user to the product website.

 yum2

Metrics: Flightpath contacted Yummly to inquire about brand analytics. According to a Yummly rep, they are starting to offer analytics for brand partners.

Accounts: Branded accounts house all recipes generated from a publisher or brand. Accounts also exist for food bloggers who supply content to the site.

Driving Traffic: Prompts for users to read full recipes and visit publisher’s website are prominent, a call to action that does not exist on Pinterest.

Search: Yummly offers users incredibly relevant results due to its semantic search engine. Users can also narrow their search using the prominent search tools on the left hand side of the site. Yummly’s focus on food is also a plus. A search for chicken on Pinterest pulled up chicken recipes alongside a chicken coop and Pedigree’s new chicken flavored dog food.

Sharing: When users click “Yum” this action is shared to their Facebook wall. Users can also see how many “Yums” different recipes have, which serves as an endorsement of the recipe. All images are sized to be pinnable via the Pinterest bookmarklet. However there is no social sharing within the platform itself. Unlike Pinterest which is designed to be a social destination, Yummly is a tool for finding recipes and sharing them on other social platforms.

Since the Pinterest craze hit over a year ago, frustration among brands at Pinterest’s lack of promotional opportunities has been building.  Why Pinterest didn’t see this void as a dangerous opportunity for a startup to charge in and steal brand dollars is a mystery, but that startup has arrived in the food and beverage category and it is Yummly.

Infographic – How 14 Top Brand’s Performed in a Social Media Customer Service Test

Myself and three of my colleagues used our personal Twitter accounts to send customer service tweets to 14 leading consumer brands in seven industries. Each company received one tweet per weekday for four consecutive weeks. The goal was to evaluate which messages were prioritized and how consistently they responded.

The following guest post comes from Rachel Ramsey, Editorial Coordinator at Software Advice, a research and advisory firm.

In today’s Yelp-obsessed world, consumers are interested in marketing but only if it matches what their family and friends say about your brand. Social media is a perfect avenue for impacting these conversations. That being said, providing effective social support is just as important to this mission as sharing promotions, blog posts and deals.

However, providing strong customer service on Twitter presents a formidable challenge for companies that receive thousands of tweets per day. It’s impossible to expect them to respond to everything. Instead, they need a strategy for finding and prioritizing the most important messages.

How the Race Worked

Myself and three of my colleagues used our personal Twitter accounts to send customer service tweets to 14 leading consumer brands in seven industries. Each company received one tweet per weekday for four consecutive weeks. Half of the time we used the @ symbol with the company’s Twitter handle, the other half we didn’t.  Using the @ triggers a notification to the account owner that they’ve been mentioned in a tweet

The questions fell into one of five categories:

  • Urgent
  • Positive
  • Negative
  • FAQ
  • Technical

The goal was to evaluate which messages were prioritized and how consistently they responded. This included messages with an @ symbol and brand name, as well as others where simply the brand was mentioned. We sent the tweets every day from four different personal Twitter handles, for four consecutive weeks. We tested 14 brands in seven industries.

Some lessons learned included:

Keep the customer informed. Coca-Cola and McDonald’s committed huge errors when two of their replies came several days after the questions were sent. For the instant-gratification customer, this is the same as not responding at all.

Don’t be a robot. Customer service expert, best-selling author and speaker Micah Solomon told me recently that being human in your engagements with customers on Twitter is one of the most important considerations. Twitter is a social platform, your responders need to talk and act like they would interact with their real friends and family. Say thank you. Be personal.

Important keyword triggers are your friend. When we designed questions for the race, we specifically included questions with important intent, sentiment or risk of switching brands. Social listening software can be programmed to send service messages to the front of the line if they contain keywords such as “help,” “mad,” “thank you.” These rules are imperative for brands that need to automate tweet prioritization.

Listen for your brand, @ or no @

The social customer service innovators watch and respond to non-@ mentions because they see the opportunity to really surprise and delight. Most social listening software can be programed to listen for mentions without the @, with the @, and #brandname.

Still Not the Norm

These brands responded to a mere 14 percent of the 280 tweets delivered during the race. Whether the issue is one of strategy or technology, brands are still far from meeting customers’ expectations on Twitter.

How to Get Lucky in 2013?

13 Big and little ways to make marketing next year even more epictorial! More Word Play:  Nothing works harder for brands than when words work hard at disrupting, connecting and being fun!  More than even, especially in digital or in windows on 5th Ave, fewer words communicate more. Even More Use of Pictures:  Clearly Instagram […]

13 Big and little ways to make marketing next year even more epictorial!

  1. More Word Play:  Nothing works harder for brands than when words work hard at disrupting, connecting and being fun!  More than even, especially in digital or in windows on 5th Ave, fewer words communicate more.
  2. Even More Use of Pictures:  Clearly Instagram burped recently when it proclaimed all future rights to all your pictures.  This aside, just as GIF’s demand attention so does adorable and emotional AUTHENTIC images. It is worth remembering if it looks like stock, it feels like stock.
  3. Videoh my…: 1 billion “Gangnam Style” views don’t lie. The lesson to be learned is yeah production value matters but so does creative value with musical and visual hooks that are both addictive and contagious. There’s real take away value for marketers!
  4. Rock and Scroll:  Mobile has made all of us scrollers- regardless of the device we’re on. Take advantage of this new habitual behavior with rich, story centered “endless” content.
  5. Think/Be Relevant:  Capturing attention almost always is about finding what’s important and meaningful to people.  Deep rooted sensibility into the human condition elevates way beyond “brand positioning” and into the brand conscious. Think: Apple!
  6. Don’t Be Sub- Optimized:  Smart SEO is foundational to marketing and brand/media management. It’s not “black box” anymore but with great talent, it can be out of the box!
  7. Don’t Become a “Socialpedia” Page:  Brand info. is important of course; but, being a real emotional and meaningful part of your consumer’s life is the win.
  8. Post Less, Listen More: The harm brands do to themselves by being insensitive or unaware about “social media etiquette” is unfortunate.  But the real loss is the insightful connection (and learning) involving your current or would be customers.
  9. What Will You Do Different?:  Getting your head into this is big. What will you try that you didn’t in 2012?  What do you know that you didn’t 12 months ago?  Innovation is so sexy but it really starts with being “accountable” to what you/your team is thinking or doing differently.
  10. Be Provocative and Declarative:  Cool apps and other breakthrough tech will only get you so far. Brands that have a “P&D” sensibility, that capture people’s imagination are much more likely to grow- regardless of the economy- because they inherently deliver emotional value.
  11. Use “Fact Based Passion”:  The digital age is the age of KPI’s (key performance indicators) if not always ROI. Regardless, data is more available today than ever before to support big ideas and gutsy calls.  Creative people finally have real support to back them with their most imaginative, passionate thinking. We are in the Golden age of MTKG creative because of Fact Based Passion!
  12. Earn from Mistakes:  Nothing is more valuable than helping people understand what not to do, what to avoid and why! Give speeches, be on panels, write blogs, be a for hire consultant.  If you messed up and you “own it”, then sell it. You’ll be helping yourself and others.
  13. Have More Fun. Like really have fun in 2013. If that chicken chain can get people to eat more chicken using cows, us marketers should be able to up sell fun all the way to the bank!

Good luck and have FUN all year long!

Facebook’s EdgeRank Algorithm – What Brands Need to Know

Unless you’ve been living under a buzzword-free rock (and if that’s the case, please share your location so that others might seek refuge), you’ve undoubtedly heard about EdgeRank, the algorithm that Facebook uses to determine what users see in their News Feeds. While the method itself remains elusive, there is solid information that brands can […]

Unless you’ve been living under a buzzword-free rock (and if that’s the case, please share your location so that others might seek refuge), you’ve undoubtedly heard about EdgeRank, the algorithm that Facebook uses to determine what users see in their News Feeds. While the method itself remains elusive, there is solid information that brands can use to navigate the News Feed and stay on top of fan engagement and in front of fan faces.

The Algorithm :: What is it?

Every piece of content or interaction on Facebook is known as an “edge,” from uploading a photo to joining an Event or Liking a status update.

EdgeRank accounts for three determining factors, known as “signals,” regarding posts themselves: affinity, weight, and time decay. Affinity reflects how friendly you are with your fans. Weight is a basic formula that is used to determine what types of content are more likely to be shared. Time Decay is a simple measurement of which content is the most fresh.

While there have been hints that Facebook may be introducing a new signal (or more) into the equation, this trifecta currently makes up the mix.

The Latest :: What’s the word?

In late September, Facebook announced an update to the EdgeRank algorithm, sending the digital marketing world into a tizzy as organic reach levels dropped suddenly and dramatically across the board. Phrases like “pay to play” flew across our screens rapid-fire, and brands began to panic over losses in revenue. The algorithm still remains elusive, but there are a few key changes that have become apparent.

Negative Feedback is now weighted more heavily.  Users are now equipped with simple controls at the forefront that allow them to hide, block, and report posts. Because the objective of the updates is to combat spam pages, there is far more attention paid to this type of feedback from users. In addition, if pages have received a substantial amount of negative feedback in the past, they may have been hit even harder by the update.

The Popular Post Paradox creates new opportunities for negative feedback. Yes, that’s right. We’ve coined a new paradox. (While no one at Flightpath fancies himself or herself a philosopher, we’d argue that critical thinking skills and a love for alliteration go a long way.) Thanks to EdgeRank, the most popular posts make their way into the News Feeds of many a Facebooker who isn’t necessarily a fan of your content. While this is a great opportunity to make new friends, it’s also an easy way to get your posts hidden in the case that we don’t like what we see.

Status Updates Are the New Black. Once the updates went into affect and widespread suffering was reported from the depths of editorial teams across the globe, there was a single glimmer of hope: Status Updates. The oft-forgotten content type actually showed improvement in performance as a result of the algorithm, and brands that have strategically revitalized the status update have seen positive EdgeRank results.

Optimal Post Frequency hovers around once per day. Talk about high stakes-statuses. Many an analyst agrees: the most engagement is garnered when a brand posts once per day – and interactions begin to decrease substantially as frequency increases. It’s up to you to determine the best time of day to hit “Post,” as well as the ideal type of content to share. The good news? There’s plenty of room for experimentation.

The Implications :: What’s it to you?

EdgeRank exists to further personalize the experience of logging in to your virtual world by weed out irrelevant content and promoting pieces of interest. The fact is, except for the rare occasion on which a rapper launches a video game, we aren’t generally clamoring to canoodle with brands.  EdgeRank recognizes what we are clamoring for, however, and rewards those pages who are posting killer content, at the right frequency, at the ideal time of day. If you’re not using EdgeRank Checker already, create your account and get moving – many of the optimizations that can be made are easily measure and reported within the tool, which also allows for real-time monitoring.

At the end of the day, I’m still subjected to far too many baby pictures (and when will we start punishing college buddies for gratuitous sorority poses?), but technology has only come so far.

Facebook Gifts – Presents New E-Commerce Opportunity for Brands

Remember Facebook’s Virtual Gifts of yore? When you could send your Facebook friends a “beer”, “rose” or “birthday cake?” Facebook closed its virtual gift shop in August 2011, and has replaced it with the ability to send Facebook friends real beer, roses and birthday cakes (or at least cupcakes). All from the status box on their friend’s timeline.
At this time, the gift selection is somewhat limited. For instance there are only 10 gifts available in the pets category. So, Facebook is going to have to expand their selection to appeal to more buyers. Which is great news for brands who are interested in coming aboard.

Facebook has rolled out another value add for brands. Facebook Gifts, which have been available through chain invites since September, are now available to all users and open for brands to submit products as consideration for Facebook Gifts.

Remember Facebook’s Virtual Gifts of yore? When you could send your Facebook friends a “beer”, “rose” or “birthday cake?” Facebook closed its virtual gift shop in August 2011, and has replaced it with the ability to send Facebook friends real beer, roses and birthday cakes (or at least cupcakes). All from the status box on their friend’s timeline.

So what is the benefit of this for brands? Your brand’s products can be offered via Facebook Gifts, which offers a seamless e-commerce experience and new platform for driving sales. Now, when a user sees a friend announce they are expecting a baby that user can quickly send an appropriate gift without having to leave the confines of Facebook for, say Amazon and perhaps get distracted along the way to purchasing your brand’s product.

Facebook has also done a great job of removing the shipping address barrier of sending gifts to people you are friends with on Facebook, but are not close friends with in real life. The sender doesn’t have to enter any shipping information. The gift recipient is notified via Facebook private message that they have a gift waiting and they are prompted to accept the gift, at which point they enter in their own shipping information. This lowers the barrier to purchase for the gift giver and also encourages surprise, and impulse gifting (it’s a little hard to surprise someone with a gift when you have to text them and request their shipping address).

The social media/word of mouth marketing aspect of Facebook Gifts is also alluring to brands. Every time a user sends a gift, a tantalizingly wrapped gift image appears on the recipient’s timeline by default, encouraging them to unwrap it and reveal what is inside. Senders can opt out of the share. Below is an example of the image a recipient sees on their timeline:

At this time, the gift selection is somewhat limited. Potential senders first land in the “Recommended Gifts” section, which is mostly gifts of food, but also include Starbucks and iTunes virtual gift cards. The user then has the option to navigate into the following gift categories:

  • Food & Drink
  • Wine
  • Fun
  • Home & Kitchen
  • Fashion & Body
  • Flowers
  • Baby & Kids
  • Gifts that Give Back
  • Pets

According to Facebook, there are multiple safeguards in place to ensure that alcoholic beverages are not purchased by or sent to underage users, including carding recipients at their physical door during delivery and barring users with a stated age below 21 from even seeing alcoholic beverages as Facebook Gift options. This could be a great sales platform for those brands in the wine and spirits category.

At this time, the gift selection is somewhat limited. For instance there are only 10 gifts available in the pets category. So, Facebook is going to have to expand their selection to appeal to more buyers. Which is great news for brands who are interested in coming aboard.

So, what brands are taking part in the initial roll out of Facebook Gifts?

  • Apple
  • Baby Gap
  • Harry & David
  • Fab
  • Brookstone
  • Gund
  • Sesame Street
  • Warby Parker
  • And more…

Want to get your brand’s products on board with Facebook Gifts? Just fill out this form to submit your products for consideration.

Facebook Ads CPC vs CPM vs Promoted Stories – What’s a Social Media Marketer to do?

It was common knowledge among social media folks that CPC ads were a much better value for marketers. You expected to pay a cost of .35 to nearly a dollar a click depending on your targeted audience (like Manhattan moms who are very pricey to target). An average Facebook ad CTR of .05% seemed to be the industry benchmark for judging the success of an ad. But, that has changed.

CPC, CPM, Promoted Stories, Promoted Posts – there are a lot of options facing social media marketers interested in advertising on Facebook. It used to be that there were only two choices for advertising on Facebook CPC (cost per click) or CPM (cost per impressions).

It was common knowledge among social media folks that CPC ads were a much better value for marketers. You expected to pay a cost of .35 to nearly a dollar a click depending on your targeted audience (like Manhattan moms who are very pricey to target). An average Facebook ad CTR of .05% seemed to be the industry benchmark for judging the success of an ad.

For years, if you chose CPM your ad would be relegated to a lowly position on the bottom right hand of the user’s newsfeed and gain very few clicks. CPC ads outperformed CPM ads in all tests that we ran here at the agency as well.

But, that has changed.

While Facebook has talked a lot about the value of their new Promoted Stories ads and Promoted Posts, they also quietly chose a new favorite child in the CPC vs CPM debate. We noticed this at Flightpath when CPC ads that have been performing for years suddenly stopped being even displayed and our testing of CPM ads started showing amazing results.

We switched clients over to CPM ads and saw our average Facebook ads CTR jump from an average range of .05% to .20% jump to a range of  .50% – .80%. Then we added in Sponsored Stories, to run simultaneously with the CPM ads, and the average CTR jumped even higher to a range of .80% to 1.2%.

At the same time, we are seeing the average CPC fall from that .35 – $1 range down to a bargain basement .06 – .15 CPC. So, for the same Facebook ad spend our clients are getting about 6 times the likes they were getting earlier this year. This is really helping to rapidly grow page likes without having to dramatically up Facebook ad spend.

Why are ads suddenly cheaper and performing better?

So, this is why we think this dramatic uptick in Facebook ad performance is happening: remember months ago when advertisers like GM pulled their Facebook ad spend because they didn’t feel they were getting much of a return and remember when Facebook’s stock came out of the gate to dismal results?

Facebook had to devise a plan to get advertisers excited about spending on the platform so investors would be consider buying Facebook stock. Lowering the cost of ads and rolling out Promoted Stories (which not all Facebook users like, but they seem to click on them anyway) is a great way to get advertisers excited and spending.

If you are still running Facebook CPC ads for your clients, set up a separate CPM campaign with Promoted Stories pronto for testing. The results will blow you away.

Interview: Chris Brogan on Podcasting & ROI of Social Media

What I am always trying to do is tie a mainstream, real world metric to these goofy online metrics because I just don’t care how many video views we got, or what our Klout is. What I say is “Did the cash register ring?” If the answer is yes, then we met our goal.

This is part 2 of our interview with author, blogger and social media expert Chris Brogan.

Over the last few years there has been a greater adoption of social media by companies looking to use social platforms to connect with consumers. Chris Brogan has been busy speaking, blogging and advising companies on how to do just that for the last 12 years as one of the biggest rock stars in the social media world.

Brogan is co-author of New York Times bestsellers The Impact Equation and Trust Agents, (both cowritten with Julien Smith) and author of Social Media 101 and Google Plus for Business. Both in his roles as CEO & President of Human Business Works, co-founder of the PodCamp new media conference series and as a blogger himself, Brogan has a long history of shaping the way that companies approach the social web. Flightpath took the opportunity to speak with Brogan about his take on how companies could better utilize social media, measure ROI and just do social better.

In your book, The Impact Equation you have an equation for success that includes platforms, ideas and so forth. What do you think companies are missing as part of the equation?

Brogan: The real hope of the book is letting people know how you get your idea to resonate with people in such a way that they take action. What Julien Smith and I who wrote the book together, found and believe is that everyone seems part of this figured out.

They might have a great idea, but not a big enough platform for anyone to see it. They might have an amazing idea and an amazing platform but they haven’t found a way to connect with people so that people can run with the idea.

I think that getting that whole set of chains to turn the same way and pull the same gear is what I am really working on the hardest.

Flightpath: How have you seen the social space change over the time you have been in it?

What has changed in 12 years is that we humans expect a much more custom, personalized humanized response in business. There was none of this in the 80’s and the 90’s. There was none of us going “Oh man, I didn’t hear back from someone specific at Delta, I got a form letter.” That is just how life was. I grew up with my family yelling at the TV, now everyone tweets at the TV. There are some vast differences, but I think it is all good stuff.

Flightpath: I’ve known you for a long time from podcasting, and think it’s interesting that you are launching a new podcast, The Human Business Way. Within all the forms of social media, podcasting is really the one that never blew up and went so mainstream. So, I think its interesting that you are investing in podcasting as a way to get your messaging out. Do you think that podcasting still has the promise it did in 2006?

Brogan: That is my favorite question so far. This is a really interesting time for this medium called podcasting. When we were at it, I didn’t get into it until like 2006 or 2005, but I know that you were in it before that even and that you have one of the longest running ones in the world.

When I got into this space, I was just like everyone else in that space thinking this is going to be great- we are going to topple TV stations and the radio and the world is gonna be ours and I am going to buy a bunch of stickers, because that seems to be what everyone did.

Then that collapsed because at the time no one had the technology you had to be like a PHD to figure out how to get the podcast onto whatever device. It was just so much work. Now we are in this world because I can record, edit and post from the my phone. The process is just much more streamlined now.

At the same time, podcasting suddenly picked up a lot of news from the strangest of ways. So first off, all the nerds came and made podcasts and life was good for all 3,000 listeners that we shared. Then, the mainstream discovered podcasting and all they used it for was archival distribution of their mainstream junk and that was boring, although it got more people to listen.

Now, these mainstream people who have said F you mainstream and they are becoming apart of this new thing like Kevin Smith and Adam Carolla and every other comic it seems has a podcast. They have brought new attention to podcasting people are seeing that they really can listen to whatever they want.

So, the reason I invested in it is because it is right out of the Impact Equation. It is Contrast, not everyone has this kind of a show. It’s Reach- putting me into a whole new place that I haven’t been, like iTunes. I got an email the other day from a listener saying “This is great do you have a website” and I thought “This is great, I have made it.”

Its one of these things where we think we shouldn’t be doing it, it’s not a great idea because is takes a lot of time.  That is why I am gonna do it. I know it is a way to get more engagement with people.

Flightpath: So the last question is a question that every social media marketer who deals with companies is posed. It is “What is the ROI of social media?” Just how do you answer that question, or do you not- or is it a terrible question?

Brogan: I do it all the time, and I tell you what I do. I say that there is no blanket answer because what you really need to do is always this: you have to say that you are going to tie this activity, this effort, this event to a direct and obvious revenue stream

So for example, if I am helping a beer company sell more beer, then I would do it through Facebook and through the bars. I would choose very specific bars and I would create very targeted promotions for the bars and do all kinds of work to pump that up via the social web. Then I would ask the beer company how many more cases of beer did the bar order this week versus last week and that is the measurement.

What I am always trying to do is tie a mainstream, real world metric to these goofy online metrics because I just don’t care how many video views we got, or what our Klout is. What I say is “Did the cash register ring?” If the answer is yes, then we met our goal.

In ROI, the first question should always be “What is the I?”  If you put no money in and you are wondering where the return is, then you are obviously not doing it right.

Second, if you are saying more what is the time involved to get a yield, then that is a harder question that is like asking how long does it take to grow a garden. To me, there are some different metrics to look at in that case. What I always look at specifically in ROI is a real world number that I can move with an online technology.

 

Read Part 1 of our interview with Chris Brogan here.

Interview: Chris Brogan on Humanizing Social Media – Part 1

To me this is the hardest and most difficult challenge, because I have to explain to a business that should you treat customers like real live humans. That you should give them incredible, concierge class service and that should you do this it is going to change so much more than you can measure in a spreadsheet.

Over the last few years there has been a greater adoption of social media by companies looking to use social platforms to connect with consumers. Chris Brogan has been busy speaking, blogging and advising companies on how to do just that for the last 12 years as one of the biggest rock stars in the social media world.

Brogan is co-author of New York Times bestsellers The Impact Equation and Trust Agents, (both cowritten with Julien Smith) and author of Social Media 101 and Google Plus for Business. Both in his roles as CEO & President of Human Business Works, co-founder of the PodCamp new media conference series and as a blogger himself, Brogan has a long history of shaping the way that companies approach the social web. Flightpath took the opportunity to speak with Brogan about his take on how companies could better utilize social media, measure ROI and just do social better.

Flightpath: One of your gifts, and probably a huge reason why you have become such a force in social media is your outgoing personality and ability to make everyone you talk to feel important. You are also very successful transcribing this emotional connection across social media platforms. So, how do you advise companies to connect emotionally with consumers?

Brogan: The answer to that is a little challenging because when I go in there and tell companies you really have to really connect with emotion, their eyes go up into the top of their heads. They say ‘Oh I thought there was some kind of software we could buy and a switch we could toggle and then we could go back to thinking about our golf game later.’ It’s really difficult because every time I’m telling people that this is a great way to get more value, what I am also saying is that this takes more work.

I had a conversation with a woman who she runs the Microsoft New England Research and Development Center here in New Boston and we were talking about those experiences you have when you write a company complaint, challenge or question and you get a very personal response back.

In her case, a specific kind of ice cream that was supposed to be showing up at Whole Foods that she loved from the West coast and it just wasn’t in the store. So, she wrote the ice cream company and got a letter back from the CMO (this is email not even the social web) but she could tell it wasn’t a form letter- it was a very personal letter right to her. It wasn’t like she wrote it as a woman who runs Microsoft, she wrote is as a woman who likes ice cream. The CMO responded very personally and said ‘Well, it’s a brand new deal and distribution might be a little slow. I’m really sorry but you might want to look for these 4 flavors.’

What came back from this, of course, is that she tells everyone this story. She told me this story. To me this is the hardest and most difficult challenge, because I have to explain to a business that should you treat customers like real live humans. That you should give them incredible, concierge class service and that should you do this it is going to change so much more than you can measure in a spreadsheet.

Flightpath: There is so much process that agencies go through to come up with those canned responses and they all seem to begin with ‘We appreciate your concern, thanks for your input’. So should agencies working on behalf of clients dealing with a disgruntled customer situation use canned responses or are you saying that all social customer service responses be custom?

Brogan: I think that it is so easy to do a hybrid of that. It is so easy to do. You can do 2 or 3 paragraphs of the absolutely canned stuff, and if you add one sentence at the beginning and one at the end it feels very custom. That is what I advise. Now believe me, there is times when there is a canned response required. Say Kindle Whispernet goes down and every Kindle owner cant get get a book or something like that. That is a great time for a canned response.

And that’s fine, but I don’t even believe that volume is an excuse. I think that if it is a huge outage kind of a thing, than that is an announcement not a correspondence. I think that the opportunity for custom is when anything comes outside of the typical workflow. If someone is really mad because they missed their plane that is a perfect time for a personal message. If this person spent the time to complain than they are worth the time to reply to, because what you do next decides where they spend their next dollars.

Flightpath: Marketers of course want to impact purchasing decisions and often the question they come to agencies with is which platform they need to maximize impact. How do you move the conversation away from tools and back to the importance of building human connections?

Brogan: It’s so funny because in working with a lot of people in this space, I always get tool questions. I will be in a roomful of people and I will be saying, “How did your grandparents sell? How did they buy 50 years ago?” and they will be like “What does this have to do with Pinterest?” and I will be like nothing. This has zero to do with Pinterest.

This is not the future, we do not have jet packs. We are not wearing foily costumes. What I need to tell agencies, marketers and business professionals of all kinds is that the tools are always in service of the work and the work is a lot simpler than the fear that goes into the tools.

The reason we ask so many tool questions is we are so afraid of using them wrong. We are afraid of this Brave New World feeling of being on a social platform. But, the more you use the tools to convey real legitimate human experience and the less you use the tools to emulate methodologies that agencies worked on from past experience, the better the opportunity.

The other thing I tell agencies all that time is that your job is no longer to be the voice of the company. Your job is to be the ears of the company and to help the company be their own voice.It is time for companies to reclaim their own voice. So, agencies have this opportunity to be listeners/teachers. Professional listening is a huge opportunity. That is a vast shift from the way that things are going.

Read part 2 of our interview with Chris Brogan here!

Countdown- Top 7 Reasons Why Brand Obama Won

How did Obama’s brand help him win the presidency? Here are 7 reasons why Brand Obama is a force to be reckoned with:  Incumbents have the undeniable advantage of Air Force One, the Presidential Motorcade, The White House and that really cool Presidential logo/ seal.  Most Americans, me included, love symbolism and nothing comes with […]

How did Obama’s brand help him win the presidency? Here are 7 reasons why Brand Obama is a force to be reckoned with:

  1.  Incumbents have the undeniable advantage of Air Force One, the Presidential Motorcade, The White House and that really cool Presidential logo/ seal.  Most Americans, me included, love symbolism and nothing comes with more than Office of the Presidency aka Commander and Chief!

  2.  Mr. Obama acted extraordinarily presidential when it mattered most- be it during Hurricane Sandy, going after Bin Laden and saving the American Auto industry. People, especially those in Ohio, never forget defining moments.

  3.  The President, by hiring Hillary and relying on Bill, unequivocally showed Americans that he can bury the bad; while, embracing differences to his and the country’s advantage.  A rare ability, as Doris Kerns Goodwin pointed out in her book “Team of Rivals” that served to reinforce it was the republicans who didn’t want to compromise.

  4. Youth was never wasted on the young for the President and nor were never ending tweets, facebook posts, email shout outs and much much more of youthful social media. As has been widely reported more young people turned out this time for Obama than last.

  5. Like all great brands, Mr. Obama fixed what was broken before it became damning and defining.  After the first debate, he brought his desire and fight to the nation and his competitor. And, he stopped letting Mr. Romney look like he was the Presidential brand steward. Again, how Obama handled “Sandy” or calling out Romney on “exporting auto jobs” to China won undecided people and Ohio.

  6. Vice President Joe Biden while at times a “messaging liability” was still a way better brand asset than Congressman Ryan was to Romney. At the end of the day, when competing for very limited “market share” conversion opportunities where every point is huge- engaging VS alienating- almost always wins.

  7. American’s buy into dreamers- George Washington, Abe Lincoln, Bobby Kennedy, Martin Luther King, Steve Jobs, the 1980 Olympic Hockey Team and the list goes on and on.  While many expected Mr. Obama’s 2008 vision of HOPE and his dream of a united, thriving nation to have already happened, people cut dreamers slack just as they cut non dreamers at the knees!

Connections 2012 in Indy

Not sexy, but has good ROI. No, I’m not talking about the disadvantages and advantages of an Accounting degree. These are some of the popular perceptions of email marketing. It’s tried and true, but there’s nowhere new to go. Is that true? After going to ExactTarget’s Connections Expo last week, I’m tempted to respond with an emphatic “no.”

Not sexy, but has good ROI. No, I’m not talking about the disadvantages and advantages of an Accounting degree. These are some of the popular perceptions of email marketing. It’s tried and true, but there’s nowhere new to go. Is that true? After going to ExactTarget’s Connections conference last week, I’m tempted to respond with an emphatic “no.”
On October 16-18, over 4,000 email marketers from all over North American converged in Indianapolis for the conference. From the keynote to the panels and talks, three themes emerged that chart the course for the evolution of email. These three themes mark not just trends all email marketers should keep up with, but chances to push the envelope on their campaigns and make their medium a bit sexier.

 

Social ≠ Afterthought

 

We all know social media is huge. Businesses, agencies, and the like are trying not only to figure out the next big social network, but how to monetize it, turning “likes” into dollar signs. When it comes to email, the standard approach has been to place the icons of the usual suspects (Facebook, Twitter, Pinterest, and maybe Instagram). If you find yourself doing that in your campaigns and you believe that’s all it takes to make your emails “more social,” then you’re missing out on great opportunities to do so much more with all of your channels.
Case in point, during the keynote address, speakers referred to ExactTarget tools designed to send Facebook data from a company’s FB page straight over to their subscriber database. With opt-in controls built right into Facebook’s interface, there can’t be a more efficient form of email capture and list building.
However, don’t expect users to agree to give you access to their Facebook data just because they “liked” your page. Remember to create a promotion first. As mentioned at Connections, an increasing number of businesses are opting for everything from random chance sweepstakes to video contests. As part of the rules and requirements for entering, users have to consent to sharing their email address and possibly some demographic info.
That’s just one of many examples mentioned at Connections of how marketers can leverage their social channels to improve the performance of email, especially in the email capture department. One could even see a bump in their list building efforts by incorporating an email capture form onto their Facebook page. If you’re going to do that however, you should put a good effort into…

 

Making Your Email Capture Sexier

 

Okay. So, you’re going to your favorite store’s website because the newest, greatest thing just came out. One component tucked away at the bottom of the homepage catches your attention. It reads “Sign up for our FREE newsletter!” What is your reaction? I can bet it’s not “Whoa! A FREE newsletter? Gimme!” And yet, this is what we see on so many websites.
A number of panels I attended at Connections emphasize the power of the value proposition. Put yourself in the user’s head for a second and think, “Is a FREE newsletter enough to risk getting bombarded by this guy’s email marketers?” Instead, speaker after speaker suggested to us the idea of putting forth an offer. “Be the first to get all the inside deals and sales.” “Only insiders get all the best beauty tips from the pros,” or even “Sign up for our deals and get a 20% off coupon for your next purchase”
Once your email capture efforts begin to take off, pat yourself on the back. However, don’t believe your job is done quite yet. At Connections, another emerging trend impacts the very look and feel of eblast content itself. It’s a factor a lot of us email marketers have taken for granted for years as we thought it would never change significantly: screen size.

 

Have You Met…mCommerce?

 

By far, one of the biggest themes that came up at Connections was mobile, and for good reason. Mobile Commerce, or mcommerce, is a rapidly growing sales channel. iPhones, Android phones, iPads. People are using these and other devices more and more not just to check their favorite sites, but to make purchases. Forrester’s Sucharita Mulpuru writes that mcommerce is expect to account for $31 billion, or 7% of overall ecommerce sales by 2016. And this behavior crosses over into email. Based on our case studies, one in every three subscribers will open an eblast or enewsletter with a mobile device. Even if the subscriber doesn’t make the final sale on their iPhone, it’s becoming more and more important each year for businesses to reach their customers in a way that adapts easily to that tiny, tiny screen.
Enter responsive design. According to Smashing Magazine, responsive design is “the approach that suggests that design and development should respond to the user’s behavior and environment based on screen size, platform and orientation.” For example, a two-column layout with 12 point fonts may be perfectly readable on the desktop. In the mobile environment, however, your readers will be squinting and going through the trouble of zooming in to read your well-crafted copy.
For years, this design approach was purely in the realm of websites and landing pages. At Connections, agencies have begun to stress the importance of bringing responsive design over to the inbox. Here at Flightpath, we’ve developed code that allows for responsive design principles to work in the email environment. Never worry again that your sales offer is falling on deaf ears because your customers can’t read it on their Droid.

 

On the Way Back to New York

 

As I stared out at the Midwestern sky through that tiny window on my plane back to LaGuardia, I thought about all the information I picked up that week. Until then, I believed campaigns were tweaked according to well-disciplined A/B testing paradigms that bring modest, but consistent results. While that’s part true, a “bigger picture” view of the trends helps a campaign not only stick out from the rest of the pack, but it pays off significant dividends later on in higher engagement, more conversions, and a “sexier” email channel.

Ad Week Wrap Up Report – The Digital Influence

Truth is conversations is a by-product of the digital/social age. The two way thing is of course key, but so is the long form nature of YouTube and the flow/frequency of blogging especially the likes of Twitter and Tumblr. What was also cool was the realization that every agency I heard or ran into talked digital.

Advertising Week just concluded and it was cool, if not “epic.”  My favorite panel featured the creative leadership from great agencies including Butler, Shine, Stern and Partners, Leo Burnett, Anomaly, Mekanism.  I believe reason the week (and panel) was great comes down to the idea of “conversations”… a term used by the CCO of Leo Burnett to describe meaningful consumer engagement VS doing ads of any particular kind in any medium.

Truth is conversations is a by-product of the digital/social age. The two way thing is of course key, but so is the long form nature of YouTube and the flow/frequency of blogging especially the likes of Twitter and Tumblr. What was also cool was the realization that every agency I heard or ran into talked digital. But then again, every agency is a digital shop or at the least, an “immerging hybrid”- by virtue that digital is the defining cultural gatekeeper- so if you don’t get digital, it’s hard to imagine (like impossible) that you are connecting with any teen let alone adult based on lifestyle or media consumption behavior.

This made me think of the several things we think about and practice that make digital agencies unique to now and the future:

  1. It’s Never Over- campaign content is a constantly evolving reality…a site, ad networks, 3rd party, social ads are “A/B” tested and tweaked throughout its life based on empirical reads, emotional wear out or because we can/should.
  2. Speed to Market- the ability to commercialize creativity/points of difference “ideas” in hyper time is now a competitive hammer that marketers swing freely and hard.
  3.  It’s ONE World- digital is totally integrated and linked (it is a web after all!) unlike TV, radio, print, retail where getting it synced up is tough for turf reasons and/or logistical ones.
  4. Technology Lives for Change- where as media like 30 sec TV units have been the standard for decades, digital platforms (and ad units change all the time) like “Parallax” reinvents how engagement plays out- vertical fluidity VS horizontal randomness.

As I said, I loved Advertising Week- it made last  week rock.  It got a lot of people thinking and rocking.

Why Awesome Facebook Posts are Your Brand’s Best Mobile Strategy

As brands watch more and more of their traffic come from mobile devices it may be a good time to evaluate what your brand is doing on the one part of your Facebook presence that mobile users can see: Timeline.

Facebook is facing a quandary when it comes to brand pages. While an increasing number of Facebook users are utilizing the platform on their smartphones or tablets, the Facebook tab content that brands spend so much time and money to develop are not visible to these users. We know more users prefer Facebook brand pages to brand websites and we also know that smartphone usage is on the increase.

So what is a brand to do?

Facebook app development remains an integral part of a brand’s presence on Facebook. The brand immersive experiences, like sweepstakes and other fun apps are designed to engage and inspire users to share and they do. But, as brands watch more and more of their traffic come from mobile devices it may be a good time to evaluate what your brand is doing on the one part of your Facebook presence that mobile users can see: Timeline.

The best Facebook brand posts have must-see, must-share content. So how do you take your branded posts from meh to marvelous?

1. Use user generated images in your posts

I know that everyone social media expert on the planet will tell you that social media posts with an image get more attention than those that don’t. But, this advice is a bit different.

Ask your community to share pictures, not highly posed shots of them holding your product at salesmanish angles, but real photos of the sort they probably already have. Pictures of their home, kids, pets and the like- whatever category is relevant to your brand. Use them in all of your posts and you will see interaction skyrocket.

People like to see themselves represented and I for one could go the rest of my life without seeing another stock photo used in a Facebook brand post. We implemented this with a client at the beginning of the year and have seen monthly unique interactions grow from a respectable 6% to a totally awesome 40%.

2. Make your posts relatable

 How many times have we seen a post with copy like this: “It’s back to school time! Like this post if your kids are ready for school.” Ugh, snore. Sounds like the opening line of a very boring PTA meeting.

Take that basic idea and add copy with an accompanying image that the mom you are speaking to can relate to: “Here is Barbara from Poughkeepsie enjoying her coffee in peace this morning. Like this if you are enjoying the silence of back to school time!” It’s better, more from a mom point of view and the consumer you are trying to engage will have a higher likelihood of interacting with the post.

3. Create inspirational branded images

 A lesson we can all learn from the popularity of Pinterest is that inspirational images get shared. That lesson applies to Facebook as well.

Take an inspirational quote about life, home, self-care whatever makes sense for your brand and put it meme style on an image (even better an image shared by a user). Ask your community to share and boom, your branding is out there being shared with a larger audience and is connected with a powerful, inspiring message which is all good. We have been using this tactic for a few months and have had some images shared 20,000+ times.

Creating better Facebook posts means higher engagement from all users, especially those viewing your brand page on a smartphone. Creating killer Facebook apps is still important, but until Facebook allows tab content to be viewed via mobile spending time creating content designed for interaction and sharing is a win.


Leave a comment if you have tips for making the most out of Facebook posts for the brands you represent.

 

Notes from the Intern – What I learned interning at Flightpath

Find out how it’s like to work with the Flightpath team from our very own Social Media Intern, Beck Delude.

As every college student and recent graduate knows, interning is how you get your foot in the door and learn how it’s like to work in the real world.  Essentially things they sometimes forget to mention in school.  With that being said, our very own Social Media Intern Beck Delude shares her experiences at Flightpath below.


I have been so lucky to be the Social Media Intern at Flightpath in NYC and learn from their brilliant employees. My time spent at the agency has allotted me a vast array of opportunities. Since being here I participated in building social media strategies for several brands, attended BlogHer12, researched relevant news about digital media and went to IFBCon!

Here are some key things I’ve learned here at Flightpath:

  • Think critically about who the brand’s audience is
  • Double and triple check everything you do and then have someone else look over it
  • It’s important to be aware of what others in the industry are doing but to always be original
  • Research is a very important aspect of being prepared

Aside from all the amazing opportunities and all the great things I learned the best part of interning at Flightpath was the people I worked with. Everyone is extremely talented and willing to take the time to teach you what they know.

Flightpath not only offers internships in Social Media but also in Design and Web Production! Check them out and apply here: http://www.flightpath.com/careers/

Photo Journal: LuckyFABB

This week it’s not just about New York Fashion Week, it’s about the bloggers. We here at Flightpath are taking you behind-the-scenes of the beauty and fashion conferences this week. Last but not least Lucky Magazine’s LuckyFABB Conference.

Lucky Magazine is one of the most popular magazines when it comes to shopping.  Using their know-how and expertise they have developed a conference for bloggers that offers insights not only from industry experts but from their editorial team.  They offered unique panels for all levels of blogging in their Lucky Fashion and Beauty Bloggers (LuckyFABB) Conference.

This conference is one we would recommend.  It was a great place to network and all the panels were informative and offered great resources for those trying to stand out in the blogging community.

Check out the all star panels that spoke at LuckyFABB:

Rachel Zoe stopped by to share how she makes it work being a  mom, designer and stylist to the celebrities.  Zoe shares that everyday is a challenge but you’ll always find a way to make it work if you love what you do.

Lauren Conrad may be known from MTV’s The Hills, but she has become a true entrepreneur.   She shared the struggles of starting two successful clothing lines and running websites that offers great resources in beauty, fashion and decor. 

This panel of experts included Steven Kolb, CEO of the CFDA, Mitch Grossbach, Head of Fashion and Beauty Division at Creative Artists Agency, Federico Marchetti, Founder and CEO of YOOX and Shana Fisher, Managing Partner of High Line Venture Partners.  They were discussing the emerging trends of designers and social media and how they can go hand-in-hand.

These women are a true inspiration in the fashion industry and have started some of the trends that brands are doing right now in social media. This panel included Susan Lyne, Chairman of Gilt Groupe, Lauren Bush Lauren, Chief FEEDer and Co-Founder of FEED Projects, Aliza Licht, Senior Vice President of Global Communications for DKNY International and Erica Domesek Founder of P.S. I made this… 

You couldn’t ask for a better pair to discuss fashion.  Simon Doonan, Brand Ambassador for Barney’s New York and Fashion Designer Anna Sui discuss design inspiration and how to stand apart from other brands.  The key, is to focus on your brand. Anna Sui confessed how she doesn’t follow any other designer and draws inspiration from her yearly exotic trips with her nephews and neices.

The gift bag with up to $1,500 worth of products that was given to all the guests.  This was a great way to get products in the hands of bloggers, you should see how many of them tweeted photos.  They even included a note that stated if bloggers decided to write about any of the products to follow the Federal trade Commission’s Endorsement Guides to disclose they have received them for free. 

If you’re looking to get re-inspired and how to grow not only as a blogger but as a brand to interact with bloggers this is the one to go to.

Photo Journal: Day 2 at #IFBCon

This week it’s not just about New York Fashion Week, it’s about the bloggers. We here at Flightpath are taking you behind-the-scenes of the beauty and fashion conferences this week. We sent our Social Media Intern to check out day two of the IFB conference.

As promised, our Social Media intern Beck will share her thoughts on the IFB conference.  Take it away Beck!


Each year IFB  holds a conference that brings together some of the most successful people in the fashion industry and the bloggers who write about fashion. It’s a two day event and as the lucky Flightpath intern I had the pleasure of attending the second day of the event!

This panel focused on turning your blog into a business. Some of the key points were:

  • Be ok with risk
  • Surround yourself with people who are passionate about the same thing you are
  • Challenge yourself daily

Conferences can be fun too with everyday tips.  Samantha Brown from Style to Hire showed us which pieces of clothing are essential to a complete closet!

Bloggers and writers tackled the topic of Bringing Bravery Back to Blogging. A few things they highlighted were:

  •  Blog like no one is watching
  • Be aware that once you put yourself out there, there will be negative feedback and that’s okay
  • Find fuel in the hate comments, don’t let them bring you down

I had the pleasure of meeting Iman! She is not only a gorgeous model
but a successful entrepreneur. Such an inspiration.

That concludes our adventures at the bigger, better and bolder IFB conferences.  Next up is Lucky Magazine‘s LuckyFABB.

Photo Journal: Day 1 at #IFBCon

This week it’s not just about New York Fashion Week, it’s about the bloggers. We here at Flightpath are taking you behind-the-scenes of the beauty and fashion conferences this week. First stop – Independent Fashion Bloggers.

Fashion week is in full swing and it can’t start without a couple fashion and beauty conferences.  We here at Flightpath decided to check them out and wanted to show you the experience from a blogger’s perspective with photos.

This year Independent Fashion Bloggers (IFB) has decided to extend their popular conference to two days! With more panels, breakout sessions and opportunities to network with fellow bloggers and brands.  Check out what we did on the first day.

Expert panels from magazines, agencies and bloggers took the stage to share their insight.  No matter the topic the theme of the day for both brands and bloggers is this: BE AUTHENTIC and just have fun! Readers or customers can relate to you when your genuine voice comes out.

Throughout the day there were break out sessions where you can pick and choose a topic you’re interested in such as Photoshop 101, How to Become Your Own PR Person and more.

The attendees were lining up to meet the brands!  Some of the sponsors included Bare Minerals, Julep Nails, Lockerz, and more that included interactive activities such as photo booths, makeovers and DIY stations.

Blogger Mollie in Seattle took advantage of getting a quick touch up with the Bare Minerals makeup artists.

We couldn’t resist to take a manicure break and get our nails done with the Julep team at The Find booth.

The first day of the conference ended with model Coco Rocha interviewing New York Times Bestseller Derek Blasberg.

Stay tuned for the full second day report from our intern Beck who will share her first-time experience at the IFB conference and what she’s learned.

Before we let you go, we want to hear from you.  One question that arose several times at the conference was working with bloggers that have agents. Do you find it controversial or beneficial?  Share your thoughts in our comments.

Interview: Jenny Finkel of Prismatic

prismatic logo

A major trend of the modern Web experience is targeting: Offering users content that directly reflects their interests. It’s what drives online advertising and what may also drive, to a greater and greater extent in the future, the way we receive our news and information. Prismatic, a new site and iPhone app, hopes to take […]

A major trend of the modern Web experience is targeting: Offering users content that directly reflects their interests. It’s what drives online advertising and what may also drive, to a greater and greater extent in the future, the way we receive our news and information. Prismatic, a new site and iPhone app, hopes to take targeting and customization to a new place by linking with users’ Facebook, Twitter or Google+ profiles to offer personalized news feeds. And it actually works really well.

To mark last month’s launch of the Prismatic iPhone app, Flightpath spoke with Jenny Finkel, Prismatic’s Chief Software Architect, about the launch of Prismatic, where it has succeeded and where it has faced hurdles, and why releasing a mobile version was so important.

Flightpath: Let’s start off with the genesis of Prismatic. Where did the idea come from?

Jenny Finkel: That all predates me. It was originally Brad [Cross, Prismatic CEO]’s, idea. And I honestly don’t know what his mindset going in or his motivation was, other than that he just thought that none of the news readers out there were very good at providing you content. A lot of the stuff out there currently is much more design-focused than it is tech-focused for actually getting you good stuff. So I think he just saw an opportunity for building a better product, especially since it’s a space that’s not really dominated by anyone yet.

Flightpath: And when did it launch?

Jenny Finkel: It depends on how you define “launch.” We’d been having beta users for probably a year. And then the website opened around April. But in our minds, the real launch [was actually last month] when the iPhone app came out. In our minds, I think the website was meant to be the training ground for the iPhone app, because there was a lot of algorithmic stuff we had to get right. The iPhone [version] is the real deal, I think. I’m very excited about it.

prismatic iphone app

Flightpath: When exactly did you come on board, and what’s your role there?

Jenny Finkel: We just hired a sixth person, but until a couple of weeks ago there were only five us, and only three engineers. So when you’re a startup with three engineers, you have to be a jack of all trades and you have to do everything. Everyone worked on the iPhone app, even though I never coded anything for the iPhone before; everyone works on the back end stuff for things like performance and reliability and scaling up.

So really, I do everything. But the things that I focus on, when we’re not in a mad dash to get an iPhone app out, is the language stuff.  Language and machine learning. I did the algorithm for doing topic classification. Another thing is the topic suggestions, for instance – looking at your Facebook account and scraping it and trying to guess the things you’re interested in. My main focus is anything that has to do with human language and extracting some meaning out of it.

Flightpath: How has the launch of the website and what you’ve learned from it informed what you’re doing with the app?

Jenny Finkel: It’s hard to give a concrete example because it’s really an iterative process. We’ll have some idea and we’ll put it out, and either people will use it or they won’t, or they’ll send us feedback. We read every piece of feedback we get and pay attention to them.

It’s more an issue that there’s a lot of things we know we still have to do, and the feedback tells us what’s important to people. And so that tells us how to prioritize.

Flightpath: And what is important to people?

Jenny Finkel: Well, the biggest thing that people complain about that we haven’t done yet, is banning topics and publishers. There’s a lot of demand from people who say, “Look, I don’t want to see an effing cat picture ever again.” Or, “I hate TechCrunch. I never want to see anything from TechCrunch.” That’s one that we’ve gotten a lot of noise for.

It’s much more [about] little things. We recently changed the way the share box worked, just how it pops up and stuff. And then you see what happens. You see, do the number of shares go up or down? We’ll do a version, and there’s something about it that’s weird that we didn’t think of, and then we get enough complaints that we can figure out what the problem is and then tweak it. A lot of the feedback is design things for how to do the interactions.

Flightpath: Is that helpful?

Jenny Finkel: Yeah. It’s immensely helpful. Because it really helps solidify what people care about and what they don’t.

It used to be the case that you could do multi-share. You opened up the share box, and it was defaulted to Twitter, and then you clicked on Facebook, you’d be sharing to both Facebook and Twitter. This is something that I had fought against from the beginning, because I thought it was confusing, and that most people who multi-shared were doing it by accident. They thought that they were just sharing to one and didn’t realize what happened. And we took it out to see if people would complain, and we got like, maybe three complaints total. That’s enough to indicate that no one really cares about multi-share, and it’s fine that we took it out.

prismatic iphone app

Flightpath: What do you think you’ve done right? What have been the real successes?

Jenny Finkel: I think the core algorithm is really good. It’s got room for improvement – it will always have room for improvement – but I think the core nature of how we decide what to show you is right, and is good, and is much better than anyone else out there. So in my mind, that’s the biggest success. There’s tons of things to tweak, but with the core algorithm, I believe we pick out the right stuff. We get tons of feedback from people who are like, “I find things that I love that I never would have found elsewhere, from you.” That’s the overwhelming feedback, so I think that’s the biggest success.

Flightpath: And do you want to keep to the core of what Prismatic does right now, or do you want to bring in more social elements? Not just sharing stories, but maybe you connect to other Prismatic users that share your interests?

Jenny Finkel: This is actually on our short-term roadmap. We have a whole lot of social stuff coming down the pipeline. So right now, the precursor, which isn’t all that useful on its own, is profiles. So if you want to, you can make your profile public and then other people can look at it. Maybe you’re like, “Oh, John’s interesting, maybe I can look at his profile and see what topics he’s added and maybe I want to add some [to mine].” Obviously, that’s pretty passive, so there’s no connections between them right now. One of the very next things that we’re doing is adding followings, so you can subscribe to your friends. We also want to do stuff with recommended users. You favorited these five articles, another person across the planet also favorited those five articles, you might want to check out their profile. You probably have stuff in common. That’s very much the future of where we’re going.

Flightpath: You mentioned that the iPhone app was the real launch, and the website was a training ground. I’m curious why you say that.

Jenny Finkel: I think it’s just the nature of how people read their news. Some people read it on their computer, and I’m actually in that boat. But for most people, it’s basically mobile-only. Mobile is the most important. People use their computers less and their phones more, and it’s only going to further shift that way. There’s just a lot of time when you’re not in front of your computer.

prismatic iphone app news stories

Flightpath: And what are your hopes for the future of Prismatic post-iPhone app launch?

Jenny Finkel: Shorter-term, there’s the stuff I was talking about with the profiles. Longer-term, I think we want to move out of news entirely to do other kinds of recommendations. Recommending music and movies and stuff to buy and I don’t know what else. If we have enough information on your friends and interests and what people click on, we should be able to do a reasonable job for some stuff.

Imagine you’re a photography buff, and your friend just got some awesome new camera and shared it out. There’s a reasonable chance you’re going to care about that, and maybe you’re also going to buy it. So yeah, I think broader recommendations are a big thing for the long-term goal.

Flightpath: Tell people why, if they haven’t heard of Prismatic or haven’t signed up for it, why they should.

Jenny Finkel: Basically, if you want to find interesting things to read, I think it’s your best bet. I know that’s a simple answer, but that’s the one. Literally, when I procrastinate at work, I procrastinate on our website. [Laughs]

5 Reasons to Try YouTube Ads & Setup Tips

YouTube Ads Tutorial

In online advertising, Google search, Facebook and Twitter get most of the press, but if you’re a brand with quality videos that you don’t think are getting the views they deserve, YouTube ads are a viable option.

While everyone who posts a video to YouTube holds out hope that their video will go viral, the truth is, the odds are slim of that ever happening. (Unless you specialize in Cute Cat Videos. Then, you’re basically guaranteed 18 bazillion views. That’s a scientific fact.)

The same is true for brands with video content (in a post earlier this summer, we documented the failed Men in Black III YouTube channel). Sometimes, you need to get out there and push. In online advertising, Google search, Facebook and Twitter get most of the press, but if you’re a brand with quality videos that you don’t think are getting the views they deserve, YouTube ads are a viable option. Here are five reasons why, along with some tips on how to optimize your ads.

Reason #1: Setup Is Easy
YouTube is owned by Google, and setting up a YouTube ad campaign is very similar to setting up an AdWords campaign. In fact, YouTube ads have been incorporated into AdWords, and that’s where you’ll create your campaign. The first thing you want to do, if possible, is link your YouTube account with your AdWords account. This gives you more robust analytics for your YouTube ads right in your AdWords dashboard. You can run ads without linking the accounts, but you’d be missing out on lots of data, and since you run the ads through AdWords, you might as well link them. Here’s how.

Click on the “New campaign” box in the Campaign section of AdWords, as seen below, and then select “Online Video”:

You’ll be taken to the “Create new video campaign” screen, but don’t fill it out yet. First, on the left hand “Shared library” menu, click on “Linked YouTube Accounts”:

Next, click on the blue “Link YouTube account” box in the window that pops up.

Even if your YouTube account has a different login and password from your AdWords account, they can be linked. Once this is done and the accounts are connected, you’re ready to set up a campaign.

Go back to the main setup for a Video Campaign:

Here you can name your campaign (we suggest going with something more descriptive than “Campaign #1,” because if you run more than one campaign over time, it’ll get confusing), set your daily budget and choose locations. You’ll also get to select a video from your just-linked YouTube account to use in your ads. Next, you can set your max CPV (cost per view), groups you want to target (say you have a comedy short you want to promote, you can target “Humor” and then the “Spoofs and Satire” categories in YouTube), and include any keywords you want your ad to show for.

And then you’re ready to make an actual ad. In the “Ads” tab on your dashboard, click on the “New Video Ad” box. You’ll first have to choose a video you want to advertise:

Once that’s done, it’s time to write your ad. This is done exactly as you would with an AdWords ad. Write a Headline, two Description lines, a Display URL and a Destination URL (you can have the ad take the viewer to the video’s YouTube page or to your YouTube channel). You’ll get to pick a still from your video to act as the ad’s image, and can preview it in real-time.

Reason #2: They’re Not Crazy Expensive
In the world of pay-per-click advertising, a campaign can get expensive as keywords become more competitive. It can obviously be worth it, and sometimes it’s a necessity – but average cost-per-clicks (or CPVs, in this case) are relatively low with YouTube ads, meaning you can drive visits to your videos for less money on a per-click basis. And if you have quality video content that can spread the word about your brand or services, YouTube ads can be one of the more cost-effective ways to spread your message.

Reason #3: Free Link To Your Website
You know those pop-up ads that overlay a video you’re watching? They’re actually free to the owner of the video and video advertiser. The call-to-action overlay, as Google calls it, takes you to an external site, and features a headline and short copy. So while someone is watching your video, you can get an ad pointing to your website at no charge. It’s a real, quantifiable bonus to running a YouTube ad campaign. (Note: Call-to-action overlays are only available if you’ve linked your YouTube and AdWords accounts.)

After you’ve created your ad, click on “Videos” in your dashboard:

You’ll see all your videos related to that campaign. In the first column, called “Video,” you’ll see this underneath the link and description of the video:

Click on the plus sign, and you can create (and later edit or delete) your free call-to-action overlay, which will appear when your video is played. You write it the same way you would an AdWords or YouTube ad, with a Headline, Description, Display URL and Destination URL:

Click-through-rates for these aren’t huge. But to get a free ad and link to your site in such a visible place is a real added value.

Reason #4: Have It Your Way
YouTube offers four different Ad Formats: In-search (your ad appears above YouTube search results), In-slate (users have the option of choosing your ad and watching some of your video, amongst others, before viewing their video), In-display (your ad appears as a suggestion to the right of a YouTube video) and In-stream (your ad shows as a preview before another video). When choosing a format, you’ll get to preview what each will look like in action:

You can choose one or all of the options, and experiment as you wish. It’s a great way to cast as wide or small a net as you want with your ads, and see which format works best for your content and target audience.

Reason #5: They Work
While there are no guarantees of success in online anything, there are enough options within YouTube’s advertising mechanism that you can really make them work for you and drive views of your videos. The real question is, is it worth it to your business to pay for video views? The answer will be different for everyone. But if you do have video content that you want people to see, that will make a difference for your business, then YouTube ads are a great tool to make it happen.

Progressive Vs. Matt Fisher & Social Media

Progressive Matt Fisher

We’ve talked about this phenomenon before, when it happened to Netflix and other companies, but a new social media revolt that has emerged in the last couple of days is particularly interesting: Progressive Vs. comedian Matt Fisher and Social Media.

We’ve talked about this phenomenon before, when it happened to Netflix and other companies, but a new social media revolt that has emerged in the last couple of days is particularly interesting: Progressive Vs. comedian Matt Fisher and Social Media. Fisher wrote a blog post called, “My Sister Paid Progressive Insurance To Defend Her Killer In Court,” detailing how his sister, Katie, died in a car accident and the ways Progressive has tried to avoid paying the balance of her policy – such as providing legal assistance to the other motorist during the resulting trial. (This is is something Progressive disputes.) As a result of the post, Progressive was bombarded with social hate mail. It’s hard to blame people for reacting the way they did; it’s an ugly story.

But this whole issue, from the brand side, raises real questions about social media. Should all types of businesses have a social presence? Is there a quantifiable value in having Facebook and Twitter pages? Are you only on Facebook because your competitors are, and is that reason enough? Social has created a new dynamic in customer service and relationships, as things can get very public very fast, and the more damning the experience, the bigger the story is likely to get. And most brands are still figuring out how to manage public relations issues in the digital landscape. It’s not easy, and it just goes to show what powerful tools these channels are, for both brands and customers.

Today, Progressive announced a settlement with the Fisher family. Would it have happened this quickly without the pressure brought about by social media? Probably not. Will the whole ordeal do lasting damage to the perception of the company? Hard to say, but these things do tend to fade away over time. But if ever there was a cautionary tale about how social media has changed the way we interact with each other and with the companies that play a role in our lives, it’s this. Ultimately, the one basic truth about social media is that it amplifies conversations and is empowering, for better or worse. For better, because it gives people like the Fishers a chance to get things done and speak their minds, and maybe enact real change; and it does give brands a chance to really engage with their customers, in good times and bad. For worse, because of the anonymous pile-on element that social seems to provoke in people. And you have to be prepared for both. Progressive learned this the hard way.

BlogHer 2012: Photo Journal

As you may remember from last week, we were counting down the days to BlogHer 2012 and it finally arrived! We here at Flightpath thought that we should share the highlights in a photo journal. Enjoy!

As you may remember from last week, we were counting down the days to BlogHer 2012 and it finally arrived!  We here at Flightpath thought that we should share the highlights through photos of our experience this past weekend. Enjoy!

A warm (digital) welcome by President Barack Obama to start off the conference.

Samsung was one of the many brands that participated as a sponsor with a showroom to display the new and soon-to-launch products for work and play.

There were floors filled with a variety of brands in technology, fashion, home, cooking and more that offered incentives such as sweepstakes, giveaways and contests. It was the platform for brands to share their elevator pitch and get products into the hands of bloggers, not only for media consideration but as potential new customers.

Me striking a pose as I’m making way through the the crowded floor, but I can’t beat Betsy’s modeling skills…

We think Betsy nailed it with her signature pose and should win America’s Top Social Media Model. Tyra would be so proud. Just an example of how brands had some fun with guests using props for impromptu photo shoots.

One of the many sessions we attended. This one discussed best practices for both bloggers and brands on how to work together for opportunities. As you can see, it was a packed house.

Oh yeah, did we mention how we met Martha Stewart? Brands like Staples and Avery upped the ante by bringing along celebrities to the conference to interact face-to-face with bloggers.

Don’t worry if you didn’t get a chance to attend this year in New York City. They’ve announced that BlogHer 2013 will be in Chicago and we can’t wait to see what’s in store then.

Apple to Buy The Fancy? Why Fancy Crushed Pinterest

Why would Apple be interested in buying The Fancy and not Pinterest? Simple. The Fancy has a monetization strategy. Brands are able to promote products on The Fancy homepage, and customers are encouraged to add items the Fancy to a shopping cart and buy directly through the site. The Fancy generates revenue for brands and itself. Pinterest does not.

Business Insider reported over the weekend that Apple is interested in buying The Fancy. If Apple does buy The Fancy, this will be a nail in the coffin for Pinterest. While Pinterest may have the dedication of middle America, an Apple owned The Fancy will have the hearts and wallets of the affluent.

Why would Apple be interested in buying The Fancy and not Pinterest? Simple: The Fancy has a monetization strategy. Brands are able to promote products on The Fancy homepage, and customers are encouraged to add items to a shopping cart and buy directly through the site. The Fancy generates revenue for brands and itself; Pinterest does not.

While Pinterest has proven a great traffic driver, brands are ultimately interested in driving sales. The Fancy was designed with a dual purpose: to drive brand awareness and sales.  Another Business Insider post reported that The Fancy is generating more than $10,000 daily in sales for the brands promoting their goods on the site.

Another great reason for Apple to purchase The Fancy is that both appeal to a higher income consumer willing to pay more for products with great design.

So, why should you as a marketer care about Apple’s acquisition of The Fancy? Months back, we contacted The Fancy and were advised that only a few brands per week receive email and homepage promotion.

At that time, there was a waiting period of a month to schedule a promotion. Once Apple purchases The Fancy, their already considerable traffic could potentially explode among the highly desirable wealthy, design conscious consumer and every brand will want to be promoted there.

If the brand you represent is interested in a promotion on The Fancy, we have a tip from The Fancy founder Joseph Einhorn: make sure you have “wicked” photos. According to Einhorn, photos on The Fancy are everything. Editorial style shots of your product will ensure good sales performance on the site.

Now is a great time to get the brand you represent in line for a promotion on The Fancy, and you will make your client look brilliant for being in early.

Mobile Game Review: Scramble With Friends

scramble with friends logo

In a new feature here on the blog, we’ll take a look at mobile games, both free and paid, and let you know if they’re worth checking out. Today’s game: a new twist on Boggle for the digital age.

Smartphones have turned out to be Trojan Horse videogame systems. In addition to everything else we use them for, most people – even those who have no interest in console gaming – have begun playing games on their mobile phones. It makes sense; the touch screen makes controlling a game more digestible for non-gamers, and the types of games produced cater to many types of audiences. If you like traditional board games, you’ll find a mobile game you’ll love. If you like puzzle games, you’ll also find something.

In a new feature here on the blog, we’ll take a look at mobile games, both free and paid, and let you know if they’re worth checking out. Today’s game: a new twist on Boggle for the digital age.

The Game: Scramble With Friends

The Platform: iPhone, iPad & Android

How Much: Free with ads; $2.99 for ad-free version

scramble with friends opponents

The Deal: Zynga has mastered the art of remaking classic board games for mobile devices. With the massive Words With Friends (a tweaked version of Scrabble), they found new ways of translating physical object games to the touch screen. Drag, tap and release – that’s pretty much all you need to do to play Words With Friends, and by linking the game with Facebook, you can easily find friends to play with.

The same model is used for Scramble With Friends, which is basically Boggle – you have to form words from a jumble of letters in a set amount of time – with a few new changes. While Scramble has been out for awhile, I still meet people who don’t know what it is – hence, this review.

scramle with friends power ups

Gameplay: First off, to play a game you have to pay a token, which is provided to you at the outset. The more you play, the more tokens you need. This is fine, as the tokens replenish every few minutes. But if you want to play a lot in one session, and you deplete your “bank,” you either have to pay actual money for more coins, or stop playing and wait for your them to restock. It’s a kind of odd setup.

Right before starting a game, you have the option of selecting some power-ups: Freeze (stops the clock), Inspiration (reveals words to you), Scramble (rearranges the letters on the board), and Vision (gives you three words to find). The first is free, the second costs you one coin, and the third costs you three coins. The power-ups are a really smart addition to the game; Vision may just give you three words to find, but that often opens up your eyes to other possibilities. Using Freeze to buy some extra time can make the difference between a win and a loss.

The game itself is a fun, frantic, addictive reinvention of Boggle. You play three rounds against your opponent, with the later rounds introducing double and triple word scores a la Scrabble, upping the ante and chances of a comeback. When you spot a word, you start with the first letter and drag your finger letter-to-letter. When you reach the end of the word, lift your finger up, and the word registers. It works pretty flawlessly.

scramble with friends game screen

What’s Wrong: The coin system complicates things in an unnecessary way. Even if you fork over the cash for the paid version, you’re still stuck with it. I understand the need to monetize the game, but why not just sell power-up packages? It makes you feel limited and restrained in how much you can play, and that’s not a good thing.

Overall: Scramble is a success on almost all fronts; it’s a great reinterpretation of a classic game, it controls very well, and it’s something you’ll play for more than just a few days. The additions, with the exception of the coin system, make it relevant for today’s mobile gamers. This is the type of game that has the big game makers – Nintendo, Sony and Microsoft – very scared. It appeals to casual gaming fans and portable gaming fans alike, making it a significant threat to their business. And it’s free.

If you’re a wordsmith, enjoy puzzles, or like beat-the-clock types of games, you will love this. But the addiction factor is high. Maybe that coin system isn’t such a bad thing after all…

Grade: A-

Apple Patents Videogame Controller: Why This Is Huge News

Earlier this week, news broke that Apple had patented a wireless videogame controller for use with its iPhone, iPod and Apple TV platforms. At this point, details about the controller and information on its release are scarce to non-existent. But make no mistake – this is huge news. An Apple game controller has the potential […]

Earlier this week, news broke that Apple had patented a wireless videogame controller for use with its iPhone, iPod and Apple TV platforms. At this point, details about the controller and information on its release are scarce to non-existent. But make no mistake – this is huge news. An Apple game controller has the potential to change the videogame industry, from the games we play to the major players involved.

With casual games – a market Nintendo essentially invented with the Wii, only to see it stolen by mobile devices with titles like Angry Birds – touch screen controls were the gateway entrance for people who found classic game controllers to hard a hill to climb. At the same time, touch screen controls have also been a turn off to the still-large hardcore gamers audience; they just don’t offer the same precision that a controller with a joystick and buttons can. But now that an official Apple controller will be released, there is a chance that the hardcore will spend more time with mobile games, maybe taking a significant chunk of that audience away from console-makers. Not only that, but mobile games may evolve due to the option of the controller, offering a more console-like gaming experience that will appeal directly to the hardcore. It’s something that Sony, Microsoft and Nintendo should be worried about.

Perhaps most importantly, however, is the fact that the controller makes Apple more of a force in the videogame arena than ever before. Fans have wondered why Apple had yet to develop a game console and enter the market, or at least do something. This is that something. The truth is, with the proliferation of mobile gaming via the iPhone and iPad, Apple were surprise entrants into gaming, but this puts them in more direct competition with The Big 3. As videogames move towards a cloud-based future, the controller puts Apple in a position to play a role in the gaming landscape. And if Apple TV is home to console-quality, cloud-based gaming, they could truly change the industry.

That is, of course, if it’s actually released. Time will tell.

Countdown to BlogHer ’12

Countdown to BlogHer ’12. The Flightpath team will be joining bloggers and brands at this year’s BlogHer in New York City. Find out how you and your brand can leverage conferences such as this one to network and interact with bloggers.

In one week, the Flightpath team will attend one of the biggest conferences that will be taking place this year in New York City – BlogHer.  Thousands of bloggers from all over the country travel to be a part of this major event.

It’s amazing to think that over the years how the blogging community has grown and shown great support of each other.  Women supporting other women, not only in the business of blogging but as marketing professionals as well.  BlogHer sets the stage where brands can interact vis-à-vis with bloggers and receive real-time insight to their products and build a strong professional relationships.  Every year brands, celebrities and influencers offer their expertise during scheduled panels and this year it includes major players such as Martha Stewart, Katie Couric, Christy Turlington Burns and more.

Another growth factor for BlogHer to note is the amount of brands that partake in this conference.  With sponsors like Johnson & Johnson, Pfizer, Hillshire Farm, Dannon, Verizon Wireless and so much more.

If you’re a marketer or a brand that has not participated in BlogHer in the past, our best advice for you is to get your team a pass to attend as a guest and observe.  This will allow you to interact with guests and see what’s in store at the conference to better prepare not only for yourself but for the needs of your client.  It will give you an advantage to plan ahead and see what works and doesn’t work to create a successful strategic plan.  Be sure to check out BlogHer for additional information.

Follow us on Twitter and Instagram where we’ll be reporting from BlogHer ’12 conference using hashtag #BlogHer12.

Image Source for Header: BlogHer.com

Pinterest Brand Pages: Our Favorites

Pinterest is all the rage these days, and for good reason: it’s a social platform that actually offers something new and unique. If you are a brand rep looking for Pinspiration, here are some of the best examples of brands on Pinterest.

Pinterest is all the rage these days, and for good reason: it’s a social platform that actually offers something new and unique. And unlike Facebook or Google+, it really allows brands to get creative with their pages, from layout to content to overall purpose. If you are a brand rep looking for Pinspiration, here are some of the best examples of brands on Pinterest.

 

Coolest Design: Uniqlo


A quickly growing fashion retailer, Uniqlo only sells through its brick-and-mortar shops, which makes its digital acumen all the more impressive. Their website is great, their Facebook updates are fun, and their Pinterest page is staggeringly creative. If you scroll down their page, it animates a la a cartoon flip book, making logos spin, shirts move, and giving off an overall wow factor:

 

 

Funniest Use of Pinterest Boards by Brands: Oreck

 

So… you are a vacuum company and you want to create a Pinterest board, what do you do? Pin pics of messes of course, but how to make a pinnable mess? If you are a pet owner you will appreciate Oreck’s Furry Friends board filled with adorable pics of dogs and cats who fill hearts with happiness and floors with fur:

 

 

Best Non-Profit Brand on Pinterest : ASPCA

 

Of course it helps to have an endless supply of adorable and highly pinnable pet photos at your disposal, but the ASPCA on Pinterest does more than just post cute pics of pets.

They are using Pinterest as a tool to promote pet adoption and further the cause of closing puppy mills. By creating Pinterest boards that balance cute pics with highly shareable text based images, pinning from the ASPCA page is like slapping an end animal cruelty bumper sticker on your Subaru- it let’s everyone who follows you know where you stand.

 


Most Interactive: Bauble Bar

 

Social media, as we all know by now is not supposed to be a soliloquy but rather a conversation. This is always tough for brands. One brand doing a great job is Bauble Bar. This online jewelry retailer scours Instagram and Twitter for fans of their collections who have posted photos. Bauble Bar then pins the fans photo to their Pinterest board, which is the highest form of compliment on Pinterest and goes a long way to building community and customer loyalty.

 

 

Best Celeb Brand: Martha Stewart
Martha Stewart’s Pinterest boards look like what Stewart’s refrigerator would look like, if she allowed magnets on it. As the most followed celeb on Pinterest, Stewart is one to watch.

 

Leave a comment and let us know what Pinterest brand pages you like.

(Dan Brooks contributed to this post.)

Facebook Tutorial: How to Change Facebook Page Username or Vanity URL

If you have been wanting to change your Facebook username, now is your golden opportunity. But before you rush to seize the moment and change that Vanity URL or username that you have always regretted, take a moment.

Wondering how to change your Facebook Vanity URL or username? You are not alone, until very recently the Vanity URL chosen when a Facebook page was created could never be changed. This created problems for a lot of businesses who have had a name change or just second thoughts about the custom URL they chose years ago.

Facebook has just changed this policy and now allows Facebook Page admins to change their Vanity URL. If you have been wanting to change your Facebook username, now is your golden opportunity.  But before you rush to seize the moment and change that Vanity URL or username that you have always regretted, take a moment.

Things to Consider

Be Really, Really Sure

Before you start the process of changing your Facebook Vanity URL be sure you are 100% sure of your new choice and the spelling. Facebook will only allow for a Facebook Page Vanity URL to be changed one time, so if you change your mind or screw up the spelling you cannot change it again. So give your new URL and it’s spelling some thought.

Vanity URL vs Facebook Page Name

Changing your Vanity URL or User Name will not change your Facebook Page name. The Facebook username is the unique portion of the custom Facebook URL which is referred to as a Vanity URL, so a Facebook username is the “name” portion of the Vanity URL. For instance in the case of our agency, “FlightpathNY” is our Facebook username, and “www.Facebook.com/FlightpathNY” is our Vanity URL.

Your Facebook Page name is the name of your page that appears in Facebook search and in bold type just below your cover photo. In our case, our Facebook name is “Flightpath”. Changing your Facebook Page name is a different process than changing your Vanity URL.

If your page has over 200 likes, you have to fill out a form and request a Facebook Page name change. You don’t get a shot at changing it yourself like the username/Vanity URL, unless you have less than 200 likes in which case you can change the name of your page from the Basic Information tab within the admin tools. If you have over 200 likes and want to request a new Facebook Page Name you can do so by following these instructions.

Keep in mind the rules.

Facebook has a lot of rules regarding what Vanity URL you can snag. This is not your great chance to be Facebook.com/Pizza, since generic Vanity URLs are not allowable. Stick with your business’s name.

Double check that your desired Facebook Vanity Url or Username isn’t taken. When Facebook first rolled out Vanity URL’s for personal Facebook profiles, some people decided to use nicknames, place names or surnames that are also business names. Do yourself a favor and check the URL before you try to change it.

Another common issue is a company’s CEO has the company name as his or her personal Vanity URL. If this is the case, ask them to change it (or offer to do it for them) thereby releasing the URL and making it available for the company page.

Change Your Links

Changing your Vanity URL means you need to change all links to your Facebook Page. Once you change your username your old Vanity URL will not work, so make sure to update the links from the buttons on your company’s website, blog and everywhere else your Facebook URL appears.

Making the Change Step By Step:

  1. Click the “Edit Page” button at the top of your Facebook Page and select “Update Info” from the drop down menu.

  2. This will bring you to the page where you enter your new username. (Remember to check the spelling!)

  3. Click to verify availability of your new username.

  4. Click to save your new username and voila! You are done!

 

Mobile App Review: eBay – iPhone, iPad & Android

ebay mobile app review

Welcome to the latest installment of Flightpath’s running series of mobile app reviews, where we explore all different kinds of apps, both paid and free. Today we’re looking at the app for the world’s biggest online auction site.

Welcome to the latest installment of Flightpath’s running series of mobile app reviews, where we explore all different kinds of apps, both paid and free. Today we’re looking at the app for the world’s biggest online auction site.

The App: eBay

The Platform: iPhone, iPad & Android

How Much: Free

The Deal: eBay has long been synonymous with online auctions. Looking for a vintage Optimus Prime right fist? Check eBay. Trying to find that issue of Fangoria missing from your collection? Check eBay. Have buyer’s remorse for that trumpet you bought, which has never been removed from its case? Sell it on eBay.

An eBay freed from the chains of desktops (I don’t have to be at the computer at 4:27am when the auction for that weird thing no one else on earth except two other dudes care about is ending? Sign me up!) is a no-brainer. But how is it in reality?

ebay mobile app

Features: As far as I can tell, everything from eBay desktop has been ported over to eBay mobile. There’s buying and selling, of course, as well as your complete My eBay profile and options. Additional functionality includes push notifications for messages, ending auctions, re-listings and more.

The success of this app lies not so much in its breadth of features, but in their ease-of-use in a mobile format. And it is very successful in that regard. With searches, everything displays properly, and with all relevant info and photos (see above screen shot, taken after a search for “Wayne Chrebet jersey”). On item pages, everything is condensed into smart menus (Description, Item Specifics, Bidding Activity, etc.), allowing the page to be presented cleanly and clearly. At the bottom of the screen are three large buttons, really representing the core of eBay: Place Bid, Sell one like this, and Share this item. It makes browsing and bidding a really pleasant experience.

ebay mobile app

What’s Missing: Truthfully, not much. Even re-listing items (I’m trying to get rid of an MST3K Crow statue, if anyone’s interested) is a breeze. If anything, the way messages are handled is a little clunky; it seems as if the desktop message is displayed on the mobile screen, and options for replying are limited. But that’s a nitpick.

ebay mobile

Overall: One of the best mainstream apps available, and one of the best desktop-to-mobile adaptations I’ve ever seen. I was continually amazed at just how much functionality is packed in here, and the second nature feel of navigating through it all. Browsing item photos is startlingly easy, as you just scroll through them as you would the photos in your gallery; changing alert settings is actually easier than the desktop version. The presentation is simplified as much as possible without sacrificing anything, and it’s a real accomplishment.

The only place the app falters slightly is in the typing interface; typing on a mobile phone is still a bit of a pain (at least, for me) and eBay didn’t find a way around that, so writing out a detailed description or message is a bit cumbersome. But I don’t really hold it against them. Ultimately, this doesn’t try and replicate the desktop experience; it re-imagines it and surpasses it.

Grade: A

3 Awesome July 4th/Summer Email Marketing Campaigns

July 4th and Summer Email Marketing

One of the most important marketing tools going today is email, where the stakes are perhaps biggest: brands have to strike the right balance between spammy/informative, fun/cloying, design smart/confusing. If people sign up for your email list, they’re more-or-less willing to at least hear you out, so a poorly constructed email is truly a missed opportunity. Here are some July 4th/summer email campaigns (all clothing related, just to narrow the playing field) that we think are doing it right.

Around almost every holiday, brands and stores launch marketing campaigns with the goal of promoting sales, generating buzz and reminding the world that, “Hey – we still exist.”

One of the most important marketing tools going today is email, where the stakes are perhaps biggest: brands have to strike the right balance between spammy/informative, fun/cloying, design smart/confusing. If people sign up for your email list, they’re more-or-less willing to at least hear you out, so a poorly constructed email is truly a missed opportunity. Here are some July 4th/summer email campaigns (all clothing related, just to narrow the playing field) that we think are doing it right.

Uniqlo summer sale email
Uniqlo
For a clothing retailer without an online store, Uniqlo’s mastery of all things digital (its Pinterest page is awesome, if you haven’t seen it) is all the more impressive. The “Summer Festival” email campaign matches the visual style of Uniqlo’s stores and logo with a clear red and white color scheme, elegant design, and sale items easily laid out. It contains a lot of info – a calendar, product images, even an in-store drum show schedule (!) – but is successful because no single element detracts from any other, and it’s all easy to understand and navigate. Not easy to do.

SuperHero Stuff Summer Sale Email
SuperHeroStuff
Starting with the intentionally-cheesy Photoshopped sunglasses on Wolverine, which conveys a welcomed sense of humor about comics and superheroes, SuperHeroStuff’s email grabs your attention. And the imagery flows nicely, from Wolverine to the “Save 13%” banner and back again. From there, it’s all messaging, as their summer sale is successfully driven home with nicely placed copy above the main image, inside it, and below it.

Original Penguin summer sale email
Original Penguin
Original Penguin’s campaign is among the best we’ve seen in email design aesthetics this summer. The smart incorporation of the Original Penguin logo into a vintage-looking American flag lets you know what this email is about even without copy (of which there is little), and it matches the brand’s tone effortlessly. These things can be easy to screw up – the font color is too close the background color, the logo looks tacky on the flag, etc. – but Original Penguin’s email hits every beat perfectly.

Pinterest Analytics Tools Comparison – PinReach vs Pinerly

We took a look at 2 of the most popular Pinterest analytics tools available, Pinerly and PinReach and put them head to head to find out which offered the best Pinterest account analytics tools for brands.

We took a look at 2 of the most popular Pinterest analytics tools available, Pinerly and PinReach and put them head to head to find out which offered the best Pinterest account analytics tools for brands. So you can know  if your content is reaching an audience and also gather the stats you need to report back about your Pinterest campaign to your client.

Pinerly

Pinerly is a complete Pinterest account management platform. In our opinion, this is the best Pinterest analytics tool for marketers. It offers lots of great stats (or Pinalytics) on your Pinterest account including number of repins and likes on individual pins.

On the downside, in order for pins to be tracked by Pinerly each pin must each be created through Pinerly. This means that pins show the URL of origin as Pinerly.com,  instead of your brand’s URL. The good news is that any clicks of your pins are still directed to the URL of your choice.

Perhaps once Pinerly is out of beta, there will be a white label option as part of a premium package for brands (not anything we saw on Pinerly just guessing they are going to have a monetization strategy unlike Pinterest). It would also be great if brands could promote pins by paying to be featured in Pinerly’s suggested pins. However, there are currently no opportunities for brands to pay to promote content to other Pinerly users.

What we like:

  • Scheduling coming soon- a huge bonus for marketers since Pinterest activity peeks during off hours.
  • Analytics good enough to report back to a client with
  • Looking for feedback from users

What we don’t like:

  • Pinerly.com shown as pin URL
  • No brand promotion opportunities
  • No comment tracker
  • Still in beta- though you can request an invite here

PinReach

Billed as a tool for understanding and measuring the impact of your Pinterest account, PinReach is a lot like Klout for Pinterest.  Users are assigned PinReach scores  based upon the amount of engagement (repins, likes and comments) their Pinterest content receives.

Scores range from 0-90+. According to PinReach, most accounts fall into the 30-39 score range, and there are no PinReach users who have scored above an 89 (Etsy must not have checked their score yet). Certain types of interactions have more influence on a  PinReach score. While you get points for filling your boards with pins, you get more when others repin, like or comment on your content.

One stat that PinReach provides that Pinerly does not is the amount of comments received. While the metrics available through PinReach are mostly identical to those available through Pinerly, that’s ok because PinReach has a different goal- it was designed to be less of a dashboard and more of a high level look at the influencers and top images on Pinterest.

What we like:

  • PinReach is very straight forward and user friendly.
  • Looking at trending pins can be great inspiration for creating your own.
  • Much like a Klout score, a PinReach score is a fun way to gamify Pinterest. If you are aiming to brag at BlogHer, having a high PinReach score is just the ticket.

What we don’t like:

  • No brand promotion opportunities
  • From a social media marketer’s point of view, the PinReach score, is not necessary. (You know what we mean if you have ever watched a client’s eyes glaze over while explaining a Klout score).
  • Not the in-depth analytics you need for reporting purposes.

What Pinterest analytics tools are you using? Leave a comment and let us know.

Google+ Hangouts: +1 For Google

Google+ Hangouts

I’d never partaken in a Google+ Hangout before. But, I accepted a friend’s invite.

Ready for the shocker? Google+ Hangouts is kinda awesome.

While checking my email one last time before bed a couple of weeks back – my respite from a disappointing night of New York sports starring the Rangers and Yankees – an invite to join a Google+ Hangout popped up from my friend Frank.

I’d never partaken in a Google+ Hangout before. Video chat has existed for a long time, and it has never really appealed to me. So I guess I just never considered checking Google+ Hangouts…out. That, plus I still haven’t really warmed up to Google+. But, I accepted the invite.

Ready for the shocker? Google+ Hangouts is kinda awesome.

Yes, it’s been around for awhile now. But with new ad campaigns, it seems like Google is really giving its video chat service a push. And I get it.

There were only a couple of other friends in my chat (though you can have more), and the audio was very clear and the video feeds were of good quality. There’s one big screen in the center that focuses on who’s talking, with smaller screens below showing everyone’s feed. It works surprisingly well. But it was the options within Hangouts that made it something special.

I noticed that everyone in the chat had these animated hats, mustaches and eye-wear on, and they followed their head movements perfectly. Frank went for a pirate look; Tyler put on a creepy dog face. I went for a classy, fancy Mr. Peanut-themed look. While this might sound ridiculous, it made the experience unique. And really fun.

Then there are the in-chat apps. Someone opened up Scoot & Doodle, the live doodling app. After figuring out how to open it myself, we all started drawing and writing. Here’s one of our masterpieces:

It may seem basic, but often times, real change or innovation comes from taking basic things and presenting them in new ways – showing you that you need something you didn’t know you needed before. Maybe, as more apps are developed for Hangouts and more animation and options are integrated, it will really change the way we think about video chat and social media.

Kudos to Google for getting out there and pushing Hangouts. It deserves it.

How to Deliver Customer Service via Social Media – Blog World Expo Session Recap

Rackspace gets over 4,000 mentions during a typical week, but Twitter isn’t the only place consumers are asking questions. The team also responds to questions frequently on Quora, Facebook, blog posts and of course, by phone.

Social media has been used as a customer service channel for the last several years. Companies such as Zappos, Rackspace, and Jet Blue have been lauded for using social as an effective customer service tool. Many companies remain wary of using social media to address customer service issues. We were fortunate to hear insights from the Rackspace customer service team including Jeremy Wasner, Robert Collazo and Matt Wilbanks during a panel discussion at Blog World Expo last week.

So, what makes Rackspace customer service special?

The customer service team reported that their department is empowered to point out lapses in service delivery to the rest of the company.

They have the support of leadership to be the thorn in the side of the company. Culturally, everyone in the company talks. Customer service is encouraged to talk to the team that needs to change, bringing consumer posts straight to internal departments. “Since we know the teams are knee deep in the work and isolated from customers,” Matt Wilbanks said during the panel, “we know it’s our responsibility to inform the teams of problems that need to be fixed.”

Also, they do not use an external call center. Instead, all customer service is handled in house by engineers who can understand and address customer issues.

Monitoring tools are used to find any mention of the company, and a customer service team member responds rapidly. Most of the company’s social media customer service interactions take place on Twitter; Rackspace gets over 4,000 mentions during a typical week, but Twitter isn’t the only place consumers are asking questions.

The team also responds to questions frequently on Quora, Facebook, blog posts and of course, by phone. Rackspace customer service staff post their cell phone numbers publicly so consumers can call them directly. People just seem to want to know that they are heard and that their issue is going to be acted upon, according to Rackspace.

While turn-around time is important when dealing with customer service via social media, the team sees a clear difference in dealing with customer complaints delivered in the form of a blog post. A blog post is often the result of a long-term unresolved customer service issue. So usually, the customer service team involves senior management to respond personally to the post. Subsequent comments are typically positive, with Rackspace getting kudos for responding to the issue.

So what mistakes do they see other companies make when using social media to interact with customers? Many companies use social media as a place to see how great they are instead of listening and responding to customers.  The job of a customer service employee is to relieve stress and pain. Being consistently helpful and genuine helps create a brand image that reinforces the company’s mission of support.

Supporting competitors instead of disparaging them is a better approach. Often, Rackspace sees other companies trolling for Rackspace customers who may have a service issue, then trying to pounce and convert the customers to their hosting service.

Rackspace takes a different approach, never chasing ambulances on Twitter. When a rival hosting company was struggling with a big issue, Rackspace sent $7,000 in pizzas to their corporate office as a show of empathy.

They advised to never pray on customers struggling with their providers or complaining about a rival product. That would be like a car salesperson approaching someone who just had an accident and saying creepily, “Looks like you are having an issue with your car…” By having a strong customer service practice, the number one source of new customers is referrals from existing ones. Rackspace doesn’t do a lot of marketing.

When rivals start talking to customers on social, attempting to disrupt the customer service process, a best practice is to reach out to them publicly and ask if they need anything. If a competitor continues to push, a call to the company and to the social customer service team’s supervisor usually resolves the issue.

In summary: Always be nice. Always be a step above expectations.

Facebook: Passion Speaks Louder Than Clicks

While Facebook has been dominating the news the past two weeks,one side of the social network story that has gone under-reported is the undeniable passion Facebook has created.

While Facebook has been dominating the news the past two weeks – GM saying no mas to $10 million in paid media, the market/investors saying IPNO (no!) to $38 a share and many interesting stories of the personal and financial lives of Facebook insiders past and present – the one side of the social network story that has gone under-reported is the undeniable passion Facebook has created.

Facebook, to the 13-year-old creating his or her account and getting a profile up, is huge: A rite of passage so dynamic, so intense, that if you have a son, daughter, niece or nephew, you wonder if they are even breathing the first few days. In fact, it makes getting the driving permit so yesterday. For jaded investors and longtime social media enthusiasts, Facebook may be easy to discount (crazy hype can do that!) or connect to the beginning of the end – like a replay of the ‘90s dotcom collapse – but given the scale of people who connect through, engage on, and live loud because of Facebook, that couldn’t be more ridiculous.

Simply, Facebook is the passion engine of our time. I am going to keep this simple and single-minded. Take Facebook’s photo uploading and sharing. Billions are uploaded monthly, so that alone emotionally and socially has had a tremendous ripple effect given the old idiom, “a picture says a 1000 words,” in terms of humans connecting. Family and friends smiling happiness or sharing sadness all is second nature because of and through Facebook. The bottom line is, whenever a new technology platform or even a re-defining idea (think: “The 99 Percent!”) enables human passion to flourish in any area of life, there is no looking back.

The way I see it is, scale doesn’t make passion – passion makes scale. Facebook has scaled up so big so fast because of its relentless pursuit of passion. The way they have screwed up – like in the privacy area – seems perfectly normal, given how fast they have moved. Their corrective steps reinforce an ability to listen and learn is why their dynamic growth continues.  Clearly, Facebook understands and practices, maybe better than any company in history, the idea of “Fact Based Passion.”  Introduced at Nabisco in 1994, CEO John Greeniaus espoused Fact Based Passion as connecting data and information to empower human energy and commitment to make remarkable things happen.

So, while I imagine people at Facebook are working hard day and night (especially at their Hackathons) to get people to click more on ads, I believe brands will figure a way to work with them to drive effectiveness and success. People are too passionate about Facebook and about Skittles or Coca-cola or GM to not find a new way to thrive symbiotically. Fan pages prove that today.

I’ll end by reminding us that the DVR didn’t kill television – it just made some brands re-imagine how to message. As Facebook continues to explore new pathways for commercial engagement, the opportunities for brands to leverage all the emotional currency they have garnered will be incredibly exciting and powerful.

Top 3 Things We Learned at Tech Munch

The Tech Munch conference hit the streets of New York and shared insights from both the bloggers and brands on how to work together and how to succeed in the social media space. Here are the top 3 things we’ve learned from Tech Munch.

Last week, we had the pleasure of attending the Tech Munch conference in New York, where food bloggers, writers, editors, foodies and brands unite to learn about the ins and outs of food in the social media space. (And get to enjoy good food and check out a cooking demo or two. Perks!)

The relationship between food and social media is getting stronger and bigger than ever before. We previously wrote about the growing trend of food trucks and how they utilize Twitter to build their voice and communicate directly with their consumers. With events such as Tech Munch show how the two are becoming more and more intertwined.

At Tech Munch, panelists including Food Network, Bake Space (founder and organizer of the conference), Martha Stewart Living, J.M. Hirsch of The Associated Press and more stopped by to talk directly with bloggers about best practices, trends and how to survive in the social media age.

Above: A cooking demo with Alejandra Ramos of Always Order Dessert…and the delicious results.

With a whole day of discussions, there are 3 key things we’ve learned:

PSA for Marketing Executives reaching out to Bloggers

This was a topic that was brought up multiple times: Get to know your bloggers. All you have to do is read their blog since they typically share their personal experiences and latest finds.  NEVER start an email with “Dear Blogger” or “Dear Miss or Sir,” because they will immediately hit the delete button or – even worse – the SPAM button. Make sure you have an understanding of what they are writing about, and approach them with your product accordingly. If you’re not sure, it doesn’t hurt to ask; they are human after all. The more personal you are in the approach, the easier it will be to form a relationship for potential partnerships.

Food Bloggers in the Making

Before you start your blog, make sure you have a clear and concise plan and a voice you want to portray to the public. The one piece of advice that holds true is to find your specialty and create a niche. When editors are looking for sources to cover a new trend, they are looking for those that specialize in that specific category. Make yourself stand out and become a brand so that they can come to you as an expert.

Pinterest, Yay or Nay

Pinterest is still on everyone’s lips and is growing rapidly. It allows the user to showcase his or her personality and ideas through imagery, and the perk is that the pins drive traffic back to the original source. Kate Gold, Social Media Director of Food Network, discussed how they share recipes, beautiful food images and even have curated boards from the community that dictate trends, such as comfort foods. Pinterest adds an element to your site and/or blog and allows the user to get a better picture of your personality and voice.  Do you have to be on all platforms to appeal to everyone? No, but get to know your audience and where they are and you can decide from there if it’s the right move for you or your brand.

 

Mobile App Review: Spotify – iPhone, iPad & Android

Welcome to the latest installment of Flightpath’s running series of mobile app reviews, where we explore all different kinds of apps, both paid and free. Today we’re looking at an app for one of the biggest names in online music. The App: Spotify The Platform: iPhone, iPad & Android How Much: Free for trial download; […]

Welcome to the latest installment of Flightpath’s running series of mobile app reviews, where we explore all different kinds of apps, both paid and free. Today we’re looking at an app for one of the biggest names in online music.

The App: Spotify

The Platform: iPhone, iPad & Android

How Much: Free for trial download; $9.99 monthly subscription fee

The Deal: In the Summer of 2011, the Swedish-born/UK-raised music streaming service, Spotify, had finally made its grand entrance into the US. It served as the ultimate answer for music lovers who craved an “eat-whatever-you-want-whenever-you-want” music diet and alternative for those who wanted streaming music other than Pandora.

Compared to Spotify’s full-featured desktop application, the iPhone app is a stripped-down, bare bones version that still contains all of the essentials needed to stream music to your phone. Unfortunately, there’s one huge catch: You have to be a paid subscriber of Spotify’s premium service ($9.99/month) in order to access its entire streaming library. If you’re not a premium subscriber you can still use the app without access to the library, but it basically acts like the iPhone’s built-in music app, where it plays music stored locally within the device. This review will be based on the app that is using a premium subscription; that’s when most of the good features kick in.

Playing "936" by Peaking Lights

Features: For starters, most of the things you do on your own Spotify account, whether you’re on a PC/Mac or iPhone, gets automatically synced between all devices. This means if you’re adding or sorting your playlists on the desktop version, the changes get reflected when you start up the iPhone app. Or, if a friend at work is making attempts to get you hooked on his/her favorite band and bombarding you with Spotify playlists (“I am now flooding your Spotify inbox with Guided By Voices.”), they will all be sitting there on your iPhone waiting to be played (…or ignored).

What We Think/Like: The app also tracks your listening habits and sends them off to social media platforms like Facebook and Last.fm. Personally, I like this feature because it serves as an online “pulse” that lets my friends and family know that I’m still kicking around:

Hey, have you seen Tyler lately?
No, but it says on Facebook that he’s currently listening to early DJ Shadow.
Oh, that must mean he’s cleaning his apartment right now.

Another great feature is the “Offline” mode, where you can store Spotify playlists directly on the iPhone and listen to it without a wifi or cell phone connection. This is perfect for underground subway commutes, avoiding data overage charges from your phone company, and occasional shuttle trips to distant planets where over-the-air connections are non-existent.

What’s Missing: The “Premium Subscribers Only” restriction is a bit off-putting given that there’s still a lot of features available on the Spotify desktop application that could’ve been enabled on the app for basic/free subscribers.

Third-party apps that you can install on the desktop application (like The Guardian or Last.fm) aren’t available on this mobile app, which severely cuts down on a lot of music discovery on the iPhone (or Android). On top of that, even Spotify’s own “radio” app (not as smart as Pandora, but still okay) was never ported over to the mobile app.

Overall: It’s unfortunate that the mobile app cuts back on a few features, especially when you compare it against the desktop app. But the heart and soul of Spotify—the on-demand, unlimited access to a huge and constantly expanding online music library—is still there, and that’s what really matters. If you’re a Premium subscriber, take advantage of this free app right away, and take your library on the road.  If you have a basic/free subscription with Spotify, the app definitely loses it’s shine without all the streaming capability, so you’re probaly better off just sticking with the built-in music app you’ve always been using.

(If you’re not a Spotify subscriber at all, I suggest you give you it a try and overindulge yourself with the infinite choices of music it provides.  Oh, and they have Milli Vanilli on there, in case you’re wondering.)

Grade: B+

New YouTube Changes Present Opportunity for Marketers

Long known as the destination for time killing quick videos of waterskiing squirrels, biting babies and Bieber, YouTube now wants to be thought of as a true alternative to traditional cable. With the controversial changes to YouTube’s homepage firmly in place, users are now encouraged to not just watch the latest viral video, but to subscribe to entire channels. So how can marketers benefit from YouTube’s changes?

YouTube wants to change the way consumers think about YouTube. Long known as the destination for time killing quick videos of waterskiing squirrels, biting babies and Bieber, YouTube now wants to be thought of as a true alternative to traditional cable.

With the controversial changes to YouTube’s homepage firmly in place, users are now encouraged to not just watch the latest viral video, but to subscribe to entire channels. YouTube is also calling on content producers to switch gears and create regularly scheduled content, instead of sensational one-offs.

So how can marketers benefit from YouTube’s changes?

Approach your brand’s YouTube content strategy the same way as  Facebook or Twitter content. In social media marketing, it is well known that regularly scheduled Facebook and Twitter content drives engagement. No brand creates a Facebook page with the intention of creating one or two great posts a year, but many brands do exactly that on YouTube. Now that YouTube is promoting channels instead of single videos, your channel needs regularly scheduled programming.

Choose a schedule and stick to it. Commit to a schedule, whether it is monthly, biweekly or weekly and follow through. Imagine if MadMen was scheduled to air Sunday night and there you are all snuggled down to watch the drama unfold on AMC, only to be presented with an old western movie. How would you feel? When subscribers come to depend on your brand’s content, they will look forward to your next video. If you promise new videos every Wednesday at 6pm, if there is no content up at that time you could be in for negative comments.

Ask for your viewers help. Asking viewers to subscribe and share is an important part of getting your video seen by more people. Make YouTube’s new focus on channel subscriptions, your focus too and your brand will have the best chance of YouTube homepage glory.

Draw Something: The Flightpath Gallery

Draw Something Gallery

Draw Something is one of the most popular apps going, and for good reason. The premise is simple – you’re given something to draw, then your “opponent” has to guess what it is – but it’s a bit more complex beneath the surface.  Draw Something hits several buttons, and it hits them well: creativity, comedy, […]

Draw Something is one of the most popular apps going, and for good reason. The premise is simple – you’re given something to draw, then your “opponent” has to guess what it is – but it’s a bit more complex beneath the surface. 

Draw Something hits several buttons, and it hits them well: creativity, comedy, and puzzle-solving. You often have to think of inventive ways to convey something – “keychain” is harder than one would think to draw straight away, as is “beiber” – and deciphering an illustration is also challenging if it’s not a commonly used term.

We here at Flightpath regularly partake in Draw Something, and thought we would display a gallery of our work. Some pieces are minimalist, others are more detailed. So take a stroll through this exhibit, critique our work and enjoy the experience.

But please – photography is not allowed.

The Works of Dan Brooks, Digital Marketing Manager

The Works of Denise de Castro, Vice President, Director of Client Services

The Works of Michael Feola, Developer

The Works of Wesley Martin, Interactive Designer

The Works of Michelle Kelarakos, Social Media Strategist

4 Google Analytics Updates You Should Know

As most of us in this industry know, Google is always changing and tinkering with its products, from Gmail to Google+, and, often times, the company doesn’t even bother to tell us when changes have been made. (The nerve of some mega-powerful corporations!) As a digital marketing manager, a large chunk of my time is […]

As most of us in this industry know, Google is always changing and tinkering with its products, from Gmail to Google+, and, often times, the company doesn’t even bother to tell us when changes have been made. (The nerve of some mega-powerful corporations!)

As a digital marketing manager, a large chunk of my time is centered on navigating and understanding Google Analytics, discovering insights and unearthing important data. Lately, several major changes have popped up in Analytics, which may impact the way we use it, as well as the information within. Here are four changes you should know about.

To read the rest of this post, please head over to iMedia Connection.

Top Food Trucks on Twitter: Serving Up a Side of Tweets

Serving up mean meals on wheels is a big trend in the food industry. With the growing population of food trucks, some of them are taking advantage of Twitter to interact with their customers and we’re sharing our top five picks!

We think you’d agree that in the past 2 years there has been a growing population of gourmet food trucks, and it’s just by seeing them in your neighborhood.  We’re fans of getting gourmet bites on the go and really like the fact they take the stigma out of the term “street meat.”  Although, not gonna lie, they can also be tasty after a night out (just sayin’).

With that being said, there are food trucks that use social media marketing to their advantage. Sharing their whereabouts, promotions and just plain old engaging with foodies on Twitter.  Not only making it fun to eat when you visit them, but also fun to watch the personalities behind the truck come alive on Twitter.  Allowing them to build a relationship with consumers and even build a new following through word of tweet.

Here are our top picks for tweeting food trucks to follow as great examples of building a brand voice and serving up great food and customer service on Twitter.

Ben & Jerry’s (@BenJerrysTruck)


Known for their delightful treats, Ben & Jerry’s offers fun flavor mixtures and unique names (remember the headliner Schweddy Balls?).  Their food truck is currently on a US tour serving up free offerings of their new Greek Frozen Yogurt flavors based on your tweets, using “FREE Ben & Jerry’s Greek Frozen Yogurt! Please bring #omgfreebenjerrys to me!”  To explain the example given, this tweet was on Shakespeare’s birthday, and in his honor, Ben and Jerry’s decided to tweet Elizabethan ice cream quips for the day. To eat ice cream or not to eat ice cream, that is the question.

Red Hook Lobster Pound (@Redhooklobster)

Known for dishing out mouth watering fresh lobster from Maine onto buttery rolls, Redhook Lobster Pound has trucks in both DC and NY.  When you have great food, doesn’t it come along with great conversation?  That is exactly what’s going on with Redhook Lobster, only via Twitter.  They not only share the locales of their DC and NY trucks but apparently like to work to James Brown.  Not to name names, but some people in our office like to listen to 98 degrees (not it).

Wafels & Dinges (@waffletruck)

Wafels & Dinges takes Belgian waffles to the next level, offering a variety of toppings to select or by choosing one (or two) of their concoctions on the menu.  We love how they not only engage with their customers, but offer unique ways for customers to receive a free dinge.  Where am I?  Can we have a dinge now?

Korilla BBQ (@KorillaBBQ)


You may recognize the men behind Korilla BBQ from Food Network’s The Great Food Truck Race, and boy, do they serve up some mean Korean BBQ.  The grillmastas have recently made the 30 Under 30: NYC’s Hottest Up and Comers and have big personalities to go with it.  They share a behind-the-scenes look on Twitter along with news and updates on their whereabouts.  Note to self: Don’t get caught sleeping during meetings or it will just go viral.

Big Gay Ice Cream (@biggayicecream)

Due to the popularity of Big Gay Ice Cream truck for not only serving amazing ice cream cones with over-the-top toppings but also for their bold personality in person and on Twitter, they opened a shop in the East Village last summer.  Just by reading  their tweets, you can’t help but feel as though you’ve known them for ages.  If you’re lucky to catch them at the right time, you can even see the fun back-and-forth banter between them and Travel Channel‘s Anthony Bourdain, along with his wife Ottavia.

What food trucks do you follow on Twitter?

 

Header photo by Donny Tsang.

Pinterest – 5 Tips to Get Your Brand’s Pins Repinned

80% of pins on Pinterest are repinned, while only 5% of tweets on Twitter are retweeted. The challenge is to fill pinboards with content that will get repinned. Here are our top 5 tips to get your brand’s image repinned:

Pinterest continues to grow and grow. Many brands are jumping on Pinterest looking to build brand awareness and drive traffic back to their sites. Pinterest can be a easy platform to gain spread brand messaging and product images quickly, as opposed to other social media platforms. 80% of pins on Pinterest are repinned, while only 5% of tweets on Twitter are retweeted. The challenge is to fill pinboards with content that will get repinned. Here are our top 5 tips to get your brand’s image repinned:

Don’t Upload, Pin: When you upload content to a pinboard, you are missing out. If your goal is to get people from Pinterest to your site, they cannot do that without a link. Always pin images from your site instead of uploading. If you want to pin photos that are not on your site, start a blog to hold your photo content and pin from there. This way not only will your site’s URL be featured at the top of the pin which helps with awareness, but users can click through to your site.

Be Bold & Brief: Whether you are creating images for your pinboards or scouring the internet for cool, repinnable images, chose high contrast images. If your image includes text, make sure it is brief and bold.

Pin Faster: By highlighting the text and image you wish to pin and clicking the Pin It bookmarket, the text will automatically be incoporated into the comments of your pin. For pinners pressed for time, this is a valuable tool to use.

Use hashtags: A tip for social media marketing that seems to work everywhere. Hashtags work on Pinterest just like they do on Twitter, adding hashtags to the comments on your pin makes them easier to find in search. Contests are also being conducted on Pinterest using hashtags.

Price it: If you represent an online retailer, always be sure to put a dollar sign in front of your price. This way, your pin will be pulled into the Pinterest gift section, which has a button in the navigation bar on the Pinterest homepage. The price will also appear in a banner across the left hand corner of your image.

Google Subway Ads Show the Power of Print

Google Subway Ads

Google subway ads have been popping up in train cars (both in New York and other cities) for awhile now. They’re clever, featuring cartoons and smart copy, promoting or discussing everything from Google+ Circles to privacy tips. They’re traditional; they often appear where one would expect to see a Budweiser or local college ad; and […]

Google subway ads have been popping up in train cars (both in New York and other cities) for awhile now. They’re clever, featuring cartoons and smart copy, promoting or discussing everything from Google+ Circles to privacy tips. They’re traditional; they often appear where one would expect to see a Budweiser or local college ad; and they’re 100% disruptive and successful.

The first time I saw a Google ad (on the F train, coming from Brooklyn), I was surprised  and impressed. On the subway, one usually does one of the three things: reads a book (which takes place more and more on a Nook or Kindle), plays a video game, or zones out listening to music while fiddling with his or her iPhone. They’re mostly activities that take place in the digital landscape, which Google plays a large role in shaping.

Ironic, then, that they rely on one of the oldest forms of advertising to get our attention. And because of that – in addition to the fact that the ads are, well, good – it works. The print ad, in its stillness and marriage of text and image, is still powerful – maybe more powerful than ever. Google realized this.

But it’s that subtle irony of a web innovator using print that makes the ads a real success. You’re surprised to see a print ad from them in the first place and you’re surprised to see one from them on the subway. It’s an added factor that makes the campaign even more compelling.

Here are some snapshots of Google subway ads taken over the last few months.

Google subway ad hello my name is david
Photo by Melanie Phung.

Google subway ad spot the difference
Photo by Melanie Phung.

Google subway ad privacy
Photo by Brooklyn Or Bust.

google subway ad 2 step verification
Photo by Matt Pekar.

What do you think? Are they a success? Do they miss the mark? Let us know in the comments section below.

IFB & Intel’s Inside Generation Style Show

Unique brand and blogger collaboration between Intel and Independent Fashion Bloggers and how the major techology company was able to market to tech-savvy women through a fashion show.

I had the pleasure of attending the Ultra Book (#UltrabookStyle) Inside Generation Style Show hosted by IFB (Independent Fashion Bloggers) and Intel on Wednesday and was immediately intrigued by the creative approach on how a launch of a laptop was incorporated into a fashion show.


In case you’re not aware, IFB was founded in 2007 by Jennine Tam of The Coveted and is a community for fashion bloggers to share their experiences in the blogging scene, offering resources on how to take their blogs to the next level.  They provide helpful articles, host a community linking group, forums and offer a new platform where they can connect bloggers and PR in a safe and mutually beneficial way.

It was definitely a unique approach to showcase their new Ultrabook through a fashion show that not only had bloggers as guests, but were integrated in the actual show.  Well, we all know that bloggers work remotely and need a computer, so the lightweight laptop seemed to be the perfect marriage, even in the beauty and fashion space.  From a marketing perspective, this was a seamless way to not only reach the bloggers but to leverage their cult following readers.  The laptops were featured in the show on the arms of the bloggers (or in their purses) among other sponsors such as Bauble Bar, Arrojo, Kamali Kulture, Just Fabulous and Orla Kiely.

Source: IFB, Photo by Dustin Fenstermacher

You can watch the show here and see for yourself.  What do you think of this brand and blogger collaboration?

4 Awesome Hockey Websites

4 Awesome Hockey Websites

If you’re like me, early and mid-April is among the most exciting times of year to be a sports fan. But it’s not because of the return of baseball; it’s the fact that the NHL playoffs are about to begin, and playoff hockey is awesome. Just in time for the run for Lord Stanley’s Cup […]

If you’re like me, early and mid-April is among the most exciting times of year to be a sports fan. But it’s not because of the return of baseball; it’s the fact that the NHL playoffs are about to begin, and playoff hockey is awesome.

Just in time for the run for Lord Stanley’s Cup (Ahem. Go Rangers.), we’ve put together a list of four excellent online destinations for hockey coverage. Whether you’re bananas for the sport or just want to dip your toe in the water (or on the ice, zing), these will all help bring you up to speed. Game on!

  1. The Puck Podcast

Puck Podcast

Hosted by Eddie Garcia and Doug Stolhand, The Puck Podcast is both professional-sounding and fun – not something easily accomplished. Eddie and Doug are extremely knowledgeable about everything going on with every team, so you’ll get a chance to learn about franchises in other markets and their third-line wingers you didn’t know existed. They’re opinionated (words are not minced regarding the controversial NHL shootout, or concussions and how the league deals with the questionable hits that cause them) and have great chemistry, with an easy banter. The show features audio highlights and clips and is updated regularly; on the technical side, the sound quality is excellent and the editing is seamless. It may go a little too deep for some, but The Puck Podcast is the most in-depth coverage of hockey you can find in podcast form.

  1. Puckin’ Idiots

Hartnell lk Hogan

Probably the funniest hockey website around, poking fun at the sport as only true fans could. Whether it’s the Phoenix Coyotes’ attendance woes or Scott Hartnell mocking a Hulk Hogan-lookalike Penguins fan, Puckin’ Idiots presents the absurdities of hockey in really clever ways. Easily worth a daily check-in.

  1. NHL.com

NHL.com

I originally considered leaving NHL.com off this list because it’s kind of obvious, but the truth is, this site is the best resource for league news, videos and updates. In the past, we’ve covered the NHL’s excellent use of social media, but NHL.com is really the main hub of the league’s online presence. And it doesn’t disappoint, featuring well-written articles, a stunning amount of highlights and layers upon layers of statistics. Essential for staying current with what’s happening in the sport.

  1. HFBoards

The best online community for hockey fans, HFBoards is a message board featuring individual forums for each team, the playoffs, prospects and more. You can visit and get into really interesting discussions with like-minded fans on anything, from should-they-trade-this-guy to help on where to purchase a certain player’s jersey. Most importantly, it’s a friendly place (at least within your favorite team’s board), making for good conversation and community feeling.

 

Pinterest for Brands: How to Get Followers Using Facebook

Pinterest continues to struggle with a monetization strategy. What Facebook figured out early on was that when social media sites offer brands space and a way to pay to promote their content through paid promotion, there is money to be made.


Pinterest continues to struggle with a monetization strategy. What Facebook figured out early on was that when social media sites offer brands space and a way to pay to promote their content through paid promotion, there is money to be made.

Meanwhile, brands are trying to devise ways to promote their content within Pinterest without the ability to drive users to their content through advertising or paid promotion.

What seems to be working? A magic formula 1 part Facebook and 1 part Pinterest.

Lowe’s has promoted their presence on Pinterest by driving followers from their Facebook page. This worked because Lowe’s (like almost all brand pages) uses Facebook ads to drive new visitors and likes. So Facebook users click on Lowe’s Facebook ads- which then drive them to the default landing tab. Lowe’ set their default landing tab as a Pinterest app within their Facebook page and boom- success.

According to MediaPost, Lowe’s saw some Pinterest boards followings jump 60% and enjoyed an overall boost in their Pinterest account following. So using Facebook ads and a well established Facebook brand page to ultimately drive Pinterest followers and repins works.

Lands’ End Canvas does not have a Pinterest app within their Facebook page. Instead, they are using Facebook to promote a Pinterest “Pin It to Win It” contest.  In order to enter, Pinterest users repin images from Lands’ End Canvas’ Pinterest boards onto a board of their own creation. The user then emails Lands’ End Canvas with a link to the board in the hopes of winning a gift card.

Facebook plays an integral role in the Lands’ End Canvas Pinterest contest. Instructions for entry and rules for the contest are hosted in their Facebook notes, rather than on the Lands’ End site or within a pin on Pinterest. The contest is also being promoted to the Facebook page’s 141,000 fans with repeated Facebook wall posts.

On the other hand, this leaves Facebook richer and Pinterest with no revenue.  It is also a pretty roundabout way to promote brand content. However, until Pinterest offers brands a way to promote content through paid promotion within the site- it is the best way to build a following on Pinterest.

Mobile App Review: comiXology – iPhone, iPad & Android

In the latest installment of Flightpath’s running series of mobile app reviews, we’re looking at an app that brings comics to mobile.

Welcome to the latest installment of Flightpath’s running series of mobile app reviews, where we explore all different kinds of apps, both paid and free. Today we’re looking at an app that brings comics to mobile.

The App: comiXology

The Platform: iPhone, iPad and Android

How Much: Free

The Deal: As we’ve previously documented on the Flightpath blog, digital and mobile have opened new doors for comic books. For an industry so steeped in the print tradition, it’s ironic, but at the same time, essential for the medium’s survival. While it took a long time to get here, essentially every major publisher is now on board with the idea of digital comics, publishing them day-and-date with the print editions. comiXology, launched in 2007, is the app that allows you to conveniently purchase and view digital comics from all the big boys (Marvel, DC, IDW, Dark Horse and more), whether in single or multi-issue form. It is the leading distributor of digital comics, bar none.

comixology

Features: comiXology opens to the main “Featured” menu, a.k.a. the store front, which highlights a sale as well as new comics released the same day as print (which is every Wednesday). There’s a horizontal nav on the top of the screen that features a “Just Added” button, which takes you to freshly digitized comics, either new or from years past. The bottom nav, in addition to the Featured button, also includes a “Popular” menu (divided by “Top Issues,” “Top Series,” and “Top Free”); “Browse,” which lets you look by series, publisher, genre and more; and “Purchases,” which contains your complete download history. You can access the comics you’ve downloaded at all times with the “My Comics” button in the upper right corner of the screen.

Prices for comics vary, but you can get some great deals. New releases are priced the same as the print editions (usually $2.99 or $3.99), and are then dropped $1 after the first month; graphic novels are in the $9.99 and higher range. Some comics are specially priced as low as $.99, and sales are routine.

What We Think/Like: First and foremost, reading comics via comiXology is awesome. You may be worried that the text in word balloons are too small to read on an iPhone or Android, but the comics use an auto-zoom feature to go from panel to panel, balloon to ballon, that makes for an easy, intuitive read. On an iPad, the backlit art looks pretty amazing.

As for the app itself, it’s an overall gem. Content is easy to find, the menu navigation is a breeze, and it all looks fantastic. I especially love the “Featured” page. As small as the screen of my iPhone is, the featured content (see screenshot above) is truly eye-catching. In addition, downloading is a breeze, some comics are later upgraded for an improved reading experience, and the omni-presence of the My Comics button ensures that your digital collection is always within reach. This is really smart design.

comixology my comics

What’s Missing: Maybe these features are coming, but I feel that there is some potential for editorial content here: interviews, video features, articles. You name it – something to make the experience a little more human and comic shop-like. Now, comiXology is just an online store, so I don’t hold the lack of this content against it, but this type of stuff would keep me coming back on a more regular basis. The “People Also Liked” feature is appreciated, but it doesn’t quite hit the mark as far as suggesting similar titles to the ones you enjoy. After downloading a free issue of Tiny Titans, an all-ages book, it suggested Flash: Rebirth and American Way, two very dissimilar series. And maybe I’m missing it, but it would be nice to be able to file the comics the way I want: by publisher, or by title, or by creator, etc.

comixology g.i.joe screenshotOverall: This is an essential download for comic book fans and those who may want to give comics a try, but either don’t want to venture into a brick-and-mortar comics shop or don’t know where to begin. Fast, simple and stylish – it hits all the right buttons of what makes for a great app.

Grade: A

Practicing “Switch Craft” in Modern Marketing

The fact is, most consumer categories today are share grabs: Consumer Packaged Goods categories are not growth engines; apparel remains tough at best; even tech – from mobile phones to tablets – is focused on constant innovation or feature bundling to defend position and even cannibalize its own (the New iPad was just introduced, even […]

The fact is, most consumer categories today are share grabs: Consumer Packaged Goods categories are not growth engines; apparel remains tough at best; even tech – from mobile phones to tablets – is focused on constant innovation or feature bundling to defend position and even cannibalize its own (the New iPad was just introduced, even though the iPad2 is but a toddler).

In this prolonged economic downturn it makes sense that today’s winning marketers really understand how to keep loyal customers from switching and how to get potential switchers to switch to them. They know the buttons to push and the buttons not to. Below, we highlight five success factors in driving business value – it’s a combination of art and science – that we affectionately call “Switch Craft.”

Creating Irresistiblility
In creating a truly must-buy proposition, you need to instill a degree of emotional – even financial – tension. Create so much desire and need that if the buyer opts out, the person feels guilty about letting a “once in a life time” opportunity get away.

To this point, for our client Rothschild Kids, a 100-plus year-old coat company, we recently held a 75% off weekend blow out sale on winter coats. The price/value was so hot that the sales far exceeded any of our expectations. PLEASE NOTE: If you are thinking it doesn’t take a genius to give it away, we couldn’t agree more. But we did liquidate inventory, drive cash flow, and get buzz that primes us for the spring season.

Mobile’s Point of Disruption
Everyone has a built-in way they navigate buying things at retail or online. The “point of sale” is not only one of the constantly studied and analyzed parts of commercial marketing, it’s also one of the most dynamic. The use of mobile/shopping apps has been nothing short of game changing in how people operate when shopping. Smart phones have enabled marketers to “disrupt” behavioral patterns by informing customers and providing real time choice – when the customer is already “hot, if not bothered.”

Being Real Human
Making everything emotional isn’t the point, but relating to and engaging deep emotional sentiment has always been a big thread of great marketing. Empathy today has almost become a buzzword, but “persona-fying” the individuals you are trying to engage is very helpful in imagining walking in or out of their shoes. And, we love the “what if” exercise as part of creating a grounded behavioral understanding of the human experience/persona.

In the Iterative Analysis
The opportunity to use data, measurement and real-time feedback loops to change early and if needed, often, is the way marketing works today. From search to social, all digital messaging and reach media is aligned to a continuous improvement model like never before. Keyword, algorithmic (Facebook has truly figured out how to push “like minded” ads!) and overall search optimization is finally the rocket science marketers used to moan they needed in the Nielsen-as-only-game-in-town days. Remember the saying (and I paraphrase), “Fifty percent of my advertising is working, I just don’t know which fifty percent”? It’s gone for good!

Relevancy is Currency
Because of the rolled-up analytics of Google search ads or Facebook page ads there is nothing haphazard about the commercial engagement. Ultra targeted and thinly sliced around interest and behavior- not random or demography centered- is why both companies have created near historic valuations. In commercial match-making if you can be relevant, you can get people to love you… a lot!

Given my favorite childhood show was “Bewitched”- my daughter is named after Samantha Stevens and her husband, Darren was an Ad guy working for an apparent two man shop McMann and Tate (McMann was really never seen!) I believe we in marketing today are playing with the combination of dark arts and illuminating science in profoundly new and magical ways. Who would have thunk it!

 

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Interview: Richard Gottlieb of Global Toy Experts

Scratch an architect and you will find a former Lego fanatic. In fact it both impedes (think the lack of women in the hard sciences) and speeds (again think of Lego) children into what they will study in college and turn into careers.

If you are in the toy industry, then you probably know Richard Gottlieb. As CEO of Global Toy Experts, he is a well-known toy industry expert with years of toy industry experience in helping small, medium and large toy manufacturers increase their market share.

He frequently speaks at toy industry conferences, and was named Ambassador to the United States for the Spielwarenmesse International Toy Fair in Nuremberg, Germany. In recognition of his prominence in the toy industry, Richard is member of the National Toy Hall of Fame voting committee. We spoke to Richard about the growth of tech in the toy industry and his passion: challenging the gender bias in the toy industry.

Flightpath: How important is the tech toy category for the toy industry?

Richard Gottlieb: Moore’s Echo is a law that, when it was first pronounced, said that whatever is cutting edge technology will be a toy in 20 years.  It is now down to about 7 years and dropping rapidly (that is according to my contacts at the MIT Media Lab).  When you consider that the cost difference between domestic drones and toy drones is negligible you realize that there is a blurring between what is a toy and what is not.

Flightpath: Have tech toys changed the way children play?

Richard Gottlieb: It has allowed adults to play like children (think iPhones and iPads) and children to play like adults (think LeapPad explorer which is for all extents and purposes an iPad for three year olds).

Flightpath: Do the toys we play with as children play a role in the paths men and women take in careers?  

Richard Gottlieb: Absolutely.  Scratch an architect and you will find a former Lego fanatic.  In fact it both impedes (think the lack of women in the hard sciences) and speeds (again think of Lego) children into what they will study in college and turn into careers.

Flightpath: Tech toys for adults seem to be still marketed to men. How are tech toys created for children marketed?  

Richard Gottlieb:It is actually the most gender blind segment.   Unlike toy ads and merchandising, there is little in the way of gender identification via color and license.

Flightpath: This past holiday season we saw some backlash including the YouTube video of a little girl questioning the gender specific marketing strategy of the toy industry while standing in the pink toy aisle. Do you see evidence of a change coming when it comes to gender specific toy marketing?

Richard Gottlieb: Hamleys, the world’s most venerated toy store, recently announced it was doing away with gender based signage and merchandising.

Toys R Us told me that due to the seminar I did with them on gender and toys they increased the number of girls depicted in their Christmas toy catalog.

Email Marketing: Building Your Email List

All email campaigns start with a subscriber list. With email marketing so popular, most of us are on at least a few of theses lists. You may even be wondering how to build one of your own. Of course, there are plenty of ways, both bad and good, to do this.

This is part of a series of blog posts aimed at raising awareness of email marketing, its advantages, and its best practices — from designing your first eblast to deploying your newsletter to millions of customer inboxes, and beyond.

All email campaigns start with a subscriber list. With email marketing so popular, most of us are on at least a few of theses lists. You may even be wondering how to build one of your own. Of course, there are plenty of ways, both bad and good, to do this. As I mentioned in my last post (“Email Marketing: More Relevant Than Ever”), federal law requires the informed consent of all your email recipients.

So, if you can’t just buy a list from marketers, what are you supposed to do? You make one from scratch. With the right tools and tricks at your disposal, you won’t just have a simple subscriber list, you’ll have a fully engaged email legion of fans for your brand.

Mailing Lists Callouts

Got a popular website? Build a mailing list component. Make it highly visible. Going “above the fold” increases the chances people will happen upon it. Also, make it easy to use. Place as few fields in the component as possible. In the snapshot below, Groupon has a large, intuitive, and simple mailing list callout. The user has to only designate an email address and a city and they’re in. No difficult questions, no invasive requests, no intimidating forms that send their users running for the hills.

By contrast, the Steve Madden mailing list below feels like you’re filling out a tax form.

Social Media and Email

There’s been a lot of talk of social media competing with email as the dominant form of digital communication. In reality, the two are better complements than rivals. If you have a Facebook fan page or Twitter feed with a lot of followers, use it as a platform to encourage them to sign up for your eblasts and enewsletters.

You can even use emails to drive your mailing lists. Include “forward to a friend” links in your enewsletters. Give calls to action to sign up for your list in your company’s email signatures.

Offline Methods

Get in the habit of bringing up your mailing list in 1-on-1 conversations and phone calls with business contacts, but be tactful. In your pitch, make it clear what special offers or value they’re going to get out of your emails. It couldn’t hurt to incentivize them with a free gift upon signing up. For networking events, put a link on your business card to your company’s email signup page.

Welcome Emails

Once you win over email recipients, make them feel valued. Send them a welcome email, thanking them for signing up. Use it as an opportunity to better acquaint your clients and future customers with the goods and services you offer. And of course, let them know what’s in store for them in terms of email content.

And Once You Get Your List…

Email represents another channel to keep the conversation going with customers and/or clients, but once you have them, don’t take your recipients for granted. It only takes one click of the “Spam” button in their email client to end the conversation for good. If you want to keep your subscribers on your list, it is also important to have meaningful, engaging, relevant content for them. Catch my next blog post for best practices on email campaign content.

Interview: Meghan Cross of StyleCaster

StyleCaster recently had a makeover enhancing their news site and social hub for the fashion and beauty community. We interviewed Meghan Cross, Director of Communications, about the new layout, trends and the philosophy behind StyleCaster as told by their fearless leader Ari Goldberg “At one time, content was king; but today, conversation is king.”

Back in the day you couldn’t wait until the latest issue of Vogue to come to your door step, find out trends for the upcoming season and plan accordingly for your fashion and beauty acquisitions.  Nowadays, it just seems like you can get up to the minute news, trends and fads within seconds, catching yourself saying, “Ugh, that was so 20 seconds ago. I’m all about neon right now!”

Meet one of the morning reads in the Flightpath office: StyleCaster.  Their mission? Bring “Style to the People.”  The site has undergone a recent makeover allowing the style community to easily interact with each other, bloggers and editorial staff, taking the power of content and conversation to the next level with a visual layout inspired by Tumblr and Pinterest. Flightpath recently checked in with Meghan Cross, Director of Communications at StyleCaster, to discuss the new and improved Stylecaster and how the site has become a social hub for the fashion and beauty community.

Flightpath: How did StyleCaster come about? Was there a specific inspiration, or a void you recognized in the online space?

Meghan Cross: Since day one, StyleCaster’s mission has been to bring Style to the People. What this means is, we empower people who are enthusiastic about style by giving them a platform where they can not only read content about the latest trends, but they can also be active members of the conversation.

Flightpath: What makes StyleCaster stand out from other sites?

Meghan Cross: With the new site that we launched last week, StyleCaster has become the first place where you can share and discover style alongside premium editorial content. People worldwide now have the opportunity to engage with everyone from bloggers and thought-leaders to designers and retailers in one style-centric environment: StyleCaster.com.

Flightpath: How would you describe the StyleCaster community?

Meghan Cross: The StyleCaster community is a growing group of 2.5 million unique monthly visitors who are engaged, plugged-in, and ready to talk style. They Tweet, Like, Digg, Pin, Poke, Check-in, and – most importantly – check-out what [others are] sharing on StyleCaster. And depending on what they think of those StyleCaster submissions, they Love.

Flightpath: You’re not only the “one stop shop for fashionistas,” but for beauty junkies as well with Beauty High.  Was that in the works from the beginning or was there a demand for more coverage in beauty?

Meghan Cross: StyleCaster introduced Beauty High about a year ago when we realized the appetite for it within our community. Fortunately, StyleCaster’s extremely insightful beauty team was able to create so much compelling content and conversation within the past year that Beauty High has now taken a digitally viral life of its own.

Flightpath: How did social media help you take the site(s) to the next level?

Meghan Cross: From the get-go, our savvy social media guru made sure to leverage our alert Twitter following to build brand awareness and drive readers to Beauty High, through everyday tweets via @StyleCaster as well as our weekly #StyleChat. Every Wednesday at 3pm ET, @StyleCaster hosts a virtual office hours to help you answer all of your style questions, using the hashtag #StyleChat. Given the success of this weekly dialogue (we’ve had everyone from @Bergdorfs and @JBrandJeans to @WhiteGirlProblems co-host!), we have @BeautyHigh kick off their own #BeautyChat this past Friday. Definitely jump in this week for fun tips and tidbits.

Flightpath: You recently held the State of Style summit – can you tell us about it and what you’ve learned from it?  Will you be holding more summits in the future?

Meghan Cross: Sure! StyleCaster held the inaugural State of Style Summit at 92YTribeca on February 7th, just in time to kick off New York Fashion Week. We worked closely with 92Y and Ford Motor Company to provide the counterpoint narrative to Fashion Week. The Summit united the industry’s most inspiring tastemakers, including Lauren Bush, Rebecca Minkoff, one of my professional role models, Tom Florio, and even my former Cornell Professor Van Dyk Lewis, in order to advance the conversation around new media and style. What we learned was that the industry needs a platform to converse. Both consumers and thought-leaders have a true appetite for open dialogues over one-way content. Believe it or not, we planned the entire event in 60 days, so it was exciting to say the least. And given the positively humbling feedback, we will most certainly hold our second semi-annual State of Style Summit in time to kick off September’s Fashion Week.

Flightpath: What is important for both brands and sites to understand about using new media to their advantage?

Meghan Cross: StyleCaster’s fearless leader Ari Goldberg always says, “At one time, content was king; but today, conversation is king.” This gem of a one-liner is what StyleCaster sleeps and breathes when we work with brands, bloggers, fellow publishers, and – of course – the everyday style enthusiast. The goal of StyleCaster’s new platform is to be the homepage of style, where you can have a sophisticated dialogue, with a tone set by our expert editors.

Flightpath: Do you see style and beauty as a breakout social media leader? Like what the automotive category was to television?

Meghan Cross: Style and beauty are visual industries, and if there’s one thing we’ve learned from the success of Instagram, Pinterest, StyleCaster’s recent launch, and even Facebook tagging, [it’s that] we all love some imagery. Online tools become viral phenomena if they’re visually-inclined, especially if they help us share pictures of the springtime neons our friends are wearing.

Flightpath: Thoughts on Pinterest, the Fancy or other similar user curated photo communities?  Seems like everyone has a heightened style IQ and are only getting more intelligent all the time.

Meghan Cross: That’s definitely the point! Communities where you can share your flare are what empower people to become experts, especially when there’s editorial content to set the tone for the conversation. What I like most about the new StyleCaster.com is that all submissions are ranked by popularity, as decided upon by everyone, so you can really determine what sticks in the style community in a very tangible way.

Flightpath: Where do you fit in with this trend? What does it mean to the style industry as a whole?

Meghan Cross: The front seat at Fashion Week is no longer a coveted spot where one person can sit and set the trends. Susie Q in Idaho with a huge Twitter following can just as easily convince her friends that floral denim is the next best thing. That’s what StyleCaster and Style to the People is all about!

Flightpath: What do you love most about being in the style/beauty business?

Meghan Cross: There is so much budding creativity buzzing about the business – from visual gurus and stylists to designers and every editor in between – that I’m constantly stimulated and entertained. (Plus, at StyleCaster’s HQ, I’m always surrounded by experts who can give me some very helpful tips on a far-too-regular basis!)

Interview: Meghan Cross of StyleCaster

StyleCaster recently had a makeover enhancing their news site and social hub for the fashion and beauty community. We interviewed Meghan Cross, Director of Communications, about the new layout, trends and the philosophy behind StyleCaster as told by their fearless leader Ari Goldberg “At one time, content was king; but today, conversation is king.”

Back in the day you couldn’t wait until the latest issue of Vogue to come to your door step, find out trends for the upcoming season and plan accordingly for your fashion and beauty acquisitions.  Nowadays, it just seems like you can get up to the minute news, trends and fads within seconds, catching yourself saying, “Ugh, that was so 20 seconds ago. I’m all about neon right now!”

Meet one of the morning reads in the Flightpath office: StyleCaster.  Their mission? Bring “Style to the People.”  The site has undergone a recent makeover allowing the style community to easily interact with each other, bloggers and editorial staff, taking the power of content and conversation to the next level with a visual layout inspired by Tumblr and Pinterest. Flightpath recently checked in with Meghan Cross, Director of Communications at StyleCaster, to discuss the new and improved Stylecaster and how the site has become a social hub for the fashion and beauty community.

Flightpath: How did StyleCaster come about? Was there a specific inspiration, or a void you recognized in the online space?

Meghan Cross: Since day one, StyleCaster’s mission has been to bring Style to the People. What this means is, we empower people who are enthusiastic about style by giving them a platform where they can not only read content about the latest trends, but they can also be active members of the conversation.

Flightpath: What makes StyleCaster stand out from other sites?

Meghan Cross: With the new site that we launched last week, StyleCaster has become the first place where you can share and discover style alongside premium editorial content. People worldwide now have the opportunity to engage with everyone from bloggers and thought-leaders to designers and retailers in one style-centric environment: StyleCaster.com.

Flightpath: How would you describe the StyleCaster community?

Meghan Cross: The StyleCaster community is a growing group of 2.5 million unique monthly visitors who are engaged, plugged-in, and ready to talk style. They Tweet, Like, Digg, Pin, Poke, Check-in, and – most importantly – check-out what [others are] sharing on StyleCaster. And depending on what they think of those StyleCaster submissions, they Love.

Flightpath: You’re not only the “one stop shop for fashionistas,” but for beauty junkies as well with Beauty High.  Was that in the works from the beginning or was there a demand for more coverage in beauty?

Meghan Cross: StyleCaster introduced Beauty High about a year ago when we realized the appetite for it within our community. Fortunately, StyleCaster’s extremely insightful beauty team was able to create so much compelling content and conversation within the past year that Beauty High has now taken a digitally viral life of its own.

Flightpath: How did social media help you take the site(s) to the next level?

Meghan Cross: From the get-go, our savvy social media guru made sure to leverage our alert Twitter following to build brand awareness and drive readers to Beauty High, through everyday tweets via @StyleCaster as well as our weekly #StyleChat. Every Wednesday at 3pm ET, @StyleCaster hosts a virtual office hours to help you answer all of your style questions, using the hashtag #StyleChat. Given the success of this weekly dialogue (we’ve had everyone from @Bergdorfs and @JBrandJeans to @WhiteGirlProblems co-host!), we have @BeautyHigh kick off their own #BeautyChat this past Friday. Definitely jump in this week for fun tips and tidbits.

Flightpath: You recently held the State of Style summit – can you tell us about it and what you’ve learned from it?  Will you be holding more summits in the future?

Meghan Cross: Sure! StyleCaster held the inaugural State of Style Summit at 92YTribeca on February 7th, just in time to kick off New York Fashion Week. We worked closely with 92Y and Ford Motor Company to provide the counterpoint narrative to Fashion Week. The Summit united the industry’s most inspiring tastemakers, including Lauren Bush, Rebecca Minkoff, one of my professional role models, Tom Florio, and even my former Cornell Professor Van Dyk Lewis, in order to advance the conversation around new media and style. What we learned was that the industry needs a platform to converse. Both consumers and thought-leaders have a true appetite for open dialogues over one-way content. Believe it or not, we planned the entire event in 60 days, so it was exciting to say the least. And given the positively humbling feedback, we will most certainly hold our second semi-annual State of Style Summit in time to kick off September’s Fashion Week.

Flightpath: What is important for both brands and sites to understand about using new media to their advantage?

Meghan Cross: StyleCaster’s fearless leader Ari Goldberg always says, “At one time, content was king; but today, conversation is king.” This gem of a one-liner is what StyleCaster sleeps and breathes when we work with brands, bloggers, fellow publishers, and – of course – the everyday style enthusiast. The goal of StyleCaster’s new platform is to be the homepage of style, where you can have a sophisticated dialogue, with a tone set by our expert editors.

Flightpath: Do you see style and beauty as a breakout social media leader? Like what the automotive category was to television?

Meghan Cross: Style and beauty are visual industries, and if there’s one thing we’ve learned from the success of Instagram, Pinterest, StyleCaster’s recent launch, and even Facebook tagging, [it’s that] we all love some imagery. Online tools become viral phenomena if they’re visually-inclined, especially if they help us share pictures of the springtime neons our friends are wearing.

Flightpath: Thoughts on Pinterest, the Fancy or other similar user curated photo communities?  Seems like everyone has a heightened style IQ and are only getting more intelligent all the time.

Meghan Cross: That’s definitely the point! Communities where you can share your flare are what empower people to become experts, especially when there’s editorial content to set the tone for the conversation. What I like most about the new StyleCaster.com is that all submissions are ranked by popularity, as decided upon by everyone, so you can really determine what sticks in the style community in a very tangible way.

Flightpath: Where do you fit in with this trend? What does it mean to the style industry as a whole?

Meghan Cross: The front seat at Fashion Week is no longer a coveted spot where one person can sit and set the trends. Susie Q in Idaho with a huge Twitter following can just as easily convince her friends that floral denim is the next best thing. That’s what StyleCaster and Style to the People is all about!

Flightpath: What do you love most about being in the style/beauty business?

Meghan Cross: There is so much budding creativity buzzing about the business – from visual gurus and stylists to designers and every editor in between – that I’m constantly stimulated and entertained. (Plus, at StyleCaster’s HQ, I’m always surrounded by experts who can give me some very helpful tips on a far-too-regular basis!)

Top 7 Things to Do at SXSW (That You Would Never Do at Home)

While the Flightpath team was hard at work going to sessions and networking at the SXSW Interactive conference, we assigned one Flightpath correspondent to concentrate on the other opportunities at SXSW. The ones you probably will not see covered in Mashable, Engadget or the New York Times. The fun ones.

While the Flightpath team was hard at work going to sessions and networking at the SXSW Interactive conference, we assigned one Flightpath correspondent to concentrate on the other opportunities at SXSW. The ones you probably will not see covered in Mashable, Engadget or the New York Times. The fun ones.

Our Fearless Fun Correspondent, Cavol Forbes, was assigned to find 7 opportunities to break out of the role of “agency person at a conference” and go a little crazy.

Here is Cavol’s list of Top 7 Things to Do at SXSW Because There is No Way You Would Ever Do Them at Home:

Ride a Mechanical Bull: It’s Texas, after all. Tip: keep it classy and wear a blazer while riding. One on-looker commented, “You rode that bull elegantly.” Warning: your co-workers will document this and before you know it, your embarrassing moment has gone viral company-wide.


Crowd Surf: Not just for rock stars and athletes anymore. If you’re going to crowd surf, you’ll have to sign a waiver. Don’t read it, just sign; it’ll scare you away.

Go Stemware-Optional: In Austin, the barkeeps (they’re called barkeeps there) are nice and will often offer free booze. Accept at all times! Whenever possible, drink directly from the bottle. While this is not common practice in New York City, in Austin this is perfectly acceptable.


Be the Only One Dancing: People will point, laugh and take pictures. Note: Liquid courage strongly recommended.


Bum a Cigar from a Stranger: In Austin, it’s best to embrace every opportunity you have to be a cowboy for a minute. This extends to manly activities like smoking cigars. However, don’t inhale. You’ll regret it.


Go to a Roller Derby: When you see a sign for a roller derby, it’s best to walk in acting like a regular. Tip to acting like a regular: Don’t be shocked when the roller ref yells “Pillow Fight!” and two women try to smother each other with pillows. Just stomp and cheer for the woman who wins. Tip: You will know who wins because she is the one still breathing.


Eat Street Meat: Hot dog carts in New York are for tourists and construction workers. In Austin, you are a tourist, so eat up and let your co-workers take pictures of you doing it.

How to Design Web Sites and Products for Women – SXSW Session Recap

A tactical mistake that brands and agencies make when marketing products to women online is to take a regular website and “shrink it and pink it”. This means there is little product info, and stereotypes are resorted to which can insult women and alienate men.

Walking through the halls of SXSW its hard not to notice that most attendees are male, since men still outnumber women in tech. This extends to the experience women have on the web. SXSW we attended a really interesting panel by Brad Nunnally and Jessica Ivins titled “Designing Experiences for Women.” In which they discussed how to create web sites for women and how to create products for women.

Women make up 58% of e-commerce shoppers and 80% of online purchases. So it is important to consider how women use sites and products when marketing to them. However, when brands and agencies are tasked with designing a site or launching a product for women there are some classic mistakes that are made.

Case in point, the iPad. Though now it is a household name, we were reminded of all the feminine hygiene jokes that arose when women first heard the name iPad. The presenters questioned whether Apple considered female users or even talked to any woman when developing the name for their new tablet.

A tactical mistake that brands and agencies make when marketing products to women online is to take a regular website and “shrink it and pink it”. This means there is little product info, and stereotypes are resorted to which can insult women and alienate men.

Products that could be used by either gender are marketed to ladies by taking the same product and turning it and it’s accompanying website pink. For instance, Dell made a micro site to sell laptops to women. According to the copy on the site, women could use this laptop to calculate calories, count carbs and look up recipes. The site’s design scheme was also predominately pink. The panel pointed out that not only is this resorting to stereotypes about women, but would alienate men who may want to buy the product.

When designing a site to promote a product for a male audience, the pendulum swings the other way. Brands and agencies have a tendency to “overmanify” sites and marketing campaigns that promote products for men.

For instance, Dr. Pepper 10 is a low calorie soda. In order to market to men the commercial are “overmanified” with phrases like “10 manly calories” and boldly declarations that the soda is “not for women.”

The presenters pointed out that women make up the vast majority of diet soda drinkers and this approach will alienate them, as well as men who may feel the messaging is too stereotypical. They suggested a more gender-neutral approach, which would have wider appeal.

When designing for women avoid myths, stereotypes, and assumptions. One myth is that women do not play video games. The truth is that 75% of casual gamers are women. They tend to be less likely to play a game all day than men, seeking shorter gaming experiences especially on mobile devices.

To avoid stereotypes- check if your site passes the Buchannan test. Do the site images feature women outside of the home? Are images restricted to women in a mother role? Are women featured doing yoga?  Then that is a fail.

By focusing on other activities, brands and agencies can make a stronger connection with women. Stock images of women laughing while they eat salad are just not relatable. Brands and agencies also frequently feature women smiling while doing yoga when promoting an active lifestyle or healthy living brand, women are less likely to be featured playing golf, tennis or running.

Another common myth is that women only take care of children. Women take care of many people other than children. By making social sharing prominent on a site, this encourages sharing of site information. Women take on a care giving role with adult parents, siblings, co-workers and friends.  They are often researching products and services for others than themselves. Women do not just stay at home with children all day, even if a woman is a stay at home mom she has connections and activities outside of the home. Women will relate to sites that feature women in all the roles they assume, including but not limited to motherhood.

For instance, women often use social sharing to send potential purchases to spouses and friends for approval before they finalize a purchase. By making social sharing prominent on a site, sales increase.

Agencies and brands should put themselves in the shoes of their user. Even if the user is of the opposite gender.

The presenters also discussed visible vs. transparent design. Visible design is obviously geared towards one gender. Such a site can have a gender specific color scheme and copy without worrying about alienating the other gender, since the product is only used by one gender.

The panel used the Gillette Venus razor for women as an example. The product was specifically designed to be used by women in the shower and on legs. The razor was not designed to be used by men for facial shaving, therefore the site’s feminine color scheme and design works.

Transparent design should be used to promote a product that may be used by either gender, even if it is typically used by one gender. Transparent design doesn’t overtly tout one gender. The panel put forward the example of the Nintendo Wii. This product was marketed in a gender-neutral fashion. The imagery includes women, men and children and has been a hit among families.

When designing for women, web developers and even product developers focus on color. Instead of turning a site pink, concentrate on creating a great user experience. Women have a low tolerance for bad design and will abandon a site that they find frustrating.

The panel explained that while men will spend time trying to “conquer” sites or products that take time to figure out, women will not because they are busier and spend more time taking care of others in their life.

Women are also more interested in product descriptions that are direct and inform her of what task the product accomplishes or what benefit it will have to her life or the lives of people she cares about, rather than a list of product specs. Craft product narrative around product features and user benefits instead of specs.

Answering the question, How to design products for women, is a tough one, but a fair one. Final thought from the panel: rather than making beer pink, ask women why they don’t drink beer then design against your findings.

 

SXSW Round-Up: Do QR Codes Really Suck?

QR codes: Just another over-exposed trend, or a meaningful part of cross-platform marketing strategy? I went to a SXSW Interactive presentation called “11 Reason Why QR Codes Suck” to find out.

QR codes: Just another over-exposed trend, or a meaningful part of cross-platform marketing strategy? There’s been no shortage of backlash since QR codes first started popping up everywhere from magazine ads to in-store displays and even outdoor billboards. Is the criticism justified, are QR codes just in their infancy, or is there already value to be found in using them smartly?

To find out, I attended a seminar at the 2012 SXSW Interactive conference titled, “11 Reason Why QR Codes Suck.” It was conducted by David Wachs of Cellit.com, a mobile marketing company, as an extension of his widely-shared blog post of the same name. Here’s what I found out:

  • QR codes were invented 20 years ago by Toyota to keep track of inventory on car parts (see our previous post, “Shazam Ads Succeed Where QR Codes Fail”).
  • Americans still don’t know what QR codes are. Want proof? Check out Pictures of People Scanning QR Codes on Tumblr.  Wachs quoted an independent study of QR code awareness among college students with smart phones. Here are the top findings from that study:
    • Most didn’t know what a QR code was or have a QR reader installed
    • Many thought just taking a picture would do it
    • QR codes often don’t work
    • They take too long. By the way, “QR” stands for “Quick Response”
  • There wasn’t much opposition to the statement that “QR codes suck” from other attendees. Though one person noted it’s not QRs that suck, but frequently their execution. That segued into an open discussion referencing epic QR fails; there are tons out there, but my favorites are listed in “10 Funniest QR Code Fails” from Mashable.
  •  Here are some of the most typical blunders:
    •  QRs in silly places, like areas with no data coverage, on moving vehicles (accident waiting to happen) or on billboards on highways (another accident waiting to happen).
    • QRs for the sake of having a QR, because that’s what others are doing. If your QR code only takes the user to your home page, just write out the URL. That way at least there’s an extra opportunity to reference the brand name.
    • QRs that direct people to non-mobile optimized web pages. That’s just kind of rude.
    • QRs that take up too much real estate. Marketers know how difficult it is to communicate your message without enough space. QR codes have to be sized based on how far away you expect users to be. If you’re putting a QR on a billboard, the QR may end up being the largest thing on it. Is it worth it?
  • A new critique (at least to me) on Wachs’ list was,  “QR codes stop people from being mobile.” Let’s face it, people typically don’t stop in their tracks to read ads on the street. You have a few seconds to grab the user’s attention and drive home some messaging. To scan a QR, you’ve gotta first stop, get your phone out, launch the app and then scan before you’re mobile again.

Photo: A collage of QR codes from SXSW 2012

In my opinion, most problems with the application of QR codes will fall into one of two categories:

  1. Blunders because of not enough thought (like QR codes in underground subways).
  2. Blunders because of too much thought (QR codes overcomplicating simple functions, like calls to action for “go to brand.com”).

If you’re a marketer using QR codes, ask yourself these few key questions now:

  • Does my target audience fall into the ideal demographic for QR code users (i.e., young smart phone users).
  • Is there a valuable pay off? Why should a user scan this code?
  • Is the ad going to run where it is fully accessible?
  • Would I scan it if this weren’t my ad?

If your answer to any of these questions is no, then say no to the QR for now.

SXSW Round-Up: Do QR Codes Really Suck?

QR codes: Just another over-exposed trend, or a meaningful part of cross-platform marketing strategy? I went to a SXSW Interactive presentation called “11 Reason Why QR Codes Suck” to find out.

QR codes: Just another over-exposed trend, or a meaningful part of cross-platform marketing strategy? There’s been no shortage of backlash since QR codes first started popping up everywhere from magazine ads to in-store displays and even outdoor billboards. Is the criticism justified, are QR codes just in their infancy, or is there already value to be found in using them smartly?

To find out, I attended a seminar at the 2012 SXSW Interactive conference titled, “11 Reason Why QR Codes Suck.” It was conducted by David Wachs of Cellit.com, a mobile marketing company, as an extension of his widely-shared blog post of the same name. Here’s what I found out:

  • QR codes were invented 20 years ago by Toyota to keep track of inventory on car parts (see our previous post, “Shazam Ads Succeed Where QR Codes Fail”).
  • Americans still don’t know what QR codes are. Want proof? Check out Pictures of People Scanning QR Codes on Tumblr.  Wachs quoted an independent study of QR code awareness among college students with smart phones. Here are the top findings from that study:
    • Most didn’t know what a QR code was or have a QR reader installed
    • Many thought just taking a picture would do it
    • QR codes often don’t work
    • They take too long. By the way, “QR” stands for “Quick Response”
  • There wasn’t much opposition to the statement that “QR codes suck” from other attendees. Though one person noted it’s not QRs that suck, but frequently their execution. That segued into an open discussion referencing epic QR fails; there are tons out there, but my favorites are listed in “10 Funniest QR Code Fails” from Mashable.
  •  Here are some of the most typical blunders:
    •  QRs in silly places, like areas with no data coverage, on moving vehicles (accident waiting to happen) or on billboards on highways (another accident waiting to happen).
    • QRs for the sake of having a QR, because that’s what others are doing. If your QR code only takes the user to your home page, just write out the URL. That way at least there’s an extra opportunity to reference the brand name.
    • QRs that direct people to non-mobile optimized web pages. That’s just kind of rude.
    • QRs that take up too much real estate. Marketers know how difficult it is to communicate your message without enough space. QR codes have to be sized based on how far away you expect users to be. If you’re putting a QR on a billboard, the QR may end up being the largest thing on it. Is it worth it?
  • A new critique (at least to me) on Wachs’ list was,  “QR codes stop people from being mobile.” Let’s face it, people typically don’t stop in their tracks to read ads on the street. You have a few seconds to grab the user’s attention and drive home some messaging. To scan a QR, you’ve gotta first stop, get your phone out, launch the app and then scan before you’re mobile again.

Photo: A collage of QR codes from SXSW 2012

In my opinion, most problems with the application of QR codes will fall into one of two categories:

  1. Blunders because of not enough thought (like QR codes in underground subways).
  2. Blunders because of too much thought (QR codes overcomplicating simple functions, like calls to action for “go to brand.com”).

If you’re a marketer using QR codes, ask yourself these few key questions now:

  • Does my target audience fall into the ideal demographic for QR code users (i.e., young smart phone users).
  • Is there a valuable pay off? Why should a user scan this code?
  • Is the ad going to run where it is fully accessible?
  • Would I scan it if this weren’t my ad?

If your answer to any of these questions is no, then say no to the QR for now.

The Redesign of Google from the Mouths of Those Who Led it

Prior to the summer of 2011, no one would have accused Google web products of having the most pleasing visual interface. We attended a deeply insightful SXSW session on their historic redesign. This is what we learned.

Prior to the summer of 2011, no one would have accused Google web products of having the cleanest or most pleasing visual interface. Several of us from Flightpath listened to a deeply insightful SXSW session about the historic summer 2011 redesign that affected nearly all of Google’s web products. We heard insight directly from the design leads from Search, Mail, Maps, and so on.

Here are the insights and takeaways that we found the most fascinating:

  • For the very first time anywhere, Google presented comps to the public of an ill-fated, unknown major redesign from 2007
  • The 2011 redesign effort was jumpstarted by a simple IM early that year from Larry Page to the Creative Labs group in New York City, asking them to take stab at redesigning all of Google
  • That request netted a fast design effort, where the designers in New York were left on their own to develop a “concept car” of a unified visual language for all of Google’s web products
  • Interestingly enough, the ultimate finished redesign looked very similar to this very first “concept car”
  • In contrast to the 2007 redesign effort, where the deliverable was a long presentation with exposition and process explanation, the initial first creative in 2011 consisted solely of 10-12 “before and after comps” on 11×17 color printouts. The lesson here is not that every design presentation can solely be done through large printouts, but that you have to recognize and think through how best to present to a given stakeholder.  In this case, large printouts laid out on a table worked better when presenting to the top Google troika of Eric Schmitt, Larry Page and Sergey Brin
  • In April 2011, Larry Page gave the go-ahead for the redesign with a ridiculous goal of end-of-summer launch. So audacious was the goal that the project was likened internally to the “moonshot” in the sixties, and the project was given the code name “Kennedy”
  • The project was given #1 priority and trumped all new feature development across all affected products
  • Dropping support for older browsers was critical in successfully launching the redesign on time
  • While many design standards such as use of a consistent grid system were codified, elements like fonts have yet to be standardized for various reasons (latency of web fonts, unsupported foreign character sets, etc.)
  • An HTML/CSS Prototype was critical to collaborate with development. In fact, code would be culled from these prototypes to create an online, living style guide through which internal development teams could see interfaces and steal/grab CSS code. The individual product teams would in turn contribute additional elements back to this style guide
  • Through the help of this style guide, teams were able to give even internal tools the redesign treatment as well
  • It should come to no surprise to anyone that Google likes data.  But interestingly, they started much of the testing of the redesign with more qualitative tests. 80 trusted internal Google participants would be surveyed after seeing each comp for 10 seconds
  • Of course there was also plenty of quantitative research, much based around using, not shockingly, search data. The well-documented “test for the right blue link color” typified this
  • The redesigned Gmail was tested by way of “dog-fooding”: A forced launch for all company employees. The backlash was considerable, especially to the increased line spacing implemented, and was coined “Gmailageddon.”  The Google design team chose to be patient and acknowledge that much of initial resistance to the new design was due “change aversion”.  Over time, users eventually found more favor with the new design, though some design concessions were made regarding line spacing by way of introducing a line-spacing setting option
  • Given that the new design language made its mass introduction with the Google+ launch in June 2011, many mistakenly attribute the redesign as originating from the Google+ product. In fact, by April 2011, Google+ was nearly complete with an entirely different visual design and the Google+ team had to scramble to successfully integrate the new redesign language in time for their launch

It was not too long ago when the feeling about Google web products was that they work great, but look like sh!t. Both as a Google user (and who isn’t one?) and a designer, I am both appreciative and impressed by how the Google design team has elevated design to the forefront of Google web products.

How Google+ is Being Integrated With AdWords & Other Google Products

Google+ logo

With Google+, Google’s fledgling social network, one thing is clear: The search giant is determined to make it a success, incorporating Google+ into many of its other products and services that impact brands.

With Google+, Google’s fledgling social network, one thing is clear: The search giant is determined to make it a success, incorporating Google+ into many of its other products and services that impact brands. Whether this is a tactic to force Google+ adoption or a way to improve its other products is debatable, but ultimately, Google+ is becoming a part of several core Google services, and agencies must take note.

Google AdWords

When starting a campaign in AdWords, advertisers now have Google+ integration as an option.Google+ AdWords integrationIf you opt in to associating your ads with your Google+ page, any +1 click attributed to the ad will also count towards your Google+ brand page. As Google pushes Google+ to play more of a role in search, this could be a beneficial feature on both an SEM and SEO level. In the past, paid search and organic search were neatly separated; now, the line is blurring.

Google Organic Search

Google+ pages are slowly being included in organic search results in a special sidebar. Below is a screenshot of a Search Engine Results Page (SERP) I received after searching for “music.”

Google+ SEOThis is valuable space dedicated solely to Google+ pages – having your page show up in these results could be a huge driver of traffic. Moreover, note the link at the bottom, which tells you how to get your page to appear there. It takes you here:

How to make your Google+ profile show in searchAgain, just as Google is enticing AdWords advertisers to use Google+, they’re doing so with brands here, banking that the extra visibility in search results will encourage adoption and usage. If it sticks, it could be a huge change to how we approach search.

Google Latitude

I know what you’re thinking: What the hell is Google Latitude? (That was the question I most received after inviting friends to join the service.) For those who don’t know – of which I suspect there are many – Latitude is Google’s Foursquare-esque app: go somewhere, check in. Recently, it was linked exclusively to Google+. This popped up on my Google+ profile, after a check-in at a local restaurant:Google Latitude info in Google+For Android users, a recent update to Google Latitude has added leaderboards, awarding users points for check-ins, with promised Google+ integration in the near future. What implications might this new game element on Latitude have on search, or the Google+ pages of places users are checking into?

Integration doesn’t end here, of course. We’ve seen Google+ functionality pop-up in Gmail, Google Maps and more. The lesson: while most of the industry has watched Google+ from a distance, excited by the high early adoption numbers but dismayed by the lack of usage, it may turn out to be an essential marketing tool. As Google continues to integrate Google+ across its product line – especially organic and paid search – it would be unwise to ignore the social network.

Facebook Timeline: Brand Pages Launched

Brands have one month to monitor their competitors’ adoption of Facebook Timeline and figure out how to make Timeline work for them. Here’s an early look at the approach taken by brands who embraced the conversion to Timeline today.

Facebook Timeline for brand pages was announced this morning on the new platform for breaking tech news- The Today Show. Brands have the option of using Timeline starting today, and all brand pages will be converted to Timeline on March 30th. So brands have one month to monitor their competitors’ adoption of Facebook Timeline and figure out how to make Timeline work for them. We thought we would take an early look at the approach taken by brands who embraced the conversion to Timeline today.


Coca-Cola didn’t remove the post from their Timeline when they updated their cover photo to the new larger image required for the transition to Timeline. The Timeline cover photo was updated at 5:06 am EST, which could make Coca-Cola the first brand to make the switch. Coca-Cola has posts going back to the companies founding in 1886, using Timeline to show off the company’s lengthy history. Timeline makes perfect sense for brands who have been around for a long time, but how are brands who haven’t been around for 120+ years using Timeline?

 

Magnolia Bakery is the New York bakery made famous in Sex and the City. Their approach to Timeline is to make you hungry. By using the Timeline cover photo to show the breadth of the bakery’s line of goods and artistic presentation, they are a great demonstration of how a small business can use Timeline to visually engage consumers.

 

Apps used to reside in tabs along the left hand side of Facebook pages. With the unveiling of Timeline, tabs are a thing of the past. Apps have moved to the front and center of brand pages. Each app is displayed with an image underneath the cover photo, similar to the old pre-Timeline photo strip.

Lance Armstrong’s Livestrong foundation unveiled a cohesive approach to Timeline. Each app’s image coordinates with the Timeline cover photo. Livestrong also puts their message first. Unlike Coca-Cola and Magnolia Bakery, Livestrong opted out of using space within their app bar to promote the number of likes their page has. Instead they are using the space to promote apps where people can invite friends and become involved in the Livestrong cause.

Facebook Timeline for brand pages is just hours old, it will be interesting to see how brands roll out innovative uses of Timeline over the next 30 days.

Email Marketing: More Relevant Than Ever

Email Marketing: More Relevant Than Ever

With each new social network hitting the limelight, social media becomes a sexier force on the web. Email, by contrast, remains a largely unchanged technology since Ray Tomlinson sent the first email in 1971. Yet email still remains a highly profitable marketing channel. Here’s the reason why.

This is the first in a series of blog posts aimed at raising awareness of email marketing, its advantages, and its best practices — from designing your first eblast to deploying your newsletter to millions of customer inboxes, and beyond.

Why Email?

Facebook. Twitter. Pinterest. LinkedIn. With each new social network hitting the limelight, social media becomes a sexier force on the web. Email, by contrast, remains a largely unchanged technology since Ray Tomlinson sent the first email in 1971.

Over the decades we got carbon copy recipients, file attachments, and HTML-based emails, but that was it. No “like” buttons, status updates, or share functionality. Just some text, images, links, and a subject line.

That being said, email is a marketing channel your business can’t afford to do without.
Why? First, it’s profitable. As Felicity Evans of Smashing Magazine points out, email still has a very high ROI — an estimated $44 for each $1 spent in 2011.

Evans also reminds us that more Americans have been introduced to email than social networks. It’s simply been around a lot longer. Finally, the Smashing article makes the point that email is a unique identifier. In other words, most people have a couple addresses to their name, but are members of many different social networks.

Additionally, your email campaigns can help leverage a stronger social media presence and vice versa. “Share” buttons at the top of your enewsletter can raise visits to your company’s Twitter feed. Newsletter signup callouts on your Facebook page can bring in new subscribers for your eblasts and special offers.

Assuming you’re sold and you want your first email campaign out the door by the end of the week, where do you start? The best place to begin is logistics.

What system is the most efficient for communicating with your customers? What kind of system even sends out thousands, even millions of emails at once? The answer lies in something called an email service provider (ESP).

Finding the Right ESP

The Interactive Advertising Bureau defines an email service provider as, “a business or organization that provides the Email campaign delivery technology. ESPs may also provide services for marketing, advertising and general communication purposes.”

Deciding which ESP to use can be a daunting task. There are many ESPs out there. They vary in size, functionality, and features. Do you go with one of the big names, like ExactTarget, Constant Contact, Lyris, or Experian CheetahMail? Or maybe one of the numerous smaller ones?

It depends on what you need. If you’re a big company that already has a large email list, one of the larger ESPs might be right for you. The costs may be higher, but you’ll get additional perks. Some ESPs offer helpful features like image hosting, round-the-clock tech support, and marketing data on your customers’ viewing habits.

In terms of the larger ESPs, I would recommend ExactTarget. We use ExactTarget in campaign deployments for many of our clients. In addition to the analytics and great technical support offerings I mentioned above, they offer email automation (sending entire chains of emails with the click of a button), triggered sending (automatically sending an email when an end-user performs an action on your website), and more.

On the other hand, if you don’t need all these things, you’re operating on a smaller budget, and you only have a few hundred or thousand subscribers, a smaller ESP may work better for you.

Analytics

Detailed analytics isn’t just for your website and Facebook page. There are a variety of ways to get large amounts of data on how your subscribers will react to your email. As mentioned before, many of the larger ESPs will offer an email-tracking package right out of the box. These will usually give basic statistics. Things like how many subscribers opened your email, clicked a link, unsubscribed from your list, or hit the “Spam” button.

ESPs will also offer statistics on “bounces,” or emails that fail to reach a recipient’s email address because they were undeliverable for whatever reason. Bounce reporting is a very powerful tool as it can sometimes help you diagnose larger issues. If a lot of your subscribers use the same Internet service provider (ISP) and a lot of them suddenly bounce, it’s usually the canary in the coal mine indicating that ISP has blocked your campaigns. In a later blog article, I will detail what to do if this happens.

There are also a lot of free or low-cost analytics vendors out there that can help you get even more information on your subscribers’ habits. Google Analytics shows how visitors arriving at your homepage via your email’s links travel through your whole site. It even has conversion tracking, offering a great chance to see what percentage of sales are due to your email marketing channels.

Litmus, another helpful analytics vendor, tracks what programs and devices your users check their emails with. Do most of your customers view emails on an iPhone, or their office desktop? Do they use Microsoft Outlook, or Gmail? Litmus also gives information on how effective your campaign is in engaging your subscribers. It gives such helpful metrics as the average time your subscribers have your email open for. Are they scanning? Are they reading your every word?

CAN-SPAM Compliance

One pitfall to avoid if you’re just starting out in email marketing is CAN-SPAM. Signed into law in 2003, the CAN-SPAM Act makes it illegal to send unsolicited email, or spam. What this means is that you cannot market your services or products over email unless the recipient has opted in to receive your promotions or newsletters. This concept is also known as permission marketing.

But it’s not enough to let your users opt in. They also have to be able to opt out. Unless you are sending a transactional email (the email equivalent of a receipt), you must place a link somewhere in your communications to a page where your users can unsubscribe. It’s not just the law, but it’s also a great way to avoid customer service nightmares. Think about it. We’ve all been there. We signed up for a service on the Internet and absently left the checkbox clicked for “Please send me your free monthly newsletters and special offers!” Before you know it, you’re getting 10 emails a week that you really don’t care to read. The unsubscribe link at the bottom of that email gives subscribers who got on your list by mistake an easy way out.

Another thing that CAN-SPAM requires is an address. All your marketing emails, transactional or promotional, must contain your company’s physical mailing address. This also helps the consumer in that it shows you’re a real company in a real location somewhere in the world.

If that’s a lot to keep track of, don’t worry. Many larger ESPs have features built in that allow to automatically place your mailing address and unsubscribe link in all your emails. Some even have safeguards that prevent your email from going out unless it is fully CAN-SPAM compliant.

Next Time — Building Your List

It’s easy to see how difficult it is to send emails only to subscribers who opt in, especially if your email campaign list numbers 0 subscribers. The temptation might creep up to go out and buy a subscriber list. Don’t. None of these users have opted in. Not only would sending to them be illegal, but it will also earn you a bad reputation. Users who hit the “Spam” button on a given email address frequently enough will get blacklisted by ISPs. This means all emails you send will bounce.

Besides, there are more ethical, legal, and organic ways to build a subscriber list. In my next post, I will go over the basics of list building and list health. You will be surprised at how easy it is to generate opt ins with some of the resources you already have. Don’t miss it!

Mobile App Review: Fab.com – iPhone, iPad & Android

Fab.com logo

Welcome to the latest installment of Flightpath’s running series of mobile app reviews, where we explore all different kinds of apps, both paid and free. Today we’re looking at an app that offers flash sales of designer and high-end products, often from smaller, lesser-known companies.

Welcome to the latest installment of Flightpath’s running series of mobile app reviews, where we explore all different kinds of apps, both paid and free. Today we’re looking at an app that offers flash sales of designer and high-end products, often from smaller, lesser-known companies.

The App: Fab.com

The Platform: iPhone, iPad and Android

How Much: Free

The Deal: The Fab.com website launched in 2011 as an invite-only destination. Specializing in flash sales of designer products (think vintage-style maps, hand-crafted wood furniture, Japanese vinyl toys, etc.), the site has grown enormously, reaching 1 million members by November 2011.

Each day, Fab emails its members previews of items that will be for sale later on in that day’s featured deals, which usually run for one week or until items sell out. (I’ve actually bought a couple of maps from one designer. Trust me, they’re awesome.) Sometimes, however, I see items for sale but just forget, as often happens in this opened-an-email-then-got-distracted-by-something-else world we live in. Or I miss the sales altogether. So the idea of an app, where I could have quicker, constant access to Fab, is very appealing.

Fab.com mobile app

Features: The Fab.com app opens to the “Fab Home” menu tab, which hosts a New section (recently added items), Shops (Art, Bed & Bath, Books & Media, etc., which groups items by genre), and Ending (sales coming to a close). There’s also a Calendar tab, showcasing items and shops coming in the next week, an Invite tab, and a More tab, featuring your order history, shipping info, a contact form and more.

What We Think/Like: Fab is a essential app for those who are already fans of the website. The look and feel distinctly match the desktop version, which is very smart; it feels as if the app is in continuity with the Fab emails and site experience. The images look excellent, the design and layout are intuitive and visually striking, and it’s very easy to use. If you select an item on sale, the screen shifts to feature a large picture of the item with a corner tag saying how much it’s discounted, and the bottom of the screen features the price and a big “Buy Now!” button. What else do you need?

Fab mobile app

What’s Missing: As far as I can tell, there’s no way to select items – currently or soon-to-be available – and add them to some kind of reminder alert system. There is a shopping cart, but if I see something in the Calendar section that will be available in a week, I may (read: probably will) forget about it by then. If I could tag that item so that I’m alerted as to when it goes on sale, I’d be more likely to buy it. At the very least, I’d come back and use the app again. That said, you do get push notifications for when sales are about to begin and other alerts, so that functionality is kind of there.

Fab mobile app

Overall: Fab – both on its website and now successfully with its app – routinely highlights truly beautiful, unique, well-made products that you may never have heard of otherwise. The app does a great job at presenting everything in an easily navigable and browse-able package. If you aren’t a Fab member, become one; if you are, download this app.

Grade: A-

Pinterest vs TheFancy: Social Media Marketing for Brands

Pinterest has grabbed the attention (and free time) of women and a lot of interest from social media marketers, but there is another quietly emerging player in the social bookmarking space. TheFancy is a visually stunning collection of the coolest images and products from around the web.

Pinterest has grabbed the attention (and free time) of women and a lot of interest from social media marketers, but there is another quietly emerging player in the social bookmarking space.

TheFancy is a visually stunning collection of the coolest images and products from around the web. Instead of adding images to boards like on Pinterest, users “fancy” images and add them to categories for others to view and “fancy” as well.

Users share images the same way on both sites.  Retailers can add Pinterest and TheFancy buttons to images to encourage users to share, but since both sites are relatively new most images come through users clicking a “Pin It” or “Fancy It” button in their browser’s toolbar.

Pinterest and TheFancy differ in the flavor of what is shared. Pinterest has an undeniably feminine Etsy-esque feel. The majority of Pinterest users are women, and as a result there are a lot of home décor, recipes and children’s product shots shared on the site.

TheFancy has a more unisex, urban, minimalist, high-design feel. The differences between each site’s content are obvious when you look at the brands that have a presence on each. Brands currently on Pinterest: Cabot Cheese, Lands’ End and Paula Deen. Brands on TheFancy: Brooklyn Industries, Williams-Sonoma, and Yves St. Laurent.

If you represent a luxury fashion, home décor, or tech brand then adding products to TheFancy is a smart marketing move, because unlike Pinterest- TheFancy is openly working with brands to drive sales through the site.

On Pinterest, if a user (including the brands that have set up Pinterest accounts) posts a price within a pinned image’s description, the price will appear as a banner in the corner of the image. Pinterest will then automatically pull the pinned image into the gifts category on the site. This is great, however Pinterest wants to keep users within Pinterest and is not at this time making it easy for users to leave the site.

In order to reach the original site to make a purchase, Pinterest users have to click pinned images twice. Some users I have talked to were unaware that they could even do this, since when an image is clicked once users are taken to a page where they are encouraged to like, repin or comment on the image within the Pinterest site. There is no prompt or link for Pinterest users to leave Pinterest and visit the original site. Pinterest has been designed as a social media destination.

TheFancy on the other hand, has been designed to easily move users to original sites for product purchase. When an image is clicked in TheFancy, users are presented with a “Buy It” link on the right hand side. Clicking this link will take the user to the original site where that product may be purchased. This is a great feature since the whole focus of the site is discovering products that you may never come across in a retail store.

Users can also unlock special deals from retailers by clicking “Fancy It” on their product photos. These special deals are typically discount codes that can be used at checkout on the retailer’s site. Current deals offered to TheFancy users are featured within a Deals tab at the top of the page, which makes it easy for TheFancy users to find. There is also an easy to find list of retailers on TheFancy, something which is missing on Pinterest at least at the moment.

TheFancy also seems to be here to stay. With significant investment from the French fashion firm PPR, who owns brands such as Gucci, Alexander McQueen Gucci, Bottega Veneta, Yves Saint Laurent and Balenciaga, as well as Twitter co-founder Jack Dorsey who is also on the start-up’s board. Yves Saint Laurent announced on Jan. 30th that Fancy buttons will be on every page of the brand’s website.

For social media marketers looking to ride the surge in social bookmarking site popularity, especially to promote luxury and boutique brands- TheFancy is one site to hop on.

Social Media, the Super Bowl and Planned Parenthood

planned parenthood social media

So, within more or less a week, we all got to see the full breadth of living in the viral, social media “activist” world of 2012. Three unmistakable cues to the times we occupy. Madonna pulls off a stunning Super Bowl half time event complete with historically compelling “people as props” staging and her co-performer […]

So, within more or less a week, we all got to see the full breadth of living in the viral, social media “activist” world of 2012. Three unmistakable cues to the times we occupy.

Madonna pulls off a stunning Super Bowl half time event complete with historically compelling “people as props” staging and her co-performer M.I.A. flips the bird and mouths off verbal no-nos. The drama didn’t end at halftime, as NBC totally blamed NFL Productions (and vice versa) in a kind of “Human Malfunction” and You Tube is getting page views like crazy – quickly approaching 2 million.

But as Dustin Hoffman’s character in Wag the Dog said, “That’s nothing.” That’s nothing compared to Gisele Bündchen, wife of New England Patriots quarterback Tom Brady, calling out her husband’s teammates for dropping a few too many passes. Yes, she was egged on and yes, it was captured as content and also uploaded to YouTube, where it gained traction. I think the big winner of Giselegate (we know who the losers are) is the guy who got her to make those comments and video it all. He gets drinks for life at any New York bar by just saying “I’m the guy that…”

When Susan G. Komen for the Cure went public with its intention to stop grants of $700,000 to Planned Parenthood because of a “congressional investigation,” Planned Parenthood launched an articulated, highly mobilized and coordinated response that included traditional media tactics – like giving the lead to the Associated Press, ensuring blanket coverage – direct mail to supporters, and a rigorous social component.

According to Opposing Views, “More than 2,000 supporters shared the above email they received immediately on their Facebook wall and on Twitter. Planned Parenthood wrote, “ALERT: Susan G. Komen caves under anti-choice pressure, ends funding for breast cancer screenings at Planned Parenthood health centers.” More than 500 Twitter users retweeted that message.” The numbers and support over social media is astounding: On Facebook, Planned Parenthood has added more than 32,000 fans since last Tuesday; Twitter users sent more than 1.3 million Tweets referencing Planned Parenthood, the Susan G. Komen Foundation and related terms and hashtags, according to a Twitter spokeswoman. This pressure got Komen to change its funding position and gave the VP/strategist behind the move no way out but to resign.

I wrote this blog from the point of view that all three stories couldn’t be more different, yet are similar given the social media forces. People get emotionally into “issue driven” content that is provocative, unscripted, unintended or random – just ask M.I.A. or the now reclusive Gisele. But people really get into content that is agenda based or political (or seemingly so) when it is about people we love or emotional connect to.

Shazam Ads Succeed Where QR Codes Fail

It was around halftime Sunday when I saw the third straight Super Bowl ad with the Shazam logo in the bottom-right corner. I knew Shazam as the app that figured out a song’s title and artist based on a 20 second sample my smartphone recorded. Why is it here? Curious, I whipped out my phone, […]

It was around halftime Sunday when I saw the third straight Super Bowl ad with the Shazam logo in the bottom-right corner. I knew Shazam as the app that figured out a song’s title and artist based on a 20 second sample my smartphone recorded. Why is it here? Curious, I whipped out my phone, launched the app and started recording the ad. 20 seconds later, instead of the usual screen disclosing the song and artist info, I saw this.

Curious to see what others thought of this repurposing of the app, I searched out “Shazam” on Twitter. Some people liked it; others compared it to a marketing gimmick that was all too recent.

For the uninitiated, the QR code is a kind of barcode. Advertisers like to stick these complex network of squares on their ads in the hopes that users scan them with their smartphones. Once the phones scan these codes, they are taken to a page with more information about the advertised product. The problem is, most advertisers are lazy and unimaginative with their implementation of QR. They link the QR codes to URLs already mentioned on the ad, place the codes in locations where Internet signals are scarce (most infamously, the New York City Subway), and haven’t done a good job educating the public about the technology.

Like QR codes and other marketing gimmicks, the novelty could fade fast. The standard 30 second ad is a tad short for something that requires you to take out your phone, unlock it, open an app, and wait several seconds to capture a sample. And forget about trying to use this in a loud, crowded bar.

In spite of these drawbacks, I could still see a place for Shazam-enhanced ads when it comes to generating interest.

We’re Acquainted

Unlike QR codes, Shazam is already popular. QR codes began life as an invention by Toyota to track inventory. Shazam is a popular service people use to identify songs. It already has a head start in penetration because so many people enjoy it for its primary use. The image of that soft blue icon with a white “S” over a black circle needs no introduction. There’s a familiarity — a cue that we should be tagging whatever is on screen — something the alien-looking QR code just can’t attain.

We’re Curious

So, we see that icon we know so well, but there is no music playing. Just an ad. There is no readily available context, either. No announcers telling you to tag this commercial to win prices or music. Instead, all the viewer sees is what looks to be an out-of-place icon in ads for Pepsi, Toyota, Best Buy, etc. Naturally, I had to tag these ads when they came on. I was too curious.

The icon’s placement in these ads is the opposite of what we expect. None of the products advertised had anything to do with music or albums. So, why was the icon there? The ad wasn’t going to tell us. We had to go and hunt it down ourselves.

We Like Easter Eggs

What do video games and Easter egg hunts have in common? Both tap into that human desire to discover something. For decades, the video game industry has been sneaking hidden characters, stories and content into its products. They call them “Easter eggs” — hidden things designed to be just barely discoverable.

Advertisers like to use QR codes to link to the product’s URL, even if that URL is a few inches away from the code. There’s no imagination or creativity. And by now, the few of us who know what QR codes do are conditioned to believe they’re a waste of our time to scan for this very reason.

The Shazam interface doesn’t allow for this lack of originality. A successful tag never takes you to someone’s homepage. Instead, you go to a screen where Shazam gives you data on the sound sample you just tagged. In the case of the Super Bowl, advertisers seem to only have the option to place special content on this screen, like a video, a sweepstakes entry form, or an MP3 download. Unlike QR codes, they need to give you an Easter egg to reward your curiosity.

Many have heard of Shazam, but not enough people use it so that everyone knows what to do when the icon appears on TV. There’s something thrilling in it, as you feel like you’re one of the first to download this app which lets you see the pastel blue egg behind the couch before the rest of the family.

See You at the Grammys

As mentioned before, this kind of ad wouldn’t have much of a place during regular programming, but maybe that’s not the point. Perhaps a better use for these campaigns would be for special events where companies typically buy longer spots and users get enough time to tag the ads. With Shazam-enhanced ads planned for the Grammy Awards on February 12th, we won’t have long before we see if the spots find success in engaging consumers where the QR codes failed.

Ferris Bueller Super Bowl Commercial & Social Media: Honda Fumbles the Snap

Ferris Bueller Super Bowl Commercial

When the mystery teaser for a Matthew Broderick/Ferris Bueller Super Bowl commercial dropped last week, the Internet’s collective head almost exploded. Could it be? Finally, a sequel to Ferris Bueller, one of the most beloved movies of the ’80s? And we’d see the trailer at the Super Bowl? Not even a Clockwork Orange-style forced viewing […]

When the mystery teaser for a Matthew Broderick/Ferris Bueller Super Bowl commercial dropped last week, the Internet’s collective head almost exploded. Could it be? Finally, a sequel to Ferris Bueller, one of the most beloved movies of the ’80s? And we’d see the trailer at the Super Bowl? Not even a Clockwork Orange-style forced viewing of the abysmal Ferris Bueller TV show could dampen the excitement.

Then, the full ad was posted online before the Super Bowl. And the air was let out of the Internet’s balloon.

It was revealed to be an advertisement not for a Ferris Bueller sequel, but for the Honda CR-V. In the new advertising environment created by social media, Super Bowl ads are now being teased with previews, then released online before the game (see Volkswagen’s Star Wars themed commercials from this year and last, as well), making the actual airing during the Super Bowl a kind of non-event. The point is to drum up more interest, more hype, and make it last. But what about if it backfires?

I argue that it did backfire with the Ferris Bueller ad, because people were genuinely let down when they learned there was no sequel coming. This isn’t to say that the ad is not successful or people don’t like it – there are just as many positive comments as negative ones (thousands) on YouTube, and it is really well done (special props for the “I Am the Walrus” callback). But instead of being surprised or delighted by seeing this for the first time during the Super Bowl – as would have happened in years past – the general consensus after the online reveal was basically, “Oh…it’s a car commercial?” And then no one really cared about its airing during the actual game at all.

If there’s a lesson, it’s that presenting things in the right context and at the right time is more important than ever thanks to social media. Since the teaser did not even show a car, it could only disappoint people to find that there was no new Ferris Bueller movie coming. And would the ad’s shelf life have been longer if they didn’t tease it and didn’t release the entire thing online before the Super Bowl? For brands, knowing when to push things via social is essential to sticking the landing in modern advertising.

Mobile App Review: The Vinyl District – iPhone & Android

The Vinyl District logo

Welcome to the latest installment of Flightpath’s running series of mobile app reviews, where we explore all different kinds of apps, both paid and free. Today we’re looking at an app designed for those who still prefer to buy their music on wax and support local shops. The App: The Vinyl District The Platform: iPhone […]

Welcome to the latest installment of Flightpath’s running series of mobile app reviews, where we explore all different kinds of apps, both paid and free. Today we’re looking at an app designed for those who still prefer to buy their music on wax and support local shops.

The App: The Vinyl District

The Platform: iPhone and Android

How Much: Free

The Deal: I’ve talked a lot here in the past about my love of music and vinyl. Even as I stopped listening to CDs the way I used to, I never completely jumped on the MP3 bandwagon because I always valued having a collection. When I realized how much I missed record shopping and just enjoying music at home, I started listening to vinyl. I quickly fell in love with everything about it – the art, the sound, and the shopping. But that’s all getting harder to do as record stores continue to disappear. Thus, I was thrilled when I came across The Vinyl District, a record store locator app.

The Vinyl District app screenshot

Features: The Vinyl District has a simple interface highlighting its main features: a blog, a list of nearby record stores based on your current location, and social interactivity. Click over to the second navigation screen, and there’s a record fair locator, contact form and profile options.

The Vinyl District app blog posts

What We Think/Like: Excellent. The Vinyl District is meant for one thing – to point you in the direction of nearby record stores – and it accomplishes that with aplomb. The design is clean, making for easy navigation and use. In seconds, you do indeed have a list of the closest record stores to your current location. Click on one from the list, and you can view its location on a map, get directions and read reviews on Yelp. All the other content – a smart blog designed specifically for mobile devices, the social component and the awesome record fair listings – is just gravy.

The Vinyl District app record stores list

What’s Missing: For what I wanted from this app, not much. I’d be hesitant to suggest additions, because the app has a straightforward mission and the fact that it doesn’t bother with any superfluous features is a positive. If anything, some customization would be nice – being able to favorite a store, receive updates if nearby shops are running sales or having an in-store appearance, etc. But otherwise, it’s not missing much.

Overall: If you love records and you don’t want to see record stores disappear, this app is a worthy download. It may introduce you to stores you didn’t know existed, and maybe you’ll (re)discover the fun of finding that Holy Grail of an album you’ve been hunting for years.

Grade: A

Pinterest for Brands and Marketers: Opportunity Awaits

If you have an interest in marketing to women online, then you have an interest in Pinterest. Pinterest is a site that allows users to create and share “pinboards”. Pinboards are photo collages of images users find around the web or create themselves all focused around a certain theme. Users typically create multiple pinboards which […]

If you have an interest in marketing to women online, then you have an interest in Pinterest.

Pinterest is a site that allows users to create and share “pinboards”. Pinboards are photo collages of images users find around the web or create themselves all focused around a certain theme. Users typically create multiple pinboards which are shared with their Pinterest followers. Users can comment on photos within pinboards and also “repin” photos to their own pinboards.

Visits to Pinterest surpassed Google+ and MySpace in the week ending 1/21/2012 making it the 7th most popular social networking site, though Pinterest is invite-only.

Source: Hitwise US

The site has grown organically as users are allowed to send invites to friends and family. There is also a months long waiting list on Pinterest for people who do not have a friend with an available invite.

One indicator of Pinterest’s popularity is their Facebook page. Pinterest created the Facebook page, but never posted any content. Instead the Facebook community has used the Pinterest Facebook wall as a place to post pleas for Pinterest invites which are fulfilled by other Facebook users. Without a single post from Pinterest, the Facebook page has garnered over 680,000 likes.

Pinterest has been embraced by women. According to Hitwise Pinterest users are 58% female and has a large representation of users who live in states that don’t usually lead the way in early adoption of social networking platforms like Utah, Idaho and Alabama.

Source: Experian Hitwise

Pinterest has gained a following among women ages 25-44 around topics of food, DIY, fashion and crafts. This is the elusive “household decision maker” demographic, the consumers who brands are working hard to connect with on Facebook, Twitter and through blogger outreach.

Marketers are always trying to reach consumers in the moment when their intent to purchase forms. This is what Pinterest does best, allowing people to create photo collage boards of their aspirations and intentions such as products they want to buy or recipes they would like to cook. However, there are very few brands using Pinterest to market their products.

One of the earliest brands on Pinterest was Nordstrom who has created seasonal wishlist boards and trends boards. Nordstrom has over 7,000 followers on Pinterest. Lands’ End Canvas has also jumped on Pinterest. During the holiday season, they created one of the first brand sponsored Pinterest contests called “Pin It to Win It”. Lands’ End posted rules and put out the call for entries on their Facebook page for fans to create boards of their products and then submit the link to their board via email.

Pinterest has a list of guidelines called “Pin Etiquette” that requests users not use Pinterest purely as a tool for self-promotion. However, there are no specific guidelines for the use of Pinterest by brands. This is a great opportunity for brands to experiment and find what resonates with this audience without the restrictions they find on more established social networking sites like Facebook.

In addition to creating a contest or Pinterest account on behalf of a brand, there is another way to encourage users to share brand messaging and products on Pinterest. The “Pin It” Pinterest button can be added to a brand’s website to encourage sharing of product images on Pinterest. Instructions for doing so can be found here on the Pinterest site.

Pinterest is the site to watch in 2012, it will be interesting to see if the site’s traffic continues to grow and how brands use the site for to promote products and messaging.

Apple TV Samsung Partnership?

Is Apple building a TV with iTunes built in? The big brother to the Apple TV sidecar? I found some evidence recently that points to a match made in heaven. If Apple and Samsung can put down the legal briefs and realize there is more money to be made as partners than as enemies. I’m […]

Apple Inc.
Image by marcopako  via Flickr

Is Apple building a TV with iTunes built in? The big brother to the Apple TV sidecar?
I found some evidence recently that points to a match made in heaven. If Apple and Samsung can put down the legal briefs and realize there is more money to be made as partners than as enemies.

I’m talking about the Samsung 8000 series TVs, their apps and an amazing new browser.
So why do I say this?

You would think I am writing this from CES, but I’m not. Who needs CES when you can walk into any Manhattan Best Buy, talk nicely to the staff and they will start giving you the remote to every TV in the joint and gladly spend time nerding out with you. My husband built a system for capturing user agent strings. So when I recently tested on of the 8000 series TVs I loaded a few favorite test sites.

One of the pages I loaded saved the user agent string for me. I was able to open up a database tool and see this: Mozilla/5.0 (SmartHub; SMART-TV; U; Linux/SmartTV) AppleWebKit/531.2+ (KHTML, like Gecko) WebBrowser/1.0 SmartTV Safari/531.2+

Sure webkit is open source, and Smart TV appears in the user agent string three times. (wonder who wants to or is trademarking Smart TV…Samsung cough), but after more research on the string, the browser it is listed as Safari. Big deal? I think so.

Apple could have Foxconn or any other of their supplier/manufacturers in China build the Apple TV, there have been reports that  Apple is looking at bids from Foxconn and others to build the Apple TV, but Samsung has been building TVs since 1972. This experience coupled with Apple’s high expectations from its devices requires that they partner with someone. It’s just as easy for Apple to private label the Apple TV or iTV with just a little bit of tweaking.

Who better than your arch rival especially given Apple penchant for drama and buzz creating big reveals.

Apple is in a new realm with electronics manufacturers when it comes to consumer devices that are not in its purview. Panasonic, Sony, Toshiba- all of these companies have worked together for years to standardize and partner on technology sharing. In this area, Apple is the new kid on the block- but the coolest one in the room and as reported by Mashable this morning they have a stack of cash higher than the Empire State building.
Apple may be suing Samsung over the Galaxy tablet, but Apple needs a hardware manufacturer in place that can make iTV cheap.

Apple is making a big announcement at the Guggenheim next week, could it be a Samsung Apple partnership? Stranger things have happened. What do you think?

The Flightpath Roundtable: Facebook Timeline

Facebook Timeline Cover Photo

Welcome to the latest installment of The Flightpath Roundtable, where we gather various Flightpath employees for a discussion on the hottest topics in digital. Today, we discuss Facebook’s latest change, Timeline. Unlike some of the minor cosmetic alterations Facebook has made over the years, Timeline significantly changes the look of one’s profile and the presentation […]

Welcome to the latest installment of The Flightpath Roundtable, where we gather various Flightpath employees for a discussion on the hottest topics in digital.

Today, we discuss Facebook’s latest change, Timeline. Unlike some of the minor cosmetic alterations Facebook has made over the years, Timeline significantly changes the look of one’s profile and the presentation of its information.

The participants in this discussion:
Dan Brooks, Digital Marketing Manager
John Lee, Director of Digital Marketing and Analytics
Wesley Martin, Interactive Designer
Cliff Medney, Chief Creative Strategist
Betsy Smith, Senior Social Media Strategist

Dan: Betsy, I thought we’d start with you. Maybe you can give an explanation of what Facebook Timeline is, for those who don’t know, and what you think about it.

Betsy: So, whereas Facebook used to have segregated content – your photos would be in one place, your status updates would be in another – now it’s all in one cohesive timeline that can go all the way back to your birth. Unless you’re a toddler or a preschooler, Facebook wasn’t around [early in your life]. And so, what Facebook would like everyone to do is to pull out their photos and upload them. Now the danger, I think, that people see, is that this is another way for Facebook to know absolutely everything there is to know about you. And I think that kinda freaks people out, but I think if you manage it correctly, it could be a really interesting tool.

Dan: Do you think it was a necessary change?

Betsy: Well, for one thing, Facebook has never been a particularly beautiful site. And Timeline is visually really interesting, and it is sort of like the voyeuristic fun part of Facebook. Like, going in and looking at somebody you haven’t talked to in 10 years. Now you can see who they married, and yeah, they divorced like you thought they would. [Laughs.] And all that fun stuff.

Dan: Wes, as a designer, what do you think of the look of it?

Wes: As a designer, I think it’s not very UI friendly. There’s a lot going on, and if you want to keep up with your friends’ stuff, it’s showing you too much at once. What I don’t like about it is there isn’t a filter for it. It would be cool if you could do a Timeline of just people’s images, but instead…

Dan: It’s everything.

Wes: Yeah, it’s everything. I’m not the biggest fan of the left-right-vertical view of Timeline. I would have preferred if they did horizontal and kept everything on one plain. [Demonstrates on computer.] So you see, they do this left-right thing. And I can’t tell what’s the order. Is the left the newest? Is the right the newest?

The photos is where Facebook grasped the older generation. And now I feel like it’s so hard to find [them] and find what’s important. I feel like they went so far, and then they pulled back. If you can narrow a Timeline just by photos, that’s the story itself.

Facebook Timeline Stories

John: I see what you’re getting at, Wes. You have to go through the Timeline to find stuff, as opposed to it filtering out.

I can’t really speak about the UI, but I think it’s a step in the right direction, visually. Just the way sites are, it seems that Facebook in the past forgot about the visual elements. Betsy, as you said, it was pretty boring before. But here, they’re trying to be a little more modular. They’re trying to break things up and organize the content, make it more easily scannable. Did they have to call it Timeline? I don’t think so, I think this is sort of like the new Facebook, or what’s it going to be.

The thing that I find interesting is the fact that they’re opening this up to the development community and allowing them to build apps. And I think it’s gonna be interesting to see what kind of cool apps are going to be available.

Betsy: And supposedly this is going to roll out for [brand] pages in September, so it’ll be interesting to see how they handle that.

John: Yeah, that was kind of the question I was thinking about. How do brands utilize this?

Betsy: Right. Do you want to go back a year and see when Red Bull changed its ingredients, or whatever they added to the Timeline?

John: Yeah, that could be really cool. I think there’s a lot of potential there.

Dan: One of the things that struck me was that when I converted my profile over to Timeline, is that there’s a demo/commercial that shows you what Timeline is. And it’s almost exactly the same as the Google’s “Sophie” commercial for Chrome. The tone is the same, and the content – taking you through someone’s life – is the same.

John: Well, they all kind of copy Apple’s emotional appeal. I mean, you never really think of Google as being an emotional company. I was surprised to see Google come out with a commercial like that.

Wes: What I do love about it is they’re staying true to their 2012 strategy campaign, which is, they’re bringing it back to the human. Because Facebook did get sort of taken over by corporations and businesses, and Timeline does bring it back to emotion. Facebook was originally made for people.

I just feel that it’s weird to continue to show everything. Because after a few months, no one’s going to care about people’s posts.

Dan: Unless you’re doing Facebook Stalking, which people tend to do. [Laughs.]

John: Like you, Dan. [Laughs.]

Wes: Posts become irrelevant after a day. After 10 minutes, posts can become irrelevant. From a user standpoint, I would love to see them filter it more by category as opposed to time. Everything’s in chronological order by the last month.

Dan: One of the reasons why I think Facebook became popular, I thought, was because it was so clean and streamlined compared to MySpace and Friendster. And now there’s a lot of stuff on there.

Betsy: I think people need to go in and clean up their Timelines. Because this can be an issue. People always say, “You have to be careful about what your employer might see!” You might have said something four years ago that – you went to a party and got trashed, or something – and because there were so many likes and comments, that’s gonna pop up on your Timeline. And so you have to go in and make sure that stuff isn’t there.

Facebook Timeline Apps

Dan: There was a Mashable article saying that Timeline is really like your resume now. Do you think there’s any truth to that?

Betsy: One of the political things about Facebook and Twitter is when you joined. Especially if you’re in [the digital] space, how long have you been on Facebook and Twitter, and do you want people to know that, is an issue. Also, you need to control whether or not people can tag you. That seems to me to be an issue for people who are not 23 years old. You’ve had a lot of past relationships, and when there’s a “dumped the loser” kind of post, and you’re tagged as the loser, do you want that in your Timeline for the whole world to see? But you can change in your privacy settings that you get the chance to preview any tags that are back in your Timeline.

Wes: It’s becoming a chore. Facebook is becoming a chore. It’s becoming too much to update.

John: With the privacy settings, they make changes and they don’t necessarily notify you. The defaults aren’t always in your favor. But that’s been the thing with Facebook since the get-go.

Betsy: But now I think it’s so mainstream and something people almost need, that I think they’ll put up with it. You know, my mother, who’s on Facebook, is never gonna go in and curate her Timeline. It’s just all gonna be out there, and that’s gonna be the case for most people. And they might go in and add life events that, as a marketer, I might find very interesting. You know, that you have three children, and these are their ages, and that you’re divorced, and that you’re converted to a different religion, and that you had a major illness. There are all things you can add to your Timeline, which as marketers, is really interesting.

Dan: Wes was saying something interesting in that they’re bringing Facebook back to “human,” and not so much a corporate identity. Cliff, do you think they’re successful on those grounds? Or is it too early to tell?

Cliff: I think this is as much a marketing ploy as it is a human ploy, because brands are followers of the human condition. And clearly this human condition of 2011, 2012, is that it’s easier than ever to have a pictorial account of life. And I think they’re just on the front end of what companies want. They want more story selling through pictures and words.

Betsy: Marketers always want to capture people in that moment where they’re making a decision. “If we could just know their intent, we could leverage that into a sale.” Timeline is like a reverse look – what may determine your future actions may be what you’ve done in the past, so that’s interesting for marketers.

Facebook Timeline: Add Life Events and Marketers Could Thank You

Facebook Timeline was released last month as an invitation for all of us to share our whole lives (including pre-Facebook lives) on Facebook. What Facebook wants you to include in your Timeline isn’t restricted to your newborn picture. When you click on a point in the past on your Timeline, you have a number of […]

Facebook Timeline was released last month as an invitation for all of us to share our whole lives (including pre-Facebook lives) on Facebook. What Facebook wants you to include in your Timeline isn’t restricted to your newborn picture.

When you click on a point in the past on your Timeline, you have a number of options many of which are familiar.  You can add a comment in the form of a status update to a point in your past, photo from your 1st grade class picnic or check into the dorm you lived in freshman year of college. These are all variations of the options that users are used to seeing when they create a normal present-day status update. However, there is one new option- “Life Event” that is very different than the rest.

Clicking the Life Event button brings up a list of events that are common to a lot of people’s life stories. Marking the day you had a baby, broke a bone, lost a loved one or changed your religious beliefs are just some of the options Facebook presents.

Social media is supposed to be about transparency and honesty. Although it seems people would be reluctant to share major illnesses they have had in the past, divorces long settled and weight gained or lost in reality this is what Facebook does best. In Timeline Facebook has created an even better space where we can feed the human need to connect and learn more about people we care about, though maybe not enough to actually call.

From a social media marketing point of view, “Life Event” could be a game changer.

Currently advertisers can target Facebook users for ads based on the basic information user’s provide as well as their likes and interests. If Facebook allows advertisers to display ads to users who have had certain life events, or even better- users who have had certain life events within a select time frame, this could be very exciting for brands.

Car insurance ads could be displayed to parents of children they had 16 years back on their timeline and orthopedic surgeons could target those who have broken a bone in the last few months.  Ads could be even more highly targeted, which means higher click-through rates for advertisers and more revenue for Facebook.

Facebook has yet to allow advertisers to target users based on their life events, however if they do look for even more relevant Facebook ads coming to your Facebook profile.

Inside the NHL’s Innovative Use of Social Media

NHL logo

After the 2004-05 lockout, NHL popularity dropped significantly: TV ratings were low, attendance was down. While many rule changes and innovations post-lockout – most notably, the fantastic Winter Classic outdoor game – have helped the league recover, it’s the use of social media that has taken that recovery to another level. With the rise of […]

After the 2004-05 lockout, NHL popularity dropped significantly: TV ratings were low, attendance was down. While many rule changes and innovations post-lockout – most notably, the fantastic Winter Classic outdoor game – have helped the league recover, it’s the use of social media that has taken that recovery to another level. With the rise of social, the NHL has been able to reach fans directly, and that direct contact was integral in repairing the damage from the lockout. But more than just using social media, they’re using it well.

The Rangers and Flyers just completed this season’s hugely successful Winter Classic, and much of its success is owed to the excitement and hype drummed up by the NHL’s social channels. To mark the occasion, I’m delving into the NHL’s superb use of social media to see how they do it.

Constant Updates. The NHL itself and its 30 teams are on Facebook and Twitter, and they all provide a steady stream of content through every channel. It’s a multi-pronged approach, where they supply news, marketing, or mask marketing as news, but it’s highly effective and does not stop during holidays or weekends. Whether promoting the build-up to the Winter Classic, giving score and penalty updates or celebrating Sidney Crosby’s return to the Penguins, the tweets and Facebook updates come often.

Quality Video Content. In addition to news or fun stuff, there’s also some pretty great exclusive video content being provided on Facebook and Twitter. The NHL is something of a master in online video, and the sharing of highlights is a big part of its social media identity. Beyond in-game highlights, the league offers content that would appeal to even non-fans, such as a very cool time-lapse video of this year’s Winter Classic rink, going from construction to game in just over a minute. And that’s content you’d be hard pressed to find anywhere else.

Playful Tone. What’s most refreshing about both the league and team accounts is the positive and playful tone of its social media content. On January 3rd, with the New York Rangers holding the best record in the league, the team posted a screenshot of the standings to its Facebook profile, writing, “Who LIKES the look of this!!!” It’s fun, it’s celebratory, and it entices fans to engage.

Encouraging User Interaction, Physical and Digital. As a Rangers fan, I follow their social channels. During last year’s celebration of the team’s 85th anniversary, Twitter was a key component. Contests where users had to go to a surprise physical location to win autographed sticks or merchandise were all done with Twitter. It was handled so well that I even hopped on a subway to try and win something, and I never do this stuff.

In addition, the NHL created the LIKE/DISLIKE Facebook post, where users are challenged to Like something (a play, a game outcome, etc.) or explain why they don’t. It’s simple but effective, and can often spark some smart debate, and at the very least, gets people clicking.

They Respond and RT. Not all brands, even the smallest, take the time to answer tweets, and that’s a mistake. When a brand interacts with fans on Twitter, it’s a recognition that the customer exists and is valued. The brand hears them. So, when small companies don’t reply or acknowledge Twitter correspondence, it’s even more admirable for a major sport to do so. Imagine being a young fan and having your favorite team respond to your tweet? It would feel empowering and exciting. The NHL and its teams routinely retweet and answer questions, and their Twitter presences are more powerful as a result.

The NHL’s success with social shouldn’t be measured absolutely in number of Likes or in purely mathematical numbers, which are impressive anyway. But rather in the quality, human element it brings to social media. Marketers would be smart to watch and learn from them.

Playing the Grace Card in 2012

Given the overwhelming pressure so many in America and around the world are feeling this holiday season, it seems appropriate to think about a different kind of blog post to end this year. One that can help set a tone for the better in 2012. I look at this post as a “card blog” – […]

Given the overwhelming pressure so many in America and around the world are feeling this holiday season, it seems appropriate to think about a different kind of blog post to end this year. One that can help set a tone for the better in 2012.

I look at this post as a “card blog” – it is about our most common threads of who we are or aren’t through the pure grace of being human in the time we all are living. You may be asking, “Why create and share a ‘card’ to various people of the world?” The act of empathy, of stepping inside another person’s world is always graceful, and today, couldn’t be more important.

In the sections below, we address this card to various people and players in the world. In some cases, they’re just my observations and don’t relate to digital. In others, they relate to the positives and negatives of the all-the-time connected-ness of social media and the Internet – how it can sometimes make us more human, and other times, remove our humanity. But ultimately, I hope that all these resonate with you as ways to make 2012 better.

To: A Politician
The electoral clock is ticking, you need to find some grace, PDQ! We are particularly impressed with Newark, NJ mayor Cory Booker, whose smart use of Twitter and social media has connected him to his constituents in meaningful ways.

To: A Boss
Jobs are obviously in demand, which gives “bosses” even more power, more opportunity to affect people’s sense of self. Walk softly with your big stick as you’ll surely get more for it. Grace under pressure – and bosses are clearly under that – is transformative to all!

To: A Facebook, Twitter Enthusiast
Use your social networks to do more than aimlessly like and follow, or post and tweet. Use your imagination like never before to connect, create and immerse the collective spirit. To the social naysayers, this would prove to be a true grace of time.

To: An Unemployed Worker
Not enough jobs are available to enough people, this we all know. But by being your most imaginative, most relentless, by absolutely doing everything to elevate, to create opportunity, you are giving yourself and the ones you love the greatest gift.

To: A Subway Rider
Stop pushing, looking down at your iPod or iPad when you should be looking up when getting on, off, or giving your seat to someone who needs it more!

To: A Dog Parent
We are only as good as the company we keep which is why being a dog dad or mom is pretty damn good. We live in the age of dog awareness and dogs are fully aware of this. For this, they love us dearly. Dogs and cats relieve our stress and make us incredibly special.

To: Artists: Graphic, Literary, Whimsical, Musical, Performing, Conceptual, Digital
We live in the “Expression Age” and if you are an artist – in your soul, if not in your day job – the world of today is yours for the taking. If you have content originality to share, the future (and all kind of money trails) could not be more welcoming.

To: The Not So Humble or Gracious
Just take a moment as we turn the calendar to think about how good you have it- especially if you have your health (even if not all of it!) and some love in your life. I have always believed and tried to practice that all else (making money, creating a life or legacy) is possible with the grace of health and love.

Happy New Cheer!

Mobile App Review: Songkick – iPhone

songkick

Welcome to the latest installment of Flightpath’s running series of mobile app reviews, where we explore all different kinds of apps, both paid and free. Today we’re looking at an app designed for serious music fans and concertgoers. The App: Songkick The Platform: iPhone How Much: Free The Deal: I’m a music nerd, and I […]

Welcome to the latest installment of Flightpath’s running series of mobile app reviews, where we explore all different kinds of apps, both paid and free. Today we’re looking at an app designed for serious music fans and concertgoers.

The App: Songkick

The Platform: iPhone

How Much: Free

The Deal: I’m a music nerd, and I go to a lot of shows (Brooklyn speak for concerts) in and around New York. One of the worst feelings in the world to me, though, is checking one of my favorite artists’ websites to see when he or she may be coming to town, only to discover that I missed the show by a week. It happens more often than I’d like to admit, and I’d always wanted something that could stop this from happening ever again. Thankfully, the computer gods gave us apps, which led me to Songkick.

songkick app

Features: Songkick tracks your favorite artists’ touring schedule, and matches it with your location to alert you when an artist is coming to your area. You can enter artist names manually, or it can scan your music library to generate your list. The bottom nav is divided between “Concerts,” which shows artists you’re tracking that are visiting nearby venues in the coming months; “Locations,” which lists tons of local concert halls and clubs and the bands booked to play there (whether you’re tracking them or not); “Artists,” which is your master tracking list; and “Settings.”

songkick

What We Think/Like: This app is a success. My biggest fear going in was that it would be either too hard to configure or set up, or that it would be incomplete data-wise; I like a lot of different indie bands, and I doubted they would all be included. But I need not have worried. It appears as if a band exists, you can track them here, and you can track them immediately. The interface is really nice too, with photos of every act and a striking “On Tour” banner to clearly mark their status. I’ve already become aware of shows – Dr. Dog and Marshall Crenshaw, to name two – that I probably would have missed without Songkick.

songkick

What’s Missing: So far, the ticket purchase option is lacking. When you click on the “Tickets” button, it takes you to Songkick’s website, which is not a mobile site and does not actually sell tickets or link to the club or venue that is. Basically, you’re on your own to get tickets.

If you have the app scan your library, it scans and uploads everything – meaning it’s not smart enough to know that the Beatles no longer exist and thus are no longer touring, or that the Jerky Boys aren’t the type of artist you’d go see live. So, if you do opt to have Songkick scan your library, you’ll then need to spend time editing your list to bands that you actually want to track.

Overall: Shortcomings aside, which are really minor, Songkick is a brilliant idea executed almost perfectly. If you are a live music fan, download it. You’ll never miss your favorite artists again, and you may discover new ones.

Grade: B+

Interview: Indie Filmmakers on the Secrets of Crowdfunding with Kickstarter, IndieGoGo & Social Media

This past October, the crowdfunding platform Kickstarter reached its 1,000,000th individual backer since starting in 2009, with over $100,000,000 pledged to different projects in that time. Its peer IndieGoGo has helped raise money for over 50,000 campaigns since 2008. These crowdfunding platforms, combined with social media and other means of outreach, have become a powerful […]

This past October, the crowdfunding platform Kickstarter reached its 1,000,000th individual backer since starting in 2009, with over $100,000,000 pledged to different projects in that time. Its peer IndieGoGo has helped raise money for over 50,000 campaigns since 2008. These crowdfunding platforms, combined with social media and other means of outreach, have become a powerful new model for funding a wide array of independent creative projects.

Flightpath caught up with two independent filmmakers who recently completed successful campaigns to glean their secrets. Jayce Bartok is an actor, screenwriter and director who’s appeared in projects from Spider-Man to The Station Agent and White Collar, and in January will show up in two features at Sundance. Jayce used IndieGoGo to raise over $20,000 to keep shooting Tiny Dancer, an indie drama he’s writing and directing. Award-winning documentary filmmaker Andrew Berends shot two films in Iraq that explore the conflict from the rarely-seen, ground-level view of Iraqis caught in the middle. He raised more than $16,000 on Kickstarter towards completing Delta Boys, about militants and oil in the Niger Delta.

Both were greatly empowered by their campaign experiences, but agreed there was no shortage of challenges.

Jayce Bartok: It was the hardest thing we’ve ever done. For those 60 days, it was just insane.

Andy Berends: Yeah. It’s awesome in a lot of respects, but I wouldn’t call it fun. For me, the first thing was you have to pretty much put aside your pride.

Jayce: Totally.

Andy: I had 184 backers but I probably directly contacted over 2,000 people, and indirectly maybe 3,000 – 4,000. For every backer, there’s probably 100 that ignored it and five that think I’m a jerk because I’ve been spamming them for a month straight.

Jayce: The first quarter of our campaign we were so far behind. Then we realized we have to email all of our contacts from A-Z. We had 15,000 contacts, and we emailed I would say at least 10,000 of them. That was what really drove it; once we started those personal emails, people started jumping on. But you’re right, you have to swallow your pride.

Andy: Which for me was a positive experience, because I err on the side of being too reserved and subtle. And that’s not how it works. That’s not how you sell your film, that’s not how you raise money. So it forced me out of my comfort zone.

Jayce: You need to be the total self-promoter and ask. It was an amazing experience for my wife and me. And for reconnecting with people. Maybe it’s been two or three years and you email someone, and all of a sudden they’re like, “Hey man, here’s $100.” But you can drive yourself crazy, because that guy down the block who’s like my best friend will not respond to my email.

Andy: As awesome as it is, it’s not free money at all. First of all, you have to have a project that people think is worthwhile. Second, you need to have a decent network of people who are willing to support you. And you have to do a lot of work. I worked hard to make my campaign and my video look good. I want people to say, he’s not just asking for free money. He’s put a lot of work into making this. You then have to be able to produce DVDs, t-shirts, all kinds of stuff.  You’re a full-on production/distribution company.

I raised $16,000. If it was $10,000, I would say it’s just barely worth it for what’s going to be a month-and-a-half of work. But it’s not just the money, it’s the publicity on top of that. And then there’s no question that it’s worth it. And the experience was worth it. But it’s not free money.

Flightpath: How did you reach the point of deciding to go on these campaigns?

Andy: If I were just starting the production, I wouldn’t feel comfortable asking all these people for money if I didn’t know I’d be able to finish the film. But now that I’m finishing it, I know I’m going to be able to deliver. That’s part of why I was ready. But it was also: Everybody’s doing it now. If I’m going to do it, now’s the time.

Jayce: We’re in the exact opposite place [with our project]. We decided to do it because I’m tired of having friends who are like, “You made The Cake Eaters a long time ago, and I’ve made five $30,000 films since then.” And we were just like, “Oh man, we gotta do this.”

We had this giant fundraiser event planned, and IndieGoGo was our safety net for people who couldn’t attend it. And ironically, that event netted us like $2,000 and we had all these wealthy people there and some celebrities. And then the IndieGoGo campaign that went to all our broke-ass friends got us 20-some thousand. It started as almost an after-thought.

Flightpath: One early model for indie film-backing online was getting micro-investments, as opposed to a straight donation. What are the differences there?

Andy: Investment 99% of the time is just a pipe dream. This does away with the pretense that you’re going to see a return. I never felt comfortable asking for investors, because it’s very hard for independent documentaries to break even, let alone make money. This is more straightforward. And also, you don’t get $50 investments. That’s when you’re going around looking for someone to give you $5,000 – $10,000.

Jayce: It’s part of the shift where people are giving locally. You’re helping this person make a project happen that they passionately believe in, as opposed to trying to say, “You’re going to get a 120% return.” If I give Andy $50, he’s going to create something that I feel really connected to and that I’m a part of.

Flightpath: Jayce, you did a 60-day campaign. Andy, yours was 30. How did you choose the length, and how much did you plan in advance for sustaining it?

Jayce: We had no clue what was going to happen. The first half of our 60 days, we didn’t raise that much. It was scary, like we’re not going to make our goal. And what I found is that everyone loves a winning team. When you get close to your goal, everybody comes out of the woodwork to give you money. They want to be the one who pushes you over the top. In retrospect, I’d probably focus on 30 days, knowing the last 15 would be super-intense.

Andy: And also because, it’s a full-time job. Kickstarter actually pushes you towards 30 days. They feel that’s the most efficient bang for your buck. On a 60-day campaign, maybe I would have raised another $1000. The people who come in at the last minute would have just waited another month. In twice as much time, I wouldn’t have raised twice as much money, but I would have had to work just as hard for two months.

Jayce: I do believe what you put into it, you get out of it. But at the same time, I don’t believe we could raise any more money than we did. You only have a certain amount of contacts.

We learned that for your project, this is a giant PR campaign with the added perk that you’re getting money. But you want to make your goal. You want to show that this is successful. With IndieGoGo we knew we could keep the money no matter what. But there was an incredible amount of pressure when we were so far under-performing, that we were like, “Oh my God, we’re spamming everybody and they’re going to know that we failed.” We were definitely sweating it.

Flightpath: What about the psychology of choosing the all-or-nothing model, as Andy did, versus the take-what-you-raise platform, like Jayce. I’d argue that all-or-nothing creates a bigger incentive to donate.

Andy: Absolutely. And it’s also a bigger incentive on me to make sure I hit the goal. Once you click “launch campaign,” the countdown is on, and your pride is on the line. The incentive is there to make sure I hit the goal. And some people looking at it would say, “He hasn’t reached his goal, I better kick in some money.”

Flightpath: Jayce, you were blogging for MovieMaker, and you made a lot of down-homey videos with your wife and your intern. What was the social media outreach strategy?

Jayce: We tried to listen to what IndieGoGo told us, that your video has to resonate with people personally. We sat on our stoop with our son and made a video and put the trailer at the end. We tried to keep in touch with videos.

We were very strategic about social networking. Besides personal emailing and posting every day on Facebook, we went on a limb and tried to get anyone who was vaguely famous to tweet or retweet. I had worked with Kevin Smith on Cop Out. I emailed him and didn’t hear anything, and then someone at MovieMaker said, “Hey, did Kevin’s tweet help you guys?” I was like, “What?” I looked and four days earlier, he’d tweeted, “Help Jayce Bartok’s movie.” And he’s got 1.5 million followers.

We were going to get MovieMaker subscriptions to give away to a certain donor level, and they said, “In return, will you blog about your crowdfunding experience for us?” And ironically, my blogging has been way more beneficial to our campaign.

Andy: You get analytics on your campaign. Unquestionably, Facebook is by far how I reached the most people. Through my personal page, plus I set up a page for the film. I also set up an event, so that I could invite all my friends on Facebook. And there’s a Facebook group that friends of mine set up while I was detained in Nigeria making the film, with almost 1,000 members. Of my 184 backers, 69 clicked through from Facebook. Almost half of the people, and 26% of the dollars.

I had this other awesome stuff. Sundance has a curated Kickstarter page, so I was on their page. Stranger than Fiction has a page. Rooftop Films has a page. Barely any donations came through that. But I was able to leverage that and say I was endorsed by all these organizations. The endorsement is huge. Sundance sent one tweet for me. And it helps. But for me, it was Facebook and personal messaging. Getting other people to post on their wall is how it really starts to build momentum.

Jayce: I am super-impressed, because my wife and I were partners in this, but you did it by yourself. I don’t really understand social media. She’ll be like, “Go email Kevin Smith.” And I was like, “Okay,” scared shitless. I couldn’t really coordinate all that on my own. I was really in charge of the personal emails. I did all those 15,000 contacts. I just wrote them one-by-one with a couple of personal sentences and then the cut-and-paste part, and my fingers were going to fall off. That was the most effective.

Flightpath: Beyond the money, how much awareness did this spread about your projects, and how does that create a foundation for the rest of the film’s life cycle? What starts now?

Jayce: Because we still need to go raise $75,000 more, we have all these statistics now and all these backers. Instead of floating out these bullshit business plans, where we’re going to take the movie to Sundance and sell it and get this rate of return, we can say we have 1,000 dedicated followers, and that equals this number right off the bat. We’re using this audience that we built and trying to leverage that to raise the rest of the money and apply for grants.

Andy: For me, I’ve actually sold more DVDs than I probably would have if I’d waited until I finished and sent an email to my friends. Nobody’s going to buy the DVD for $30. But with the campaign, I’ve sold 42 DVDs for $30. I’ve sold 45 digital downloads at $15. So essentially, distribution has already begun.

This experience has been realizing that if I’m not going to sell it, there’s nobody else out there trying to sell my work, and that’s what I need to work on. That’s why this campaign was such a good thing for me. Because it’s freaking hard. And you do see your friends unsubscribing from your emails, and it’s devastating. There are moments of panic where I feel awful, like I’m going to raise this money, but am I going to lose friends over it?

This is something that independent filmmakers have to learn. You can’t just be a filmmaker anymore. You have to be a filmmaker, a distributor, a fund raiser, a graphic designer. It’s hard, but it’s empowering.

Flightpath: How empowering is this for you guys and your projects, emotionally and creatively?

Jayce: Hugely empowering. And morally, you owe these people who are your backers and supporting you, so you have to finish this, you have to carry on and see the journey through. You can’t be like, “That famous person never wanted to be in it, so it’s just sitting on my desk now.”

Andy: From every single person, it’s a vote of confidence, and now I have to live up to it. The thing about independent filmmaking is it’s lonely sometimes. You take a lot on by yourself. And to have the personal support from individuals feels very good. It makes me realize that we’re all indie filmmakers, but we’re all working together to make our independent projects, which I love.

Flightpath: Finally, what advice would you give people starting their own campaigns?

Jayce: Plan, plan, plan. For every dollar you get, you have to earn that dollar. You have to go out there and earn that money. You really have to think about it, plan and persist. Swallow that pride and figure out how to ask people to support you.

Andy: Chris at the Sundance Institute said to me, “Don’t be shy.” That’s the piece of advice I personally needed the most. I agree, swallow your pride. But you have to have a good project. Otherwise, don’t do it. Have something you believe in that’s worthy. And then swallow your pride and don’t be shy.

The Flightpath Holiday Gift Guide for Digital Geeks

holiday gift guide

Having trouble finding a gift for that special tech-head in your life? Or maybe you want to treat yourself to something? Either way, we’ve compiled a list of nine slam dunk digital-themed gifts to help you out – perfect for the digital-minded. Selected by Dan Brooks, Tyler Abrams and Roxanne Oliver. 1. Digital Comics. Viewing […]

Having trouble finding a gift for that special tech-head in your life? Or maybe you want to treat yourself to something? Either way, we’ve compiled a list of nine slam dunk digital-themed gifts to help you out – perfect for the digital-minded. Selected by Dan Brooks, Tyler Abrams and Roxanne Oliver.

1. Digital Comics. Viewing comics on an iPad (or other mobile device) is a revelation. They look awesome, plain and simple – clear, vibrant and detailed. You can manually “flip” the pages like a regular comic, you can zoom in, or you can navigate panel-to-panel. A Comixology gift card – which will work for any publishers’ comics – would be perfect for the comics nerd in your life. (Read our interview with DC Comics’ SVP of Digital, Hank Kanalz, for more info.)

2. Arduino. If you whisper the words “open source” to almost any programmer out there, whether an amateur or professional, you will immediately see their eyes light up. Follow that up with the word “Arduino” and you’ve got them drooling now. Seriously, you can’t go wrong with giving your geeky programmer friend (you know, the one who helps you fix your computer all the time) the gift of open source software AND hardware.

3. Philips Fidelio. Chances are, if you purchased an iPhone in the last year, you’ve had the potential to stream music from the phone to an AirPlay capable device. Docking stations are a thing of the past now, so gone are the days of having to dismantle your bulky iPhone case to get it to connect. Check out the Philips Fidelio wireless speaker system and free your phone.

4. Elago Slim-Fit iPhone Case. We came across this case too late to include in our iPhone case post from last week, but it deserves a spot in that list. The Elago is sleek, feels great, and shows off the design of the iPhone while still providing protection. Available for the iPhone 4 and 4S.

5. Drivemocion EX Series LED Car Sign. This LED sign that shows an emoticon to whoever is behind you in the car satisfies that wish to let that individual who just cut you off know how you truly feel. Car nuts, or really, anyone with a car, would love this.

6. Belkin Headphone Splitter. If you are strapped for cash and need a gift or stocking stuffer for a significant other, there is hardly anything more romantic than a headphone splitter. Whether you’re in a metropolitan area or going to a park, nothing is sweeter than sharing a soundtrack with someone you care about.

7. Fisheye, Macro, Wide Angle and Telephoto Phone Lenses for the iPhone.. The new iPhone 4S was just released, and if you have a tech-head in your life, they will love these accessories from Photojojo to accompany it. The range of photographs that you can capture just improved tenfold!

8. TextMate. When it comes to cranking out code, programmers tend to have their own text editor of choice. Some prefer monster-sized text editors with tons of options and bell-and-whistles, while others need minimal and distraction-free programs (cue Notepad/TexPad). TextMate (only for Mac) is the perfect combination of feature-rich options and a slimmed-down interface.

9. Panasonic Retro Headphones. The iPod/iPhone was a great innovation in portable music; the earbuds that come packaged with them were not. They’re junk. But higher-end headphones can be prohibitively expensive. Panasonic’s retro-style line is a good half-way point: they look beautiful, with a vintage ’70s design, the sound is fantastic, and they’re not too pricey. They’re also noise-canceling, making them perfect for the subway or an airplane.

5 Awesome Holiday-Themed Digital Marketing Campaigns

frank-the-fruitcake

We’re in the thick of the holiday season, and with that comes holiday-themed digital marketing campaigns from brands big and small. Like Halloween, it’s a chance to get extra creative in a short window of time, take chances with brand identity and show consumers that you have a sense of humor. Here are five of […]

We’re in the thick of the holiday season, and with that comes holiday-themed digital marketing campaigns from brands big and small. Like Halloween, it’s a chance to get extra creative in a short window of time, take chances with brand identity and show consumers that you have a sense of humor. Here are five of our favorites.

Walmart’s Frank the Fruitcake – This is a pretty substantial effort on Walmart’s part to achieve numerous things – to change its brand image, to attempt something digital/viral, and to show that it has a sense of humor. The joke is that Frank, a piece of fruitcake, is the holiday “gift nobody wants.” He’s voiced by the great Bobcat Goldthwait, and complains about be passed over year after year. If you log in via Facebook, a customized video is posted on your wall, where Frank arrives via package, addressed to you. Open him up, he talks a little, and you can then send him on to a friend. It’s fun, it’s got Bobcat and it’s ultimately a nice entry into the viral space for Walmart.

Sears Cheer Tree – The Sears Cheer Tree is a simple idea that again calls on user interaction, but the result is pretty charming. Visitors upload a photo of themselves putting up or posing with their own holiday decorations, which is then added to an increasingly growing mosaic. You can then zoom in on every photo in the mosaic. There’s something nice about it, plain and simple, and by not offering awards or anything like that, there’s no ugly competition aspect to it. Great concept.

Santa Yourself – This owes an obvious debt to the immortal Elf Yourself, but it seems to be taking off. Upload a photo of yourself, and voila, you’re a dancing Santa. Good animation and sound, and it’ll make you laugh and probably drive you a little crazy, which I’m guessing is the point.

Toys R Us – This isn’t a viral or interactive campaign per se, but the branding on the website really works. It’s filled with cartoon elves and reindeer, and works for kids and adults. Even with all that, the site is still clean and easily navigable. The right way to decorate your website for the holidays.

Coca-Cola – Coca-Cola is almost synonymous with holiday marketing, but I like how understated its website is this year. In fact, the landing image and seemingly only thing on the site that’s holiday related is a link to Arctic Home, Coca-Cola’s initiative to save polar bears (its longtime holiday mascot) in the Arctic. That’s valuable real estate for a company like Coca-Cola to give up towards a good cause, and it makes me think more of them than any campaign to sell more soda could have.

The 5 Most Important Things I Learned from My Dog About Marketing and Social Media

airedale-dog

(Full disclosure – I also learned this from knowing other dogs and working on great pet brands.) 1) Age is Meaningless Is Abby 9 or 63? Sure, there are real health management concerns with an aging Airedale. But that shouldn’t mean not experiencing life and all the new things that continue evolving around us. It’s […]

(Full disclosure – I also learned this from knowing other dogs and working on great pet brands.)

1) Age is Meaningless
Is Abby 9 or 63? Sure, there are real health management concerns with an aging Airedale. But that shouldn’t mean not experiencing life and all the new things that continue evolving around us. It’s not about teaching or learning new tricks, but simply being open to the reality that new tricks are almost always built on the shoulders of old ones. So, what’s old is in fact new!

2) Barking is Like Spitting into the Wind
Yes, it gets attention, feels empowering if you are doing it to ward off intruders, but in the end, making noise or drool doesn’t mean much…especially if it blows back in your direction. Marketing used to be akin to this, but social media has changed the pushing of messaging into a new form of active engagement that leads to attitudinal and behavioral change.

3) A Smell Test is Still the Best Way of Figuring Stuff Out
Zappos has it in their DNA about touching, sniffing, and trying stuff on by the boat load – just like Abby gives everything her own smell test, and likes interacting with things before trusting them completely – with no downside to the customer. But more than that, more than ever, marketing outreach and social media are all about giving people the ability to experience brands or corporate cultures through informational transparency unimaginable a decade ago. This inclusiveness is credited with helping create deeper loyalty on the consumer, customer amd employee fronts – even in the “Occupy Age” of today.

4) Leashes Don’t Choke, People Do! (Or Something Like That.)
The simple truth is, we live in a device world. What marketers do and how they innovate with smart phones, tablets, etc. – let alone on social platforms and app-forms – is what matters in the end, especially to the end users. Great brand stewards like Apple and Amazon have done an amazing job of making a commodity of themselves. They’ve become objects of desire and utility that have kept the marketplace flowing. Pulling on the leash too hard could hurt creativity and a brand’s potential.

5) Once You Know Unconditional Love, There’s No Turning Back
Everyone who has or has had a pet knows that there’s a symbiotic life enrichment that takes place between both parties, and it’s hard to imagine not having that in your life after you’ve experienced it. Social media has given us the same thing. Social related sharing has made connecting people to people, people to causes, and people to brands so easy it is hard to imagine ever not being in the emotionally rich flow so many of us find ourselves in today. We all have seen too many photos, read too many OMG! reunion posts and watched too many ridiculous pet videos to ever think that new media is “new” anymore!

Thanks for reading and here’s some more maple bacon to enjoy with that adorable, talking dog!

Mobile App Review: New York Rangers Official App – iPhone & Android

new-york-rangers-logo

Welcome to a new series on the Flightpath blog: Mobile App Reviews. We’ll be exploring all different kinds of apps, both paid and free, and for a wide variety of subjects. Today we’ll be looking at the app for a certain local sports team. The App: New York Rangers Official App The Platform: iPhone & […]

Welcome to a new series on the Flightpath blog: Mobile App Reviews. We’ll be exploring all different kinds of apps, both paid and free, and for a wide variety of subjects. Today we’ll be looking at the app for a certain local sports team.

The App: New York Rangers Official App

The Platform: iPhone & Android

How Much: Free

The Deal: I love hockey and I’m a big Rangers fan. I try and watch every game, go to a few every season, and my jersey collection is getting bigger than it should be. (That Cyber Monday deal at FansEdge for a Brandon Dubinsky home jersey was too good to pass up.) So when I finally got my iPhone 4S (my first iPhone), the first thing I did was download the Rangers’ official app. It’s branded as part of “Blueshirts United,” which is the organization’s catch-all for online Rangers fans.

Features: There’s actually a pretty robust set of features. The home screen, dubbed the “Featured” tab, looks as follows: the last game’s score is up top, with the next game info (opponent, day, time) listed right underneath; below that, in the center of the screen, is a tool that lets you track the stats of any player on the roster, game-to-game; at the bottom is a wheel of “Recent Updates,” mixing scores, videos and news. Other tabs include “News,” “Videos,” “Schedule,” and “More,” which links to photos, standings, stats roster info and tickets. All are updated daily and easily navigable.

What We Think/Like: If you’re a Rangers fan, it’s a must-download. I’m trying not to be biased, but I’ve honestly used it every day since downloading. I check the schedule often, the video content updates frequently, and the news covers everything from roster updates to game recaps. Just yesterday, the Rangers held their 18th Annual Toy Drive; this morning, I can access photos and reports from the event. The app was also the first place I saw, via video, the Rangers’ unveiling of the team’s new Winter Classic jerseys. In addition, the “News” tab is divided into “Rangers” and “Social.” The “Social” tab aggregates all Twitter updates using the hashtag #NYR; it’s a surprisingly fun, effective way to connect with fans and stay current with what people are saying about the team. But it’s not just the features that make it essential; it’s very, very cleanly designed and easy to use.

What’s Missing: For whatever reason, the app appears to offer no in-game alerts – meaning notices for goals, penalties and end-of-period and game score updates. I have to use the NHL Game Center app for all of that, which is odd. It seems like no-brainer functionality for a team-specific app.

Overall: This is an excellent app. It’s user-friendly, and the content strikes a balance between being deep enough for the diehards yet easily digestible for those who may want to learn more about the Rangers but don’t know where to begin. Highly recommended.

Grade: A-

3 Awesome iPhone 4S Cases

iphone-4s-cases

As several of us here at Flightpath took the iPhone 4S plunge, we were presented with another purchasing decision: Which case should we buy? There are tons of options out there that can meet your needs – slim versus bulky, level of screen protection, etc. – but prices vary. Here are three iPhone 4S cases […]

As several of us here at Flightpath took the iPhone 4S plunge, we were presented with another purchasing decision: Which case should we buy? There are tons of options out there that can meet your needs – slim versus bulky, level of screen protection, etc. – but prices vary. Here are three iPhone 4S cases that we love, providing significant bang for the buck. Selected by myself, Tyler Abrams and Denise de Castro.

Tyler’s Pick:
SonixShield
MSRP: $39.99
sonix-iphone-case
What initially sold me on this case was this YouTube video demonstrating its extreme sturdiness: An iPhone encased in the SonixShield being rolled over by a 4000lb truck. Of course, I don’t own a truck (let alone a car) and nor do I go around strategically placing expensive phones underneath trucks to see if they survive. But, I did want something slim and sturdy, and this case seemed to be a good balance between the two. It’s a two-piece case, one part consisting of a rubberized plastic that wraps around the sides with an embedded aluminum plate that covers the back, and the other part that snaps on the front to hold the phone in place. In my hands, it definitely feels strong and you can tell the phone is fitting snugly inside (I really had to jam the phone in there when putting it together). I tend to be fairly careless about portable electronics, so I feel pretty confident that this case will keep my iPhone safe and sound. I did come across two downsides with this kind of case: 1) The front piece that snaps on was difficult to install, which in turn caused me to break one of the pieces that holds it in place. The case still works fine and you can barely notice the breakage. 2) The case really form fits to the iPhone, so it’s not easy to take it out of the case if you need to frequently clean it or dock it in some sort of station that doesn’t have enough room.

Denise’s Pick:
Case Mate
MSRP: $34.99
case-mate-iphone-case
I wanted a case that was unique and would protect my phone from scratches and the occasional drop. The size of the case was another key factor – I wanted something thin and sturdy. I’ve seen cases that make the phone look like a tank – that was a look I wasn’t going for. I almost went with a custom bamboo case, but didn’t want to cough up $80 for it.

So I went to Case Mate, the site where my husband bought his Carbon Fiber case for his new iPhone. I noticed the “DIY Design Your Own” cases and checked it out. With a reasonable price for a custom design case ($35) I decided to give it a shot. It took me a week to finalize the design, because I couldn’t decide which photo to use. Then I had doubts about what the final product would look like. So I checked YouTube and checked out videos of other custom cases.

It fits nicely and it’s thin, meeting my requirements. I think it would look better if my iPhone was black, but what can you do…I actually already dropped it, and it’s fine, so I’m confident it will provide good protection.

Dan’s Pick:
OtterBox Defender Series
MSRP: $49.95
otterbox-iphone-case
If Batman was looking to buy an iPhone case, he’d buy the OtterBox.

I usually take really good care of my electronics – game consoles, TVs, computers, iPods, etc. – yet with my phones, for whatever reason, I tend to drop them. I’ve never actually broken one, but I drop them. I also, often times, toss them into my backpack or onto the passenger seat when I’m driving, where they can bounce around and maybe get damaged. And I do a lot of outdoors stuff like fishing and hiking. So it was important to me, in getting my first iPhone with the 4S, that I get a case that could withstand the occasional dumb drop, toss, or outdoor excursion.

After doing some research, I decided on the OtterBox Defender Series, and I’m glad I did. It’s slightly bulky, which may be a turn off to some people, but never mind drops – I feel like I can stop bullets with this thing. It actually encases the iPhone in a hard shell, and then encases that in a rubber exterior; the screen is protected not by a flimsy plastic sheet, but by actual glass, which doesn’t impact the touch screen functionality at all. And it has flaps and holes to allow for camera use and easy plug and headphone access. (It also features a cut out for the Apple logo on the back, so I can still show off to everyone that yes, I’m using an iPhone.)

Ultimately, I’m so confident that this will protect my iPhone, that I’m really wondering if I need Verizon’s insurance plan. I just can’t picture anything damaging it while in the OtterBox.

The Flightpath Roundtable: Social Media & Customer Feedback

social-media-customer-feedback

Welcome to the latest installment of The Flightpath Roundtable, where we gather various Flightpath employees for a discussion on the hottest topics in digital. Today, we discuss the phenomenon of customer feedback via social media, and the impact it’s having on brands – in particular, the recent highly-publicized social media backlashes against Netflix and Bank […]

Welcome to the latest installment of The Flightpath Roundtable, where we gather various Flightpath employees for a discussion on the hottest topics in digital.

Today, we discuss the phenomenon of customer feedback via social media, and the impact it’s having on brands – in particular, the recent highly-publicized social media backlashes against Netflix and Bank of America, among others – as well as our own use of social to praise or complain about products and brand experiences.

The participants in this discussion:
Dan Brooks, Digital Marketing Manager
Denise de Castro, Director of Production
John Lee, Director of Digital Marketing and Analytics
Cliff Medney, Chief Creative Strategist
John Whitcomb, Social Media Strategist

Dan: Alright, I thought it would be interesting to talk about the relationship between social media and customer feedback, because there have been a couple of high profile cases in the last couple months where social media users have had a real impact on brand decisions even before a product is released. Things like Netflix with the whole Qwikster thing, where they ended up cancelling it based on the negative buzz online. And Bank of America with its plan to charge people just to use their debit cards, and there was such negative feedback on social that it forced them to cancel the program.

I feel like in the past, people used to vote with their dollars, and now it’s not even coming to that. It’s like before they even have a chance to do that, they’re just using their voices via social media. So I wanted to start off with your thoughts about this. Maybe it’s a new phenomenon? John [Whitcomb], you can go first.

John W: Well, you know, from personal experience, I had a Bank of America card and we switched to The Credit Union when we saw that there were [new] debit card fees. I didn’t go on and blast it in social but I did actually let the dollar speak. So, I don’t know if it’s so much a matter of people just not letting the dollar speak as opposed to kind of doing both.

I think that Facebook and Twitter give the consumers a voice that they didn’t have before and they utilize that to voice their displeasure with these companies over policies. I think the bottom line that made [Bank of America] switch is the tone of the conversation as well as the actual results from the consumers. Because I do think that a lot of people had already switched over to other banks, and they saw that, and needed to do something. So I don’t know if it’s a direct result of just the outcry on social for that particular case. I do think it’s kind of the combination of the actual results of that outcry on social that in that particular case and getting people to drop their cards.

And for Netflix, I don’t really have that much of a personal attachment to it, but I would venture to guess that it’s kind of the same. I think Netflix was scared of all the personal outcry and you know, the displeasure that consumers expressed, but I’m not sure that’s what caused them to change as much as when they actually looked at the numbers and saw that people were dropping subscriptions because they were upset.

Dan: Do you think it’s almost like the dark side of having a presence on social – maybe fans feel more connected to a brand, and when they’re offended by something, that is also amplified. You can have instant feedback with the brand on Twitter and on Facebook, and that can be positive, but you also have the negative, which can be amplified.

John W: I remember last year, I think it was Jeremiah Owyang – he gave the keynote out at WOMMA, and his main thing was how we need to train the consumer that social media is not just a complaint vehicle and that it’s not a help desk. Basically, consumers right now are being trained that if you have a problem, go to [the brand’s] social outlets, and they will resolve it. Before, it may not have been a problem that they could have gotten resolved for whatever reason, or it might have been such a small problem that they wouldn’t have bothered, and this sort of gives them a new avenue to connect to the company and get those problems fixed. And his worry is that over the next few years, consumers are only going to use social for that purpose, and instead of an actual positive engagement with the brand, and kind of learning from them, it’s just going to be a complaint hub.

Dan: When you go to a Facebook page and all that you see is people complaining about stuff, I mean, that can’t be good.

John L: Since the beginning of message boards, the Internet has always been an outlet for people to complain. People love to complain online because it’s somewhat anonymous, and it’s always been a place where people like to start flame wars and things like that. “Voice of the customer” is nothing new, but with social it just makes things a little more public. High profile platforms, ubiquitous platforms, like Facebook , Twitter…it’s not as unknown as something like, a slash-dot of the ’90s, where people complain about stuff. Most people didn’t even know what the hell slash-dot was, even though it was a great message board. But now everybody knows what Facebook is, everybody knows what Twitter is, and so there are a lot of eyeballs on it. It’s very mainstream, and so the complaints are just a little more visible for everybody. So that’s why the corporations are a little bit more aware of those complaints rather than it being placed on more unknown site.

Dan: Do you think there is an element of bandwagon jumping? With the Netflix price hike and then Qwikster announcement, the outcry was crazy. Even I wrote some blogs about it, and how I didn’t like what they were doing. Ultimately it was just about DVD rentals, and for Netflix users, it was like the world was collapsing around them.

John L: Well, that’s basically it. They saw that they were going to be charged a little bit more, so yeah, there’s going to be an outcry for that, right?

Dan: Right.

John L: I don’t think there would have been as much negativity if they were actually getting a price cut [with Qwikster]. I doubt the whole Qwikster thing would have been thrashed on the way it was, but I mean, everyone is going to complain if they have to pay a little bit more.

Denise: Well, I don’t really have much to say about the Netflix thing besides seeing it all on my Twitter feed, and it was getting very annoying because everyone just wanted to complain about it. One person starts and then everyone starts complaining about it, even if they don’t subscribe to Netflix. They just jump on the bandwagon and Tweet, “Yeah, I’m so with you on that!”

Dan: You’re very active on Twitter, right?

Denise: Yes.

Dan: And have you ever complained about anything?

Denise: Plenty. Plenty of times. I guess the first complaint I ever made was last year. And I complained to Saks Fifth Avenue because they sent me a shipment that I had to do a special order on, and I was so excited, ready to use it and then I found that the product was used. So right away, I went to Twitter, because that’s my outlet. I got a response within a couple of minutes. They had a sales associate that lived by me drop the new product at my apartment and had it all taken care of.

Dan: What was the tone of your message to them? Was it very angry or was it more calm, like, “Hey, I have a problem…”

Denise: I wasn’t swearing, for sure. [Laughs] It was calm.

John L: I remember this. I think you were like, “Ew, gross!” And you actually included a TwitPic.

Denise: Yes! I did a TwitPic of it! That’s what it was. And you know, a picture speaks a thousand words, right? So I let the picture do the talking. So then that eventually spread out.

Dan: Do you ever, on the flip side, have a good experience and let the brand know?

Denise: Yeah, plenty of times. If I have a great hotel stay, I do say that. I do a #TravelTuesday for them as well. If I have a good dining experience, that goes out on my food Twitter handle. I don’t necessarily go onto Facebook to say, “Oh my gosh, you guys are great!”

I try not to complain. I went to a conference last year. I can’t remember which, I think it was 140 Conf. or one of those other social media meetups, and they said that social media is more of a cathartic platform, because everyone can complain on it. And ever since I heard that, I was like, “Shoot! Maybe I should change the way I Tweet and not be so negative.” So I keep that in my mind. But in general, everybody just likes to complain. So sometimes I just hit that off button or use my TweetDeck to just to sort out the negative people.

Dan: For me, it’s sort of the last straw in dealing with a brand, that makes me complain on Twitter. So I don’t really do it that often. Except this one time I went to Hale and Hearty soups and I didn’t think there was enough crab in my crab soup and I complained about it. [Laughs]

Cliff, I wanted to ask you, because we’ve talked offline about New Coke, and I know you were working through that whole thing – do you think that whole debacle would have been changed in any way if, let’s say, before Coke released New Coke, they announced what they were doing and people had a chance to go online and talk about their feelings? Would it have been with the marketing blunder it became? Could it have been avoided if social media was around back then? What do you think?

Cliff: Right. I think the interesting part of the question is, they did a lot of research. You would have thought that they would have secured the kind of sentiment that most brands don’t go to the lengths, historically, but now they get it naturally through social media. Coke had 200,000 people in the queue, in terms of the quantitative range of people, they engaged. Not just quantitative, but focus groups, blind taste tests over a huge population and they thought, very projectable.

Now, because social is real time, all the time, they might not have looked at it as a research endeavor; they might have looked at it as real backlash that they had to manage, which is the difference, right? I think brands inherently look at social as something like Denise was saying: it had to be managed before it got out of hand. And Saks, which is such a premium level player, and they are under such competition, they want to make sure [the brand does not get hurt by influencers]. They might have already identified you as a taste maker, they might have known your score, and how influential you are, so all of a sudden – boom! They took care of you and the problem. Whereas in research, they talked about, you know, what happens in a customer service environment, because they do all this testing and drilling. So, I think social now, has upped the ante.

If you were New Coke all the way back when and you got a crap load of sentiment of, “You’re screwing with an American institution,” it wouldn’t have been a couple of percentage points that said that in focus groups [that was drowned out by the positive feedback]. But if people were saying that you’re messing with Americana, and then people started commenting on the comments, you could imagine it going viral and it would have made a real difference than just what goes down in focus groups.

Research is viewed, all too often still, as academic and not real world. The real versus academic is what’s social now. Really.

Denise: I can say that the use of social media, in terms of complaining or getting some sort of result, is sort of more effective than the old fashioned “picking up the phone.” Because my husband had issues with his Droid, now iPhone, and he would like, call Verizon Customer Support, over and over. He would talk to them for hours, over any given amount of time. And it got to the point where I was like, “You just wasted so much time. How many “x” dollars is that?” So he eventually Tweeted it out and then he got the issue resolved in just a couple of minutes. So hours on the phone versus a blast…it’s unfortunate that you get faster of results on social media. But you know, now all the issues are resolved. All it took was one Tweet versus many phone calls.

Holiday Happiness Brought to You By…

happy-marketing

With all the political rancor going on, the NBA season (probably) lost to greed, and the ongoing problems with the economy, things continue to have a somewhat melancholy hue in life’s atmosphere. Yet, if there is one sentiment we can expect to see this holiday season, maybe more than ever in our lifetime – be […]

With all the political rancor going on, the NBA season (probably) lost to greed, and the ongoing problems with the economy, things continue to have a somewhat melancholy hue in life’s atmosphere. Yet, if there is one sentiment we can expect to see this holiday season, maybe more than ever in our lifetime – be it wrapped in an app, posted on Facebook, or photographed with a QR code – it’s happiness and positivity. One may think this is cynical – offering people happiness via a product – but the truth is, it only works when the marketing is honest. And there’s nothing cynical about that.

A couple of years ago, I wrote an article for Brand Week discussing the use of ELO’s “Mr. Blue Sky” in JetBlue’s “Jetting” campaign. And now, the song (and many of ELO’s biggest hits, for that matter) can be heard in practically every commercial or movie trailer. “Mr. Blue Sky,” written in 1977, is a stirring, upbeat track, with rich harmonies and instrumentation coupled with downright cheery, winning lyrics. As the story goes, ELO leader Jeff Lynne was in Switzerland, trying to write the band’s new album, but nothing was coming. Every day the weather was overcast and the sky was dark. Finally, after two weeks, the sun came out; Lynne, inspired, immediately sat at the piano and the song just emerged. “Sun is shining in the sky / There ain’t a cloud in sight / It stopped rainin’ / Everybody’s in a play / And don’t you know? / It’s a beautiful new day.” “Mr. Blue Sky” was popular when originally released, but only became a classic in the last few years. And why? Why now? In an interview with Q Magazine, Lynne recounted something Paul McCartney said to him about the song’s second coming – that the song found its time because “everything is gloomy right now,” and people “need a bit of optimism.” It’s absolutely true, and it’s true of the general tone of a lot of the marketing we’ll see this holiday season.

Ruby Anik, senior vice president for brand marketing at J.C. Penney in Plano, Tex., told The New York Times, “The upbeat optimism is a value we’ve put into all our marketing this year. With all the bad news around, we wanted the element of ‘When I go to J.C. Penney, I have a fun time, and the brand makes me feel good.’” It’s a spirit that marketers across many consumer categories will be celebrating as well, and we have started to see it earlier and heavier than ever before from many brands. See the following campaigns that are doing it right:

This sentiment of joyfulness, happiness, fun and frugality are at the soul of the holidays, marketers, the campaigns above, and the social landscape. Social media, in particular, delivers for marketers what they never had in years past: up to the minute, changeable copy or deals, and the ability to be emotionally relevant within targeted consumer/shopper circles. Social media only works because and when it’s real. When it is not real, people abandon. The holiday season is the one real time of year people expect it to be real as well – with family and friends, co-workers and even brands dealing as hard as they can. But as long as the message of happiness is relevant, and it’s coming from an honest place – as it does in everything from songs like “Mr. Blue Sky” to Facebook campaigns with actual heart – it’s hard for a brand to go wrong with that kind of messaging.

10 Awesome Music Sites & Blogs

our favorite music sites

There are some hardcore music nerds here at Flightpath. Sometimes there’s crossover between our tastes, sometimes not, but everyone has his or her favorites. (Personally speaking, my love of ELO, the Beatles and Guided By Voices is well-documented around the office, to the point where I’m sure everyone wishes I would just shut up about […]

There are some hardcore music nerds here at Flightpath. Sometimes there’s crossover between our tastes, sometimes not, but everyone has his or her favorites. (Personally speaking, my love of ELO, the Beatles and Guided By Voices is well-documented around the office, to the point where I’m sure everyone wishes I would just shut up about them already.)

Anyway, just as we make connections with music that speaks to us, so do we make connections with web sites we trust that cover music. So, without further ado, here are our favorites, selected by myself, Tyler Abrams, Mike Liss and Roxanne Oliver, in no particular order. (Our only rule: none of the biggies like Pitchfork, Stereogum, Rolling Stone, or sites like last.fm.)

Dust and Grooves – As someone who owns probably around 600-700 CDs, this may seem like an odd choice. But about a year ago, I made a conscious decision to switch to vinyl, and this site expresses why. It’s a photo and interview blog, where site creator Eilon Paz visits vinyl collectors around the world to photograph their collections and talk to them about their love of the format and music. It’s beautiful stuff. The photographs are stunning, mixing black & white and color, and capturing the beauty of an old vinyl record and a shelf completely filled with albums. Dust and Grooves will remind you why you love your favorite albums, and what you’re missing out on when you only experience them through iTunes or CDs. – Dan

Tiny Mix Tapes – A few years back, I had a slight obsession with this thing called the  “Automatic Mix Tape Generator,” a section on Tiny Mix Tape’s site where anyone can submit an idea for a mix tape and, in turn, receive a track listing based on that idea from volunteers dubbed as “Mix Robots”.  At the heart of the site, though, is the music review section, which is split into 3 parts: Featured reviews targeting the mainstream and not-so-mainstream, Delorean reviews for the pre-TMT music that demands to be re-heard (or buried further away from the public), and Eureka! reviews for the ultra-obscure/experimental music that most shy away from.   The thing that keeps me coming back to TMT is the down-to-earth style of the reviews, where the reviewer doesn’t float up into some music critique bubble that only other music critics can understand. – Tyler

All Music – I hope this doesn’t cost me too much cred, because it is a bigger site, but I’ve always found All Music to be a good resource. Essentially a library of reviews, you can find information on just about any album here. What I like most is that the reviews don’t exactly seem unbiased – they’re written more from the perspective of, “If you’re already a fan of this band, here’s what you’ll think of this album.” And in most cases, I agree with them. (As a Beatles fan, I’ve always liked their appreciation of current-era Paul McCartney, which I think features some incredible work and isn’t quite lauded enough.) Whenever there’s a new release that I’m excited about, the first thing I do is check All Music to see what they thought. That’s a high compliment for a web site. – Dan

La Blogotheque – Is most well known for the Take Away Shows, a series of very personal, acoustic videos that are directed by Vincent Moon. The English site is only translated for that Take Away Shows, but if you happen to be well versed enough to read French, La Blogotheque’s articles are insightful and reflect the same spirit of the videos. – Roxanne

OMG Vinyl – Another vinyl blog, but this one is simultaneously a vinyl/news/reviews/deals site, and sticks the landing for each. It also touches on a lot of genres that I don’t get that much exposure to or gravitate towards, so it’s a good way to get me out of my music comfort zone. – Dan

Gorilla vs. Bear – The exponential growth in music production is just way too overwhelming sometimes, with artists cranking out a single every minute, and then other artists swooping in and remixing those singles or mashing them together with other singles.  What Gorilla vs. Bear does is handpick the good stuff from the junk pile and posts about 4 or 5 of them on a single day.  And on slow days, there will just be one post.  At last, the current amped-up music production scene is finally distilled into this tiny and minimal site so you don’t short-circuit from music overload. – Tyler

NPR Music – In my humble opinion, NPR can do no wrong and the music section of their website is no different. From up-to-date news, the First Listen segments, and Tiny Desk concerts of some of my favorite musicians, their dynamic content always makes for a good read and listen. – Roxanne

BrooklynVegan – Staying up on your favorite bands coming through the city used to mean grabbing a fresh copy of the Village Voice every Tuesday night and pouring over the music coverage ads. But for the past few years, if you keep at least one toe in the New York City live music scene, you follow BrooklynVegan.

A self-described “NYC-centric mostly-music blog,” the site focuses on music news, show listings and reviews, concert pics, MP3s and much more. In a world of cooler-than-thou music tastemakers, BV cuts through the snark with zero attitude and coverage of bands from a broad range of genres and levels of success. And because it’s still primarily run by a single person, it feels more like getting tips from the best-versed friend you could have, rather than the anonymous editors of some glossy.

A full-fledge community eco-system lives through the comment posts, where you can find everything from what time the band you’re seeing tonight took the stage last night to why Anonymous 10:17 and Anonymous 11:04 can’t stop flaming each other. Since while BV keeps its coverage on the level, when it comes to the back-and-forth of the comment boards, it can quickly devolve into third grade recess at the Coolest School in Williamsburg. And hilariously so. – Mike

The Hype Machine – A Tumblr-based music blog, which means the content is consistently being updated/re-blogged. Despite being mostly based in a hipster/independent audible aesthetic, there is not a day that goes by where I do not discover a new band or song that makes me want to buy an album. That being said, it is wonderful for supporting new and upcoming musicians to gain notoriety, however dangerous for my bank account. Venture wisely, but with enthusiasm! – Roxanne

Low Times – Just prior to this post going live, I listened to the debut episode of the Low Times podcast. The show features Tom Scharpling (host of The Best Show on WFMU), Daniel Ralston and Maggie Serota all interviewing different musicians (in this episode, they talk to Janet Weiss, Owen Ashworth and Catherine Popper, respectively) for extended periods, taking advantage of the podcast format to set their own pace, tone and length. The talks are both smart and funny, unfold naturally, and the hosts give their interview subjects room to breathe while still injecting their own personality into the show. (I particularly liked Scharpling’s question, “Was there music when you were a kid that you were not allowed to listen to? Was there anything your parents drew the line on?” because it’s something we all went through, but I’ve never heard asked to an actual musician before. And kudos to Serota for getting Popper to discuss jamming with Chevy Chase.) It’s clear that they’re real music fans, knowledgeable and curious about their favorite bands and records. I’d encourage everyone to get on board now. – Dan

Google+ Brand Pages Pros & Cons

Finally, Google has officially launched Google+ brand pages. Marketers and those involved in social media are quick to point out the comparison to Facebook, although Google does not see itself that way, as this interview with Google VP Bradley Horowitz demonstrates. However, as marketers, it is our job to explore these various options so we […]

Finally, Google has officially launched Google+ brand pages. Marketers and those involved in social media are quick to point out the comparison to Facebook, although Google does not see itself that way, as this interview with Google VP Bradley Horowitz demonstrates.

However, as marketers, it is our job to explore these various options so we can recommend them to clients and help them meet their business goals. Below is a quick breakdown of this new offering.

Pros

  1. Direct Connect – The Direct Connect feature is the ability for the Google+ brand pages to be found right in the search engine. By adding a + in front of the search query, users are connected right to the brand’s Google+ page where they can add to circles.
  2. Segmentation of customers – Circles is a core feature of the Google+ platform and the brand pages also utilize this functionality. Brands can divide their customer base into various subsets and target messages specifically for them.
  3. Huddles allow for exclusive content – Video chats with the company allow for a customer to experience more of an intimate connection with the brand. The demo video emphasized this feature using the neighborhood bike shop as an example. This more direct, more real connection was one of the purposes of this medium in the first place.

Cons

  1. Banning contests and promotions – This to me is the biggest flaw of the new platform. I had hoped that I would be able to use a contest and promotions to help build our clients followers.
    This is not something that hurts just the marketers, however; this affects the consumers directly. Study after study, including this graphic below, has shown that consumers connect with brands for a variety of reasons, but the number one reason is to receive special offers and discounts. This makes me ask Google, “What were you thinking?”
  2. Single admin – As of right now, Google+ pages only allow for one owner. Unlike Facebook, where you can add multiple administrators and work as a team to produce content, Google has limited it to one user. You can share the e-mail that was used to create the account, but even using that tactic has its limitations, as you cannot determine who on your team was posting what content. Overall, it just makes things less intuitive behind-the-scenes.
  3. Lack of analytics – A favorite saying that I use when thinking about analytics is, “You can’t get to your destination if you don’t know where you’re starting from.” With Google+ brand pages, it is hard to figure out a goal and a target because there is no way to measure your progress. The complete lack of analytics makes it very difficult for marketers to see what is working and what isn’t, which makes strategic planning almost impossible. That said, I am sure a robust analytics feature is coming.
  4. Lack of scale – At this very moment, I am hard pressed to recommend any of our clients get involved within the platform. The reason is simply that the users are not there. While it seems like those involved in the industry – marketers, branding experts, etc. – are all active within the Google+, it has yet to cross over to the mainstream consumer. Spending money on this platform is equivalent to paying for a sign in the middle of the woods where no one will see it.

Google+ brand pages are a brand new offering and as Google has mentioned, they are still in a learning phase. As they receive feedback on what is and what isn’t working and as the user base continues to grow, the platform could become more of a key component in a complete online marketing strategy.


 

Culture Club, Hallah-ween Style!

As a digital marketing agency steeped in digital, design and creativity, the one thing we have in common with every other company – big and small – is culture. Culture, like life, marriage or anything else important, takes work. It’s fun to create and eat bread all day as many of us did during our […]

As a digital marketing agency steeped in digital, design and creativity, the one thing we have in common with every other company – big and small – is culture.

Culture, like life, marriage or anything else important, takes work. It’s fun to create and eat bread all day as many of us did during our 2nd Annual “Hallah-ween” BreakFest, as seen in the header photo above. (Spreading 25 different toppings on four kinds of Hallah bread didn’t hurt either! And yes, we know it’s more commonly spelled “Challah.”) But what made it cool was the silliness and ridiculousness – not of dressing up, but just another excuse to let our hair down.

I look, with my band of sisters and brothers, for every opportunity (fine, any opportunity) to let our human culture here at 36 West 25th St. in NYC to breathe in the silly.

Happy Halloween tonight! Trick or Treat your hearts out…no excuses needed!

5 Facebook Halloween Campaigns We Love

Facebook Halloween Campaigns

Halloween is one of those holidays that allows brands to be just a little more creative, and honestly, a little more fun than they usually are or can be. With the rise of Facebook, many companies use Halloween to present their products in new ways that call on user interaction and clever ideas, which show […]

Halloween is one of those holidays that allows brands to be just a little more creative, and honestly, a little more fun than they usually are or can be. With the rise of Facebook, many companies use Halloween to present their products in new ways that call on user interaction and clever ideas, which show that A) these brands do have a sense of humor and B) they’re cooler than you thought they were. Below are five favorites by brands (actually, four are by brands – one isn’t linked to any product or company, but it was just too good to leave out) that captured the spirit of Halloween and built intuitive apps to support their creativity. Selected by Flightpath’s John Whitcomb and Dan Brooks, in no specific order.

Take This Lollipop – Let’s kick off the list with a bang – or in this case, a little stalking. This site has quickly become a viral sensation with its clever use of the user’s personal information and profile, playing on our fears of the big bad Facebook man watching our every move and ignoring privacy concerns of their users. After all, this is Halloween, and no fear should be left unturned.

Connect to this application and you are quickly transported to a dark hall of some creepy building. In it we find the main character, who is clicking away on the Internet. He decides to login into Facebook, but not as himself…he logs in as you! As he goes through your profile and glances at images he slowly starts tweaking out. A map is displayed of your house and he turns towards you with an evil grin on his face. Next, he is driving to what is supposedly your neighborhood with your profile picture pinned to his dash.

The best part about this whole experience is that it has nothing to do with marketing – no brand is attached – it is simply the sick and twisted mind of an individual who knows how to turn a social network into a “scary network.”

Visit the site now…If you dare! – John W

Mike’s Hard Lemonade: Zombifier – There are few things I love in this world more than zombies. Whether it’s The Walking Dead comics, George Romero’s films, or the Resident Evil games, zombies occupy a surprisingly large percentage of my entertainment pie chart. But I don’t like bad zombie stuff; I’m picky with my zombies. Also, since we’re here to talk about Facebook, it’s worth noting that I’m quite selective about my corporate Facebook likes. The last thing I want is my Facebook feed filled with junk messaging from brands I don’t really care about.

So it probably speaks pretty highly of Mike’s Hard Lemonade that I converted to “liking” its Facebook page just to use its new Zombifier, which allows you take a photo of yourself and zombie it up with easy-to-use tools. What actually sold me on the like conversion was the great landing page image: a Zombified photo of a female fan that looked really, really good.

From there, I selected a photo I wanted to use, chose the right gashes, decomposed nose and decaying eyeballs, and I was done! Zombie Dan was posted to my wall and made into my profile picture in about two minutes. What I also really liked: the zombie photo was not branded with a Mike’s Hard Lemonade logo. It may not seem like much, but I appreciate that liking them was enough, and I don’t have to actually advertise the brand with my new photo. – Dan

Target: Get Gourdeous – The main reason I chose this campaign, besides the word play in the title, was because of its simplicity. A user uploads a picture, which is then placed on a virtual pumpkin. The pumpkin can then be posted to the wall of the user or sent to a friend and, voila! Customized Facebook Jack O’Lanterns.  

Pumpkin carving is an activity that I look forward to every year, and now Target allows me to take that idea online. Now as long as no one smashes my virtual or real pumpkin carving masterpieces, this will make for a great Halloween. – John W

Unicef: Trick-or-Treat Costume Party – Not all Halloween campaigns have to be scary; some can actually be charitable, as this example from Unicef shows. Their Trick-or-Treat Costume Party campaign is a great way to not only have some fun but also help out a great cause as well. Users upload a photo either direct from Facebook or their computer, and then use the costume creator to see what various costumes look like superimposed on their photo. The charity part comes in with a great and simple tie-in from the organization, where for a small donation amount, more costume choices are unlocked.

There is also the shareability factor built in with messaging and the ability to share the photo to your wall, or make it your profile image. Additional options such as hosting a Halloween party and other things you can do to assist the organization make this a treat for them and you – with none of the tricks. – John W

Kraft Foods: Halloween Hunt – This is a basic tab/landing page, but it’s really effective and contains more content than one would think. On the page, you’re looking at a classically spooky, cartoonish haunted house in the moonlight, complete with a grave in the front lawn and other details that you don’t see until you look deeper. Your mouse turns into a skeletal hand, and as you move it over different objects, things pop-out and animate. Click that pie in front of a tombstone, and zombie hands reach out from the ground, followed by a quiz about Jell-o popping up. Get the quiz right, and you win access to a Halloween-themed recipe. Click on Kool-Aid Man, who’s staring out of one of the windows of the haunted house, and he flies away, dressed as Dracula, while a different quiz pops up.

I like the well-produced Disney-esque music and monster groans and grunts (and I usually hate the music and sound effects with these things), the basic-but-fun animation, and the interface. But I really love the way it encourages interaction and exploration in an exciting, simple way. Really well done. – Dan

Interview: Billy Fields, Music Business Sales Exec, on Vinyl’s Comeback and Digital Music Trends

Billy Fields

The struggles of the music business over the last 10 years have been well-documented. With the launch of Napster and the blossoming of illegal downloads, sales of physical CDs plummeted, and labels and shops disappeared. Digital sales via outlets like iTunes and Amazon have helped the industry stem the tide a little, but not enough. […]

The struggles of the music business over the last 10 years have been well-documented. With the launch of Napster and the blossoming of illegal downloads, sales of physical CDs plummeted, and labels and shops disappeared. Digital sales via outlets like iTunes and Amazon have helped the industry stem the tide a little, but not enough.

Yet over the last few years, something strange has happened: vinyl sales have shown tremendous growth. Once deemed too big and too old in the CD era, the format has somehow made a comeback in the age of digital downloads. We recently caught up with Billy Fields, Director of Sales and overseer of vinyl production and Record Store Day for a major record company, to discuss the return of vinyl, what makes the format unique, and how digital music and vinyl can both continue to grow in the years ahead.

Flightpath: Music is so tied into digital technology these days, but vinyl sales – this year and last year – are really kind of astounding. 2.8 million sold in 2010, and that was up from 900,000 four years ago. Sales from 2011 so far are up 37 percent over the same period last year. Why do you think this is happening?

Billy Fields: I should couch all this. Some of this is actually based in fact because of the business I’m in and who I talk to on a regular basis, but a lot of this is just my thought about the aspect of digital music – that convenience is really fantastic, but convenience doesn’t actually trump the emotional connection that someone has to a record. I just read a story that came in through a vinyl community blog and through a Twitter feed that I follow about this cat that was in San Antonio when the wildfires struck. The guy snuck back into his “by-demand-of-the-police-get-out-of-the-neighborhood” neighborhood to get his records.

Flightpath: [Laughs] Right.

Billy Fields: Now that’s a stupid thing for him to have done because records are not as valuable as his life. But he said the reason why he did it was that every one of his records, he had a sentimental attachment to. I challenge anyone to show me that sort of connection to a digital file.

Let’s be clear about vinyl and the way it’s judged. All the numbers that everyone talks about are scanned through SoundScan, which is the industry standard. It’s what everyone uses, but there is a lot of business that happens that is either added to, subtracted from, adjusted, or never reported at all because of the nature of what the business is. As a couple of examples: Urban Outfitters carries records now in every one of their stores. They report none of those sales to SoundScan. All of the major online audiophile LP specific outlets – Acoustic Sounds, Elusive Disc – there’s a lot of them. They don’t report to SoundScan.

So we are going off of what the mainstream music business does, and we had a plateau in 2010. 2010 I think, if I remember correctly, was up 15 percent from 2009. It was 2.5 to 2.8 million. And I’ll be honest that once we got through Christmas last year, and we got into January, I started seeing weekly averages of 62, 64, 65,000 units reported in SoundScan. Which was up dramatically from either the fourth quarter of 2010, where the averages, until you got to Christmas, were 48,000, 52,000, 45,000. So something happened this last year at Christmas which was like, this whole other group of kids got turned onto what was going on and started to actually buy. Now all this also, by the way, coincides with a lot of really great indie rock records being released with a digital component [included]. We’re actually able to go to these kids, tie in the sentimental quality of vinyl, but also give them this convenience factor that makes it the best of both worlds. You get something with 12-by-12 art, it’s beautiful, you can read liner notes, you get to get into the details of a record and, you know, you get to put it onto whatever device it is you’re walking around town [with] – you get the best of both. The reason why, back to your original question – it is the sentimental, emotional connection to music, which at it’s heart is what music is. That is driving the business and how it’s developing and how it’s growing.

Flightpath: This is probably a reflection of what you were saying, but I’m a big music fan and nerd. I grew up in the CD age, I’m thirty years old, and I’ve basically switched over to vinyl plus digital downloads. And a big reason for that is because I can buy a new album on vinyl and get the digital download with it, which is great. I love the size of a record, the sound, and you know, the whole experience. But I also think that there’s something to be said for a well-made physical artifact that digital just can’t match.

Billy Fields: I completely agree.

Flightpath: Do you think that a new generation is kind of realizing that, finally?

Billy Fields: I think that every, I don’t know, let’s call it every decade or decade and a half, you get this process that happens. You start to realize that all the technology you’ve been consuming, all this that you’ve done to drive you forward, you’ve done it so quickly that you actually forget to experience being alive. I think that, you know, it’s more this process of every decade, decade and a half of reviewing, “What have I been doing? What did I miss?” And so for you, at 30, you grew up on CDs, you never even really dealt with vinyl.

There are three distinct groups of people that are actually buying records today. There are the audiophiles – the people that never stop buying records and would go wherever they have to go to get the best pressing. So they’d go to European imports, they’d go to little niche labels that release the weirdest psych records that have ever existed but are so lovingly made, and made in such small press runs, that they become highly collectable. Then you’ve got people like me. I’m 14 years older than you. I actually grew up on records – the end of records – but adopted every technology from there. I’m on Spotify, I’m a Rdio user, I love iTunes. I don’t buy a lot of music that way, but I use it. I have music on all my devices because I like to take it with me. So you’ve got my group of people that grew up on it, absolutely, but sort of walked away from it, that are now coming back because, “Wow, this really is better than CD sound. It’s better than ear buds in my ears on the train. I can hear this music, I can let the music envelope me, almost like a physical blanket.” And then you’ve got kids! And I’m going to call you a kid at this point – well, your age and younger, that never even thought that records mattered or never even had the opportunity to like, open up Dark Side of the Moon, put it on with headphones, and realize, “Holy shit, this is blowing my mind.”

So, that’s what I think is happening. You’re going through the process where we’re all saying, “Hey, let me sort of reflect on how I go forward into the future.” And you also have kids that are like, “I’ve never even experienced this before and this is really fantastic.”

Flightpath: Most of the time, when I find out about a vinyl release, I’m finding out about it online, either through Twitter or through something posted on Facebook.

Billy Fields: With all the aspects of our media world that are splintered now and [are] becoming even more splintered, the more we get away from the ubiquitous song on radio – we’re sort of past that right now, but it’s not done yet – it’s almost, “Wherever the water rises to, that’s where we’re going.”

I mean, I’ve got my trusted sources. I am, what’s the word…a disciple. I’m a disciple of independent retail. I shop in record stores. I like the people that work in record stores. I call any number of them my friends. I like to buy records.

I’m in Denver right now. I went to Twist & Shout, bought records, and I’ll buy some more records before I leave. And the reason why is that when you walk in there and you say to someone, “Hey look, what are you listening to? Oh wow, that sounds great. I’m going to buy that.” That’s how I get turned onto records. I knew about Mumford and Sons before the two million people that bought it, because independent records stores were telling that story way, way before anyone else was aware of who that band was. Way before they were on the Grammys. I mean years before. And I mean, we all do this differently. It’s either, “This is what my Twitter feed is, this is what my Facebook friends are saying, this is what people I work with say.” I mean, we’re getting it, but it’s funny because it all goes back to that idea of, “I trust the people that I know. I trust the people who have previously told me about things I have loved.” You know, I’ve got people that are in that independent retail community that I could seriously just pick up the phone, call five people, get five different answers and they would all be fantastic records that you would never have heard of before.

Flightpath: Right. I mean, I really miss record shopping. It’s exactly what you described. I discovered Marshall Crenshaw because when I was in college, I walked into a record store in the Village and someone was playing his greatest hits, and I was like “What is this?”

Billy Fields: Right! You were like, “What is that!” I mean, we can’t consume it all. There are so many great books that are written that you’ll never read, you just don’t have the time. There are so many great records that are recorded that you’ll never get to hear because there isn’t the time to do it. You have to decide to pick and choose, build your filters well, and adjust that batch that best helps you hit the mark every time, you know?

Flightpath: One thing I like now is that the marketing seems to have gotten very creative – in regards to vinyl – in targeting fans. Matthew Sweet has a new album out, so does Wilco, and they had these packages where you could preorder and you get the record, a t-shirt, and a tote bag. All this cool stuff. It seems in a way like the marketing is more creative than I’ve seen it in a long time.

Billy Fields: I do agree. I think the reason they are doing that is that for one, you’re seeing the splitting apart of what the retail environment used to be. You simply can’t get all those things in all the places that you could before. You know, even those music retailers or the big box stores that actually carry music that are out in the market, they don’t carry as deep of a selection as before. They are catering to a different audience. It’s a sea change in how the bands reach out specifically and say, “Hey, you’ve already contacted us as a fan and because of that, we’re going to let you in on something cool and here’s the opportunity.” And it’s also combating the idea of valueless things.

I mean, I think it’s great that Lady Gaga sold the records that she sold, and her record frankly, for what it is, it’s a great record. I’m not going to talk bad about the record; I mean, it’s not my bag but it’s a cool record. But for someone that visible, how does she not sell millions of records at 99 cents? [Lady Gaga’s album was released as a download for 99 cents – Dan.] I mean, to me it’s like, does the public actually believe that it’s worth nothing? Or is there some weird, like, “I’ll pay fifty bucks for a preorder of a Wilco record,” and it’s a matter of some people think it’s worth nothing, and some will give their right arm for it. You know, you have those bands that are like, “They want to support me. They like what I do, I want to give them something really fantastic.”

Flightpath: Exactly. The focus of the music industry for a long time has always been on digital. Do you think that was a mistake?

Billy Fields: I don’t think it was a mistake. I mean what has always happened, at least for the music business – and I could even probably say [the same] for the publishing business, or whatever the business is – we’ve always followed the technology. We made singles when that was what was hot. I mean, we’re the music, but we’ve always been about the medium. So as the medium develops and moves into a different environment, so does the music. So I don’t think it was at all a mistake, just that this is the march of technology. You know, I’m talking to you on an iPhone. Ten years ago, what I have in my hand right now was probably conceived by people like William Gibson, but the people walking down the street weren’t thinking like, “Hey, I’m going to be able to carry my entire collection on this thing that I also talk on.”

Flightpath: They didn’t know they needed it at the time.

Billy Fields: Exactly. So, there’s a bit of marketing and a bit of the showmanship of that, but we are an interesting, malleable creature, us humans. We follow pretty well. And if it’s done well, and if it’s done right, and it ends up being easy, we’ll follow all the more. So no, I don’t think that it was a mistake. I think it’s the natural evolution of whatever it is. Don’t you see a future where you don’t ever carry anything anymore? You just think it, you know?

Flightpath: What’s the feeling in the industry right now about vinyl? Is it very excited about everything that’s happening?

Billy Fields: Well, it all comes down to who you’re talking to. I mean, I’m excited about it, I love the format. I’m tied into it in a big way for my entire company. It’s a tough question.

Flightpath: As a music fan, I find it very exciting.

Billy Fields: It is. I’ll use Lady Gaga for an example. Is that really a record that should be on vinyl? I’m not sure. They put it out, which is cool. And it sold. But is that fan really excited about it being a record? I think that’s really what it comes down to. It’s not so much about the format overall, but does [the artist] really work well with the format? Are they going to love that experience for that artist? I think it’s a lot more about that than the overall thing and what the excitement is about that.

Flightpath: I feel like there’s the opportunity there, though, that it could make a person become a fan of the format.

Billy Fields: I think that happens every day. [Laughs] When I had just got out of working in retail and I got into working on the distribution side of the business, I was always amazed by how many Metallica Black records we sold. And what I would always come back to is, “Yeah you know, every year another 13-year-old kid turns 14, and the Metallica Black record becomes the most important record of his life.”

Flightpath: [Laughs] That’s totally true.

Billy Fields: I mean, that’s what happens! Sometimes you get it when you’re younger, sometimes you get it when you’re older; it all depends on how it breaks down. You never know when a record is going to be the most important thing in your life.

Flightpath: Are most bands excited about their stuff coming out on vinyl now?

Billy Fields: Again, the ones that love the format and the ones that actually want the record to be released on record – absolutely. You know the thing is, even after all this time, is your music even officially released until it’s on vinyl? I mean, maybe? Maybe it doesn’t really become real until you’ve got a 12-by-12 record. You know, maybe then it becomes real.

Flightpath: I’m not just saying this, but I don’t download music illegally. I’ve always preferred to buy it. I’ve always felt like I want to support the artist. I like having a collection. I think a lot of my friends, or even a lot of my generation got to this point where they don’t want to pay for anything, and all physical media has kind of suffered for that. What’s your take on that – that phenomenon that’s happened, since the Internet kind of made free access to media possible?

Billy Fields: Well you know, that’s funny, because being as I’m an old man now comparatively, that’s what I think: a bunch of lazy kids, not wanting to pay for anything. That’s good to hear. But I don’t know. That’s a really tough question to figure out. It really is. If we could all turn back the clock and go back to when Napster first started and say, “We’re going to figure out how to monetize this now as an industry,” and not go through the decade that’s been a struggle to figure [monetizing MP3s] out. What would have happened 10 years ago if we had services such as Rdio or Spotify or any of these services that are actually legitimate, real things that gave people access to hear music that they wouldn’t have otherwise? I don’t know. Because it’s not just that people feel like maybe they don’t have to pay for anything, but I guess isn’t that in everything?

Flightpath: I mean, there are pirate sites for comic books. I was reading an interview with Grant Morrison, the comic book writer, and he was talking about how comic book sales are plummeting for different reasons. But he was also saying that it’s like no one wants to pay for anything anymore and that’s a real problem.

Billy Fields: Maybe if we made more stuff and talked a lot more about the fact that it takes talent, and effort, and work, and that work pays off and that you’re fully employed and employable and that you aren’t working at whatever job that you can barely cover your rent, maybe you have a little extra money to say, “I love this artist so much that I’m going to support them.” I don’t know. I think that the way we behave is directly proportional to sort of the messages we’re told or the messages that are parroted into us through various media outlets. Sometimes those messages are pretty disruptive in what they tell you what’s valuable and what isn’t. But again, that’s almost a sociological conversation and I don’t know that I have any of the answers for that.

Flightpath: I wanted to ask you about Record Store Day and about how that came to be. It seems like it’s been really successful.

Billy Fields: It’s been fantastically successful. It started with a group of record store guys saying, “Hey, there’s this thing called ‘Free Comic Book Day.’ We should do something like that for record stores.” Next year will be the fifth year, so yeah, [it started] four years ago and it was mostly an off shoot of what Free Comic Book Day was, which was just, “Hey let’s give away a bunch of great stuff out to people who come in and get them sort of acquainted again with their neighborhood community record store.”

Some of these stats might not be exactly spot-on, because I’m doing this from memory, but in 2010 there was something like 1.1 million people that went into record stores worldwide on that day. Recordstoreday.com’s web traffic for the month of April was something like 1.25 million page views. The amount of retail dollars – I can’t actually answer that, and I don’t know that there is a very clear indication of it. But when you talk to individual stores – and these are stores that have been doing this as community-based, local record stores for 25, 30, 35 years – they say that, “This is the best day that we have had in our history.” So what I would say is, that this has built, and built, and built. I want to say in 2010 that there were 174 specialized releases that were released on Record Store Day. Now, that can be anything from a short run of 100 seven-inch records that are only in a single market to big records, like a Black Keys special 12-inch that’s leading into their release that we made, you know, 5,000 of. So, in 2010 there were 174. Last April, there were around 300 different items that were released.

Flightpath: Wow. So it’s bigger and bigger.

Billy Fields: It’s bigger and bigger, but the thing is, we’re feeling like it’s almost getting too big. It’s sort of too much for stores to handle, and how do you sort through it? Just because the industry is saying, “This is really hot, we’re going to get involved in it and make these things available,” it doesn’t mean that the stores have to buy everything. The stores really need to pay attention to, “Hey, what can I sell to my consumer? What can I sell to my fan that is coming into my store?” So this gives you more of a choice to do it. Did more releases necessarily mean better results? I think yes and no. But again this last year, the same store I just related about “the best day in our history?” This year, it was store after store after store saying, “We’re up 45 percent from our last year. At noon, we had eclipsed last year’s numbers and we’re still going strong. We had a line 40 deep for seven hours.” I mean, I live in New York, and I went out with a bunch of friends from Atlantic [Records], and I think I hit seven record stores that day and it was great.

J&R was a mad house. People were grabbing and pushing and screaming and it was just like, “Oh my God.” It was crazy. But then you go other places and it was, “This is what we’ve got left, and it was crazy at 9 a.m. when we opened,” and then you hang out at a store like Permanent Records out in Greenpoint and they’re like, “Oh yeah, it’s better than last year,” and they’ve got bands playing. It’s like a whole day party. Come out, interact with other human beings. Get out of your digital world and your 140 character lives and actually shake hands and say, “Hey,” to people that share an interest that you have.

Flightpath: That’s awesome, and that’s why I don’t think vinyl will ever go away and why I’m excited it’s coming back. I just can’t think of anything else that would inspire people to be so excited about an entertainment format.

Billy Fields: You know, I think that’s a really good point. Even though this is very specialized and we all admit that this is niche and it’s a very small percentage of the overall music business. And it is, let’s be real. But what other events have happened in the music business that are as exciting as Record Store Day? And not just the music business, but even in the entertainment business, period? In stores, where you have people lining up for hours and hours and hours to hang out and buy some things that they’re coveting. I have not seen any other event occur. In fact, one of the reasons why vinyl is exciting and why vinyl continues to grow is because of Record Store Day.

Flightpath: What’s your feeling about where everything is going both for vinyl and for digital?

Billy Fields: Well I think that vinyl is going to continue to be a really strong format. I see no reason why it won’t continue to have, on average, 20 percent growth, year over year, for the next number of years. I think that there is still a lot of content, and I say content in a very generic way, that isn’t in the format that needs to be. Whether it’s specific records where the artist really wants to take the time and do it right and put it back on the format, or just other things that haven’t yet been explored, whether it’s more seven-inch series or special 12-inch pieces or whatever. There is still a lot of vinyl business to be had and grow. The prime vehicle for marketing, and this is really the truth of it, is artist pre-orders and artists talking to their fans. It’s Record Store Day and it’s online record stores like Music Direct. So we have a lot that we can still touch on when it comes to selling.

I think as far as the format’s concerned, it’ll continue to grow and it’ll continue to be a niche product, which it is now. But I don’t see any reason why it’s going to stop being 20 percent [growth] year over year. I think last year I said, “I see no reason why we’re not going to [grow] 20 percent, year over year, over the next five years.” This year, I think through last week, we’re 35 or 36 percent above last year. And we still have the busiest quarter of the year.

Digitally…I don’t know. I think the growth of digital music has everything to do with the growth of whatever the device is. So, you see every year at Christmas that [new mobile or digital devices] are sold and then you get this huge influx into the iTunes store. Whereas three years ago, it was primarily music that was the benefit of that, now you’re seeing people buy everything. It’s apps, it’s books, it’s video – it’s everything. So I think that that will continue to grow, but it will be dependent upon the devices that support it. And so, as long as that continues to evolve and develop, I don’t see any reason why that slows down either. And frankly, the services like Spotify, Rdio or Rhapsody, and all that – sort of like, “Hey, come on in, listen as much as you want, have access to as much as you want for a set fee or free,” – I think that’s another access model for discovery, that lets people then make decisions like, “Hey, I’m going to go out and buy this record now.”

Are You “Getting Emotional?”

Getting emotional is as human as it gets. It is also as dog as it gets – as my Airedale shows me when she gets near the vet. Brands don’t get emotional, yet we people (I am not sure about dogs) get really emotional about some brands and could not care less about others. It’s […]

Getting emotional is as human as it gets. It is also as dog as it gets – as my Airedale shows me when she gets near the vet. Brands don’t get emotional, yet we people (I am not sure about dogs) get really emotional about some brands and could not care less about others. It’s not simply about filling needs -like in Maslow’s Hierarchy – as nobody actually “needs” a Coke, a Swatch Watch or of course, the iPad, but now feel they do. I believe people get emotional about brands, not for what they are, but because of what is referred to in psychology as transference.

Transference is about projecting, as in, projecting a feeling about one person or thing to another. The brands that have become meaningful and successful in today’s hyper competitive marketplace have done so by transferring emotional related value to the user, as opposed to functional value.

Steve Jobs talked about this in a presentation he gave soon after rejoining and redefining Apple when he was introducing the “Think Different” campaign. He clearly understood, regardless of the functional differences between a Mac and Windows, that Apple would never return to his promise of “changing the world” if the brand remained emotionally detached. Fighting a product battle of “we’re better than you” would be a losing proposition, even though he and his faithful knew that they were better. The connection people had with the individuals featured in the campaign – Ghandi, Ali, Peron, Einstein, Lennon, Dylan – was exciting and elevating, and connected with people on an emotional level.

Brands today need to be vigilant about “getting emotional” and not about simply getting to a lower price point (though that doesn’t hurt as part of the deal). As a sociology major (I get emotional just thinking about how many moons ago) I was fascinated by the study of human interaction and still today often transfer or project that currency on to brands. Here’s two things that usually come in to play when trying to get deeper and more emotionally connected to a brand:

  1. The One and Only: Does the brand convey exclusivity and intangible differentiating factors – the things the product delivers to you on spiritual or emotional level – over other brands? Luxury cars, high-end fragrances and premium chocolates nail this messaging; Apple’s iPhone 4S video is a perfect example.

  2. Why Me?: Yes, there are always the specific functional reasons you should choose a brand; but it’s the emotional mood elevators and the fulfilling of desires where it gets exciting and makes an emotional connection.

New York Comic Con 2011 Photos

Comic books are becoming more and more intertwined with digital (see our interview with DC Comics’ SVP of Digital, Hank Kanalz). Comics are now available in the digital format for the iPad and other mobile devices; comic book creation is now routinely accomplished with digital tools, from pencils to inks to colors; and web comics […]

Comic books are becoming more and more intertwined with digital (see our interview with DC Comics’ SVP of Digital, Hank Kanalz). Comics are now available in the digital format for the iPad and other mobile devices; comic book creation is now routinely accomplished with digital tools, from pencils to inks to colors; and web comics continue to pop up around the Internet.

This past weekend, Flightpath attended New York Comic Con 2011 at the Jacob Javits Center. We’re happy to share our photos from the getting-bigger-every-year event, which attracts retailers (both physical and online), comic book publishers, toy makers, movie studios and more. Enjoy the sights and weirdness that is New York Comic Con.


New York Comic Con gets very, very crowded. This year, however, the show was spread out over four days, and took up more of the convention center, which made for more space and a more enjoyable time. Still, if you ever go, count on getting jostled. A lot.


As you’ll see in this report, a big part of Comic Con is cosplay – costume play – with attendees dressing up as their favorite comic book, videogame, movie and TV characters. Many of the costumes are highly, if not shockingly, detailed. Here, Bumblebee from Transformers suits up.


Lots of movie promotion at Comic Con (except for Christopher Nolan’s Dark Knight Rises, which honestly, will print money for Warner Bros. regardless of having a presence at these things). Here’s a life-size fake Spider-Man from Marvel‘s upcoming reboot, The Amazing Spider-Man.


Marvel was really pushing The Avengers, its coming film that brings together the leads of its various franchises – most of the cast also appeared for a panel discussion and autograph signing.


Captain America’s movie suit, guarded by two “agents” of SHIELD.


And what would a comic book convention be without toys? (I ask that sincerely.) Hasbro showed off its various Marvel lines, including Thor…


…and Spider-Man.


Five-year-old me would have been very excited to see that Optimus Prime himself made an appearance at Hasbro’s booth.


Reallusion showed off iClone5, its very cool 3D animation software.


DC Comics was also, of course, a major presence at Comic Con, having dominated the news lately with its line-wide reboot, in addition to this week’s much-anticipated release of Batman: Arkham City for PS3 and Xbox360.


Speak of the devil! Or of Batman: Arkham City, which fans got to play on the show floor.


The crossover event NO ONE demanded, but would actually kind of rock! Rogue from X-Men and Dark Helmet from Spaceballs.


DC Direct, DC’s in-house action figure division, showed off its upcoming line of toys based on the revamped designs of characters from DC’s relaunch.


The whole gang is here!


Flightpath favorite Threadless, makers of the greatest tees on Earth, were also present…


…and brought along an awesome zombie.


Many fans go to Comic Con to meet their favorite artists and writers, who set up for commissions and autographs. Here, Trevor McCarthy, famous for his work on Nightwing, talks with fans.


Billy Fowler signs for some fans. (Nice Wolverine, Billy.)


Predator looks angry, but I hear he had a wonderful time!


There were tons of comics retailers, and it was hard not to spend a fortune.


Jem is her name, no one else is the same. The classic ’80s cartoon is coming to DVD via Shout! Factory.


No job is too big, no fee is too big: the Ghostbusters!

And that’s it! Hope you enjoyed our photos. If you went to Comic Con, feel free to share your thoughts in the comments section below.

New Facebook Insights Helps Marketers Understand Potential Targets

As many are aware by now, Facebook recently released an update to its Insights product. This was the first update to this section and was, according to the release issued by Facebook, a response to requests from brand marketers for a deeper understanding of the community they were building. The update was filled with a […]

As many are aware by now, Facebook recently released an update to its Insights product. This was the first update to this section and was, according to the release issued by Facebook, a response to requests from brand marketers for a deeper understanding of the community they were building.

The update was filled with a number of new features, including the new “Talking about this page” metric, which shows first time users the level of engagement each community has, along with its size. However, a little more digging into these updates and one now finds demographic data for the group that Facebook defines as the “reach.”

Reach is made up of consumers who are in some way connected to the page but may not directly be a fan…yet! They may have seen a post in their friend’s feed, or they may have been exposed to an ad produced by the brand’s page. Up to this point, most community managers could easily describe the demographic of their community, but only a handful could define the connections of their community members. This group is what my current supervisor likes to call “the low hanging fruit” of our potential audience – in other words, these are people who we should be able to easily convert to actual fans.

Now I know the whole point is to increase engagement and not the number of fans, so using it for this purpose is contradictory to why the update was released in the first place. But let’s be honest; for now, my clients are still going to look at fan growth as a significant metric of success, so any thing I can use to help me achieve that growth is helpful. Once I have them on the page then I need the second part of the strategy – which is to engage them and get them talking.

So how do we use this demographic information? We can use it in a number of ways, from growing the community to product development. If, for instance, you have a new product idea, you can match it up with this potential audience to see if it would fit in that demographic. If your potential demographic is mostly made up of young woman from 20-35, and you primarily produce product for older children, maybe it would make sense to expand to some products geared towards younger children as well. One way Facebook could increase the usefulness of this potential even more is by displaying top likes of your reach as well and associated interests. This would give us a better idea of their activity and who they are, as opposed to just the demo data.

As the network continues to stress ties with brands and make the platform more useful for marketers, it will be interesting to see what other data they make available that could help us in our campaign planning.

The Flightpath Roundtable: iPhone 4S and the Smartphone Market

iphone 4S

Welcome to the latest installment of The Flightpath Roundtable, where we gather various Flightpath employees for a discussion on the hottest topics in digital. Today, we’re talking about the iPhone 4S, the newest model in Apple’s vaunted line of smartphones. The announcement of the 4S, however, was met with mixed reaction. Many people were disappointed […]

Welcome to the latest installment of The Flightpath Roundtable, where we gather various Flightpath employees for a discussion on the hottest topics in digital.

Today, we’re talking about the iPhone 4S, the newest model in Apple’s vaunted line of smartphones. The announcement of the 4S, however, was met with mixed reaction. Many people were disappointed that we’re not getting the iPhone 5, while others are happy with the upgrades of the 4S over the 4.

The participants in this discussion:

Dan Brooks, Digital Marketing Associate
John Lee, Director of Digital Marketing and Analytics
Cliff Medney, Chief Creative Strategist
John Whitcomb, Social Media Strategist

Dan: Alright, so we’re talking about the iPhone 4S. John Lee, I’ll start with you since you’re a big iPhone fan. What are your thoughts on the announcement of the 4S?

John L: Well, I wasn’t paying as much attention this time because I wasn’t planning on upgrading. I’m pretty happy with my iPhone 4. I know coming out with the 4S, and only the 4S, disappointed a lot of people. Especially when early reports indicated that they were coming out with different levels or tiers of iPhones for different price points. What seems to be the case now is that if you want the iPhone 3GS, you can get that for free [Laughs]. If you want the 4, you can get that for $99. If you want the brand new 4S, they are $200, $300, or $400.

I know it pissed off a lot of people who were expecting the iPhone 5. Personally, I’m not that surprised that the iPhone 5 didn’t come out. First off, they’ve been delayed with this product. With the iPad 2, they were running late with that [too]. But it doesn’t make sense for Apple to come out with a new product every year. I mean, this isn’t that different from when they launched the 3GS right after the 3G. To come out with a brand new product every year? I don’t think that’d be very smart. They cost a lot in R&D and a lot in production. Imagine what they have to do in China, refitting all those factories that they have – it just wouldn’t make any sense.

In terms of overall improvement, I’m glad I got the iPhone 4 when I did because it doesn’t seem like that huge of an upgrade from the 4 to the 4S. I’m sure you have a better camera and a better processor, but I don’t think they updated the RAM. And of course if you want the 64 gigabyte version, that’s great if you have a lot of media. But again, I don’t really see the huge improvement. It didn’t get as much hype as it usually would because of Steve Jobs [dying].

Dan: If they called this the iPhone 5, it would have been a huge disappointment, right?

John L: Yeah, they’d have to come out with a completely different design to call it the iPhone 5. You saw those leaked patented schematics of what the new iPhone is probably going to be – whether they were fake or not, I don’t know. It would have been nice to see a iPhone 5, but I’m not surprised it didn’t come out this year.

Dan: I was waiting and waiting for the iPhone 5! I was all excited and when I saw the iPhone 4S, I was like, “What the hell is this? I’ve been waiting so long!” [Laughs] But I think it’s a pretty awesome piece of hardware, so I’m excited to get my hands on it.

John L: Even the 4 is still a pretty slick device. The retina display is excellent.

Dan: [to John W] You have a 4? What do you have?

John W: I have a Droid Incredible.

Dan: Oh! As a Droid user, what do you think of the iPhone and iPhone 4S?

John W: I think that the iPhone is fine. One of the main reasons I’ve always had a Droid is that we’ve been with Verizon, and for a while the iPhone was only on AT&T. Now that it’s available on Verizon I guess I can switch, but I haven’t yet because of my comfort level with the Droid. I like the Android operating system.

I was surprised. I really thought they were [going to announce the iPhone 5]. Unlike what [John L] said about not being surprised, with all the hype surrounding it, I was expecting the announcement for the iPhone 5. I think a lot of people were and that there was a lot of disappointment. I don’t know if I would call it an absolute failure, but there was a lot of negative buzz that was produced using the 4S versus the 5.

I thought one of the most interesting things was all the rumors that led right up to the day, including what carriers were going to be allowed to do it. There was a rumor spreading that Sprint would have sole access to [the 4S or 5] when it first came out, and then they would allow other carriers to do it. Sprint hadn’t even carried the iPhone up to that point. But it was a ridiculous amount of money that they were going to pay to have exclusive access and they were going to have to buy a lot of iPhones from the company. That was interesting to me, as a person who doesn’t even have an iPhone, but from a marketing perspective.

Dan: You use an iPhone, right Cliff? Are you upgrading to the 4S?

Cliff: No, no. Maybe the 5 when it comes out. I guess I have 2nd or 3rd generation, and it’s just delightful. So I don’t know how much more of a kick that I would get from an upgrade. Do I use, in my limited way, even 70% of what this thing has to offer? You know, I would imagine I haven’t maxed out. If there was anything I hear about anything that’s better, it’s the photography. I take a lot [of photos] so that would be nice.

Dan: One of the big criticisms I heard a lot when the iPhone was first introduced was that it does the “i” part great, but not so much the “Phone” part. There were a lot of dropped calls. Has that improved, especially with the 4 and going forward?

John L: I mean, I’ve always been on AT&T for as long as I can remember. In terms of reliable signals, it’s always been kind of a problem. I hadn’t really noticed the difference when I moved onto the iPhone. I have nothing else to benchmark that against. I understand that Verizon is supposed to be pretty reliable, but I’ve also heard people say that it’s just as bad.

Dan: People seem to put up with it for whatever reason.

John L: Yeah. I think in large metro areas like New York, everyone’s on their devices which puts a lot of demand on their network. Whether or not that’s a cause, I don’t know.

Dan: And what about the impact of having an iPhone or a smartphone on your lives?

John L: In a city like Manhattan, it definitely comes in handy when you need to find a restaurant or you’re trying to navigate through the city. It’s just very convenient to have something like this at your disposal.

John W: I mean, I feel naked when I don’t have it on me for few minutes. I feel lost without it. I use it every day, from the morning when I get up to track mileage expenses, to navigating the city if I don’t know exactly where something is, to looking up a quick bite to eat, to keeping on top of Internet stuff to being able to connect to email.

Cliff: Yeah. In its simplest form, it is a device. I used to carry around little pads and a pen everywhere because I would have an idea or notion that I would need to write down, or I would forget. So now [I just use] the notes section of this thing, and if I think it’s actually worth sharing, if not profound, I can then email it [to myself or others]. So as a device that expedites either the sharing, the development, the capture, [it’s great]. Then when I sync it up with my home computer, I have storage of it. I don’t have to…[holds up notebook filled with scribbled notes and ideas]

Dan: …carry that around? [Laughs]

Cliff: [Laughs] It’s not a pretty picture. So I think as a device, it is so multifunctional that it does help you navigate life differently.

John W: What he said I think is about smartphones in general, not just iPhones.

John L: But we have to also acknowledge that smartphones have really been following what iPhone has sort of designed. If you look at all the smartphones now – the UI, everything – they are all pretty much designed from Apple. I like the Android operating system, I think it’s a great operating system, but let’s face it. It’s still the UI that is pretty much taken from Apple’s design.

Android has the market share right now. I think it has almost twice as much market share as Apple has in the US. You know, I don’t take anything away from Android. I think it’s a great operating system. The Samsung Galaxy 2 is pretty fast – it’s more powerful than the new iPhone 4S, but I don’t know. I just like the iPhone. I think it’s a little bit more slick with the industrial design.

Dan: The 4S, I was just reading, has broken sales records so far with preorders. So it looks like it’s paid off – the announcement and everything. People were waiting for it. It’s going to be a success.

John L: I think so.

Cliff: The notion of trading up is so compelling. All of these different smartphones. The idea that you can so easily trade up these days and get the best. It’s pretty hard to say no. The barriers to entry…

John L: Well that’s just the thing, too. The barriers are getting smaller and smaller. Smartphones are pretty much for everyone now and are becoming commodities. The iPhone is somewhat of a commodity now too, since they are giving away the 3GS for free. It’s pretty much, anyone can have a smartphone these days, and pretty much everybody does.

Cliff: Right. I mean, can you imagine in a year? I have a flip phone too that is like, my kids’ hotline. But you’re going to see someone with a flip phone and it’s going to turn the whole Apple/iPhone thing on its head from 5 years ago, when you would see someone with it and think, “Oh my god, that’s amazing.” Now you’re going to think how bizarre [a flip phone] is in a year. So there’s iPhone years like there is like dog years.

Dan: What about going forward? Do you think that this would be a new model where Apple might take their time before introducing a full-fledged new model like the iPhone 5 or iPhone 6, and then have these updates in between?

John L: You know what? I hate to say it, but with Steve Jobs gone, who knows what’s going to happen.

John W: The updates kind of remind me of operating system updates. Where you know, you had Windows 98, and then Windows ME, Mac 10.3, Mac 10.8, or however the Mac operating systems go up. It’s the same kind of thing. You always feel like you have to be at the top level to be “in.”

Even though it broke the sales records, one of the questions that I would have asked people is if they are truly happy they got the 4S, or if it was more, “Well, that’s what they had.”

Dan: With the announcement of the new phone?

John W: Yeah.

Dan: I think the danger if that would be the model is it could kind of water down the iPhone brand. It creates some confusion. There’s something about the 4S that feels…I said something to my friend like, “I don’t want to get a stop-gap device.” You know? And maybe it’s not [exactly a stop-gap], but it’s not the iPhone 5.

John L: Let’s face it. With the launch of every iPhone, there is something that people are going to be very critical over. Just like when the first iPhone came out, it was like “Oh my god, it doesn’t have 3G.” And so they came out with a 3G version. What did people complain about with the 3G version? “It doesn’t shoot video!” There’s always something that people complain about, but people keep buying it. It’s still a very slick device. I have yet to see a phone that’s as well built as an iPhone.

Starting a Company in a Small Apartment & Building It…With Help from Steve Jobs

steve jobs

I started what is now Flightpath on one of Steve Jobs’ early inventions. It was 1994 and I had a boxy little monochrome Mac SE with 4 MB of RAM, my cat, and a 14.4 dial-up modem. I started using the web before there was a mosaic/gui browser. There was a whole lot of clicking […]

I started what is now Flightpath on one of Steve Jobs’ early inventions.

It was 1994 and I had a boxy little monochrome Mac SE with 4 MB of RAM, my cat, and a 14.4 dial-up modem. I started using the web before there was a mosaic/gui browser. There was a whole lot of clicking the spacebar to proceed through text. One day, after watching me click away for months, my cat jumped up on my desk and started clicking the spacebar – surfing the web. (Jobs gets a lot of credit for making devices so intuitive that kids can use them. Who knew they were easy enough for cats?)

Eventually, I traded my SE for a sleek Mac Quadra with a color monitor that I rode for a few years, before eventually succumbing and living with a series of crappy Gateway and Dell PCs.

About two weeks ago, I finally got my first new Mac in more than 10 years and it rocks. I’m ordering my iPhone 4S tomorrow. But what I’d really like to get my hands on is a vintage copy of the Whole Earth Catalog – something I guess I’d always heard of but never knew much about until reading about it in one of the Steve Jobs obituaries. Apparently, many facets of the Whole Earth zeitgeist informed Steve’s worldview (DIY, community-aware, creative, self-sustainable). If nothing else, I’ll start following them on Twitter (@wholeearth).

Legendary Marketing Blunders: New Coke, PS3 and More

marketing-blunders

With Netflix’s poorly planned and received announcement of Qwikster – as discussed in this iMedia blog – we thought it would be a good time to revisit some famous marketing blunders. The point here is not to poke fun. Most companies and brands that find themselves in hot water with the press or public, like […]

With Netflix’s poorly planned and received announcement of Qwikster – as discussed in this iMedia blog – we thought it would be a good time to revisit some famous marketing blunders. The point here is not to poke fun. Most companies and brands that find themselves in hot water with the press or public, like the ones included below, often have good intentions and just make honest mistakes; understanding what went wrong and how they dealt with it may help others avoid the same pitfalls in the future.

New Coke. This is, of course, the big one. Based on feedback from focus groups and marketing research, Coca-Cola decided it was time to update its legendary soda (read: make it much sweeter) in the face of competition from Pepsi and other beverages. So, in 1985, Coca-Cola introduced “New Coke.” What it didn’t count on was the fact that people would miss the original Coke – a brand and taste that they grew up with – and the backlash was intense. Coca-Cola quickly pulled New Coke from the shelves and released “Coca-Cola Classic” – a new branding that told people the original formula was back, and would help them forget this whole New Coke thing ever happened. In the years since, Coca-Cola has introduced new sodas and variations on its classic formula, but in smarter ways, including unique logos and names for each (see “Coca-Cola Zero”), while keeping its flagship drink front-and-center.

PS3 announcement. The videogame market seems to go in cycles. One brand dominates for a generation (or two) of consoles, gets arrogant, and then falls from grace. Sony signaled to the gaming world that it was ready for its turn down the slide with the unveil of the PlayStation 3. Revealed at E3 2006, the price was infamously announced onstage as, “599 U.S. dollars” – higher than most had predicted or expected. The number then became videogame fan shorthand for “terrible idea” in gaming message boards around the world. To make matters worse, the price was explained by Sony execs in mind-boggling ways, like then Sony Computer Entertainment CEO Ken Kutaragi’s much-ridiculed, “[Our goal is] for consumers to think to themselves, ‘I will work more hours to buy one.’ We want people to feel that they want it, irrespective of anything else.” Just a couple of years after launch, the PS3 was rebranded, redesigned, reduced in price, and Kutaragi was gone. Today, the PS3 is still going strong.

Kevin Smith Vs. Southwest Airlines. Kevin Smith was on board a Southwest Airlines flight when he was asked to leave the plane, told he was too obese to fly safely. (Southwest has a “Customer of Size” policy, requiring heavyset customers to buy two seats if they can’t fit comfortably with both armrests down.) According to Smith, no one around him was complaining, and he was indeed able to fit in his seat with both armrests down. Southwest, not knowing who Smith was – he’s the director of Clerks, Mallrats and Chasing Amy, geek hero and frequent Twitter user with a massive following – removed him from the plane. Smith took to Twitter, firing off a barrage of angry messages detailing the situation and eviscerating Southwest. In the end, Southwest offered an apology, but stood by its policy.

NBC Vs. Conan O’Brien Vs. Jay Leno. It’s hard to believe that things got as bad as they did for NBC during 2009’s late night programming reshuffle, but then again, maybe it isn’t. In 2004, with the contracts for both Conan O’Brien (host of Late Night) and Jay Leno (host of The Tonight Show) on their way to expiration, NBC announced that it would hand over The Tonight Show reins to O’Brien in 2009. O’Brien’s dream was coming true, and while Leno wasn’t thrilled, he played ball, even inviting his future replacement onto his show to pass the baton. Not wanting to lose him to a competitor, it was later announced that Leno would stay with the network and act as O’Brien’s lead-in, with 10pm’s The Jay Leno Show. Everyone was happy – for awhile.

Historically, local news broadcasts have been very profitable for affiliate stations, and this new late night format – which would make Leno the lead-in for the 11pm news – had station owners worried. They were soon validated; both shows struggled with ratings – Leno in particular was tanking – and the local affiliates revolted. Trying to squash the unrest, NBC honcho Jeff Zucker suggested moving Leno to 11pm and The Tonight Show to after midnight – making it, in effect, The Tomorrow Show, and showing an odd disregard for the show’s legacy – while O’Brien took to lampooning NBC on the air, making for some electrifying television.

Ultimately, NBC really just wanted one of the two hosts to leave so they could get back to the old format ASAP. As it played out, O’Brien left and started a new show at TBS, wrote a heartfelt op-ed in the New York Times about the whole situation, and ended up looking better than any of the other players; Leno went back to The Tonight Show, saying it was all just “business”; and NBC returned to the old late night schedule that pleased everyone, but probably suffered the most damage to its image in many, many years, for both its treatment of O’Brien and its inability to manage the crisis.

JetBlue strands passengers. JetBlue was kind of the Netflix of airlines for most of the 2000s: it was perceived as the young upstart, customer-friendly, and more fashionable than its bigger competitors. But a lot of that goodwill was lost with the February 2007 ice-storm debacle that saw passengers left waiting on tarmacs and not allowed to disembark from their planes for over 8 hours, or stranded at airports with little to no info on the status of their flights. (JetBlue had a policy of never canceling flights, which resulted in a lot of the confusion.) It was a real black eye for the airline, whose CEO went on a damage-control tour – including a classic David Letterman appearance – and issued a Customer Bill of Rights in response. JetBlue remains popular today, having mostly recovered from this incident, and has become more pro-active in regards to weather (“Travel Alerts” are clearly posted on its homepage), flight-status, and customer relations (see the “Speak Up” link on its site) than ever before.

If the mood should strike you, tell us about another interesting marketing snafu in the comments section.

Social Media: Best Trends With Benefits

social media trends

In our optimized, analyzed and digitized marketplace of today, it’s great to see that a common link in many social media trends are driven by emotional/relationship currency. The human factor is again the “it” – not “bit” – player, because people simply click and convert on when they covet something. Said differently, coveting is about […]

In our optimized, analyzed and digitized marketplace of today, it’s great to see that a common link in many social media trends are driven by emotional/relationship currency. The human factor is again the “it” – not “bit” – player, because people simply click and convert on when they covet something. Said differently, coveting is about connecting, bonding, relating, protecting, believing and acting out of a feeling. It’s emotionally assertive and aggressive, not passive.

Here’s a quick scan of three trends in today’s social landscape:

1. Measurement Matters – Stop spending a lot on Facebook, LinkedIn, and Twitter just to get the likes and followers. When you haven’t proved a campaign’s effectiveness on a business impact level – think ROI – it makes little sense. Today, more than ever, we need to make sure that what we are recommending is defensible/trackable and then act and spend like processed crazy people!

2. Gang Tackling Love – Social media and people in general pile on big time for the things they hate, but of late, we have seen a lot of piling on relating to happiness, sharing and joy. Brands have been much of the energy behind fueling this Summer/Fall of Love (see Coca-Cola’s stunning Facebook campaign centered around “Happiness”).

3. Hope Springs Nocturnal – Social media never sleeps! It is the first true 24/7/365 platform. Could anything be more true? From Facebook romance to Tweets from the red carpet to checking in or checking it out on Foursquare, nightlife and social life lives for the young – and not so young – like never before!

Blogs and Podcasts: Writing and Promotion Tips

blog-writing-tips

Upon reading a recent Search Engine Land post regarding blogs and why so many fail, I felt it was time to take a quick stock of how the blog – and by extension, its audio-form cousin, the podcast – landscapes have changed, and what factors impact their success. Part of the reason blogs and podcasts […]

Upon reading a recent Search Engine Land post regarding blogs and why so many fail, I felt it was time to take a quick stock of how the blog – and by extension, its audio-form cousin, the podcast – landscapes have changed, and what factors impact their success.

Part of the reason blogs and podcasts (which is now a market that’s just as saturated) fail is because the creation of the content is only part of the work. It’s the same as any business – you have to use your network, call in favors, and post ads (in this case, links) in order to actively promote it. I have asked friends for retweets, and have had friends ask their friends for retweets. I don’t do it for every post of course; but if you have something exciting that you believe in, then self-promote. No one else will do it for you. And don’t just use Twitter and Facebook – reach out to fan sites, other blogs, message boards and directories. This isn’t to say you should spam your link, but there’s nothing wrong with a friendly, “I thought you might be interested in this” email or post. Over time, people will become fans and revisit.

Relying on search to drive blog (or podcast) popularity is antiquated. Don’t misunderstand – writing SEO friendly titles, URLs, and using the right keywords help, especially for long-tail visits. But you need to be pretty active to make one of these things a success – as detailed above – unless you happen to be one of the few entrants in a space, and then people may find you. There’s a surprisingly small number of, for example, New York Rangers-themed podcasts. My guess is that I could start one tomorrow and build up a sizable audience after a few months. But that’s not all.

Scheduling is extremely important in a blog or podcast’s identity. If you start out as a blog with daily updates, and then fall off that schedule, whatever readers you have will most likely abandon your site for something else. Maintaining a constant presence is of utmost importance if that’s the identity you want your blog to have. If you write weekly, high-impact insights, that’s fine. But pick a schedule and stick with it. The same goes for podcasts – as soon as you miss a show, you’re giving your audience a reason to find a more reliable program. This may seem like simple, obvious advice, but failing to adhere to an established schedule is one of the biggest reasons why blogs fail or never achieve their potential.

It really always comes down to content. If you put in the work and come up with content that no one else has, people will visit even if you have to bring the link to them. And there’s nothing wrong with that, really. If I started a Rangers podcast, I could sit in my living room and record me and some friends talking about the last game. That might get me a following. But what about if I reached out to the Rangers and got Derek Stepan as a guest? Or tried to get a press badge for not just games, but other NHL events? Or went to an away game and interviewed fans of the opposing team? It would make for content no other podcast has. The same is true for blogs.

You have to assume that someone is writing a blog similar to yours, and he or she is just as good a writer. If that’s the case, you need a differentiating factor – something you do on your blog that they don’t. Maybe it’s interviews, maybe it’s something else. Think of something you look forward to most in a magazine, and try and make that happen on your own blog.

Ultimately, you’ll get out what you put in. And that goes for quality content, and then getting out there and pushing it.

f8 Conference: Takeaways on New Facebook Changes

During yesterday’s f8 conference in San Francisco, Facebook’s official conference that brings together the world’s leading social network and developers, Facebook announced plans for an entirely new user experience on its platform. Most of these features are not yet public, but hold both positive and negative implications for users and marketers. There are still a […]

During yesterday’s f8 conference in San Francisco, Facebook’s official conference that brings together the world’s leading social network and developers, Facebook announced plans for an entirely new user experience on its platform.

Most of these features are not yet public, but hold both positive and negative implications for users and marketers. There are still a lot of questions that have not been answered yet, but here are some of the major themes and takeaways from these new announcements:

History Will Be Reborn – “Facebook Timeline” will soon become a new buzzword if it hasn’t already. The concept behind this new look and feel is to make your profile a more complete story than what it is today. As it stands, items that come up in your news feed appear for a brief period of time and then are lost, unless you scroll to the bottom and keep hitting the “more posts” button. This new change will take your important events and bring them back to the surface so that you can re-experience what happened and in some case discover new aspects of the event that you may have not known about.

This is going to make storytelling more important for brands. If brand pages do go this way, I imagine the ability for a brand to tell its history and emphasize tradition within their own pages. It will no longer be about the immediate status update but rather an overall narrative that the page will tell. Brands will have to be much more strategic with what story they want to share with the consumer.

Use Friends for Discovery – The second major change that comes from this timeline initiative will be a new way to discover products, places, music, movies, etc. The ticker, which has already appeared in the upper right of a user’s profile, will still show each and every action a friend takes. But if multiple friends are engaging with a certain product at the same time, that becomes a highlighted story and lets the user discover it based on a trend of usage amongst their friends.

Marketers will have to be extremely strategic here. Not only will your overall story have to be shown on the page, but each experience will have to be engaging enough to make users want to share it with their friends. By getting an action to show up in multiple users’ feeds, you have a chance to have it be seen by a lot more people.

Graphrank – One of the largest promotion vehicles for brands is an innovative or reward-based contest or promotion. “Like us and then enter” is messaging that is frequently employed by brands on pages to encourage this interaction. Already, people have been arguing that a Like is not the true value, and with this new rollout, apps that stress a one-time engagement will become even less important. Starting now, an app will only have to ask for permission once and then every action will be recorded in the timeline. The ticker will still record every engagement, but the timeline will hold summaries of a user’s activity.

The new addition of Graphrank will make user engagement even more important. The quick idea behind Graphrank is a personalized scoring experience based on a user’s friends and personal engagements, and repeated engagements over time will make that score higher.

Visual Importance – Another recurring theme from the launch announcement was the importance of aesthetics in this new experience. From the additional large photo that will be at the top of the timeline area to the layout choices that designers will have to work with when deciding what stories to tell with their applications, visual cues will help increase engagement.

Marketers will have to re-look at their asset libraries and give users new assets that can help them make the most of their profile. It could be as simple as offering a pre-sized image that is provided by a brand to a user to plug into these new areas, or designing new assets that are a better fit.
In the timeline, each story will be more popular with a powerful image that can be associated with it. Brands need to make sure their assets can be used to help a user tell certain stories.

There was a lot more that came out of the f8 conference, and we will be keeping a close eye on it as different features are rolled out over the next couple months.

The Flightpath Roundtable: Google+

Google+

Welcome to the first installment of The Flightpath Roundtable, a new feature where we’ll gather various Flightpath employees for a discussion on the hottest topics in digital. Today, we’re talking about Google+, Google’s fledgling social network. Google+ was launched with much fanfare and expectation, and is perhaps the greatest threat to Facebook’s dominance. But how […]

Welcome to the first installment of The Flightpath Roundtable, a new feature where we’ll gather various Flightpath employees for a discussion on the hottest topics in digital.

Today, we’re talking about Google+, Google’s fledgling social network. Google+ was launched with much fanfare and expectation, and is perhaps the greatest threat to Facebook’s dominance. But how has it fared so far? We talk Google+’s Circles innovation, how Facebook has responded, and what the future may hold in the social network wars.

The participants in this discussion:

Dan Brooks, Digital Marketing Associate
John Lee, Director of Digital Marketing and Analytics
Cliff Medney, Chief Creative Strategist
John Whitcomb, Social Media Strategist

Dan: So we’re talking about Google+. What’s everyone’s take on where it stands now, whether or not you think it’s been a success up to this point, and will it be a success in the future?

John L: It’s really their second attempt at social media. Their first attempt with Wave just kind of fell flat, which could’ve been caused by the bad publicity they got initially, because of the privacy issues. Honestly, I don’t have a Google+ account. But it’s basically not too different from Facebook. Whether or not they’re going to be able to surpass Facebook, it’s highly unlikely. Google, although they do things very well, I don’t really know where they stand in terms of social media. They’ve been trying to penetrate that market for a long time now, and they’ve kind of fallen short in comparison to Facebook.

Dan: You mention how they failed with Wave. Do you think they’re big enough that they can kind of will this to be a success on some level, and just have it around so that they’re in the space?

John L: I don’t think you can really be in that kind of position where you can just sort of have a piece of it. The way it seems with these social networking platforms, you’re either it, and everyone uses, or you’re gonna die out, like MySpace or Friendster. People need that sort of common platform to share everything, and whether or not people want to use two platforms, I don’t really see that happening either.

Dan: Like VHS versus Beta.

John L: Exactly.

John W: Well, there’s already two platforms that exist too, that people are competing against, and that’s Facebook and Twitter. Google is actually the third major platform that’s coming into play. Twitter is still considered a social network that you use for sharing items throughout your social graph.

Dan: Twitter’s a little different. It’s not as robust.

John W: No, it doesn’t have the same features.

Dan: Well, you’re our social media expert. What’s your take on Google+ so far?

John W: I think it depends on what your definition of success is. From when it started, it quickly grew because of all the press that it got, and one of the main reasons is the Circles feature on Google+. That’s an advantage it has over Facebook. Typically, right now with Facebook, your status update goes out to everyone, and you have no control over who sees what. But with Circles, you really get to pick and choose.

John L: But in Facebook you still have a feature where you can sort of have different groups, right? Where in those different groups, you have your posts and pictures, and select who has access to those. It’s not as well defined as Circles, but…

John W: You can set it up, but it’s very clunky. It’s not very easy for the user to grasp how to use it, it’s kind of hidden behind the actual settings of Facebook. Whereas with Google+, it’s a main component.

Cliff: Isn’t Facebook doing Circles or a Circles-esque kind of thing?

John L: I think they’re trying to refine it.

Dan: I know that there’s a drop-down now. When you make a status update, you can pick who you’re sharing it with.

John L: My wife’s biggest complaint about Facebook when she started using it was the lack of a Circles feature. But I’m sure it’s definitely high on their list in terms of refining it, especially since Google came out with it.

Cliff: And it’s the kind of handle that everyone defines it by. You know, while there may be many other reasons to think that it’s very good or maybe not not so good, Circles is, if not an obvious thing, it seems like a very human thing in a kind of environment or venue that’s sometimes viewed as not-so-human. Things that Zuckerberg did that were just either stupid or viewed as ruthless, insensitive; so to have something as emotionally rich as Circles, which just as a pure play metaphor for your circle of friends – where there was such a cavalier sense of friend-dom to begin with – turns it all on its head to a degree, and re-institutes a little bit of humanity, in the kind of oxymoronic sense, of what social media should always have been.

Dan: I actually made a post about this on Google+. I think the Circles are a great idea, but if I had somebody who I considered a friend, and then I found out they put me in their Acquaintances circle, I’d be kind of offended. [Laughs] You know? And a lot of people kind of agreed with me on that. It’s giving you more control over things, but at the same time…

John W: It’s making you define.

Dan: It’s making you define your relationships.

John W: Right, which can both be good and bad, depending on who the individual you’re defining is.

Cliff: Do we have any cases or situations where friendships have been broken? Where you thought you might have ranked pretty high –

Dan: And then you find out you don’t.

Cliff: [Laughs] Oops!

Google+

Dan: The other thing about Google+ so far, is that I find whenever I login to check, there are like, no updates from anyone. Granted, my network on there is not as big my Facebook network. I think I have like 25 friends on Google+ compared to maybe a few hundred on Facebook, but it’s the same two people posting updates on Google+.

John L: It’s because everyone’s still using Facebook. That goes back to what I was saying about having two competing platforms. Nobody wants to deal with two platforms to get status updates, or check in on what their friends were doing. It’s kind of lame to post things twice on both of them, you know?

Dan: Someone called me on that, in fact.

John L: [Laughs] Yeah. “I just saw this on your Facebook. Why are you posting it on here, too?”

John W: I would agree with that. I even find trouble logging into Google+ on a regular basis. The Circles thing is the big difference, but if Facebook can master the Circles, then people are still using Facebook so often that Google+ will most likely just go off the radar. It already has, in my opinion.

John L: Yeah. There was a lot of hype about it – a lot surrounding the controversy with privacy, but then it just kind of died out.

Dan: Hitwise was saying that usage peaked in July, and then took a dip in August, and it hasn’t hit those numbers since.

John L: Yeah. People were curious and then it’s like, “How is this better than Facebook?” The Circles thing, if they think that’s the winning component, I don’t think it’s enough. Because Facebook is probably going to develop something very similar, if not better.

Facebook

Dan: Social plays more of a role in search now – they incorporate what gets shared in social into search results.

John L: They definitely are. I mean, they’ve been doing it for quite awhile with real-time search results. Having Twitter feeds within their search results, you don’t really see that as often, because they’ve found that not many people actually click on that. But even pages that incorporate the Facebook Like button…is it part of the algorithm? I think somebody from Google actually did admit that it’s part of the algorithm. It doesn’t hold as much weight as a backlink, but social components on a page I think are going to get more and more heavily weighted in terms of how pages show up in search results.

Dan: They have a lot at stake in Google+. Can Google give more weight to Google+ in the search algorithm, as a way of forcing it on the world?

John L: If they want to include that into their algorithm, I wouldn’t be surprised if they did.

John W: But couldn’t they go as far as not only including it, but making it such a major factor that it diminishes Facebook, and they drive users to Google+? I mean, no one regulates them, so couldn’t they basically just change their algorithm, and all of a sudden only Google+ results are only showing up in search?

John L: I think that would be a little too obvious. Google, their whole business is around ads. All they’re trying to do is serve relevant search results to their users, and if they start serving up pages that are heavily influenced by Google+ users, that would sort of contradict everything that they’re trying to do. To be that biased for their own benefit that way, I don’t think it would be good for the user, and again, contradict what their overall mission is, which is to serve up quality information.

John W: So in other words, even though they could, you don’t think they would, because it would hurt their overall search business.

John L: I think so. I don’t think it’s in their long term best interests, just to push a social media platform. They would kind of turn into that ugly, big, evil corporation that they’ve always claimed they don’t want to be.

Dan: What about brand pages? They’ve deleted Mashable’s and everyone’s brand pages.

John W: Well, they’ve made announcements that it’s officially coming at some point. And that’s why they deleted the other ones, because they didn’t want people putting up false brand pages that weren’t officially recognized by Google. Once they get this process in place and they go through, to me, that’ll be the most interesting aspect of what Google+ is – especially from a marketing perspective, is how the brands could use it. If there is still usage at that point, the ability for a brand to be able to target users based on certain criteria by putting their own fans in Circles, and then only sending messages out to just those particular fans – that’s a pretty powerful tool for any kind of brand that’s looking to market, because you have that relevance in the message already. Whereas before you’re blasting out to somebody who likes you, because they pressed the Like button, but they may not be interested in that particular update that you have that day. And so you can better target and make your messaging even more relevant, if that feature comes into play.

Cliff: At the end of the day, how does a company overtake Facebook? These guys seem like they’re not going to be giving up a lot of their lead. What would it take? More than Circles, what could it be?

Dan: If you go back to Friendster, when I used it, I thought it was great. It’s like, “What could be better than this?” And then MySpace came, and that was great, and I thought, “What could be better than this?” And you’re kind of introduced to things, and ways of using it, that you didn’t know you wanted.

John L: That’s very true.

Dan: I don’t know that Circles is that for me yet, but I think it’s going to come along at some point. Either Google+ introduces that new thing, or something else comes along that will take Facebook’s audience away.

John W: I think it will depend on how Facebook fights back to each of them. For this one, it’s very easy, as we mentioned earlier, for them to kind of take this new feature that Google came out with – Circles – and import it into their own system and continue their dominance. If somebody can come up with something that’s truly unique to their experience that Facebook can’t copy, then I think that’s when Facebook fails.

Great Scott! 2011 Nike MAG Marketing Hits 88mph

2011-nike-mag

A generation’s dream came true this week with Nike’s unveiling of the 2011 Nike MAG – self-lacing sneakers inspired by Marty McFly’s kicks in Back to the Future II, which were the envy of children everywhere in the 1980s. The reason we’re talking about it here? The marketing campaign – mostly digital, with short video […]

A generation’s dream came true this week with Nike’s unveiling of the 2011 Nike MAG – self-lacing sneakers inspired by Marty McFly’s kicks in Back to the Future II, which were the envy of children everywhere in the 1980s. The reason we’re talking about it here? The marketing campaign – mostly digital, with short video clips, websites and online word-of-mouth – has thus far been brilliant, hitting all the right nostalgia/curiosity/funny buttons.

It started with a YouTube clip called “McFly’s Closet,” posted on September 6 by an account named DocEmmettBrown88. (Awesome.) The clip has received over 1.5 million views in just 3 days.

And yesterday came the launch of nikemag.ebay.com, featuring a great new short with Bill Hader and Doc Brown himself, Christopher Lloyd – looking and sounding just like we remember – as well as the significant announcement that Nike would be auctioning off 1,500 pairs of Nike MAGs, with all proceeds going to The Michael J. Fox Foundation for Parkinson’s Research. It’s something totally unexpected and simply good-spirited – all the more because eBay Google co-founder Sergey Brin and his wife Anne Wojcicki will be matching donations up to $50 million.

This is an example of marketing at its best: fun, inventive, and completely feel-good. And it makes us excited for what’s coming next. Kudos to Nike – now we just need those hoverboards, and the human race will have achieved perfection.

Q&A with Jon Finkel, Magic Champion, On Gizmodo Date Scandal & Alyssa Bereznak

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The Internet was set ablaze on Monday when Gizmodo intern Alyssa Bereznak wrote an essay detailing her OKCupid-arranged dates with Jon Finkel. The reason for the resulting firestorm: in her post, Bereznak harshly leveled Finkel for committing the crime of being a world-renowned Magic the Gathering champion, and not posting that detail in his OKCupid […]

The Internet was set ablaze on Monday when Gizmodo intern Alyssa Bereznak wrote an essay detailing her OKCupid-arranged dates with Jon Finkel. The reason for the resulting firestorm: in her post, Bereznak harshly leveled Finkel for committing the crime of being a world-renowned Magic the Gathering champion, and not posting that detail in his OKCupid profile. (Apparently, being awesome at something played by hundreds of thousands – if not millions – of people is a big turn off.) Magic and non-Magic fans came to Finkel’s defense in droves, and the story has received national coverage.

We recently corresponded with Finkel over email to get his take on the dates, the article, and the world’s reaction to both.

Flightpath: I want to start off by asking if you could tell your side of the story. What was the tone of your dates like with Alyssa? Did she seem upset or angry in person when you revealed you were a Magic champion?

Jon Finkel: They were completely uneventful. Two people being friendly and talking without much of a spark. Unless I am completely awful at reading people, which despite being a Magic playing nerd, I’m not – no one was upset or angry.

Flightpath: I’m kind of curious – for someone who would turn around and write a pretty scathing article about you because she doesn’t like one of your hobbies, how did you actually connect on OKCupid? Did you have anything in common?

Jon Finkel: She seemed bright and was in grad school for journalism, which I think is pretty awesome. When she told me to Google her, I found a heartfelt article she’d written about Ayn Rand and her dad and that sealed it for me.

Flightpath: How did you find out about Alyssa’s post, in which she really kind of eviscerated you just for being good at a game? How did you feel?

Jon Finkel: I rode home with my partner from work. He dropped me off where he usually does, a few blocks from my apartment, and after I got out I checked my iPhone. I had 40 emails from my Magic playing email list alone, laughing about it – being supportive in between brutal mockery – which was pretty much the standard. I definitely got a weird chill down my spine and was thinking, “What just happened?” I think the word I used before was “violated.” When I got home it became pretty clear the Internet had my back, but it still took a few hours for that weird, icky feeling to fade.

Flightpath: Are you surprised at how this thing has kind of caught wildfire on the Internet, and a lot of people have come to your defense?

Jon Finkel: I was very pleasantly surprised. I mean, reading the article, it seems like it would be most people’s response, but it was awesome that before it had really registered on my radar, countless people all over the world already had my back. It’s also nice to know that all the young Magic players still remember an old “retired” player like myself. I’m reading a lot of articles/posts where people seem to think I’m still the champion or the best or going to tons of tournaments, which is not the case, and hasn’t been since 2003. But it’s great to see so many people still care.

Flightpath: Have you had any interaction on the phone or over email with Alyssa after the story blew up? If not, would you talk to her?

Jon Finkel: Nope. I probably would just say, “Whoops.” Clearly this worked out positively for me and not so hot for her. People are really being brutal to her, much more than is necessary. She’s still young, she did something that wasn’t that cool, but in the grand scheme of things it’s really just not that bad, and doesn’t invalidate her as a person or anything.

Flightpath: Finally, are you done with OKCupid? Or will this just go in the “Bad Date” trash heap, and you start again?

Jon Finkel: I’m pretty good at understanding that one event doesn’t really mean that much, and not extrapolating from it to assume the whole world will be like that. I think OKCupid’s a great site. I actually think one of the founders is a PTQ player (semi-pro equivalent) who lives in New York. Maybe he’ll end up coming to play with us sometime. I think I will take a little bit of a break though.

Interview: Hank Kanalz, Senior Vice President of Digital for DC Entertainment

DC Comics – home to classic superheroes Batman, Superman, Wonder Woman and more – made headlines this summer with the announcement that it would be rebooting its entire line with 52 new No. 1 issues. In “The New 52,” characters are being de-aged (and in Superman’s case, de-married), redesigned and revamped in efforts to connect […]

DC Comics – home to classic superheroes Batman, Superman, Wonder Woman and more – made headlines this summer with the announcement that it would be rebooting its entire line with 52 new No. 1 issues. In “The New 52,” characters are being de-aged (and in Superman’s case, de-married), redesigned and revamped in efforts to connect DC with a wider audience, and hopefully reverse the trend of the industry’s rapidly declining sales. It looks like DC might be onto something; according to USA Today, pre-orders for the debut issue of the new Justice League have passed 200,000 copies, already making it the year’s biggest seller. In another big move coinciding with the relaunch, DC, which is owned by Time Warner, will now release every comic in digital on the same day as the print version, marking a true acceptance of the format as playing a key role in the future of comic books.

In advance of tomorrow’s historic launch, we spoke with Hank Kanalz, Senior Vice President, Digital of DC Entertainment, about the decision to go same-day digital, fighting piracy, and why he’ll never get rid of his print comics.

Flightpath: We’re right around the corner of the big relaunch. What’s the feeling around the DC offices right now?

Hank Kanalz: You know, not to sound cliche, but it’s positively electric. We moved into a brand new space, we’re all under one roof working on this incredible project. It’s so exciting. We’ve had daily updates on what’s going on, hourly check-in points on moving towards this launch. I’m knocking on wood – everything’s going according to plan.

Flightpath: The relaunch represents a real move towards embracing digital with same-day digital and print releases. What made now the right time for that?

Hank Kanalz: It was a very clean time, you know, with the 52 new number ones as a jumping on point for new readers. So what better way to get new readers than to go as wide as possible with all these number ones? And to go as wide as possible, you have to go digital. We could’ve kept this all in print, but if you want to reach an audience that can’t necessarily get their comic books, digital is the way to get to that audience.

Flightpath: I know that the whole industry had kind of resisted same-day digital releases for different reasons – not wanting to anger retailers, not wanting to cannibalize sales of the print version. Was the decision to go same-day digital a no-brainer with the relaunch, or was there some internal debate about it?

Hank Kanalz: From my perspective, it was definitely a no-brainer, and it’s something that we’ve been pushing for for quite some time. We were pushing for this, in my group, obviously long before The New 52 was announced. As a company, historically speaking, it’s something that we’ve always been looking at. And when we restructured, it became a top priority for us, so we went from 0 to 100 miles an hour in a matter of minutes.

So yeah, it was very much a no-brainer. But if you take a look at what’s out there too, we’ve been noticing that there’s a lot of the pirate sites, so we were already losing some of our audience to piracy. So why not give people an honest alternative to get their comic book material, right?

Flightpath: Yeah, I wanted to ask about that. How big a problem is comic book piracy? I remember years ago, a friend of mine sending me a PDF; someone had just scanned their comic and uploaded it, and I never would have thought in a million years that anyone would do that. Do you see that as something impacting your business?

Hank Kanalz: Oh, absolutely. It impacts the entire entertainment business, not just us. We’re certainly not alone, and we’re fighting this together as a company. Warner Bros. – Time Warner specifically – we take a big stand against piracy. I don’t know if we’ve ever done a study to look at the financial impact, I don’t know if that’s possible, but clearly it’s impacting our business in general.

Flightpath: The LA Times says that print comic book sales have dropped consistently over the last three years, and they’re down 7 percent in 2011. Why do you think that is, and do you think that releasing them same-day digital, and just having more digital initiatives, will help reverse the trend?

Hank Kanalz: I definitely do. I mean, that was a very candid article. I read it, and I was like, “Wow, I’m really surprised at how candid the article is!” [Laughs] But, you know, it’s the world we live in. Obviously, as the SVP of digital, I firmly believe that this is additive and this is definitely something that grows the entire business. This is not just, “Here’s another way to turn a buck.” This is something that I think will have a very positive impact on the industry in general, print specifically, and then comic shops as well. This is a terrific way to get new readers into our business.

You are never going to replace that tangible feeling of holding a comic book. You know, we have an archive library here too. Walking into that library, there’s this terrific smell of collected paper comics. And for that reason, I will never get rid of my comics. It’s my collection. It’s part of who I am, and the years I’ve been collecting.

But yeah, we absolutely believe it’s completely additive, and it raises all the boats. We’re talking about DC, but this is not just a DC thing.

Flightpath: I’ve been waiting for a day where I could buy graphic novels and download the single issues. At the same time, I do still love the single issues that I had growing up, and I’ll always keep them. If you look at the music industry, vinyl is making a comeback. I don’t think print will ever go away, in the same way that vinyl still means something to people.

Hank Kanalz: I don’t think it will ever go away either. But this is a great sampling opportunity. How unique is it to get someone to try something for free, or for 99 cents, or $1.99, or even $2.99? Here, try this one thing, it’s only gonna cost you two bucks. If you like it, you can buy a whole bunch more in the same format, or push this button here, and we’ll tell you exactly where your closest comic book shop is. And go there, and pick up everything that you can get your hands on and can afford to.

What if someone says, “You’ve got to read Planetary. It’s an amazing series.” You’ve got a couple of options. Find a comic shop, get a back issue, try it, and then purchase your trades or your hardcovers. Go to our app though – real easy, and sometimes we run that first issue for free or 99 cents – try it, if you like it, you can buy all 27 issues right there. Or you can go to your bookstore, and now you know that if you’re going to invest the money in it, that you’ve tried it and you liked it and you want to buy more. I can’t see how it’s not additive.

Flightpath: It seems to me that all the digital stuff you’re doing is a way to break down the barrier of having to go to a comic book store or having to find this stuff on your own. It just makes it a lot easier.

Hank Kanalz: It really does. I actually have some friends who thought that Green Lantern was a movie character. They had no concept that it was based on a comic book. It became the topic of the barbecue. “How could you not know he was a comic book character?” They don’t have access, so they didn’t know. And they loved the movie! “So if you love the movie, then step into my library.” So I set them up, and then I was realizing when I was stacking some books [for] them, it would be easier if I just got them the digital [copies], so they don’t have to carry it on their vacation. It’s just so convenient.

There probably are people who don’t realize that Batman is a character that comes from the comic books. They know him and were introduced to him by either the cartoon show or the movies. There’s a generation that was introduced to Batman in the ’60s with the Adam West version. It’s a completely different entry point. So I would like to have our material readily available, and the best way to get it readily available is this, as digital. So you’re looking at your DVD, and in there you can have a preview of a book. It’s great.

Flightpath: Can you talk a little bit about the actual digital delivery? How’s it going to work, from what’s available to actual ownership of digital files?

Hank Kanalz: When you make your purchase, you’ll be able to download the files to read onto your device. If you’re going to be reading it through the Web, it streams, so you don’t actually have the files downloaded to your hard drive. But if it’s on your iPad or on [other platforms], it downloads the file. So you can load up your iPad and then get on a plane and read an entire series, depending on how you’ve structured your memory allocation on the device itself.

We’ve been experimenting with different ways for people to purchase in bundles or series or collections. There will be more developments with that over the next couple of months, but right now we’re selling the backlist as individual issues. We run the occasional sale, where you can buy everything in the sale or you can select the different items that are for sale. We have character 101s, so there’s a “Batman 101,” which is basically your introduction to Batman and then 101 of his essential books that we have available digitally, that we recommend you try. So we do that with all our characters, and we rotate those through. And we get new customers that way too, so whenever we get new customers, they start their library with this great sale and they add to it after that.

Flightpath: And what about price-point?

Hank Kanalz: Our standard price is $1.99, and then we have select backlist items that are either free or 99 cents. For the same-day digital books, we’ll be matching the price for the first month as the [$2.99] print price. It’s very interesting. I really thought that people would wait until the price drops, but people want their comics and they want them now. So they’ve been purchasing at the same price. And we want price parity because we want people to choose, but we don’t want them to choose because of price-point. We want them to choose because of their preferred format. Some people actually don’t want a big long box in their apartment or house; they don’t have the room, their spouse won’t let them, they just don’t want to deal with moving it – they prefer to keep their comics digitally. So we want to give them that choice. But then after a month, which is pretty much the period of time that comic shops will sell their frontlist books before they put them in the back bins, we’ll drop it to $1.99, and it becomes a backlist title. If the comic book happens to be $3.99 on the stands, then it will drop down to $2.99.

Flightpath: On an iPad, double-page spreads might not fit the aspect ratio of the screen perfectly. Do you think the digital format will cause the art form to change and evolve?

Hank Kanalz: I don’t think so. We don’t have any intentions of limiting double-page spreads; they’re just too spectacular and fun. All we really do when we prepare for digital is we set it so that all you have to do is turn your iPad to landscape, and then it really does look beautiful. And depending on how the artist constructed the pages…if it’s a full-bleed page, we really try and accommodate that, but then we have the black framing, so it’s really not noticeable that it doesn’t fit perfectly in there. It has the same dramatic impact, I think. And then the difference though, is now that with the iPad, you can zoom in and you can see all the stuff that you would otherwise miss.

Flightpath: Let’s say someone might love comic book movies, but they don’t buy comics or they don’t know where to start. Is there one title from the new DC relaunch that you’d recommend as a good place to get on board?

Hank Kanalz: Oh, goodness. It’s so hard to be objective. We’re so immersed in it. My entry comic book that really got me hooked was Justice League, because it has all the characters. [Justice League No. 1’s] got such a nice feel, and it really is drawn cinematically and paced cinematically. I’m not just saying that because it’s coming out [tomorrow], and we’ve been working hard on this issue. It looks terrific. That’s a great starting point. I would say that, obviously if they’re a fan of a particular movie, then stick with that. If you’re a Batman movie fan, then Batman and Detective Comics are obviously the way to go. But Justice League has it all. It has all the characters, it’s a great starting off point, and you don’t need to know anything that happened prior to that point.

Our Favorite Websites

What makes a great website? Sure, there are basics like quality navigation, layout, design, and content, but there’s also personality, smarts, and the ultimate barometer: does it have that special something to make you return? There’s a wide array of content and style to the thousands of web sites floating around, yet they all co-exist […]

What makes a great website? Sure, there are basics like quality navigation, layout, design, and content, but there’s also personality, smarts, and the ultimate barometer: does it have that special something to make you return?

There’s a wide array of content and style to the thousands of web sites floating around, yet they all co-exist in the same space. When you find one that hits all the right buttons – and it can be completely different from your other favorite destinations – chances are you’ll be a fan for a long, long time.

Here’s a short list of what we feel are some of the best sites on the Web that fit the above criteria, ranging from e-commerce to fan-made experiences to professional news.

The Onion A.V. Club – The Onion A.V. Club is, far and away, the best pop culture/arts periodical in publication today. It features a stunning collection of interviews with comedians (Louis C.K., Tracy Morgan), rock legends (Paul McCartney, Nick Lowe), filmmakers (John Carpenter, Christopher Nolan) and more; reviews of albums, movies, books and comics; a lively community of readers who comment in droves on stories; lengthy dissections of television shows in its “TV Club” section; “Random Roles,” where actors discuss parts they’ve played over the course of their careers; and lots, lots more. The writing is smart across the board, and there’s always some new feature popping up that’s creative and fun (I particularly love Pop Pilgrims, a video series where the A.V. Club travels to actual places that have a place in pop culture history, such as the Chicago towers that are featured on the cover of Wilco’s Yankee Hotel Foxtrot). The best part: it’s updated pretty much throughout the day, on a constant basis. Essential. – Dan

NeoGAF – This one is a little niche, and it maybe stretches the definition of “website,” but in terms of popularity, usage and content, it’s astonishing. NeoGAF is a videogame message board. That’s it. But it’s the place to go if you’re into gaming. News breaks here first (“leaks” may be more accurate a term), industry professionals are known to lurk or even post, it’s moderated tightly and professionally, and it’s filled with fun topics like people posting photos of their collections, media setup, rare gaming finds, shopping hauls, and more. The comments and discussions – the core of the NeoGAF experience – are often lively, very funny, and just a little crazy. Together, it all makes for a good time, and the very best destination for gaming news and discussions on the planet. – Dan

X-Entertainment – Never mind the unfortunate you-may-be-getting-a-call-from-your-IT-department website name and URL; this site is a gem. X-Entertainment is part-time machine, part-autobiography, as it features one man’s recollections and explorations of 1980s pop culture, including cartoons, commercials and toys, and what they mean to him. You’ll be delighted and amazed at the screen grabs of He-Man commercials and the lengthy essays on the Stay Puft Marshmallow Man, and you’ll wonder how you ever missed Garbage Pail Kids Tacky Snappers. What’s best about this site, however, is its honesty; there’s a love for lots of this junk that charmingly shines through in the writing, but there’s also an acceptance that a lot of what we loved when we were kids was, indeed, junk. Check out X-Entertainment’s blog for its latest content. – Dan

Nike – Makes you feel like you’re in a Niketown store. Easy to navigate, see what’s new, find clearance deals and check out, and the highlighted free shipping offer (over $100) is appreciated. Clearly my fave e-commerce site, and they have the best customer service call-in group this side of Zappos…must be a foot thing! – Cliff

ESPN – As a sports nut, I would be remiss to not mention ESPN as one of the top online destinations that I frequently visit. The navigation is easy to follow and it’s the premiere source for breaking news on all things sports. The combination of its use of video and images to complement stories make every visit engaging and entertaining. Whether I’m there for the latest trade rumors, or to update my fantasy team each week, ESPN always gets a daily visit from me. – John

Mashable – So you like technology and social media? You better know Mashable. It has grown into one of the leading sources of information for all things digital, and with their constant stream of stories, it is no wonder. They’ve done a great job of including various social elements as well making it easy to not only read the information, but also share and add your two cents very quickly. The site is divided into sub topics which makes it incredibly easy to use and find exactly what you’re looking for. The writing is great, and breaks down sometimes complex information into everyday language that is easily digested. – John

And that’s our short list. What do you think? What are some of your favorites? Let us know in the comments section below.

The Importance of Disruptive Messaging in Social and Digital Media

disruptive-marketing

There is clearly more information trying to enter our head and heart space than ever. Streams and reams of Tweets, Facebook posts, and YouTube content combined with commercial messaging in every shape and size, trying its best to influence an attitude or transaction. Before social media and mobility, the noise level was high on a […]

There is clearly more information trying to enter our head and heart space than ever. Streams and reams of Tweets, Facebook posts, and YouTube content combined with commercial messaging in every shape and size, trying its best to influence an attitude or transaction. Before social media and mobility, the noise level was high on a seasonal basis during things like holidays, but manageable the rest of the time. Now, as the cliché goes, it’s “24/7” noisy. It’s amazing that any brand has any significant recall or unaided awareness or is able to capture eyeballs, let alone get someone to blink!

The original idea of “disruption” centered around shock value in service of getting attention or market share. Disruption occurs only if the brand “activist” can say “got ya.” Got ya to pay attention or most poignantly, disrupted the individual from another engagement and got an action/transaction. Hip hop artists including EMINEM and energy brands such as Rockstar and Monster were disruptive from the get-go and the status quo. It’s not that EMINEM is just an in-your-face artist, it’s that he’s a down-your-throat lyricist that motivates his fans and adversaries to listen forcefully (not passively) and react. Simply, if there is no reaction, there’s no disruption.

So what exactly is disruptive messaging and what makes something disruptive or not? On YouTube, a video goes viral because it is crazy funny, outrageously stupid or in some other way uniquely entertaining – or maybe because it’s commercially/financially supported. Given disruption is all about the status quo being manipulated – in all forms of content today – Rebecca Black’s “Friday” is the it girl of disruptivity because it pushed people’s buttons in a way rarely seen. The reaction by way too many was over the top mean, but the millions of aggregated views and of all the knock-offs and parodies illustrates today’s reality that commercial or otherwise manufactured content, for better or worse, can be wildly disruptive through social channels. Old Spice, with the “Your Man” campaign, gave the world a smell of disruptive engagement with an over-the-top idea that mixed inventive production values with social and traditional media. While the brand had made significant strides in reinventing itself before the Old Spice dude came on the social seen, it really lost all of its historical baggage (of belonging/smelling like dad) through him. It was beyond disruptive.

While some love to say that with social, the “medium is now truly the message,” I say just the opposite. Facebook is no more the message than ESPN; content (user or commercially generated) is what makes both of these the category killers of their respective and intersecting platforms. What’s true is social media enables commercial messaging to be more strategic, targeted and engaging, and therefore, compelling. But truly disruptive messaging provides the breakthrough element against competitive realities, let alone high decibel reality.

There are three simple things that make for successful disruptive messaging in traditional and social media:

1) World Play – Puns, provocative hooks, profanity, entendres, acronyms, broken up words (to-get-her), and the slight/unexpected word in a sentence that grabs attention and gets a re-look. The highly successful brand, Kind, has used “nuts” in almost all of the above ways to its advantage, be it in its Kindness truck tour, outdoor boards, web-site and social media.

2) Visual Intensity – Photoshop and computer aided design/manipulation has made it common to be and see outside reality. Design language is so good and consistently original across media and virtually all consumer categories that, in a nutshell, we are living in a disruptive design age where so much of what grabs us only has us for a second until the next grabber.

3) Playing to Interrupt-ivity – Social media, especially Facebook, engages us in a totally interrupt-ive way with friends, family and cravings. Unlike sequential media (like a movie or book), the wall on Facebook is in a constant state of “posting interruptions,” and to get noticed, the human in us needs to respond with provocative/OMG language, ridiculous photos and all kinds of updates.

So remember, if you’re looking to grab attention or make an impression, in social media or an encyclopedia – a little play on words – don’t be literal, be satirical. Or be silly or a little bit snarky. Regardless, let’s all give it up to those who disrupt!

Netflix Increases Prices: Reason to Get Angry?

netflix-increases-prices

Much has been made over the last few weeks about Netflix’s announcement that prices would be increasing: unlimited streaming and unlimited DVDs (one at a time) combined in one plan has gone up from $9.99 to $15.98, or you can get either for $7.99. Netflix was always seen as a trustworthy underdog, cutting-edge and young. […]

Much has been made over the last few weeks about Netflix’s announcement that prices would be increasing: unlimited streaming and unlimited DVDs (one at a time) combined in one plan has gone up from $9.99 to $15.98, or you can get either for $7.99. Netflix was always seen as a trustworthy underdog, cutting-edge and young. The Apple to Blockbuster’s Microsoft. But now, people are mad. Many feel the price increase is too steep, too soon, and with no major additions to the streaming library, too unjust. Has Netflix become everything it once set out to destroy, or at the very least, that we hoped it would destroy?

The reaction online – Twitter, Facebook, news sites, and seemingly everywhere it was covered – was pretty vitriolic. Here are some selections from the Netflix blog (grammar kept in the posts’ original form):

“Dear Netflix,

Individually your DVD and steaming services do not offer enough to justify their expense. As a bundled service they supplement each other and provide the value that made Netflix wonderful. DVDs allowed you to view newer releases in a fairly timely manner. Streaming allowed for viewing of the older catalog of movies that come up when you think of it but might not be worth waiting for to arrive in the mail.

I average 5 DVDs a month. I can replace these rentals with RedBox for $5 and save $3 based on your subscription prices. This replacement would also remove the 28 day wait that comes with most new releases available through Netflix. Likewise, I can replace your streaming service with Amazon Prime and save an additional $2 a month. Again, this would eliminate the unnecessary delay in availability of newer releases.” – Willie Williams

“Dear Netflix,
After 3 years, I’m sorry but it’s over. If I switch to blockbuster I will have a greater streaming selection, with newer movies, plus games, and it will cost me only 75% of your new rates. Its been great, but its over. It’s not us, its you. Enjoy the bankruptcy.” – Adam Lundquist

“You can spin this any way you want, Netflix, but it comes down to simple greed. With limited new content on your streaming service, I will be definitely be canceling that and will probably cancel DVD service as well just on principle. Time to sign up for Hulu Plus! Go ahead and change your name to Blockbuster, because with more stupid decisions like this, it’s only a matter of time before you go by the wayside like they did.” – Anonymous

And now some comments from The Onion AV Club (again, grammar kept in its original form):

“Their streaming catalog isn’t nearly vast enough to justify dropping the physical disc aspect of the service. There’s too much content only available in disc form, including most new releases. People aren’t going to go for a streaming only service until they add more worthwhile content.” – realmike15

“we can start our own company! we’ll call it Webfilmz. we’ll be the little guy at first, pounding the pavement for sales, but with lots of hard work and luck, our plucky company would succeed in bringing affordable entertainment to everyone!

then, once we have the trust of our clients, we can jack up the prices and live like kings! it’s the american dream!” – Or

“I, for one, have decided to switch to gulp Blockbuster Online for Blu-ray rentals and Amazon.com for streaming. You can join Amazon Prime for $79/yr and basically get the same old crap that Netflix streams plus you get free 2-day shipping from Amazon. I’ll still come out a few dollars ahead of the new Netflix rate.” – The Jewish Brad Pitt

My opinion? The price hike is annoying, but it’s no reason to storm the castle in the way we’ve seen. $15.98 isn’t a bad deal for the selection provided; in fact, while it’s 60% higher than what we used to pay, it’s actually still a pretty good deal. I can catch up on Breaking Bad via discs, while at the same time stream every season of Futurama, weird Troma horror movies, and Wet Hot American Summer whenever I want, for less than what I pay for HBO and HBO On Demand? That’s not bad. As Willie Williams mentioned above, I can combine different services to save a couple of bucks compared to this new pricing structure, but A) I’m too lazy for that, B) the convenience of having it all come from one place outweighs the money I’d be saving, and C) I can stream Netflix on my PS3, which I do almost daily. Plus, I still like the company. I don’t think Netflix has gone to the Dark Side yet (I blame the cost of shipping and the movie studios as the main culprits in the price increase) and when this all gets to where it’s going – a complete, streaming library – my hunch is that Netflix will be leading the pack in terms of content and affordability. They’re really the ones who’ve led us this far, and I still respect them for offering an easy, enjoyable alternative to the old ways.

So, I’m still on board with Netflix. Just so long as they don’t remove Futurama from streaming. Then I might have to grab my pitchfork (which is weird that I have one, considering I live in an apartment in Brooklyn).

Facebook Friday: Analysis of Facebook Campaigns – Amex makes online shopping something you can truly Like

Welcome back to Facebook Friday, where we look at various Facebook marketing campaigns and examine what went right, what went wrong, and everything in-between. For this particular analysis we are going to be examining the new offering from American Express (AMEX) that integrates ‘Likes” with online shopping. This is more than just a campaign in […]

Welcome back to Facebook Friday, where we look at various Facebook marketing campaigns and examine what went right, what went wrong, and everything in-between. For this particular analysis we are going to be examining the new offering from American Express (AMEX) that integrates ‘Likes” with online shopping.

This is more than just a campaign in the traditional Facebook marketing sense; this offering is an entirely new platform that integrates “Links, Likes and Loves” with one’s AMEX credit card.

The Campaign:

The crux of the campaign is tying in deals and offers to AMEX cardholders’ social activity.

Users are directed to the application, which is hosted on the AMEX Facebook page.

They then enter their credit card number into the application in order to connect their card. Once the user has hooked up his/her card, an original deals list is populated. This list is based on the user’s Facebook activity, pages they have liked or places they have checked into, as well as the activity of their online “friends.” Over time, the deals being shown will continue to be adjusted based on deals they or their friends may engage or share with, as well as new activity within their Facebook graph.

The Results:

While the campaign has only been running for a week, one success factor has been the amount of buzz it has generated. Numerous articles and postings are being written about this new platform with almost all of them positive. As far as actual impact on the users, I have not seen any data up to this point about enrollments or redemption of deals, so it’s hard to quantify success at this point.

According to monitor.wildfireapp.com, the AMEX fan page has not shown much growth, increasing by less than 1% since the new offering launched. However, most of the consumers who could take advantage of this deal would most likely be active on Facebook and probably already liked the page, so this may not be a fair number to represent success.

What Worked:

  • Buzz Generating – As previously noted, one of the keys to this campaign has been the buzz that AMEX has been able to garner because it is such a new and unique technology. It capitalizes on some larger trends in the online space, including social shopping and deals.
  • Simplicity for the User – The ease of redemption is one of the biggest selling points. The fact that you don’t have to worry about printing a coupon or bother with a code – everything is automatically is taken care of – is huge. This is a big point for not only consumers but also merchants looking to capitalize in the online deal space. I would be remiss to mention that AMEX understands this, and actually launched a program designed specifically for small business to enroll and take advantage of these coupon-less offers. It is called “Go Social” and has tremendous marketing and outreach potential. Now businesses or companies have an easy way to handle these specials, and don’t have to worry about integrating their point-of-sale technology and/or training their staff on redemption methods.

    When a user participates in a deal, AMEX simply updates their statement with the credit that should be received based on the deal the consumer opted into.

Where It May Fall Short*:

*It’s probably too early to say what didn’t work for this campaign. However, I do think there is one hurdle that may seriously hinder this campaign.

  • Privacy – One element of all this that I have not seen addressed in any of the online press for this campaign is the privacy issue. I have to be honest – I was so enthralled with this program that it didn’t even cross my mind. But as one of my colleagues said, “It sounds cool, but I am not sure I would want to give out my credit card to a Facebook application.”

    That makes sense; I still know people who have a hard time handing out that kind of information over to Amazon or online retailers, let alone doing it within Facebook and a third party application. I am not sure if the public is ready for this step or not.

Takeaway:

Regardless if you are willing to give out your information or not, you cannot argue with the “cool” factor surrounding this campaign and the utility that it provides. Being able to be presented with relevant deals based on your likes and interests, as well as that of your social graph, brings new meaning to personalization and is truly a smart way of utilizing social network technology and connections. Knocking down a major barrier related to online deal redemption by making it automatic, and not something a user or merchant has to worry about, should help lift the usage numbers and get more people involved. This could have a big impact on the bottom line of AMEX; in addition, individuals who may not have a card, would be encouraged to get one, because it is the card to have if you are active in social.

Now where is that enrollment link…

Flightpath Joins the iMedia Top 25 “East Coast Agencies To Watch” List – Amazing, What Some Great Clients Can Do For You!

imedia-top-25-east-coast-agencies

Flightpath was recently named to iMedia’s list of 25 East Coast Agencies to Watch. It’s something that has us both excited and humbled. We thought it was important to talk about this list not because of our inclusion, but because it’s never really about the agency – it’s about the client. The fact is, we […]

Flightpath was recently named to iMedia’s list of 25 East Coast Agencies to Watch. It’s something that has us both excited and humbled.

We thought it was important to talk about this list not because of our inclusion, but because it’s never really about the agency – it’s about the client. The fact is, we have some clients – we can’t name names for fear of blushing – that are extraordinary. It’s the truth. Like, freaking great clients at what they do and what they don’t.

Let me give you three on both sides.

What They Do

  1. Define expectations in measurable, but not constrictive or limiting, ways. Pushing the envelope higher is easier when you know how much altitude you have to fly with.
  2. Make it fun by sharing in and appreciating the passion we have for their business. Our projects are collaborative – that’s where the real joy and excitement of creating something viable and original is most fully realized.
  3. Know the reality that digital marketing and social media are dynamic as they are fraught with unexpected detours. Smart strategy, intuitive SEO/SEM planning, elegant design, and imaginative copy all help keep the bad stuff from happening; but the “state of new” can be harsh if going it alone. Our clients would never let us feel we’re alone!

What They Don’t Do

  1. Shy away from being honest with their opinions. We love feedback and the process of refining an idea until it’s the best it can be.
  2. Keep things close. They partner with us like a…partner! We get to sit, occasionally, at the big person’s table – and that adds cred to us all.
  3. Assume we are always tireless, always available, and even assume other clients don’t exist. What these wonderful clients only assume – what they know is true – is that we share a mutually passionate commitment.

So, we love being able to share with our clients and readers this wonderful news about being an agency worth watching. But we also think it’s just as important to thank our clients, and note what makes them great.

Google Plus: Potential Impact on SEO, Social Media Marketing, and More

As a marketer who works on behalf of a variety of brands, I am both scared and very intrigued by the introduction of Google Plus. GOOGLE PLUS & SEARCH The potential that Google Plus has, if it truly uses the power already built by Google, is tremendous, and brands may not have the luxury to […]

As a marketer who works on behalf of a variety of brands, I am both scared and very intrigued by the introduction of Google Plus.

GOOGLE PLUS & SEARCH

The potential that Google Plus has, if it truly uses the power already built by Google, is tremendous, and brands may not have the luxury to wait around and decide to get involved. And not just because of its potential as a social media tool that can unseat Facebook, but because of its potential to impact search engine rankings in unexpected ways.

Imagine for a moment that you work for Brand X who has a solid presence on Facebook, a decent following on Twitter, but their strongest asset has been their optimization strategy for search engines. This strategy has resulted in Brand X being the top brand for heavy utilized keywords and has helped increase the traffic ten times over in the past year. Brand X feels like they have a good thing going, and when you ask to get involved in Google Plus, they tell you not to bother. You then notice your rankings start to drop and you are being pushed out of the top pages by your competitors. Upon further research, you discover that Company Y decided to get involved in Plus and Google announces that activity in the social network is now factored into their search engine results algorithm. Company Y jumps ahead because they decided to use Plus and now you have to try to get Brand X involved just to stay competitive.

This is a very scary scenario but one that I could see playing out if Google wanted it to. Brands would almost be forced to get involved or risk losing everything their SEO initiatives achieved. Right now, however, there is no way for brands to get involved as it is only open to individual users, but according to Google, brand pages will be available by the end of the year and they are already starting to accept applications for a special beta test.

GOOGLE PLUS & SOCIAL MARKETING

No one knows exactly what Google Plus brand pages will look like or the functionality that they will have. When the product finally rolls out, it could be a big shock and something we have never seen before, or it could be something very similar to the way a Facebook page looks now.

One of the very intriguing things from a marketing perspective would be the targeting capabilities of messaging using the fundamental building block of Plus called Circles. Google said they found one of the major problems with the social landscape today is that one thing is shared with everyone instead of being able to pick and choose. “Not all relationships are created equal,” says the Official Google Blog. “So in life we share one thing with college buddies, another with parents, and almost nothing with our boss. The problem is that today’s online services turn friendship into fast food—wrapping everyone in “friend” paper—and sharing really suffers.” Circles solves this problem by bringing the activity of only sharing certain information with certain people to software.

As a marketer, being able to pick and choose certain subsets of consumers to target a specific message is something that is lacking in the current options, but is a feature with a lot of potential. While Facebook does allow you to target through their ad platform, you cannot target updates or status messages to a specific group. Imagine if you could send coupon and discount messages for kids clothing only to your consumers who you knew had kids. This would avoid a lot of irrelevant messages going to your community and would allow a complete personalization of content.

Still, Facebook has a mechanism available to businesses to help them increase awareness and make their presence known through the use of Facebook ads. Although Google Plus has a lot of potential in this area by connecting with their Ad Words program, the two are currently separate.

Over the next several months, as Google fine tunes the program through feedback and starts to drop hints about the business pages, a clearer picture will certainly emerge on the power that Plus has. If you are a brand though, be ready, because this might be one network you can’t afford to be left behind on.

If you were lucky enough to receive an invitation to Google Plus and have had a chance to try it out and experiment with it, we would love to know your thoughts in the comment field!

Social Media is Finding Marketing To Be A Real Experience

group-of-people

Experience is one of the few things that truly cuts both ways. For some, experience becomes a life (and creatively) limiting reality. Beyond the obvious “been there done that,” it’s more like “jadedness trumps freshness,” prohibiting people from thinking, trying, or doing new things, without them realizing it. For others, experience provides real-time context that […]

Experience is one of the few things that truly cuts both ways. For some, experience becomes a life (and creatively) limiting reality. Beyond the obvious “been there done that,” it’s more like “jadedness trumps freshness,” prohibiting people from thinking, trying, or doing new things, without them realizing it. For others, experience provides real-time context that plays out in real-anytime value, as they learn from experience and use it to help themselves evolve. And still there is a middle ground; with social media, technology may have created a balance between the under-experienced and those who are more senior.

Just so we’re transparently straight with each other from the get go: I am way closer to 53 than 35. It used to be in the advertising agency and marketing business that if you were a late 40-something, you were on the outside looking in. As if your brain shut down and headed to Boca. As alluded to above, experience doesn’t in-and-of itself equate to anything, but it is a dynamic that could be a difference maker in this economy and maybe a re-think of today’s marketing talent pool. Especially when you overlay it on social/digital landscapes.

The social landscape is really the great equalizer in business in 2011. Now, regardless of socio-economic, demographic or even educational background, real practical experience can be had through any number of social networks. LinkedIn Groups provide tremendous knowledge, as well as networking value. Facebook and Twitter, as we all know, create experiential touches with people, places and things that without, would be hard to get. So in a weird way, experience – be it in “years of” or through engaged social communities – is the secret and unifying sauce that just about every business needs today. Said another way, the more experience you can bring to bare, the better the possibility for really exciting, meaningful and original solutions.

Marketing, a creative experience like life itself, comes in many colors and shades. Gray just historically wasn’t one of them. Because the most sought after demo historically were young males/adults, like 18-24 or fine, up to 36, young account people and young creatives “could only” be the people who could relate.

How ridiculous is this whole thing? Why does there need to be a separation? The real experienced talent and the less experienced, but “current” talent, could be a compelling, dynamic duo. Technology has reduced much of the old so-called “Generation Gap,” given it provides a common language and landscape. Maybe one way to really think about experience today is to view it simply as a fluid and complimentary competency that supports strategy and/or messaging in marketing traditional, social or any media.

140 Characters Conference Highlights

140 Character Conference

Held at New York’s 92nd Street Y from June 15-16, the 140 Characters Conference featured speakers from all over the digital landscape giving bite-size 10-minute talks (in the spirit of Twitter’s 140 character short info-blasts) on social media, or “The State of Now.” From world-famous icons like Deepak Chopra to little-known Nebraska farmers, all presenters […]

Held at New York’s 92nd Street Y from June 15-16, the 140 Characters Conference featured speakers from all over the digital landscape giving bite-size 10-minute talks (in the spirit of Twitter’s 140 character short info-blasts) on social media, or “The State of Now.” From world-famous icons like Deepak Chopra to little-known Nebraska farmers, all presenters managed to fit into the theme of the conference and offer unique takes on Twitter, Facebook, mobile apps and what they all mean to the world.

Here are some highlights and our picks for the best speakers:

The Lupus Ladies of Twitter. Far and away, this segment encapsulated everything the conference tries to convey as well as exemplifying the potential of Twitter. Three young women, all with Lupus, took the stage to discuss their condition, how Twitter and social media brought them together, and how they’re using these tools to make a difference. Brenda Blackmon, co-anchor of My9 WWOR-TV’s 10 p.m. newscast, whose daughter Kelly suffers from Lupus and was on the panel, told emotional stories about Kelly’s fight, and the difference the Internet has made in spreading the word. This was real life stuff, and it resonated.

Sesame Street. Sesame Street has always done a great job in creating smart content for both adults and their children, and the same is true for their forays into social media. Hearing Dan Lewis, Director of New Media Communications at Sesame Workshop, discuss how they achieve this balance was fascinating. A prime example: this haiku from Cookie Monster, released as a Tweet and as a viral video. Ironic and smart enough for any English major, as well as educational and just plain funny enough for the 5-year-old in all of us.

Cody Heitschmidt, VP Biz Dev, LogicMaze. In discussing the impact of Twitter and social media on small towns, Cody brought a very honest and down-to-earth feeling to the conference. There was no speak of using Twitter to reach customers, grow a brand or whatever. Instead, Cody talked about how being from a small town, he just was not exposed to different kinds of people or modes of thought, and Twitter has helped remedy this by expanding his world. It spoke to an inherent truth about the good side of social media, which is that it can bring open-minded people together, who would otherwise never meet.

Deepak Chopra. Appearing live via Skype, Chopra gave an impassioned speech on how social media is building “new neural networks for a planetary mind.” It’s connecting us and creating a new consciousness. What we do with that consciousness and with that power — whether to create good or to waste it on nothing but entertainment — is up to us.

Middle School MicroInterns and NY Startups. A group of 7th graders took the stage and performed a play about the role social media has in our lives, and it killed, garnering laughs and offering real insight. But the best part was the Q&A with the students that followed, where they revealed just how deep a grasp young people have of the technology and what it means to properly use it. When asked about how to use Facebook without getting in trouble, one student simply replied, “Be appropriate.” If only certain Congressmen were this smart…

Facebook Friday: Weekly Analysis of Facebook Campaigns – Arby’s Chicken Salad Taste-Off

Welcome to Facebook Fridays, our new weekly feature where we look at various Facebook marketing campaigns, and examine what went right, what went wrong, and everything in-between. First up: Arby’s “Chicken Salad Taste-Off” campaign. How do you launch a new product offering to the masses and utilize social media to help you gain buzz and […]

Welcome to Facebook Fridays, our new weekly feature where we look at various Facebook marketing campaigns, and examine what went right, what went wrong, and everything in-between. First up: Arby’s “Chicken Salad Taste-Off” campaign.

How do you launch a new product offering to the masses and utilize social media to help you gain buzz and trial?

Chicken Salad Taste OffWell, if you’re Arby’s, you conduct a taste challenge against a similar offering. So was born the great “Chicken Salad Taste-Off,” which pitted Subway‘s Orchard Chicken Salad Sub against Arby’s Market Fresh Grilled Chicken & Pecan Salad Sandwich and Wrap. (We know which sandwich wins for Most Unnecessarily Long Name. Are you supposed to say, “Yes, I’ll have one Arby’s Market Fresh Grilled Chicken & Pecan Salad Sandwich and Wrap,” every time you order one? But I digress…onto the ins-and-outs of Arby’s Facebook campaign.)

The Campaign:
1. Like gated coupon was given to consumers for the new offering from Arby’s.
2. Consumers were encouraged to try both sandwiches and return to the page to vote for the one they liked best.
3. In order to encourage voting, Arby’s partnered with Share Our Strength’s No Kid Hungry campaign and pledged to donate $1 per vote, and up to $25k, to the charity partner.

The Results:
The campaign recently ended and one of the most glaring results was that Arby’s was unable to achieve their goal of 25K votes. The total vote count, according to the Facebook page which housed the application, was just under 10,000. The good news for Arby’s, however, is that their sandwich did receive over 80% of the votes, making it the clear favorite. (Big Surprise there.)

The impact on the page does seem to be pretty significant, with the total number of Likes increasing by 58% from 323,600 to over 510,000 in just the 12 days the campaign was active (according to monitor.wildfireapp.com).

What Worked:
There are a few significant things that worked about this campaign:
Simplicity of offer: A Like gated coupon is a great way to help build a fan base. It is simple for a user to do, and also gives them a reward for this simple action.
Buzz worthy: Arby’s could have easily designed a landing tab for the coupon and any new fan who liked them would receive the coupon, but left out the challenge aspect of the campaign. By throwing down the gauntlet and directly challenging the competition they created significant buzz around the event.
Support: Arby’s also conducted a blogger outreach campaign to coincide with the launch and pushed the story through traditional media as well. This integrated campaign promotion helped drive the results.

And ultimately, the huge increase in Likes was a big win for Arby’s. That alone makes the campaign a success from a marketing perspective.

Where It Fell Short:
The campaign was successful by most measures in helping to drive awareness and trial of this new product, but where it was lacking was in the continued interaction they were requesting from the consumers. To ask someone to not only visit for your offer once, but then return and re-engage, is a tough task for any brand and one in which Arby’s missed the mark.

Takeaway:
The biggest takeaway is to make sure your goal is tied to a simple action from your fans. If you make things too complicated or ask them to take multiple steps, you will naturally decrease your conversion rate, as you lose those who just don’t have the time to complete the second action. By trying to tie your end goal to a single simple action that a user can take, you are more likely to increase your conversions and the engagement with the brand.

Getting the Like is Only Half the Battle

“A Facebook Like or a Twitter follower has no value to a brand until they are activated.” – Zuberance CEO, Rob Fuggetta This quote was made during a recent panel discussion put on by Zuberance and Big Fuel. The panel was titled “How to Turn Word of Mouth Marketing into Sales,” and focused on utilizing […]

“A Facebook Like or a Twitter follower has no value to a brand until they are activated.” – Zuberance CEO, Rob Fuggetta

This quote was made during a recent panel discussion put on by Zuberance and Big Fuel. The panel was titled “How to Turn Word of Mouth Marketing into Sales,” and focused on utilizing a brand’s advocates as their best marketing tool.

Turning a customer into an advocate doesn’t always happen automatically, and as marketers, it is not our job to produce the great product or create the great service. Instead, what we are charged with, especially in the age of social media, is utilizing tools and platforms such as Facebook or Twitter to encourage this activity and help our client’s bottom lines.

So how do we encourage this behavior and turn more consumers into advocates?

  • Utilizing a platform to create a shared experience

    This speaks to giving relevance to a conversation between consumers. By allowing them to have a shared experience, you give them something to talk about and connect with that they are passionate about. A great example of this concept was the JetBlue “All You Can Jet” program.
    This platform allowed customers to purchase a ticket for a one-time fee and use it to fly as many times as they wanted on any of the Jet Blue routes during this period. The program utilized Facebook as a place where consumers who had participated in the promotion could congregate and share their adventures with each other, or propose the way they would use the ticket once they purchased it.
    This sense of community developed to the point that the members launched their own event that was attended by over 200 people in Las Vegas. Jet Blue did not set this up, but instead the consumers themselves organized and hosted the event on their own.
  • Create content of value

    This means that in social you can’t use the platforms as a sales channel only. In fact, one of the panelists even went as far as to say in his mind that a brand has to earn the right to talk about their product.

    Instead, your content should be something that provides value to the consumer. Huggies traditional media focuses on the product’s value proposition, i.e. best absorption, most comfortable, etc., but in the social space their content is centered around being a resource to help moms with potty training. They focus on helping to solve this problem and develop a relationship with the consumer by being a resource on this issue.

  • Don’t pay, but thank

    Social Media is all about transparency, and if you are given a recommendation by someone but later find out it was bought you, feel shilled, and it harms the reputation of the person making the recommendation. However, it is important to thank a consumer once they do advocate on your behalf. This shows other consumers that you appreciate the action taken and they might be more willing to engage in that action themselves.

  • Allow the advocate to feel invested

    To further the concept of thanking the advocate, you also have to make sure that they feel their feedback is important as well. By opening up the lines of communication through the social channels, you allow the consumer a feeling of importance, and if you take that even further and utilize that information, you provide them ownership. If you feel like you own something, you most likely will want to share it.

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p class=”MsoNormal”>Building up a large number of likes or increasing your followers is a great accomplishment in the eyes of most brands, but being able to turn that community into an energized group of advocates is where the real value lies.

For more insights from the panel check out #NYBAS on Twitter.

Google Searches and Finds “Dear Sophie” and “It Gets Better”

Occasionally technology can surprise the living s%&t out of you and make you feel totally connected – to your inner most human – by dialing up the emotion and forgetting all else. Google’s recent advertising and YouTube spots, “Dear Sophie” and “It Gets Better,” illustrate the potential to sell a story better than ever before. […]

Occasionally technology can surprise the living s%&t out of you and make you feel totally connected – to your inner most human – by dialing up the emotion and forgetting all else. Google’s recent advertising and YouTube spots, “Dear Sophie” and “It Gets Better,” illustrate the potential to sell a story better than ever before.

“Dear Sophie” tells a dad’s story of the life and times of his daughter, Sophie, through the prism/functionality of the Chrome browser. It is nimble, poetic and sensitive. It is more a scrapbook than a piece of creative, just as memories are almost always more emotional screen grabs than historical playbacks. The spot shows Sophie as a dynamic life force and growing through life stages right before our eyes, just as Google has.

Ultimately, “Dear Sophie” is supremely moving, touching and filled with heart. All the more amazing? This is a commercial for nothing more than a web browser. Not bad for a company that refused to do commercials of any kind up to this point.

The spot Google created for the “It Gets Better” project, an organization whose mission is to prevent/end teen gay, lesbian, and trans-gender suicide by providing a context full of life experiential hope. It is real, if not raw, and frames the promise of “life getting better” by a breadth of people who have “lived the life and earned the right” to share the message of “it gets better”. Pro-social activist “celebrities” including Lady Gaga, Adam Lambert and Woody from Toy Story are featured in the spot.

It is hard to imagine Google telling its story of human engagement, purpose and information clarity better than through these emotionally rich, wonderfully framed spots. Sure, it is a risky way of telling a functional superiority story – the things Chrome does – but if your name is Google and your mission is to change how the world gets information, how do you not put it all out there?

Twitter and Social Media Create Community Around Death of Osama bin Laden

osama bin laden facebook twitter

Much has already been written about the death of Osama bin Laden and how the news and discussion of it spread quickly over the Internet. “Twitter traffic spiked to more than 4,000 tweets per second at the beginning and end of President Obama’s speech…announcing the death of Osama Bin Laden,” said Twitter’s Matt Graves. While […]

Much has already been written about the death of Osama bin Laden and how the news and discussion of it spread quickly over the Internet. “Twitter traffic spiked to more than 4,000 tweets per second at the beginning and end of President Obama’s speech…announcing the death of Osama Bin Laden,” said Twitter’s Matt Graves. While this is not as high a rate as the Tweets surrounding the Japanese New Year, it is still mind-boggling, considering the time slot (late Sunday evening is not high trafficked real estate for any form of media). But what does all this really mean? Why was the first thought for so many people – myself included – to head to Twitter and Facebook?

At their core, Twitter and Facebook meet a need that most successful brands and products have mastered the art of selling: they give people a place to belong. While everyone is different, we are social creatures by nature. For sports fans, a favorite team is more than just something to read about or watch on television; it becomes something you identify with, and by extension, makes you feel apart of something. People become brand loyalists to things as varied as PlayStation, Original Penguin or Android not just because they like the quality of the product, but also because they gain entrance into a community. With Twitter and Facebook, the experience is pure community in the form of digital socializing. This is not a groundbreaking notion, of course, but understanding what makes them resonate with people offers clues as to why they were destinations when the news broke.

Many sites are saying that the “news” of bin Laden’s death spread on Facebook and Twitter, but that’s misleading. People went to Twitter and Facebook to feel involved and connected to those around them when it mattered most; to see others’ comments, jokes, and opinions, and to share their own. Maybe it’s semantic, but to say that Facebook and Twitter were just places where “news spread” undervalues what Facebook and Twitter bring to the social landscape.

Social Media Marketing 2011 Trends and Best Practices

2011 Social Media Marketing Trends and Best Practices

Everyone knows by now that social media in general and social media marketing in particular is incredibly fluid and dynamic. With that disclaimer, I want to introduce a new Flightpath deck entitled ‘2011 Social Media Marketing Trends and Best Practices.’ Some of the ideas and concepts contained herein date back 2008 and publication of the […]

Everyone knows by now that social media in general and social media marketing in particular is incredibly fluid and dynamic. With that disclaimer, I want to introduce a new Flightpath deck entitled ‘2011 Social Media Marketing Trends and Best Practices.’

Some of the ideas and concepts contained herein date back 2008 and publication of the breakthrough book ‘Groundswell,’ by Charlene Li and Josh Bernoff. Some of these innovations were introduced by Facebook last week. Some of these points are common sense and some of them are open to debate.
It breaks down as follows:

PART 1: SOCIAL MEDIA TODAY – With facts, stats and observations about the overall SM landscape

PART 2: SOCIAL MEDIA MARKETING MECHANICS – Presenting overarching themes for development of Social Media Marketing campaign

PART 3: KEY CAMPAIGN COMPONENTS – With practical, usable guides to things like Facebook Ads, effective Facebook Promotions, building a Twitter following, and key social media campaign measurement stats

We welcome your comments on the deck and hope you’ll share it with friends and colleagues that may find it to be of interest.

Follow this link to download the deck.

Royal Wedding 2011: Our Favorite Tweets

Today, William and Kate were not the only ones to mark a new beginning. It was truly the coming out party – the “marriage” between traditional media and social media on a world stage, and the results were smashingly brilliant. (Sorry for all the British/marriage puns. We can’t help ourselves.) The social event of the […]

Today, William and Kate were not the only ones to mark a new beginning. It was truly the coming out party – the “marriage” between traditional media and social media on a world stage, and the results were smashingly brilliant. (Sorry for all the British/marriage puns. We can’t help ourselves.)

The social event of the century was easily the biggest social media event in history, and Twitter in particular became the go-to destination for discussion, jokes, and opinions. Here are some of our favorites, illustrating how Twitter is home to all different tones and modes of thought, all equally valid, informative and entertaining:

Royal Wedding 2011 tweets

What were your favorite Tweets? What did you think of the ceremony? Amazing and romantic, or over-hyped and boring? Tell us!

No Cell Phone, No Internet: My One Week Off The Grid

rome

As I stood gazing at a stunning panorama of the Roman Colosseum, cobble-stoned streets and ancient ruins, I was thankful for one thing: I had no phone. I just went on a trip to London and Italy, and was unable to procure international functionality on my phone, and neither was my wife. I also made […]

As I stood gazing at a stunning panorama of the Roman Colosseum, cobble-stoned streets and ancient ruins, I was thankful for one thing: I had no phone.

I just went on a trip to London and Italy, and was unable to procure international functionality on my phone, and neither was my wife. I also made the decision not to lug my laptop along on our vacation. So we found ourselves in a situation that we hadn’t been in for about 10 years or so — no cell phone and no Internet access for a (seemingly) really long time. And I was surprised at how it affected the trip and my enjoyment of it, in both good and bad ways.

The real shocker to me in regards to being phoneless and Internetless was how much I didn’t miss it. I had my watch to check the time, and that was really all I needed. Not receiving texts, not having something constantly vibrating and distracting me, and not having that check-your-email-every-two-seconds temptation was a relief, and it allowed me to focus on the here-and-now, and really make memories of my trip. Whether it was site-seeing or enjoying Easter dinner with my Italian relatives, I was truly there, in the moment.

But reality is reality, and there were some definite downsides to being cut off from both the Internet and communicating. Not having the convenience of connecting with others or finding quality info when it counted – from coordinating a visit with my aunt in Naples to getting a train schedule to trying to find a good, non-touristy restaurant – was frustratingly difficult. And I really had no idea what was going on in the news or, more importantly, with the Knicks and the Rangers. (Turns out I was better off not knowing. Jeepers creepers!)

Ultimately, as I think most of us realize, being connected 24/7 is a mixed blessing. We have information at our fingertips whenever we need it, and everyone we’re close to is the touch of a button away. But being able to get away from that and the distraction it sometimes represents was refreshing. Still, it’s not something I’d want to be without for too long a time. After all, if I’d had my phone in London, I could’ve shown off the PaRappa the Rapper vinyl 45 I found in a record shop much, much sooner.

(P.S. Photocred to Jennifer Brooks!)

This Earth Day We Encourage You to “Think Global Act Social”

Social media has brought us closer to the planet we love and “live” for! On the day the world comes together for the sake and health of our home- we can all disagree on many things-sport teams, religion, politics, low top/high top Cons, but we can’t argue about where we live, and where despite our […]

Social media has brought us closer to the planet we love and “live” for! On the day the world comes together for the sake and health of our home- we can all disagree on many things-sport teams, religion, politics, low top/high top Cons, but we can’t argue about where we live, and where despite our differences in opinion this is the place we all call home-it’s the big rock called Earth!

So on this Earth Day, when more of us have come together as one world on Facebook or Twitter, via a check in on Foursquare or checking it out on YouTube, the dreams and needs of Earth will be most likely be fulfilled because of Earth’s community social media revolution. With that: Think Global, Act Social.

There are some great examples of individuals doing just that. Here are some of our favorites from the large well known brands who share the planet to the more cause driven entities we are all in this mission together.

So whether you have already taken part in one of these campaigns or you want to help spread more awareness about this important day through Twitter (#earthtweet), Facebook messages or by writing your own blog entry. Remember that we may be different but we all share the same place so we here at Flightpath encourage you to #ThinkGlobal and put Social Media to work for your planet.

How will you think global and act social moving forward???

Angry Birds, Mobile and the Evolution of Portable Gaming

For a long time, video games existed on the outskirts of acceptable pop culture. First, with the NES and Genesis, games were considered as something just for kids: simple, colorful, dumb entertainment. Then, with the introduction of the PlayStation, things started to change. Games were growing with gamers, featuring more complex stories, realistic sports titles, […]

For a long time, video games existed on the outskirts of acceptable pop culture. First, with the NES and Genesis, games were considered as something just for kids: simple, colorful, dumb entertainment. Then, with the introduction of the PlayStation, things started to change. Games were growing with gamers, featuring more complex stories, realistic sports titles, and the market was getting bigger and bigger. But there was still one major issue facing video games: it was mostly dudes playing. But in 2006, Nintendo destroyed gaming’s biggest barriers – complicated controls and the negative perception that video games are a solitary experience only to be enjoyed by guys in basements – with the Wii. Using motion controls and packaged with the all-ages co-op romp, Wii Sports, the Wii made it safe for women, parents, grandparents, and pretty much anyone to play video games. But maybe even more impactful than the Wii in gaming’s evolution and acceptance is something no one saw coming: mobile touch phones and their killer gaming app, Angry Birds.

For those still somehow unaware of what Angry Birds is, here are the basics: it’s a physics puzzle game, in which the player, through use of the touch screen, launches birds via a slingshot at the increasingly complex fortresses protecting green pigs who’ve stolen the birds’ eggs. It’s up to the player to figure out the right angle, speed and arch at which to launch the birds in order to destroy the fortresses and egg-poaching pigs. It’s funny, it’s fun, and the numbers are mind-boggling. According to Electronic Gaming Monthly, Angry Birds has sold over 30 million units for the iPhone alone, over 100 millon across all platforms, and earns 200 million user minutes each day. And it’s not just guys playing. It’s hard to find anyone with a smart phone, no matter his or her age, without it. But why did Angry Birds reach this level of success where others – including gaming’s biggest developers – failed, and what does it mean for the future of gaming?

Like all other video games that have seen crossover success, such as Tetris, Pac-Man and the aforementioned Wii Sports, Angry Birds nails the essentials: simple premise and simple yet intuitive controls. (To give credit where it’s due, Nintendo saw the value in touch screen controls early with the 2004 release of the Nintendo DS, and with titles like Brain Age, they did try and make games that appealed to a broader demographic, but never really saw this level of buzz.) There’s also the magic price point (Angry Birds has a starting price of just .99 cents). But perhaps the biggest key to its success is platform. The iPhone and other mobile devices have turned out to be Trojan Horse video game machines. Even with all the barriers Nintendo broke down with the Wii, there are still millions of people who have no interest in gaming or would ever dream of buying a video game system. Yet everyone needs a phone, and most non to casual gamers ended up buying a powerful gaming device with the iPhone, Android, and other touch phones, and they didn’t even realize it.

Now, the pressure is on Nintendo and Sony, video game’s two main players in the portable gaming business, to try and compete with this new gaming form and platform. Sony has already announced that their next PlayStation Portable (PSP) will be available with phone functionality. But will its traditional style of games find Angry Birds-level success, and will shorter, more casual games, be accepted on something branded “PlayStation?” Nintendo just released the 3DS, a true wonder of technology, which offers a 3D viewing experience without the use of glasses. Nintendo has taken steps towards iPhone-like functionality; the 3DS features Netflix streaming (in 3D!), maintains the original DS’s touch functionality, and will have access to an app store. But it’s still being branded as a gaming device, and Nintendo does not want to get involved in the phone business. “We have no desire to get into telephony,” Nintendo of America President Reggie Fils-Aime told CNN. “We believe that we will earn our way into someone’s pocket without having to offer that (phone capability) as an additional factor.” The 3DS has been successful since its late March launch; indeed, Nintendo sold more launch day 3DS units than any of its previous handhelds. But games are still $40, generally more complex than popular mobile games like Angry Birds, and they’re still physical media. Fils-Aime defends against this criticism, and told Game Trailers TV, “Angry Birds is a great piece of experience but that is one compared to thousands of other pieces of content that, for one or two dollars, I think actually create a mentality for the consumer that a piece of gaming content should only be two dollars.”

It’s a fair point; there are gaming experiences more in-depth and more rewarding than much of what’s available in app stores. But it may already be too late. Mobile phones have forever changed how consumers view the handheld gaming experience, from price to content. There is a huge movement centered around casual gaming both online and on mobile phones – of which Angry Birds is a posterchild – and it’s taking eyeballs and dollars away from the giants of the video game industry.

The Intersection of Sports and Social Media

This is one of the best times of the year for a lot of sports fans. It is the time when the sweet smell of freshly cut grass fills our nose and the unmistakable sound of the crack of the bat fills our ears. Sports bars will soon be filled with ball fans and millions […]

This is one of the best times of the year for a lot of sports fans. It is the time when the sweet smell of freshly cut grass fills our nose and the unmistakable sound of the crack of the bat fills our ears. Sports bars will soon be filled with ball fans and millions across the country will join together at their respective club’s ballparks to cheer on their favorite team.

The magic of sports is not one that is best enjoyed alone, although it can be done. The true enjoyment of the game comes from the social aspect of coming together and “sharing” your love and enthusiasm for your game. Yes, we all know Yankees fans don’t always agree with Red Sox fans but the sport of baseball is what brings us together. In fact, one of my colleagues mentioned the fact that sports can take the place of regular social interaction. “It gives you something to talk about with someone who you don’t know and may otherwise have nothing to talk about.”

It is this sharing of your passion and love for the game that makes sports a natural fit for social media. To me, and I think most would agree the main purpose of social media is to facilitate connections by sharing content that others will find valuable. So when I saw a recent article highlighting the MLB Fan Cave and how they proposed to use social it was intriguing.

The MLB Fan Cave is the second part of a campaign that originated last year. Last Year Major League Baseball encouraged fans to compete for the dream job of the ultimate fan. Fans were encouraged to use social channels to explain why they should be chosen.

Mike O’Hara, who was picked from the 10k+ applicants will be manning the fan cave along with his sidekick Ryan Wagner. According to the article the main job of this fan is going to be to hang out in a Manhattan location that is equipped with 15 flat screens to watch all 2,430 regular season games. The two will also be expected to be tweeting from an official MLB Fan account (@mlbfancave ) and not only offer their own observations but also respond to comments and connect to other fans.

The duo will also be authoring a blog and producing videos . In short, they are expected to use all of the major social channels to broadcast their experience and share their opinions and observations of the game. Now of course there are also some additional features such as well-known players stopping by (Joba Chamberlain and others) as well as prizes and contests for everyday fans who visit the physical location.

What makes this interesting to me is that it capitalizes on the very essence of what makes sports social. It allows these two otherwise unknown individuals to share and connect with other fans using all of the tools and from an official capacity of the Major League Baseball Name. It is too early to tell whether or not this campaign will be a home run, but by bringing the traditional offline activity of sharing and connecting around your love for the game to the online social channels that help facilitate connections it is clearly a smart play.

Is the Salesforce Acquisition of Radian6 Significant?

The acquisition of radian6 by Salesforce represents a possible significant shift in both the social media monitoring and customer relationship management industries. Time will tell how this merger will actually play out but the potential is there to deepen the connection and help foster a direct correlation between activity in social media and business ROI.

According to Mashable and the official release itself, the enterprise leading customer relationship management company Salesforce has agreed to acquire a leading social media monitoring platform in radian6. The deal is all but complete and should be finalized by July according to the article. The big question now is what does it mean for an industry who is still relatively young and with new players producing new platforms every day.

Salesforce sees it as a large move for them, which is pretty obvious by the amount of money they put up in their bid, a total of $326 million in stocks and cash was the reported agreement. “With Radian6, salesforce.com is gaining the technology and market leader in social media monitoring,” said Marc Benioff, chairman and CEO, salesforce.com in the official release announcing the acquisition. “We see this as a huge opportunity. Not only will this acquisition accelerate our growth, it will extend the value of all of our offerings.”

So with this move does Salesforce automatically become the industry leader now and in which industry are we referring to?

In the CRM industry, they have been one of if not the leader for some time now. The dashboard is great for sales forces and keeping track of prospects and current client projects and has served as an excellent lead generation tool. However, it is my personal opinion that the monitoring portion has been less than impressive up to this point.

Radian6 on the other hand, is clearly one of the leaders in this space with over half of the fortune 500 companies as their clients. Their unique technology that allows them to monitor conversations across the span of the social space including Facebook, Twitter, blogs and more allows companies to not only see what is happening in real-time but to also receive analysis and insights and engage directly from within the platform.

So how will these technologies converge? Will this be a magical pill connecting our social activities directly with our sale activities to really finally be able to see the true ROI of our efforts? The answer is that time will be the determining factor because it remains to be seen exactly how Salesforce will utilize this powerful new technology. The release does provide some hints as it is mentioned that the current internal social network known as “Chatter” will now be filled with what is happening in the social web in real time. This could be more cumbersome than helpful however as the volume of conversation could be overwhelming for companies to deal with.

The bottom line is that the possibility is there to make this a seamless integration and help solve the disconnect problem that plagues some brands with their social media efforts. On the other hand the technology could become cumbersome for people like me to use and take away from the true joy of using these mediums to interact.

One thing is certain. The next couple of months will be very interesting and could determine the future of both these industries and how this all will play out. As for agencies and brands, keep engaging your customers through social media with whatever platforms you are using, but keep an eye on this merger as it could potentially alter the landscape permanently.

SXSW Crazy Energy One Week, “End of Social Media” the Next…What Gives?

We all know the truth can hurt. We also know it can help. But the truth, whether you can handle it or not, has a lot of shades to it. Last week’s AdAge CMO column framed a POV on social media that got some of us at Flightpath – and from the post’s comments,  many […]

We all know the truth can hurt. We also know it can help. But the truth, whether you can handle it or not, has a lot of shades to it.

Last week’s AdAge CMO column framed a POV on social media that got some of us at Flightpath – and from the post’s comments,  many other digital shops, too – really talking about the state of social media.  Given the recent evangelism at SXSW Interactive, attended by the rock stars of the industry (including our own #AustinSix), we figured why not share!

Below is the beginning of the column by brand strategist Jonathan Salem Baskin. He heralds the end of “a fad. No, not the end of social media, but rather the beginning of the end of social media’s infancy.” (Guess they went for the extra shock value of a misleading title.)

Do Campaign Failures, High-Profile Firings Signal the End of Social Media?

The latest news involving social-media pioneers isn’t good. Pepsi has fallen to third place behind Diet Coke in spite of its widely heralded switch from Super Bowl ads to a huge social charity program called Refresh Project. Burger King has grilled through a couple of CMOs and fired agency Crispin Porter & Bogusky after producing Facebook campaigns and viral videos that got lots of attention while the business witnessed six consecutive quarters of declining sales…

Every CMO should use this occasion to pause and reflect on the assumptions that were behind these efforts, especially if you’re about to roll out a social-media campaign or start giving away content for free. Unfortunately, there are many reasons why you shouldn’t, and may not.

For one of our troops, Michael Liss, it all goes back to Gary Vaynerchuk‘s presentation at SXSW about his new book, The Thank You Economy. Some highlights from Mike’s notes:

This is the beginning of the humanization of business. It’s about hitting an emotional center, not pushing coupons. Social media marketing shouldn’t be about push. You shouldn’t be trying to close in one minute – everyone in social media marketing acts like a 19-year-old boy, trying to close too fast. You need patience – this is a cocktail party, start the conversation, break through the noise. There’s no such thing as a social media campaign – a social media campaign is a one-night stand; this is about relationship-building. Social is about talking to human beings. We’re living in the first time when the consumer can interact with you. It’s accepted for us to go into the conversation.

And then, interestingly enough, Gary predicted this entire debate:

Social media is going to start getting beaten up: Does this really have value? People will start looking at the money they’re pouring into this. The next couple of years might be a bad time for social, like the internet from 2000-03, when people thought the internet was a fad.

(You can read much more about the seven things Mike brought back from SXSW – five extra lbs. not included.)

Flightpather John Whitcomb agrees completely with the notion of “smart social,” as referred to in some of the AdAge post comments. He finds some of those comments  dead on, especially when it comes to ROI:

It’s amazing we still haven’t been able to come up with a system that utilizes social media metrics and quantifies them with actual results tied into business objectives. If this was the case, perhaps Pepsi and Burger King would have abandoned the strategy mid-way or at least tried to tweak it to make their campaign work.

I think the real issue, though, is that we cannot force people to buy anything using any sort of advertising medium. All we can do is create brand awareness, and hopefully drive affinity through the connections we forge on these various platforms with our consumers. But that’s still just leading the horse to water.

The Beginning is Ending, Yeah, Long Live the Ending!

So what to make of this debate? The coolest part of being involved in social media is the constant state of change. Change isn’t just in the air, it is in the DNA. The importance of social marketing (fine, media!) is how it connects people to people, people to brands, and people to opportunity in the most seamless, organic way.

If you believe the reality of “if you build it, they will come,” then you know what the build-out of any new and imaginative field is about: not infrastructure, but possibility.  Brands will take advantage of an ever-growing range of social options because community engagement is as rich a philosophy in marketing as it is in life. Social media will clearly lead brands to people and meaningful revenue to brands in the years to come.

Or, to slip in one more movie quote: “Evolution finds a way!”

Rebecca Black and the Cyberbullying She Didn’t Deserve

rebecca-black

I stumbled upon the now infamous video for Rebecca Black’s “Friday” via a Tweet from MST3K’s Mike Nelson, which appears to have been the starting point for the video going viral. Like most people, I didn’t like it. The lyrics are beyond simple, and the use of auto-tune (which is something I’ve never liked, and […]

I stumbled upon the now infamous video for Rebecca Black’s “Friday” via a Tweet from MST3K’s Mike Nelson, which appears to have been the starting point for the video going viral. Like most people, I didn’t like it. The lyrics are beyond simple, and the use of auto-tune (which is something I’ve never liked, and is probably a true dividing line between generations) was mind-numbing. The song is almost a parody of modern pop, as Rolling Stone said, which is probably why it’s gained such traction. And I won’t lie; of course I laughed at the video as I watched it.

But that’s where it ended for me. I really had no idea when this was made, where it was made, and whether or not it was an actual hit song. I knew, however, that it wasn’t made for me. It’s a song by a 13-year-old girl – reason enough to back off – that I can see younger kids liking a lot. Anyway, the video spread fast all over the Internet, and I was really shocked at how dark the sentiment became not for the song, but for Rebecca Black, the person. In a time where bullying and cyberbullying (something those of us who graduated high school before the 00s thankfully never had to deal with) are getting real notice, from schools to the White House, the volcano of cruel remarks and vitriol hurled at her is downright sad.

If anyone releases music or art, it’s open to criticism. That’s fair. Parodies are fair. But take a look at the YouTube comments, or listen to Rebecca herself recount some of the messages she received during her Good Morning America interview. “Cut yourself,” “Get an eating disorder,” etc. Unequivocally, a line has been crossed, and it’s disturbing. This is people from all over the world, of all ages, joining the pile-on; lots of “Internet tough guys” – people who would never have the guts to say the things they say online to a person’s actual face – hiding behind a screename, who for whatever reason, feel empowered by belittling someone anonymously. I’m not saying people shouldn’t have fun with the video or song. But there’s a fine line between funny and mean, and the mean never get it. Conan O’Brien’s “Thursday” parody? Funny. Fake Charlie Sheen’s tweet to Rebecca Black? Mean.

And what’s particularly gross about this? She’s just a kid. Is there that much to be gained by making fun of a 13-year-old? Also, she’s not talentless, but actually seems to be a pretty decent singer. And most importantly, she didn’t write the song; if you want to blame someone, blame those who wrote it for her. Thankfully, she seems to be handling this – the fame, the criticism and the acclaim – just fine. But if we are serious, as a culture, about ending cyberbullying and toning down violent rhetoric, maybe giving Rebecca Black a pass would be a good start.

Going further, the ultimate happy ending to this story would be that maybe, just maybe, we learn not to be so quick to be vicious, mean or snide, but maybe be more thoughtful and supportive. Rebecca Black is someone who seems like a genuinely good person – she’s donating all her profits from this to Japan, something she really does not have to do – and is not deserving at all of the poison verbal arrows slung her way. There will be others like her in the future, and hopefully, we will have learned a more human way to react.

SXSW 2011: Photo Report – Part 2

Welcome to Part 2 of our collection of SXSW photos. (If you missed Part 1, you can find it here.) In this final installment of our Photo Report, you’ll see more people, panels, food and fun stuff. Enjoy! Star Wars Uncut was a scene-by-scene recreation of the original Star Wars film made by fans around […]

Welcome to Part 2 of our collection of SXSW photos. (If you missed Part 1, you can find it here.) In this final installment of our Photo Report, you’ll see more people, panels, food and fun stuff. Enjoy!

sxsw-2011-star-wars-uncut
Star Wars Uncut was a scene-by-scene recreation of the original Star Wars film made by fans around the world, using everything from animation to live-action to stop-motion. And it’s a great example of crowdsourcing. The first 15 minutes of the movie was played, and it was truly a blast.

sxsw-2011-star-wars-uncut-panel
The folks behind Star Wars Uncut, left-to-right: Jamie Wilkinson, Casey Pugh, and Annelise Pruitt.

sxsw-2011-facebook-jumped-the-shark
At the “Has Facebook Jumped the Shark” panel, everyone pretty much agreed that it hadn’t. More interesting was the debate that emerged on whether or not young people should or should not censor themselves on Facebook.

sxsw-2011-social-media-and-comedy
At the great “Social Media and Comedy: F**k Yeah!” panel, featuring Marc Maron and Michael Ian Black (far left and far right).

sxsw-2011-marc-maron-twitter
Marc Maron discussed (in hilarious detail) an infamous tweet he made next to former GOP Chairman Ken Mehlman.

sxsw-2011-marc-maron
Marc Maron gets emphatic!
sxsw-2011-trade-show
The view from the trade show floor. Tons of companies, ranging from small to large, all showing off interesting software and gadgetry...

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But this was my favorite thing there.

sxsw-2011-google-bing
My view from the floor of the Google/Bing Q&A. The message, as always, was that content is king.

sxsw-2011-aint-it-cool
Harry Knowles, founder of Ain’t It Cool News and altogether Nerd God, along with fellow AICN writers at the “Ain’t It Cool News 15th Anniversary” panel. What I learned here: their early review, which was not too positive, of “There’s Something About Mary,” earned them major respect from both the studio and the Farrelly brothers. Also, Jar Jar Binks was originally going to die in Episode III!

sxsw-2011-star-wars-app
Josh Shabtai (hands), Creative Director/CEO of Vertigore, shows off his company’s awesome iPhone/Droid game, “Star Wars Arcade: Falcon Gunner.”

sxsw-2011-lucky-j
Finally, I leave you with this. Bask in the glory of Lucky J’s

sxsw-2011-chicken-waffle-taco
...and their amazing chicken-in-waffles taco.

And that does it for our SXSW photos! If you want to share your own SXSW memories (especially if they’re chicken-in-waffles-taco-related), please leave us a comment!

Seven Things I Brought Back from SXSW (Five Extra lbs. Not Included)

Attending SXSW Interactive felt like being inside a popcorn popper: You ricochet from one idea to another, hurling into everyone around you, energy bursting everywhere. What did I bring back from Austin beyond the 5 lbs I probably packed on? Where to even start?

Attending SXSW Interactive felt like being inside a popcorn popper: You ricochet from one idea to another, hurling into everyone around you, energy bursting everywhere. What did I bring back from Austin beyond the 5 lbs I probably packed on? Where to even start?

It’s a Social, Engaged Community (Duh)
For all the digital landscapes we carve out, there’s nothing like interacting with real people in real life. SXSWi registration was up 40% this year, and it wasn’t small to start with. This was truly a community of passionate people – and truly a community. That conversation on the shuttle, in line, before the panel, at the party was every bit as meaningful, inspiring and enlightening as the biggest keynote addresses. And everyone was open to that conversation.

Be Enchanting
Achieve likability. Perfect your handshake. Achieve trustworthiness. Default to yes. Make sure everything you do is Deep, Intelligent, Complete, Empowering and Elegant. Launch with a story, not a feature set. Empower action. Plant many seeds: Today’s nobodies are the new somebodies, and you don’t know where the people are who might embrace you. Enchant all the influencers: It’s not the top down, it’s the bottom and the middle.

It’s a Thank You Economy, Stupid
Your brand should hit an emotional center and do something that matters, instead of just pushing more coupons. Humanize your brand. Don’t try to close in one minute. A social media campaign is a one night stand – and this is about relationship-building. What’s going to work for you as a human being is going to work for you as a business. We’re turning into a small-town world. Human elements matter. Have a voice and a point of view, and don’t talk like a corporation.

What’s a Social Media Expert, Anyway?
Ask 10 different people what the ROI of SM is, what the value of a fan is, what Facebook strategy really means, anyway, and get ready for 57 different answers.

Open Book Brands
It’s not about apps, technology, campaigns. The brand has to emotionally connect with the consumer. Brands are no longer the mirrors that define us, but have to be magnets that draw us in. They have to deal with us with trust, transparency and truth. Own mistakes, then turn them around. Be genuine and authentic.

Follow Your Curiosity
Barry Diller got into the Internet in ’92 or ’93 because he was intrigued by this new way a screen was being used, and wanted to explore it. “So many people at SXSW are following their curiosity,” he said. “The miracle of the Internet is that it allows everybody who has curiosity to figure out the ideas in their brain, get it together, push a button and get it out.”

Have a Big Vision
The Foursquare founders knew what they wanted to do since their days at Dodgeball. They created the product they wanted to create to make people’s life more interesting, and went where that took them. They’re following their own strong sense of mission, leading always with how they can make their users’ lives more enriched, and doing it as a team.

Sounds pretty easy, right?

A Klout Score Alone is Not a Sign of Influence

Two panels during the South by Southwest Conference (SXSW) that I attended were focused on the topic of influence. “The Ultimate Influencer Throwdown” and “Influencers are taking over the world.” Both were full of great points and one theme that came up over and over again was relevance. Now when I say relevance, I am […]

Two panels during the South by Southwest Conference (SXSW) that I attended were focused on the topic of influence. “The Ultimate Influencer Throwdown” and “Influencers are taking over the world.” Both were full of great points and one theme that came up over and over again was relevance.

Now when I say relevance, I am referring to topical relevance. One of the panelist I actually think said it best when she said, “Understanding the realm of influence is just as important as the influence itself.” In other words, it is great that you can get a big celebrity to mention or tweet about your brand but if the brand does not have influence over your end customer what does it matter.

This is especially true because when it comes to online communities, for the most part they are built up around niche topics. So one individual could have an incredible amount of power when it comes to that specific topic but when it comes to something else they are virtually invisible.

To date, this has been of the biggest complaints about the use of a Klout score. A Klout score for those who may not be familiar with the term is a score from 0-100 that supposedly measures your Twitter influence. It looks at a variety of factors but the bottom-line measurement is how likely your content that you put out will be acted on. This could be through a re-tweet or a mention or a copy and paste of a particular link that you posted. The Klout looks at all of these.

Joe Fernandez, The CEO of Klout, who was on the “Influencers are taking over the world,” panel spoke on the subject of topical relevance and promised that Klout would be rolling out a number of new features that makes the Klout score more relevant. “Big Celebrities tweeting about products is nice,” Fernandez said, “but that’s not what gets me excited about our product. What gets me excited is the fact that the top influencer on Twitter for a major brand like BMW could be a 15 year old boy who loves the cars and is always writing on them. That is the true power of Klout.”

For now though what can you do when trying to find influencers? Follow some of these tips.

  • Look at who is already mentioning your brand or industry
  • Find out who they are connected to and have influence over
  • Use the Klout score and other quantitative factors to identify influencers
  • Score this group of influencers based on relevance and topics

So what is the large takeaway is that there is no one-size fits all solution. Each agency or brand needs to develop their own internal ranking system based on what is most important to them. After all, If Charlie Sheen tweets about your brand you may get the mentions and impressions but does that mean it will get you any conversions. I think in this case the answer would be no and that you would be #notwinning.

Keep reading the Flightpath Blog for Part 2 of our photo report, as well as more reactions and insights from our team. For a look back at what we found interesting search #AustinSix on Twitter.

SXSW 2011: Photo Report – Part 1

We know that many of you couldn’t make it to SXSW this year to experience all the panels, sights, free stuff, parties, people and BBQ. But fear not! Flightpath gives you a glimpse into what SXSW was like with Part 1 of our SXSW Photo Report. Enjoy! And that’s it for Part 1 of our […]

We know that many of you couldn’t make it to SXSW this year to experience all the panels, sights, free stuff, parties, people and BBQ. But fear not! Flightpath gives you a glimpse into what SXSW was like with Part 1 of our SXSW Photo Report. Enjoy!

SXSW-convention-center-crowd
Outside the Austin Convention Center, the main hub of SXSW, in the morning. Lots of people, but nothing compared to inside the building...
SXSW-badge-pickup
Badge pickup. Not the most exciting part of SXSW, but essential nonetheless. The wait wasn't too bad, and all the convention volunteers were really friendly.
SXSW-escalator-view
The view from the escalator at one of the many hotels in the area hosting panels. For as many people as there were, it never felt suffocating like some other (::cough::New York Comic-Con::cough) conventions I've been to.
SXSW-comics-panel-crowd
The crowd awaits Anjuan Simmons' discussion about what lessons app designers can take from comic books.
SXSW-dual-twittering
As would become my habit, I was covering all the panels I went to with both my personal and Flightpath Twitter handles. And praying I didn't make a Chrysler-like mistake.
Anjuan Simmons, right, discusses comics and comic book fans. He ended the panel with a comic book trivia contest. Not to brag or nothin', but...
SXSW-comics
...I won.
SXSW-Pepsi-Max
The PepsiMAX lot. Free wi-fi, free food, and the PepsiMAX flowed like water.
SXSW-outside-clown
What would SXSW be without clowns on stilts...
SXSW-ice-cream-sandwiches
...and free ice cream sandwiches.
SXSW-crowded-SXSW
The view from the escalator at the Austin Convention Center. Pretty amazing.

And that’s it for Part 1 of our SXSW Photo Report! Come back soon for Part 2, as well as more coverage of SXSW 2011!

SXSW 2011: Finding Twitter Secrets Through Comedy

SXSW 2011

Before I jump into the topic of this post, I just want to report that SXSW 2011 is indeed living up to its hype. Tons of interesting panels, people, and an amazingly good spirit throughout. It is definitely the best convention/trade show/conference I’ve ever been to. Now, to the topic at hand. Two of my […]

Before I jump into the topic of this post, I just want to report that SXSW 2011 is indeed living up to its hype. Tons of interesting panels, people, and an amazingly good spirit throughout. It is definitely the best convention/trade show/conference I’ve ever been to.

Now, to the topic at hand. Two of my favorite panels thus far have been, “Being Funny On Twitter (Without Getting Fired),” with talk from Chapin Clark of R/GA and Ross Morrison of Huge Inc. on bringing humor and personality to brands through Twitter, as well as “Social Media and Comedy: F**k Yeah!”, which featured comedy-Twitter giants Marc Maron and Michael Ian Black, among others. These were especially timely panels after the Chrysler Twitter debacle last week.

While the two panels attacked a similar topic from different angles – “Being Funny” was about knowing when to use humor on Twitter and for which type of clients, and “Social Media and Comedy” was more about how Twitter has become a new tool for actual comedians – they both ended up presenting similar messages. As Maron said during the “Social Media and Comedy” panel, “You’re not rewarding your fans [if you’re always promoting something].” In other words, people go to Twitter for honesty. If you’re a comedian or a corporation, people aren’t interested in following you to be bombarded with advertisements for your next stand-up special DVD or product release. They want to get a sense of who you are and what your personality is. That’s why being funny on Twitter is valuable to companies where it doesn’t stretch the brand image too far, and why Twitter has become such a great source for comedy from comedians: it’s all about cutting through the facade and learning something real about a person or company.

During “Being Funny,” R/GA’s Clark talked not just about being funny on Twitter, but general conduct as well for when you’re managing a corporate Twitter stream. First-person Tweets from a corporate account tend to raise eyebrows, whether they’re humorous or not — people want to know who is actually writing this stuff. Remember that you’re not just playing to the room, you’re playing to the world. If not everyone is going to get your joke, especially if it’s a corporate Twitter account, it’s best not to Tweet it. Also, however, don’t be afraid to experiment a little bit. If you’re going to try and create a Twitter account for a company with some humor and personality injected, try different styles of humor and see what the audience likes. But what happens when you achieve Twitter success through comedy? Do you hold back once you have a mass audience?

At “Social Media and Comedy,” we asked Marc Maron and Michael Ian Black during the panel whether or not they feel pressure to self-censor as their Twitter followings grow. Both said no — they’re only emboldened to share more of themselves, though Ian Black admitted that when he does feel like he’s self-censoring, he says something more outrageous. This might not be the best strategy for a company using humor, but it does speak to the need to be consistent and not let your followers down. As long as you’re being true to them and yourself, you’re doing your job on Twitter.

We have lots more coming in the days ahead from SXSW 2011, including a photo report, more blog posts, and as always, more Twitter updates! Keep an eye on this space, as well as our Twitter account, @FlightpathNY, or the hashtag #austinsix for all updates from the Flightpathians at SXSW 2011.

SXSW Always Gets The Human Side of Digital

SXSW

Man, did I love SXSW 2010!  It was an incredible experience for a creative marketing digital-newbie-guy, even when gagging on people talking in code…like CSS and HTML5.  Honestly, it was the most profoundly immersive trade show or festival experience I had ever attended. This year I am SOL (meaning so out of luck…I need this […]

Man, did I love SXSW 2010!  It was an incredible experience for a creative marketing digital-newbie-guy, even when gagging on people talking in code…like CSS and HTML5.  Honestly, it was the most profoundly immersive trade show or festival experience I had ever attended.

This year I am SOL (meaning so out of luck...I need this job, okay!) with personal commitments and tons of client stuff; there’s no way I can attend. But six lucky Flightpathians are going – I have affectionately dubbed them the “Austin Six” (hashtag #austinsix on Twitter) – and here’s their rap sheet. They are great, interesting people. If you see them, their Twitter stream, or their meme badge, just say hi for me.  This year there is so much human-ness in the presentations, sponsors and all the before/during and after parties; I know because I have been jealously digging anything SXSW 2011, and wish I could be there with the Austin Six.

I want to end this quick post before having to run to a Vet appointment – my digitally native Airedale Abby had major ear surgery a few days ago and is now deaf, but doing great – with three things you must do in addition to hooking up with the “A6”:

1.       Go to Wholefoods. Their global headquarters store is an easy one mile walk from the show – it is the coolest foodie store – and their breakfast tacos are clearly illegal in NYC!

2.       Think/act like somebody else, for at least one day. If you’re a geek, act like a designer or story teller or desperado for a breakfast taco…but leave your comfort zone for a bit!

3.       Forget about the parties as networking opps. Think about the networking opps as parties. You walk into opportunities everywhere, every minute. Make it all a party – it is the best freakin show on earth, and what better way is there to capture the human side of digital than by truly enjoying your time with the people behind it all?

Make sure to follow us on Twitter @FlightpathNY for continuous SXSWi coverage, as well as hashtag #austinsix to keep up with all the Flightpathians in attendance. We’ll see you there!

The “Austin Six” Are Psyched for SXSW

SXSW The Austin Six

Six members of the Flightpath team (dubbed the “Austin Six” by Flightpath’s own Cliff Medney) are eagerly anticipating their trip to the South By Southwest (SXSW) Interactive Festival in Austin, TX. The festival promises to be a whirlwind of networking opportunities, learning at every corner and of course the chance to experience all the sights […]

Six members of the Flightpath team (dubbed the “Austin Six” by Flightpath’s own Cliff Medney) are eagerly anticipating their trip to the South By Southwest (SXSW) Interactive Festival in Austin, TX. The festival promises to be a whirlwind of networking opportunities, learning at every corner and of course the chance to experience all the sights and sounds that Austin has to offer.

SXSW has a huge following and just keeps getting bigger every year. Taking place this year from March 11th to March 15th, topics covered range from social media to design to programming. Most of the members will be experiencing SXSW for the first time, but we do have one repeat visitor as well. So starting with the experienced, here is what our team members are looking forward to the most.

Denise de Castro – This is my second SXSW trip. I’m looking forward to great eats, great panels, and catching up with other social media mavens that I tweet with but have never met. I learned my lessons from last year: I’m bringing a battery charging case for my iPhone and planning out what panels/sessions I’m going to attend. Okay okay, what I’m really looking forward to is The Food: barbecue, tacos, and bbq tacos =)

Dan Brooks – Definitely “Social Media & Comedy: F**k Yeah,” on which Marc Maron (who I talked about in my podcast blog post) will be a panelist. (This is a subject we’ll be tackling soon on the Flightpath blog via an interview, though I won’t spoil with whom!) Also, “Ain’t It Cool News’ 15th Anniversary” panel – I don’t think they create the most well-written (or well-thought out) movie/comics reviews around, but they were just normal dudes who created something huge out of nothing, and I’m interested to hear their story. Last (but not least), I’m looking forward to “Second Screen: TV Meets the Web Backchannel,” which is about laptop/mobile usage during TV viewing, a subject recently debated on the Flightpath blog.

Ryan Kitson – Sunshine, tacos, and nerds will definitely make for a great environment to absorb information. Though not surprising, it’s nice to see there is quite the assortment of mobile and tablet sessions, and “Your Mom Has an iPad: Designing for Boomers” has already got me thinking.

I recently had a conversation with my girlfriend about the fact that her mother (who has never had any interest in technology or SXSW, for that matter) is a proud iPad user. Since bringing home her iPad, she heads to bed early each night, curls up with her new Apple wonder, and watches past episodes of “The Bachelor.”

She may not be making full use of the device there, but it’s nice to know us technophiles are not the only ones enjoying the portability of this technology. I look forward to hearing the shtick.

Michael Liss – BBQ. Okay, other than eating some real BBQ, I’m most excited about being awash in people who eat, drink and breathe all things digital – that contagious passion I pick up at industry events that should be rocking to the nth degree at SXSWi. The people, companies, products and ideas that are changing the landscape faster than we can map it. SXSWi doesn’t just gather to examine where the digital world is going, but to forge it, to make it happen, right there.

New products and companies roll out in front of your eyes. Ideas and new ways of thinking come flying from all directions. I’m excited to be in the middle of it, to soak everything up, discuss and debate it, be inspired and invigorated, meet new people who live for this, and come back ready to reengage with a fresh perspective, fresh approach, fresh ideas and a pure excitement for putting what comes next into action.

And I also can’t wait for the BBQ.

John Whitcomb – Everything is bigger in Texas. While this may or may not be true, it does reflect what I am looking forward to the most. A chance to experience a new area of the country that I have not been to that has its own culture and way of doing things. From what I hear, Austin is not your typical Texas vision but it is a different city and will give me a chance to get out of the New York area and discover something new. I am sure the sessions will be full of new discoveries as well and that excitement of seeing and learning something for the first time is what I anticipate the most.

Alex Lindgren – Right now, nothing too specific. But I’m excited to see what new things companies are doing and announcing, and learning about new trends in tech – particularly mobile. I’m also really hoping not to be shot, since it’s my first time in Texas, and I hear it’s a place you don’t mess with.

There you have it! That is what each member of the “Austin Six,” as we are known, is looking forward to during SXSW. Make sure to follow us on Twitter @FlightpathNY as well as hashtag #austinsix to keep up on how the festival is living up to our expectations. We’ll see you there!

Digital Debate: Media Convergence on One Screen

twitter on television

We here at Flightpath usually get along pretty well. We’re all interested in digital media, technology and how the two continue to change and evolve. We go out to lunch, get drinks, and generally enjoy each other’s company (except for that one person here…). Occasionally, however, we disagree on things (Jets vs. Dolphins, Birch vs. […]

We here at Flightpath usually get along pretty well. We’re all interested in digital media, technology and how the two continue to change and evolve. We go out to lunch, get drinks, and generally enjoy each other’s company (except for that one person here…). Occasionally, however, we disagree on things (Jets vs. Dolphins, Birch vs. Stumptown (both awesome local coffee houses), Brgr vs. New York Burger, etc.). You know how it is.

Today, we’re having a “Digital Debate,” where we’ll offer two opposing views on an issue in the digital world. You decide who – if anyone – is right. In this sparring match, it will be “Smokin’” Social Media Strategist John Whitcomb vs. “Dashing” Digital Marketing Associate Dan Brooks.

The topic: Will there be a one-screen future featuring the convergence of television and Internet interactivity?

John:

As I watched the Oscars and followed my Twitter stream, it got me thinking about how far technology has come. It was amazing that I could connect to other viewers from all over the globe just by searching for a certain topic or hashtag, such as #Oscars or #TheOscars.

My vision of the future, meaning three to five years from now, involves one of convergence. Instead of having to watch one screen and have another to connect to my friends’ opinions on Twitter with my laptop, I will be doing both at the same time on one screen, plus a whole lot more.

Let me indulge you for a minute and so that you can visualize exactly what I am talking about (and make it easier for you to agree with me). It is the year 2014 and you are just settling down for your interactive Oscar experience. You turn on the TV and tune it to your desired channel. Next you bring up your Twitter and Facebook streams and start following the conversations. Since you are a huge behind-the-scenes fan, you have also just downloaded to your TV the behind-the-scenes app, which lets you watch exclusive video that is not available to the general public.

You continue watching the show, participating in the live Facebook chats with the winners and voting in all of the audience participation questions. You change the camera view so you can get a glimpse of the audience, and by clicking on one of the audience members you are instantly greeted with their bio (in case you forgot who they were).

Some of this is already possible, and this year at the Consumer Electronics Show, “Connected Televisions” were one of the largest draws behind, of course, the Tablet craze. But I really do think that this isn’t that far off and we no longer will have to choose between devices, but will have all the options that we currently have on multiple devices on one screen. Oh yeah, and did I mention that this viewing of the Oscars takes place after you have eaten the dinner prepared by your robot butler?

Nice vision, right? Top that, Danny Boy!

Dan:

John is wrong. THE END.

Just kidding. John brings up a good point in that many forms of media have been mixing and converging over the years. Our cell phones are no longer really phones; they’re music players, texting machines and mini-computers. Laptops are recording studios, DVD and movie players, and stereos. But I’m hesitant to lump TVs into this category, especially when it comes to Internet/Twitter/interactive functionality. The reason? The technology to incorporate interactivity and/or the Internet into the television viewing experience has been around for years; it’s been tried, and it’s never worked.

The biggest hindrance to web surfing on television has always been that the web just doesn’t look that good on TV. It’s the same as retrofitting a web site onto on iPad – it doesn’t work. The resolution is terrible and no one likes zooming in and out. Also, with web content on television, it’s really just no fun reading from your couch, which is usually pretty far away from the screen. In addition, no one seems to want a keyboard lying on their coffee table. (And who wants to use a remote to type on the TV? As a gamer, I hate typing messages on the PlayStation Network with my controller, and rarely do I or any of my friends write anything to each other short of highly intellectual quips like, “You suck.”)

But aside from that, even when media companies have tried to introduce web interactivity to TV, it’s been rejected. Remember the great WebTV craze of ’96? You don’t because there was no craze – no one wanted it. Yes, G4’s Attack of the Show does feature some onscreen Twitter messages from viewers, but this is a niche show geared towards tech fans. They’re low-hanging fruit.

And forget Internet or Twitter functionality; this is really all about interactive television, and there’s a vast graveyard filled with failed attempts at interactive television. There was Qube, Videoway, and Time Teletext, among countless others (see Fordham University Professor John Carey’s excellent paper on Interactive TV for more info). They all offered early versions of things that are now routine on the computer – banking, games, brief text news updates – and all were ultimately rejected or failed to make it out of their test markets.

My feeling is that the big change to how we watch TV in relation to the Internet was the adoption of laptops into the living room. Watching the Giants blow a three TD lead in the 4th quarter against the Eagles and want to see if any team has ever choked this badly? Turn right to the laptop and try to find out. (I’m a Jets fan, by the way.) Want to see what people think about Anne Hathaway’s supremely annoying “Woo!” yelp after every introduction during the Oscars? Check the laptop. Just watched a weird Korean horror movie sickly recommended by your boss that you can’t unsee and want to seek professional help? Open the laptop.

I will, of course, acknowledge that there already has been tremendous convergence between television and the Internet. There’s TV content on the Internet, and the TV experience has become more web-like, with Video On Demand, interactive menus and time-shifting via DVR. But I think this might be as far as it goes for TV meets the Internet because ultimately, TV is a passive experience. It’s a one-way street, where you turn it on, sit back and watch. It’s designed to work that way and nothing has ever been able to completely change that.

Checkmate, Whitcomb!

P.S. I have no idea who added that link to John’s “Nice vision” line. No idea AT ALL.

Conversion Rate Optimization: Performance Comes Down to Testing!

As a gear-head and big fan of motorsports, I’m psyched about the upcoming Formula 1 season. For those that don’t know, F1 is the pinnacle of auto racing, involving crazy amounts of money, resources and technology that is unmatched by any other form of racing. The level of engineering employed in creating these one-of-a-kind cars […]

As a gear-head and big fan of motorsports, I’m psyched about the upcoming Formula 1 season. For those that don’t know, F1 is the pinnacle of auto racing, involving crazy amounts of money, resources and technology that is unmatched by any other form of racing. The level of engineering employed in creating these one-of-a-kind cars is amazing, with each team developing a brand new car every year. Top teams such as Ferrari, Mclaren, Red Bull and Mercedes spend hundreds of millions of dollars each season trying to win the drivers and constructors championships. The first race is a few weeks away and takes place in Australia (it should have been sooner in Bahrain, but with recent protests the race was suspended. sigh).

But before these cars can race, they must test. Testing sessions have been underway since early February. Here is where teams put their cars on track for the first time, testing new parts and different setups, and experiencing for the first time just how they stack up against the competition. Teams watch each other closely and size each other up, even monitoring engine notes to see if they’re running at maximum or just sandbagging. F1 is a sport where every tenth of a second counts. Imagine that your car is half a second slower per lap than your rivals. Doesn’t sound like much, but at the end of a 60 lap race, you’re 30 seconds behind and your car looks like a bus. Not something a title sponsor wants to see after pouring millions into your team.

This same principle can be applied to websites and campaigns. A/B testing and multivariate testing is nothing new, and this post is not intended to insult anyone’s intelligence, but many sites out there overlook ongoing conversion rate optimization following a new launch or redesign. Success can be quantified after a little more thought is put into visitor interaction and proper goals are defined; not just looking at visits and page views, but measurable conversions. As Avinash Kaushik, Analytics Evangelist for Google, says, “Not using goals is a crime against humanity.” With goals properly defined, tools ranging from the free Google Website Optimizer to the more expensive Omniture Test&Target are great for running tests and experiments to improve conversion funnels. This not only helps improve content relevance but also affects the bottom-line.

At the Internet Retailer Web Design & Usability Conference held in Orlando in mid-February, top online retailers such as Home Depot, L.L.Bean and Home Shopping Network were there to share their insights. Presentation after presentation, there was the same reoccurring message: test and test some more. A company like Home Depot, who has 25% of online market share, can’t afford to let things slide. They generated $68 billion in retail sales the fiscal year ending in January. If their web sales account for around 7% of that total, a small 0.1% conversion improvement can make a huge difference. In this case that tenth is worth $4.76 million. Sure, just following best practices could likely yield great results in a purely theoretical world, but every company is different and so are their customers.

Pod People: How Podcasts Are Changing Niche Marketing

Podcasts

I’m a guy with admittedly niche tastes, and I really love the stuff I love. I’m at the comic book store every Wednesday (usually Manhattan Comics, located just a few blocks away from the Flightpath offices) to check out new releases, and there’s always a graphic novel in my bag or on my nightstand. (Currently, […]

I’m a guy with admittedly niche tastes, and I really love the stuff I love. I’m at the comic book store every Wednesday (usually Manhattan Comics, located just a few blocks away from the Flightpath offices) to check out new releases, and there’s always a graphic novel in my bag or on my nightstand. (Currently, I’m reading the Star Wars: Legacy trades and the Deadpool ongoing series collections. I highly recommend both. Yes, I’m a huge nerd. Please don’t judge me.) I also love comedy, having been raised on a diet of SCTV reruns and Turkey Day marathons of Mystery Science Theater 3000. I’m a hockey addict, going to as many New York Rangers games as I can, and wearing my schnazzy new Heritage Jersey at every opportunity, while at the same time hating the New Jersey Devils with every fiber of my being. It’s a good life.

I like to talk about the stuff I like, or even better, listen to other people talk about the stuff I like. The biggest problem for a guy like me, however, is that there are no mainstream outlets for that to happen with my niche hobbies. There’s nothing close to comic book talk on the radio or television and probably never will be. Comedians are all over the media, but rarely do I get to hear them improvise without a filter, or speak, long-form, about who they are and what they do. Even with hockey, the coverage on local talk radio stations like WFAN is minimal. In the local papers, articles are banished to the back pages of the Sports section. So, if I want to hear actual human beings dissecting and exploring the things I love, where am I to turn?

Enter podcasts. Podcasts, for those who don’t know, are downloadable MP3 audio files (occasionally video), almost always free, that can be played on your computer, iPod, or essentially any device that plays MP3s. And what they’ve evolved, and seemingly settled into being, is niche radio made at home. If you want to hear someone talk about it, chances are, there is a podcast covering it. And unlike public access television, which for the most part, has brought us nothing but junk (and in the best case scenarios, weird junk), podcasts can actually be pretty excellent.

I first discovered podcasts through a fellow comic book fan, who suggested I check out a show called Around Comics. Hosted by a few friends and recorded in their local comic shop in Chicago, these guys were smart, witty, and spoke the language I knew. They weren’t afraid to say what they didn’t like, what they loved, or to disagree with each other. Moreover, they featured tons of in-depth interviews with comic book professionals, including controversial writer/artist John Byrne, legendary Silver-Age creator Carmine Infantino, and future all-time great, Goon creator Eric Powell. These names may mean nothing to you, but they mean a lot to me and others, and the result is a true emotional connection between audience and product that is essentially impossible on modern radio.

I won’t bore you with all the details, but the same holds true for comedy and hockey podcasts I later found. Marc Maron’s WTF podcast delves into the comic’s own personal life with brutal honesty, and he gets his interview subjects (comedians, comedy writers and directors) to open up about almost anything. There’s also the Pop My Culture podcast, more light-hearted than WTF but still very smart, in which hosts Cole Stratton and Vanessa Ragland deftly mix serious discussions about craft with very funny riffs on just about anything with their guests (see the Bob Odenkirk and RiffTrax episodes for proof). For hockey, I turn to the NYRangerscast, hosted by a couple of knowledgeable young fans who adeptly express all the joy and pain every Rangers fan feels through the course of a season, as well as the insightful Puck Podcast, which features highlights and clips from around the NHL.

Now, why should this matter to those of us in digital marketing? Most successful podcasts end up being sponsored, and anecdotally at least, I submit that podcast sponsorships are a great opportunity to reach target demographics. Through Around Comics, I discovered InStockTrades.com, which offers incredible discounts and packs each book—even the dumb Thundercats trade I ordered—like it’s the most valuable thing on earth, not to be damaged under any circumstances. (This shows that they know and care about the needs of neurotic comic book fans like myself. I will be a customer for life.) But larger businesses can find value in sponsoring podcasts, too; companies like Audible and Netflix have sponsored Around Comics and WTF. When I hear their promos (read live by the hosts), and see that they are supporting something kind of underground and kind of off-the-grid, like a comic book or comedy podcast, it makes me think, “They get it. And they’re helping something exist that could not exist anywhere else.” It changes my perception of them as a nameless, faceless corporation. Suffice to say, I’m a Netflix subscriber and consider Audible one of the good guys.

The New York Times recently took notice as well, highlighting the mega-popular This Week In Tech (or TWIT) podcast hosted by Leo Laporte, which receives a quarter million downloads each week. According to the article:

“Advertisers, especially technology companies, appreciate Mr. Laporte’s reach. Mark McCrery, chief executive of Podtrac, which is based in Washington, and measures podcast audiences and sells advertising, said TWIT’s advertising revenue doubled in each of the last two years and was expected to total $4 million to $5 million for 2010.

Starting at $40 per thousand listeners, TWIT’s ad rates are among the highest in American podcasting and are considerably higher than commercial broadcasting rates, which are typically $5 to $15 per thousand listeners.”

This is great news for successful podcasts, but even better for advertisers.  Ad rates may be higher, but advertisers, some of which are huge corporations, know that they’re getting an audience that’s interested in their specific product. Indeed, TWIT counts Ford as one of its many sponsors.

Podcasts, ultimately, fill much-needed gaps: they give us the chance to be our own talk radio program managers, letting us choose what we would want our own station to be. They tell you that there are other people out there who love the same stuff you do, which, to put it simply, means a lot. Because of this, the bonds between show, hosts and audience are that much stronger, no matter if the podcast is recorded in someone’s kitchen or in a studio; thus, sponsorships seem more honest as a result. And there’s also the fact that, in most cases, podcast listeners find the shows they love on their own. They’re not being advertised and they’re not being sold to you. You find them on your own terms, you give them a shot, and you choose to subscribe or check back in. And the emotional connection created, because you found something that isn’t cynical and speaks to who you are, is real.

So, try a podcast—whichever it is, I promise not to judge. (Unless it’s about something I don’t like. Then, woo-boy, are you a weirdo.)

Social Splash vs. Substance

Oreo is dead set on bringing that infamous “twist” to the Facebook world. And they’re doing amazing things. Recently, they were focused on breaking a Guiness world record by encouraging their fans to like a specific update with the goal of setting the record. It’s making a pretty big splash, or a colossal milk-dunk, the […]

Oreo is dead set on bringing that infamous “twist” to the Facebook world. And they’re doing amazing things. Recently, they were focused on breaking a Guiness world record by encouraging their fans to like a specific update with the goal of setting the record. It’s making a pretty big splash, or a colossal milk-dunk, the way that only Oreo can. But this recent attempt and others have me thinking with my marketing cap on and wondering: What’s really more valuable substance or splash?

Now, I’ll be fair to marketers and agencies that deploy these splashy tactics. Our first and most important job is to get people talking about the brand or company. There is no better way to do this than with some out-of-the-box campaign to create buzz. However one has to wonder about the long-term value in these efforts.

A smaller attempt to generate excitement has been the explosion of one-off social media campaigns. By this, I mean the thousands of contests and sweepstakes that companies use to build excitement about their brand and generate a larger fan base in the process.

A new study published by Co-Tweet (ExactTarget) reports that over 25% of Facebook users have admitted to liking a page to take advantage of one of these types of campaigns, but then, unlike the page once the campaign concludes. According to the same study, the relationship between a brand’s page and its fans is very fickle. More users than I would have thought take that step and unlike a page. What does this mean for marketers? Well, let’s backtrack to our ultimate hope when running a splashy “impact campaign.” Typically, our goals are to increase the fan base, and then, hopefully, convert these new fans into brand advocates—because of the positive experience and engagement levels on our page. This study tells me that, while the first part may succeed, it doesn’t guarantee the second part will. It is a lot more difficult to convert fair-weather fans into brand loyalists.

The lesson is that it takes work to transfer splash into substance—and you might lose some numbers in the process. A complete strategy for running an impact campaign has to address both issues: acquiring new fans and building brand affinity. There needs to be a dual focus to avoid the fallout that comes after a big splash. But don’t be discouraged, these one-offs do have plenty of value that can make a real impact. Just know that they are most valuable when properly balanced.

Jump…into Social Media!

If you look at marketing magazines and read all the industry trades, social media seems to have been widely adopted and understood by everyone. However, sometimes as industry professionals, we get wrapped up in our own game of inside baseball. We forget that for a lot of America, and some of our clients, this is […]

If you look at marketing magazines and read all the industry trades, social media seems to have been widely adopted and understood by everyone. However, sometimes as industry professionals, we get wrapped up in our own game of inside baseball. We forget that for a lot of America, and some of our clients, this is still an unknown area, and therefore a little bit scary.

I recently attended an event that reminded me of this fact and was the inspiration for this post. The event was Social Media Boot Camp, and it was a daylong workshop of various sessions dedicated to different topics. Throughout the day, I realized that the attendees in the room had varying levels of experience within the social space, and therefore, their comfort levels were different as well.

Empathy is a human emotion that we strive to achieve, and when dealing with clients, empathizing with them and understanding their fears is a huge help—especially in the world of social media. Imagine if you were about to embark on something that scared the bejesus out of you—like starting a company Facebook page. For me, personally, a good example would be to go skydiving. I am not a fan of planes, in general, and the thought of falling out of one, with only a parachute, is not a very comforting thought.

Now, if I do decide to go for it, I want an instructor who is patient with me. Someone who won’t try to force me into something I’m not ready for. The ideal instructor would understand why I am scared, and really make an effort to make me feel at ease. This may mean that it takes more than one plane ride to summon the courage. And it may also mean that I need to take some incremental steps to feel comfortable with the big leap.

When discussing social media with clients, I always try to be this instructor and understand exactly what fears the client faces. It could be they are scared of the negative feedback. It could be they are worried about the business infrastructure they have in place, and they wonder whether their business is truly ready. Or it could be they are worried about wasting their investment—with little or no return. I make every effort to understand these emotions when planning campaigns for clients.

It’s worth it to take the extra time to be a client’s social media (read: skydiving) instructor. Making sure they understand the basics of the platforms, the how and why of the various tools, and what measures they can take to safeguard their reputation, builds trust. It also makes explaining the business case of social media, and how it does affect their bottom line a whole lot easier, too.

Once you have explained the safety features, you still need to gauge whether clients are comfortable assuming the risk. Because like in skydiving, we can’t guarantee the future and can never eliminate risk completely. What you CAN do is make sure they understand how to mitigate risk, and make clients feel confident because you’ll be right there with them—freefalling in the digital open.

Mr. Chocolate, Jacques Torres Tweets Up V-day

Nobody does chocolate like Jacques Torres (@jacquestorres), and after Valentine’s Day 2011, nobody tweets like him, either. The man is truly passionate about both his product and his brand. This love could not have been more evident than through his one-man V-Day crusade to get people buying into his stores—and all that damn good chocolate. […]

Nobody does chocolate like Jacques Torres (@jacquestorres), and after Valentine’s Day 2011, nobody tweets like him, either. The man is truly passionate about both his product and his brand. This love could not have been more evident than through his one-man V-Day crusade to get people buying into his stores—and all that damn good chocolate.

He tweeted nonstop yesterday about his special heart creations. And he was on the move all day, telling followers where and when they could meet him at his various NYC stores. If the 70’s were, themed around “power to the people,” Twitter is defining a new era of “passion to the people.” I noticed Jacques’ stream-of-consciousness tweets, and was impressed how effectively he was using the platform—cutting through a lot of clutter on arguably the biggest chocolate day of the year.

But now, V-Day is over (oh-so yesterday), and I hope he killed it on sales. The man certainly earned it. What I learned from this passionate chocolateprenur are three, delicious things:

  1. Tweet a story by planning a story. Live narratives offer can’t-stop-reading excitement.
  2. Be part of the story. Jacques may create original and delicious chocolate treats, but he manufactures something even more tasty: undeniable, mouth-watering passion.
  3. Twitter is about what is real in real time. When planning events, from flash mobs to openings, nothing has more of an active voice than tweeting all about it.

Hope everybody had a wonderful Valentine’s Day, it’s almost time to start planning 2012!

Shareables from Social Media Week Boot Camp

I could write with a lot of passion about my day at Social Media Week Boot Camp (#smwcampny) all the great sessions, the cool things I learned, and meeting some wonderfully creative and inventive people.  But that would be too easy, and besides, I’ll include a couple of key links, Twitter handles, etc. for you […]

I could write with a lot of passion about my day at Social Media Week Boot Camp (#smwcampny) all the great sessions, the cool things I learned, and meeting some wonderfully creative and inventive people.  But that would be too easy, and besides, I’ll include a couple of key links, Twitter handles, etc. for you to get the information directly.

The beauty, the reality is the longer I am in the ever-evolving world of social media, the more I see the reality of real openness and sharing. It’s a truly “real time” re-definition of communication transparency, corporate and societal. Compared to partially closed societies, authoritarian nation-states, or even less evolved organizations, the overwhelming sense from a conference like #smwcampny was being in the widest, most open ecosystem of people, places, and things imaginable.

Being on the inside is everywhere on the social web. Therefore, ironically, it makes the inside irrelevant. The “back office” complaints of yesterday are totally done, gone.  Anything a company does can be C-suite level concern incredibly fast.  United Airlines was highlighted at #smwcampny regarding the widely known, like 9,000,000+ YouTube view known,  guy who wrote and sang some damn good songs, glorifying (gore-ifying) United’s total disregard for his guitar. It just proves you don’t mess with a guy’s guitar, even if his name is Dave (and not Slim) in today’s often overexposed social media world.

I’ll take liberty to reflect a little bit here. I have been in love with the idea of totally exposing yourself (in a non-porn kind of way) since watching the value of it in my third-favorite movie of all time, 8 Mile. The essence of this kind of exposure is revealed in the scene where Eminem as “M” freestyles against the reigning champ Papa Doc. M totally outs himself about his pill-popping mom, along with his upbringing and various other issues, including a friend who shot himself—all so Papa Doc would have nothing to say that wasn’t already said. M not only understood the power of transparency, he got the social media reality of today that being first out and owning (therefore managing) even negative stuff is a success-driven strategy.  BTW, how hot is Mr. Mathers after the Chrysler “Detroit” Super Bowl spot? He’s been trending on Twitter and huge on YouTube. Gotta love how he always connects his humanity to his world at large…very large.

My final reflection is about what was so great about #smwcampny. It was the breadth of involved people, from the highly experienced to newbies in marketing or the social space, and in some cases, both. This is what made it a Shake-Your-Boot-Camp kind of event. See some of #smwcampny for yourself, and/or follow these tweeps who I got to see and really rocked as embracing and engaging presenters:

Would Don Draper Go Mad For iAds?

Don Draper meets the iPad and iAd

Fooling around with the Tron: Legacy iAd – the first iAd for Apple’s iPad – I wondered what Don Draper would make of the new advertising format. (Not a curmudgeonly 90-year-old Don Draper of today, who’d probably be more concerned with those loud teens down the block than the latest whatsit. I mean an in-his-prime, […]

Fooling around with the Tron: Legacy iAd – the first iAd for Apple’s iPad – I wondered what Don Draper would make of the new advertising format. (Not a curmudgeonly 90-year-old Don Draper of today, who’d probably be more concerned with those loud teens down the block than the latest whatsit. I mean an in-his-prime, boozing, smoking and Kodak Carousel-branding Don Draper.)

“Advertising is based on one thing,” Draper said in Mad Men’s first season.  “Happiness. And you know what happiness is? Happiness is the smell of a new car. It’s freedom from fear. It’s a billboard on the side of the road that screams reassurance that whatever you are doing is okay. You are okay.” The role of advertising in our lives and what it strives to achieve has changed since Draper’s time. The core is perhaps the same – to reach someone in a manner that speaks to them – but the idea of ads telling you you’re “okay” has evolved, as has the meaning of “happiness,” via advertising. Today, successful ads achieve a broader emotional engagement in a way that excites people honestly and intellectually. More than something material, they give you something worthwhile. So what does it mean for people seeing advertisements that they can reach out and physically manipulate, touch and interact with?

iAds are the posterchild of immersive HTML5 ads – the advertising format on all touch screen mobile devices – and this new format can revolutionize advertising altogether. iAds made their debut last year on the iPad’s smaller cousins, the iPhone and iPod Touch, with several top-shelf brands (including Nissan, Audible.com, and Campbell) making creative entries. They first appear as banners in iApps, can be clicked and activated, and then exited at any time. The hook (and innovation) is that that they’re not passive ads; users interact with them physically via the touch screen and engage with them on their own terms.

iAds and HTML5 ads can make the user a part of the advertisement like never before, and that is genuinely exciting in a, “Let’s create something no one has ever seen before and make a real connection” way. As a gamer, I think of how Nintendo’s seemingly simple innovation of user interaction changed how we relate to video games forever, stirring the imagination in new ways. I watched my friend’s 85-year-old grandfather play Wii Bowling, probably the first time he’d “bowled” in 30 years, invigorated with each strike; I smiled as my uncle played Wii Baseball, swinging the remote like he was back in Brooklyn playing stickball. They were honest moments of joy.

iAds and HTML5 ads can have the same impact on how we experience advertisements. The Tron iAd lets you spin, with a flick of the wrist, a Tron-inspired wheel that takes you to movie trailers, a map with theaters near you playing the movie (the most usable, personalized feature), soundtrack samples and more. Nissan’s iAd for the Leaf, a 100% electric car, makes use of all of the iPhone’s functionality – tapping, sliding, tilting, and even shaking – to give users a unique, in-depth experience. You can rotate the car; see inside it; watch a high-quality video ad; reserve one or compare it, dollar-by-dollar and mile-by-mile, to other cars. It’s almost an app in disguise, and it’s a delight.

So what would everyone’s favorite ad exec think of iAds? Can they tell you you’re okay and bring about happiness by today’s standards? I think Don would argue that they have more potential to accomplish this than maybe any other ad format that came before. The Nissan iAd, through the experience of exploring the car and the message of just how different and innovative the Leaf is, does tell you you’re okay. It tells you you’re taking a step into something important, social and worthwhile. That is happiness. Imagine what Draper could have done with this technology while working on the Kodak Carousel? Maybe he’d give users the chance to spin it themselves, upload their own photos instantly, and share them – and the stories behind them – with friends.

iAds and HTML5 ads represent change. “And let’s also say that change is neither good nor bad,” Draper said in the show’s third season, “it simply is. It can be greeted with terror or joy, a tantrum that says, ‘I want it the way it was,’ or a dance that says, ‘Look, something new!’” My guess is, he’d be excited by the “something new” that iAds bring: the chance to connect with people on even deeper levels than ever before.

Certified Organic Marketing

Organic farmers and handlers work tirelessly to obtain and maintain the esteemed USDA organic seal. This process involves a multi-year commitment that begins at least three years before any goods earn the coveted mark. It’s loads of hard work, without convenient chemical shortcuts, and research. Then there’s the certification process and, you guessed it, fees. […]

Organic farmers and handlers work tirelessly to obtain and maintain the esteemed USDA organic seal. This process involves a multi-year commitment that begins at least three years before any goods earn the coveted mark. It’s loads of hard work, without convenient chemical shortcuts, and research. Then there’s the certification process and, you guessed it, fees. So while they’re doing all this work to comply with rigorous standards, does it all go to waste the second they step foot in a marketing or advertising agency? Should this really be the case? Or is the world in need of a marcom revolution, a shift to a truly “organic” agency and a new discipline within marketing?

We’re all guilty. Think about the stacks and stacks of paper thrown away—not recycled— each day at our offices. Consider the electricity old devices and poorly engineered technologies waste every second of every day. For proof, just take a walk by your agency’s servers and feel the heat emitting from these massive machines. It’s all a senseless waste of valuable resources that ultimately contradicts the essence of what any product that bears the organic seal is trying to promote. Yet, all these products need to be marketed don’t they? But doesn’t it, in fact, taint the very essence if the agency doesn’t adhere to strict eco-conscious protocol for its own business operations? It’s worth pondering—deeply.

So we’re in a bit of a pickle, but there is a solution. In the wake of global resource depletion and looming environmental hazards, now is definitely the right time to stop talking and start implementing. Organic brands should start demanding more from their agencies.  How about this: If agencies want to be eligible to market organic products, they too, must uphold similar regulations to the USDA organic seal:

  • Ongoing agency-wide recycling program for 3 years before application
  • Purchase and use of only energy-efficient technologies for 3 years before application
  • Purchase and use of only recycled paper, eco-friendly printing inks & office supplies for 3 years before application
  • Undergo annual eco-audits of business operations & maintain “organic-grade” levels of sustainability
  • Fifty percent of charitable contributions must benefit environmental causes for 3 years before application

Only the last one is radical, and it would only apply to those agencies that make significant charitable contributions. The other steps to becoming an “organic” agency seem only logical and fair, considering the steadfast commitment that organic producers make to their business operations. If this was a government program, there could be tax benefits (I know, I said the “t” word) to sweeten the deal.  Fiscal incentives tend to be the most motivating.

Indulge the happy-hippie daydream just a little more. Imagine the competitive landscape of top agencies charging forward with eco-conservation initiatives just to beat one another to a pitch.  It sounds amazing, wonderful, and full of that raw human energy that positively propels the world forward, generation by generation.  Meeting organic brands on the same level of environmental commitment certainly gives an agency perspective into its target consumer group. But the compelling thing, in this case, is the collective energy gathered to sustain the one, shared resource most valuable to all of us: Earth. It’s a cool, new way to do business.

The Power of Message

After a week when President Obama challenged our country to a heightened sense of purpose, it seems like a good time to breathe in what he so eloquently brought to bear. We’ve all heard about the tenor and tone of polarizing “political discourse” on society. Most everyone has an opinion on the influencing power of […]

After a week when President Obama challenged our country to a heightened sense of purpose, it seems like a good time to breathe in what he so eloquently brought to bear. We’ve all heard about the tenor and tone of polarizing “political discourse” on society. Most everyone has an opinion on the influencing power of assaultive language on public opinion.

Clearly we don’t need another post about the contributing factors of why unstable people do unspeakable things.  But (and it’s a BIG but!), given that we’re marketing people putting out a marketing blog, I thought I’d share my perspective on marketing communication: It’s about the power of influence.

Money still equals power, the ability to get your message and influence blasted to the masses. Based on a projection by one research firm, the overall 2011 U.S. marketing media spend will be over a quarter trillion dollars. That’s a lot of power and influence. And that’s the simple point of this post: With this power to reach people comes an opportunity, maybe even a responsibility.

Even though it’s our job to sell pet microchip enrollment or soda or cars, we have the opportunity to elevate our message. Brands can be the financier of a positive, compelling message that isn’t at odds with the need to sell more stuff, but is totally aligned with it. People are looking for emotional leadership, and the companies that get that will get business.

There is “real world” carryover from emotionally-centered commercial campaigns. In today’s digital and social media landscape, we’re bombarded by messaging more than ever, and become hourly messengers ourselves. Positive, feel-good communication, even if originated with commercial purpose, can still exert influence.

From “I’d Like to Teach the World to Sing” to Cisco’s new “Together” campaign, marketing has the power to create a “one world,” all-in-it together landscape. Sentiments of empathy, optimism, compassion, or tolerance can and do come from anywhere.

Make it more human. Corporations can be more personal, be a part of the new message. Let’s keep it positive. For all the right reasons.

iPhone App Upgrades and Evolving Perspectives

Does the world need really another app?  That’s like saying does the world need another year of new car models.  Hybrids and electric models, yes. All those others, probably not. And if it were left solely up to me, we may still be living in caves, drawing wooly mammoth silhouettes on rock walls and commuting […]

Does the world need really another app?  That’s like saying does the world need another year of new car models.  Hybrids and electric models, yes. All those others, probably not. And if it were left solely up to me, we may still be living in caves, drawing wooly mammoth silhouettes on rock walls and commuting with our v1.0 legs and feet.  It’s not that I’m anti-progress, it’s just that I fall on the necessary side of purposeful innovation.  But new functions and features keep the game exciting and interesting.  And “purpose” can really be as simple as improved design that connects people on a deeper emotional level. These ideas give me a new frame of reference, and this week’s work of brainstorming and planning an upgraded iPhone app has forced me to rapidly evolve my perspective.

The learning curve has been more of a slippery spiral, and what I bring to the table is insight into customer feedback, particularly how the consumers feel about the current application. Valuable, yes. Technologically relevant, not so much. I’ve spent the majority of meetings jotting down tech-jargon to look up on my own, so as not to slow progress. In between, I’ve tried to address my knowledge gap with various industry articles, including the especially helpful App Development 101 for Marketers. But I get hung up on all those little moving parts, features and functions, and the endless possibilities for the end product. It takes all I have to repress a childlike curiosity that wants to stop and ask—can we make it spin and sparkle, too?

Integration adds another level of complexity, too, because you can’t just develop an iPhone app. That’s boring and totally misses the point. Consumers  are highly evolved and now expect constant engagement. Everything needs to be connected: desktop site, social media, and other mobile sites and apps.  Keep everything cyclical, allow for seamless integration, and you have something consumers will actually use and enjoy. Segment your offerings and risk looking like a digital throwback.

A clear blue horizon appears when the big decisions are made.  Once the foundational requirements are set for functionality and integration, possibilities narrow, and logic shines down to illuminate a path through second and third-tier requirements.  With this release and relief comes loss, and you have to say goodbye to some of the spin and sparkle—farewell to the geo-targeted pet-dating feature that syncs with Facebook. Soon, you have a plan for fully formed upgrade that’s shiny, new, and ready to be pitched.  I’ll admit that most of the technology is still magical to me, but I know where I contributed and how/why that shaped the features proposed for the upgrade.

This type of work is challenging and exciting. If you keep your eyes and ears open, you learn so much about the problems your colleagues are trying to solve and how your work fits into the big picture. You also walk away with a better understanding of the medium, and in my case, an evolved outlook on purpose within the development cycle.  Having a better grasp of the possibilities and limitations proves to be immensely valuable when writing for apps and the mobile web.

My 2011 Social Media Resolutions

As 2010 winds down and we all gear up for the start of a new year, there will be many posts about the topic of resolutions. The New Year gives us an excuse to start over and have another shot at making this year the best yet. There will be resolutions for weight loss, quitting […]

As 2010 winds down and we all gear up for the start of a new year, there will be many posts about the topic of resolutions. The New Year gives us an excuse to start over and have another shot at making this year the best yet. There will be resolutions for weight loss, quitting smoking, spending more time with family, and all of the other classics. Since I am immersed in social media on a daily basis, I am also sure I will see many resolutions in regards to social media.

Most of these resolutions will come in one-size-fits-all dimensions and will not be tailored to the individual. So instead of doing a broad post about what you should do, I am going to share my personal social media resolutions, so you can take away from it what you will and maybe apply it to your work, life, or whatever. Without further adieu:

Continue to expand my knowledge base: One of the most important aspects of my job is to stay up to date on the latest and greatest trends that are happening in the social media world. So in 2011, I will make a dedicated effort to spend some time each day to read the blogs that will help me do that.

Document more: I don’t know about you, but my head is always filled with various trends and ideas, tools and more, that I usually learn about from following my first resolution. The next step in making all that knowledge applicable and usable is to do a better job of documenting what I read.

Improve my writing: Even though social media is a different kind of communication than formal writing, improving this skill is a great asset that can help me in many ways. Professionalism is still a very important skill, and nothing looks less professional than updates or e-mails with spelling and grammatical errors. In my case, it also will help streamline the process and make it less burdensome on the rest of the team.

Process is important: One of the things I learned over the last year is that you can have the best idea ever, but without the proper process to make sure it comes to fruition, it can quickly die a tragic death. This ties into resolution #2, because having a properly documented process can mean the difference between a ship-shape team and total chaos.

Prove value: Another important takeaway from 2010 is realizing that not everyone perceives value the same way. It is important to not only show the value in our actions and plans, but also to make sure we are cognizant of how others perceive value. With that insight, it’s much easier to understand how to prove our actions are adding value.

So there you have it. These are my personal resolutions for Social Media in 2011. As I mentioned, I hope you can look at these and utilize the concepts in your own resolutions. I hope you accomplish all of the goals that you set for yourself this year. Happy New Year to everyone.

Rules for Having Only Fun with Technology during the Holidays

Some of us need a little nudging—more like a good shaking—to remind us we’re actually not at work. The pull to check your email, send a file, tweak a deliverable, or post to a work-related social media account is constant and tempting. Even chocolate and good company is no match because separating yourself from something […]

Some of us need a little nudging—more like a good shaking—to remind us we’re actually not at work. The pull to check your email, send a file, tweak a deliverable, or post to a work-related social media account is constant and tempting. Even chocolate and good company is no match because separating yourself from something you’re deeply committed to and engaged by is a challenge.

But in the end, the people that really suffer are the people you care most about—your friends and family. Your kids can’t get through to “Blackberry Dad” and your friends don’t want to hang out with “Social Media Sarah.” It’s a conundrum you have to find a graceful way out of, and there are definitely some things worth trying to make it work. No judgments here, just helpful rules, from equally tech-work absorbed people, for making the most of your time off for the holidays.

Rule #1 – Turn off all work-related devices and streams. Go cold turkey for a few days. Not every email needs a right-now response, and you’ll be surprised to find that some things work themselves out when given a little bit of time.

Rule #2 – Make every computer/mobile interaction just for fun. It’s impossible in this day and age to unplug completely, and why should you when technology is this much fun? So when you find that shiny new iPad under the tree, boot it up for no other reason than entertainment.

Rule #3 – Set up emergency contact protocol and stick to it. Not everyone can abide by rule #1. Some gigs are just too demanding, but you can filter what’s important. Give your contact info to someone you trust, and tell them to reach out only for emergencies. Then, relax and enjoy yourself.

Rule #4 – Spend some quality online time with the kids. Hang out with your kids online over the holidays, and get ready to learn a few things. You may not make it on their Facebook profiles, at least the one their friends see, but you’ll get to see what sites they like and what digital haunts they frequent.

Rule #5 – Let yourself be engaged by the present moment. Living a digital life, one gets pretty used to navigating a constant stream of information. This is a good thing when you’re trying to manage a project with several moveable parts. It’s not a good thing, though, when grandma is telling you a story. Just listen. Don’t think about your next tweet or worry about shaving more time from a task to stay on track.

All right, enough with the instruction manual. It’s the time of year when sharing time and making memories with the important people in your life is the hippest and most connected thing in the world. Everyone does this in their own way, and the time has officially arrived. I’m signing out now to spread the joy.

Digital Storytelling and the Meta-Internet Video

Skim, scan, click, post, watch, check-in, comment, chat, and like. Chances are you live this every day for hours at a time. And sure, sometimes the content is interesting, but did you ever think that the mechanics of what you’re doing is interesting? Or that what you do online could be visually appealing? Me neither. […]

Skim, scan, click, post, watch, check-in, comment, chat, and like. Chances are you live this every day for hours at a time. And sure, sometimes the content is interesting, but did you ever think that the mechanics of what you’re doing is interesting? Or that what you do online could be visually appealing? Me neither. And right now, I’m eating my words. The creative mind has triumphed yet again, taking something abstract and maybe mundane and rearranging it into something dynamic, vibrant, and artful. The next chapter in digital storytelling is writing itself with the meta-internet video. The visual experience of experiencing the internet is coming out hot, hip, and viral.

Like most things internet-savvy, Google was one of the first to put a mainstream mark on this trend. Remember their Super Bowl commercial? Who’d have really thought that looking at a search bar and returns for nearly sixty seconds could ever be appealing. But it was, and it was highly emotive, too. Romance is powerful, and a wholesome foreign daydream made that sparse white screen move oh-so much closer to the heart.

But the meta-internet video, isn’t just about voyeuristic searches. No, we’re actually using them to re-write a little bit of history and religion, fluffing it up around the edges, so it feels more comfortable and familiar. A colleague of mine forwarded The Digital Story of the Nativity video that’s swirling around out there on the internet. It uses digital technologies to tell the Christmas story, complete with emails from Mary, tweets by Joseph, and King Melchior picking up a sweet deal on gold at Amazon.com. It starts with some unknown person (possibly you or me) typing in their search query at Google.com.

Japanese indie rock band, Sour, just set a new standard for amazing with their latest music video “Mirror.” The video, although it’s more of an immersive, interactive experience, begins with, you guessed it, the Google.com search bar. The twist is that if you take the plunge and allow the video to connect with your Facebook, Twitter, or webcam, you become an integral part of the composition. Alarming and captivating, you watch your own cyber identity fragment and stream into the rest of the digital collective. It’s quite remarkable to be suspended in that space where vulnerability and connectivity have an equally terrifying and fascinating hold.

I think we’re at the beginning of the meta-internet video era. This evolution of digital storytelling is a game changer because it’s primed for big, personal wows. As a communication vehicle, it can get closer to the subject than ever before—beyond the familiar landscape of the everyday digital highway and into the back roads of individuals. It’s versatile, too, enough that if your target is a larger social tribe, with the right research and creative execution, you can reach a group and simultaneously make intimate, personal connections.

Happy Hug-a-Days! HomeAgain Brings the Holiday Cuddle to Facebook

We are a little over halfway into a holiday-themed Facebook photo contest that we created for our pet microchipping client, HomeAgain. The results to date are very encouraging—impressions, entries, likes, etc., are all way over-performing. But this blog is not about numbers adding up, though it is about sharing a story of success, even before […]

We are a little over halfway into a holiday-themed Facebook photo contest that we created for our pet microchipping client, HomeAgain. The results to date are very encouraging—impressions, entries, likes, etc., are all way over-performing. But this blog is not about numbers adding up, though it is about sharing a story of success, even before the end of it. Now before you hang up, out of a pending feeling of self-promotion disgust, let me fill you in quickly why we are sharing this story now and hopefully convince you to hang long enough to feel the hugs.

It’s a true story of the holidays. Not a commercial story, not a BOGO story, not even a 60% savings story, but a brand essence story that is all about this time of year. You see, if we waited to tell this story after the New Year, the season to tell you about love, devotion, and great hugs would seem so yesterday. So now is the time, before all the data has been collected, parsed, and analyzed—and clearly, even before our client would ever allow us to share anything.

HomeAgain is a special brand, as it really does special stuff, like helping about 10,000 lost pets a month return home. They aren’t called HomeAgain for nothing.  So how do they get 10,000 families every month to thank their lucky stars and willingly shout out about that feeling of thankfulness?  Through two very important things they do: 1. permanently identifying a pet and linking it to its pet parents through a small piece of technology called a microchip, and 2. providing and enrolling pet parents in an annual service filled with pet protection and recovery benefits.

This year, for the holidays, HomeAgain decided to do something different to spread the cheer. And with our help, they created a sweepstakes campaign on Facebook that celebrates pet/pet parent love and devotion.  Happy Hug-a-Days asks people to enter a holiday “hugshot” of themselves and their pet engaged in a heartwarming, day-lifting, and life-affirming hug. The results have been far greater then we initially hoped for, as we work a transparent social media platform to achieve its most natural end—to create and share joy. Having a client that’s ready and eager to take these new media “risks” is the great catalyst for innovation. We aspire to inspire and, quite literally, live for these opportunities. So thank you, HomeAgain, for being so damn huggable!

My desire to do this blog has nothing to do with sucking up to our client, though I do run the risk, but I have been guilty of worse.  It has all to do with what we, at Flightpath (and many other digital shops), love most: getting deep into the human reality of today’s social and digital landscape. Consider HomeAgain, who may have started in the technology business, but that business clearly became way more and about the human-animal relationship, than simply the product they sold. Same with us programming, production, and digital marketing “creative types.” We all started somewhere else in the business, but have mostly all come back to the human-most side of why we do what we do.

So here we are, at the one time of year when hugging co-workers and pals is not only allowed, but expected, maybe even celebrated with a chest bump or low five.  It’s the holidays, and if you’re in the pet protection business or the digital agency “human protection” business, then this is our time of year! And psst, if you have a furbaby, be sure to enter the Happy Hug-a-Days contest on Facebook today. The world always has room for another good hug.

Plan to Succeed Using Social Media

Some of you might be familiar with the saying, “If you fail to plan, you plan to fail.” This is true in many of our everyday tasks, from making sure you have a shopping list to creating an emergency plan in case a crisis ever strikes. Planning is especially important when talking about any kind […]

Some of you might be familiar with the saying, “If you fail to plan, you plan to fail.” This is true in many of our everyday tasks, from making sure you have a shopping list to creating an emergency plan in case a crisis ever strikes. Planning is especially important when talking about any kind of communications plan or strategy development. However, the speed of execution sometimes makes that task difficult to complete.

I still hear, from time to time, the dreaded phrase “we need a Facebook Page,” or “we need to be on Twitter.” This is fine, and for the most part true, but creating a profile on Facebook or handle on Twitter doesn’t lead to immediate success. And instead, you may be disappointed in the results if you rush in headlong. It’s best to take a step back, breathe deeply and think about why you think Facebook or Twitter will benefit your company. Do some initial research about each platform to learn about the strengths, weaknesses, and tools available. Brainstorm to develop an effective plan on how not only to create a presence, but also to capitalize on these platforms and tools to help achieve your business goals.

Solid planning also allows you to gauge where you are, in terms of overall effectiveness. Evaluate your entire industry and take a really close look at your competitors to learn some best practices. You’ll discover what’s working and what isn’t and gain deeper insights into social media platforms. With a little bit of luck, you’ll start picking up the language, too.

Once you feel confident that you understand this new space, it’s time to look at measurement. Once you launch this Facebook page or start tweeting on Twitter, how will you know how it’s going? By taking the extra time to plan, you give yourself the opportunity to develop a system for tracking and measuring. Even more importantly, you can record from the onset how your social media efforts on these new tools can tie back into your overall business goals.

I am personally a very goal-oriented person. The main reason I think goals are important is because they give you something to measure yourself against. After all, how do you know where you want to go if you don’t even know where you are? Once you have goals set, the next step is to utilize what you learned from the research phrase. Analyze the best practices insights and target audience research you gathered to develop a road map to help you get to your destination. And just like planning a road trip requires accounting for some unexpected stops, as well as some necessary pre-planned detours, so too, should your communications plan, or your plan for pretty much anything.

‘Tis the Season for Disruptive Marketing

“Gobble Up Savings” changed to “Shop Holiday Sales” in the space of one small and magical second this year—sometime around midnight November 25, 2010. Marketing and advertising elves worked hard to deliver a double-whammy of creative collateral and even harder to seamlessly switch them out. But that might not be what really matters. In this […]

“Gobble Up Savings” changed to “Shop Holiday Sales” in the space of one small and magical second this year—sometime around midnight November 25, 2010. Marketing and advertising elves worked hard to deliver a double-whammy of creative collateral and even harder to seamlessly switch them out. But that might not be what really matters. In this deluge of holiday shopping campaigns, gracefully fitting into each shift and swap of the season isn’t what’s getting noticed. And that’s why this year, I’m making every effort to be truly and deeply disruptive.

People are not only creatures of habit; they are also creatures of expectation. And right now, everyone is expecting the usual seasonal suspects—snowflakes, reindeer, giving, joy, etc. So why not add a little bit of creative disruption to the secret holiday sauce? Spicing up seasonal themes with disruptive word changes, plays, and puns stands out and grabs consumers’ attentions across many different mediums. It’s working, too, especially for these leading brands who have long been wise to this trend:

  • The Gap – They might have totally tanked on that whole logo thing, but they’re back and on point with, “what do you want this holiday?
  • Crate & Barrel – Late gifts spoil the mood, and with a clever little, “in the St. Nick of time,” you trust yours will get there promptly and possibly with reindeer in tow.
  • The North Face – This high-performance outdoor sports’ label is hard at work to “Spread the Holiday Gear” to all your family, friends, and neighbors.
  • Banana Republic – With all life’s modern distractions, make sure you take time to “LOVE the PRESENT” this year.
  • Kenneth Cole – The reigning king of disruptive messaging serves up a provocative warning to “Be Careful What You Wish For.

Messing with words has a unique way of changing the context and expectation of what is being communicated. It’s in that tiny flicker of disruption where the chance of real, sticky communication exists. In the past few years, this disruptive style of marketing has broken new ground by using texting language as a form of commercial speak. Chase led the pack on this with their “TXT MSGS MAKE BNKG EZ” campaign, which launched in the distant past of 2007. This TXT SPK naturally resonated with the younger and young-at-heart demographics, because it was attitudinally way cooler, and it’s been going strong ever since. Some of my other non-holiday and non-txt favorites include, Koolaid’s “Delivering more smiles per gallon” and Lifetime’s “The Fairy JobMother.” Both have a knack at driving straight through to real-life emotional value, which clearly speaks to everyone. The hippest, most disruptive part of all is that this kind of breakthrough doesn’t involve million dollar commercial shoots, just some old-fashioned wordsmithing.

Disruptive marketing is key in our 140-character worldview, and word play is the quickest and most effective way to disrupt. Consumers are on marcom overload, sifting through a flotsam of creative messaging, monotonously and robotically, until…something breaks through. Changing common idiomatic phrases and expressions into something playful and unexpected gives consumers a reason to stop and ponder. This really registers in the mind, as one mulls over the disruption, tinkering with it until it feels smooth and familiar or interjecting other words for greater effect. Disruptive messaging promotes a share of voice while commanding attention. It naturally stands out and means you, as a brand, can do a whole lot less yelling.

The Three E’s of Word of Mouth Marketing

Word of Mouth Marketing is the one of the oldest forms of marketing that there is. It refers to the process of recommendations about a product or service from one consumer to another. This basic premise is still one of the strongest influences on purchasing behavior. New online tools have increased the importance of word […]

Word of Mouth Marketing is the one of the oldest forms of marketing that there is. It refers to the process of recommendations about a product or service from one consumer to another. This basic premise is still one of the strongest influences on purchasing behavior. New online tools have increased the importance of word of mouth marketing because they allow for greater and faster sharing of information among consumers. The bad part is that keeping up with new technologies is a 24/7 endeavor by itself. So instead of focusing on merely keeping up with technology, it’s much more important on using the right technologies in the optimal way. That’s where the three E’s come in:

  1. Engage – Engagment is the first step, assuming that you have already been listening to your consumers and know their digital hangouts. It involves reaching out and starting a conversation. There are many way to engage your consumers, such as blogger outreach, Facebook posts, Twitter tweets, discussion boards, and the list goes on and on. Just remember if you are not engaging in conversation with your consumers, then you are missing valuable opportunities to make real connections—and you’ll wind up playing catch up when a crisis arises.
  2. Encourage – This next step has two main components: making all of your content shareable and making it really easy for your consumers to share your content. When you make content shareable, you encourage your consumers to talk about your products and services all over the web. But first, you’ll have to create content that people will want to share. All content a company produces should be from this frame of reference. Then, close the Encourage loop by putting all necessary share icons in place—Facebook, Twitter, Digg, del.icio.us, Stumble Upon, etc. A little research will tell you which ones matter most to your consumers.
  3. Empower – The is the last step in the three E’s process. It goes beyond encouragement, as it involves freely giving consumers the information or resources they need to become a brand advocate. A great example of this is the new Ford Fiesta campaign. Ford realized that, in order to encourage buzz around their new car, they needed to harness and empower individuals to do so. Ford gave away a number of the new cars and allowed select people to test drive them and share their experiences. By utilizing these ambassadors, Ford went from just encouraging organic sharing to actually empowering their consumers by recognizing them as brand advocates.

Despite the tactics you use, and which of these three steps your tactic focuses on, there is one more overarching E that also needs to be considered: the Emotional connection between a consumer and a brand. Because let’s face it, without this connection, it is very unlikely that a consumer will share their experience.

ShopSocial 2010

It’s that time of year. Time to get out there and start shop, shop, shopping for those holiday gifts. Some of us love it. Some of us hate it. And some of us never stop. Here at Flightpath, we’ve become a little enamored with the latter, those distinctly devoted shoppers gifted with the skills of […]

It’s that time of year. Time to get out there and start shop, shop, shopping for those holiday gifts. Some of us love it. Some of us hate it. And some of us never stop. Here at Flightpath, we’ve become a little enamored with the latter, those distinctly devoted shoppers gifted with the skills of finding a good deal anywhere. We’re especially curious about their online shopping prowess and their need (duty?) to share deals, purchases, and other “shopinions” out in the digital open.
The Shoppers
These types of individuals, dubbed social shoppers, make the shopping world go round. They’re digital natives that are part of generation share, and they never shop alone. So this holiday season, we’ve decided to channel our research efforts into learning all about these shoppers—from their point of view. We gathered a handful of social shoppers and put them under our lens to hear what they had to say about their digital-social shopping habits, behaviors, and motivations. We’ve got so much to learn.
The Channel
Visit our ShopSocial 2010 channel on YouTube to check out the one-on-one interviews with our shoppers. See them dish the dirt on the favorite shopping campaigns, mechanisms for sharing, and even how great it feels to get a good deal. Bookmark the channel and stay tuned for more videos from additional interviews and other user-generated submissions. Comment on, like, share, and embed your favorites!

The Contest
Love social shopping, too? Chances are you’re not shy, then, so how about sharing that love with us? Share your own tell-all social shopping video describing how you navigate the social web to find, share, shout out, and support—all in the name of shopping. The contest runs from December 1 – 31, 2010, and you can share your YouTube link at our microsite, www.ShopSocial2010.com. We’ll add your videos to the ShopSocial 2010 playlist, and four lucky shoppers, whose videos receive the most views by midnight December 31, 2010 will win a gift card.

My First WOMMA Summit: Not Everything that Happens in Vegas Should Stay There

Last week, I attended my first Word of Mouth Marketing Association Summit (WOMMA).  It was a great experience full of amazing insights that truly gathered some of the best and brightest in the business…and it was in Las Vegas. It’s ironic when you think that a word-of-mouth marketing conference would take place in a city […]

Last week, I attended my first Word of Mouth Marketing Association Summit (WOMMA).  It was a great experience full of amazing insights that truly gathered some of the best and brightest in the business…and it was in Las Vegas.

It’s ironic when you think that a word-of-mouth marketing conference would take place in a city that has long used secrecy as a campaign slogan. “What happens in Vegas…”you know the rest.  And I’m sure that some should probably live by that rule.  But key concepts and ideas discussed at this year’s WOMMA should definitely not stay secret. So here are a few of my takeaways:

  • Measurement is still a hard thing to quantify. Ask anyone who works in social media what one of their largest challenges is, and inevitably, you will have them list measurement, ROI, or proving the value of their efforts. This is a problem that has not disappeared, but one that, according to many in the field, we are getting closer to figuring out. Josh Bernoff of Forrester, and author of the new book Empowered, addressed this issue in his keynote speech by introducing the “ROI of Word of Mouth Pyramid.”  Bernoff identifies three levels to this pyramid:
  1. First, is the measurement of activity or items, such as interactions, fans, twitter followers, etc.
  2. Second, is comparisons, slightly more advanced than straight reporting, as this involves taking those numbers and comparing them to other efforts.
  3. Third, is the pinnacle, and the point where all efforts converge is the final measurement of value. This includes emphasis on comparing one activity to the other and a deeper look at what value these interactions have to the overall marketing objectives.

In addition to Bernoff’s keynote, a number of sessions featuring some high profile brands (ESPN, Coca Cola, etc.) also addressed the topic of ROI and measurement.

  • One-on-one conversations are hard to scale. One of the last panel discussions, moderated by Jeremiah Owyang, a leading researcher and analyst with The Altimeter Group, discussed the importance of brand ambassador and advocate programs. Owyang explained that it is impossible for any company to scale individual conversations with customers, but programs that are designed to utilize brand advocates and ambassadors can prove to be very valuable.
  • Engage in dialogue with your fans. This last piece of advice seems like a no-brainer but was still a very popular discussion.  Complete panels were devoted to delivering the best customer service via social media and the resulting wins for the brand.  A panel from Ben and Jerry mentioned they saw a huge uptick when, instead of telling their followers where they were going to be, they asked them where they wanted them to go.

So what is the number one thing that I took away from the summit?  I think it’s this: As much as technology can change and move from platform to platform, there are still going to be some golden rules to live by in social and word-of-mouth platforms.  Keep in mind the three items listed above, and make sure that everything you do provides some sort of value to your community.  Do this and you will have a huge leg up on your competition.

The New Non-Geek Computer Speak

Recently over happy hour drinks, I sat listening to a friend of mine discuss her sudden weight loss. This was by no means extraordinary, but what was interesting was exactly how she chose to talk about it. Attributing her new slimness to a recent job change, she stated, “sitting and staring at the computer used […]

Recently over happy hour drinks, I sat listening to a friend of mine discuss her sudden weight loss. This was by no means extraordinary, but what was interesting was exactly how she chose to talk about it. Attributing her new slimness to a recent job change, she stated, “sitting and staring at the computer used to be my default setting, and now, I’m constantly on the move.” The phrase “default setting” jumped out at me, and as I began to break it down, I realized the complex semantic underpinnings at work. The opposite of personification or anthropomorphism, my friend crossed into new terrain, likening human behavior and consciousness to that of conventionally inanimate, yet not entirely lifeless, technologies. And she was totally comfortable, if not eager, to make this comparison.

Consider a few more examples. Often after a hard week at work, I tell my family and friends that I’m taking the weekend to “unplug and reboot.” Sometimes, during an especially dry film or conference, I check out from the present moment and go into “sleep mode.” Off the top of my head, I can think of at least three instances this week of someone telling me they’d like to discuss something “offline.” And I’m sure that you can think of dozens of similar tech-come-human phrases appropriated in your daily conversations, too.

I think these examples signal a very important shift, if not transcendence, in mainstream consciousness. Gone is the era of hysteric technophobia. In its stead, a new age of cuddly techno love and acceptance is dawning. And what’s particularly interesting is our willingness not just to accept technology, particularly computers, but to empathize with them. At some point, we began to see a likeness in our own consciousness, a familiarity of being. That’s a radical change.

Arguably, computers and other technologies are engineered to mimic human brain processes, or at least what scientists think they understand about human brain processes. Therefore, one could purport that it’s only natural people adopt those words and phrases traditionally set aside for computers, sensing a likeness in their own brain function. It’s a solid counterpoint, but narrow-minded in the sense that it doesn’t honor the emotional pains taken to achieve that sense of familiarity.

Feeling at ease with technology didn’t happen overnight. It took decades for humans to develop benevolent feelings toward computers and hours of one-on-one time to seal the deal. Certainly not everyone is hip to this trend, but the mainstream has spoken with a voice that doesn’t get ignored. The new non-geek computer speak comes loaded with technological innuendos and reveals our true sentiments, one flippant happy hour conversation at a time. We like computers. They’re like us. And together, we’re gonna share this state of being.

This new dawn we’re witnessing really excites me. I believe it means that people have opened up that warm, lighthearted, and fuzzy side of themselves that was traditionally locked away from technology. It’s a new dimension in the collective consciousness, full of empathy and richly emotional, that’s begging for creative word play and fun.

Can Social Media Go the Distance this Giving Season?

Thanksgiving typically marks the official start of the charitable giving season.  Bright, poignant, and inspiring campaigns hit the masses, and we all get plugged in to helping meet the needs of others.  But these are not typical times, with the national unemployment rate around 9 percent and other, devastatingly harsh factors like under-employment and geographic […]

Thanksgiving typically marks the official start of the charitable giving season.  Bright, poignant, and inspiring campaigns hit the masses, and we all get plugged in to helping meet the needs of others.  But these are not typical times, with the national unemployment rate around 9 percent and other, devastatingly harsh factors like under-employment and geographic pain are taken into account.  So in this state of economic turmoil, what do this year’s giving season campaigns have in store?

The New York Road Runners Club (NYRR) kick-started the season Sunday at the NYC marathon.  They really went the distance, raising over $30 million through this year’s event.  They had hoped to raise $1 Million a Mile, or $26.2 million, through corporate partners and, of course, many of the event’s nearly 45,000 runners.  The NYRR crew kept a running (pun intended) count of individual “fundraising runners” along with the total amount raised by the group.  As I sat watching and cheering the NYC Marathoners Sunday (a shout out to Flightpath founder, president, and serial marathoner, Jon Fox), it was hard not to think the event was a complete citywide take-over—in the best, most charitable way possible. The old idiom, charity starts at home, never rang truer true to me, as a native New Yorker, seeing how much fundraising was linked to this enormous effort.

Over the next couple of months, the web and social media will be working as hard as Jon and his fellow distance runners for all the people in serious need this year.  It’s time for marketers to step up with their best and brightest—and that poses some unique challenges in the digital space.

Internet fundraising has generated strong interest in the nonprofit world over the last decade, but it still lags behind direct mail, events, and other more traditional ways of soliciting donations.  Of the $263 billion that Americans give to charity each year, 5.7 percent is given online, according to Blackbaud Inc.’s (NASDAQ:BLKB) index of online giving.  Of that, less than 1 percent comes from social media, estimated Steve MacLaughlin, Director of Internet Solutions at Blackbaud.

Facing the pre-launch of this season’s campaigns means facing the reality that social media has not been the fundraising salvation getting people through this tough economy.  It has been more effective at “friend-raising,” as in gaining supporters and engaging them in dialogue about a cause, than actual fundraising.  Social media enthusiasts say the medium is in its relative infancy with HUGE potential to become a much more important means of soliciting charitable relief.  So with one of the hardest-hitting campaign essentials taking a back seat, it’s time to recalibrate using a little more insight from Blackbaud:

  • 46 % of online giving takes place in the last three months of the year
  • 30 % of online giving occurs in December alone
  • 50 % of donors will not change their habits this giving season
  • 36 % of American donors will be giving less due to financial limitations

Social media’s definitely not out for this year’s campaigns—NYRR and 45,000 runners proved that Sunday.  But this year is challenging us to rethink how we want to use it.  It won’t be enough to rely on what’s comfortable.  Charitable campaigns that incorporate social media will have to greatly accommodate the giver and leverage the entire medium in a new and unexpected way.  This is bound to get interesting.  So if you feel the urge to “give it up” this year on the social web, know that you’re onto something really big.

Being a Trust Agent Means Taking Action

As part of our monthly book club here at Flightpath, we recently read the book Trust Agents by Chris Brogan and Julien Smith.  The book lays out principles that an individual can follow to become a so-called “trust agent,” and then illustrates how to apply those learnings to interactions in new media and emerging technology.  […]

As part of our monthly book club here at Flightpath, we recently read the book Trust Agents by Chris Brogan and Julien Smith.  The book lays out principles that an individual can follow to become a so-called “trust agent,” and then illustrates how to apply those learnings to interactions in new media and emerging technology.  The concept of the book is important, but since it is not the main focus of this post, I will quickly outline the six key principles or tactics:

  • Make Your Own Game
  • One of Us
  • The Archimedes Effect
  • Agent Zero
  • The Human Artist
  • Building an Army

If you want to dive further into the book, I highly recommend picking up a copy for yourself.  It is well written, easy to understand, and a quick read.

There is more to this book, however, than just the basic concept.  The lesson or insight that really hit home for me was how every chapter, and the book as a whole, was designed to be an actionable asset, as opposed to basic theory.  This becomes evident in how the book is completed.  The book does not end with a summary, overview, or re-hashing of everything the authors wrote.  Instead, it ends with action items and a plan with the foundation for actual execution.

This to me was the greatest asset the book offers.  I believe the author wrote the book from this specific frame of reference, and this is one of the reasons why it is so easy to relate to on many levels.  If they had a goal for what this book should accomplish, I believe it was exactly that, for the reader to internalize the content in their own way and then apply it and utilize it right away.  When the authors first address the concept of currency and how it relates to digital content, they begin by mentioning a joke.  I won’t repeat the joke here, but the point was that the joke becomes an asset in itself, something that an individual can use for their own benefit.  This to me is how this book becomes a valuable asset that should be applied in each individual’s own way in their everyday lives.  Just like the joke, however, the way one applies it can be completely different.  One person could use the joke as an icebreaker for a one-on-one conversation, another person could use the same joke as an introduction to a room full of people, and yet another could use it to explain his point of view in a blog post (wonder which one I am?).

The point and lesson is that we should approach everything in this way.  You have all heard the quote “The road to hell is paved with good intentions.”  This is perfectly applicable here and in everything you do.  If you don’t have a plan to put those intentions to use, then they are just that—dead intentions.  Instead, try to start looking at the world from an actionable perspective.  Ask yourself the questions, “How can I apply this to my situation, my business, my life?”  It is only with this deliberate practice that anything will ever get accomplished.  So what is your plan?  Don’t simply tell me, but as a famous shoe brand says, “Just Do It!”

Five Tips to Make a Facebook Wall Post Communicate

Almost anyone’s Facebook wall is a torrent of posts and comments flowing forth at a pace that would make the fastest stream-of-consciousness poet dizzy. And it’s not merely that it’s a stream-of-consciousness medium, but rather, that it’s a stream-of-many-consciousnesses medium. So how does your brand keep up? How do you break into that fluidity and […]

Almost anyone’s Facebook wall is a torrent of posts and comments flowing forth at a pace that would make the fastest stream-of-consciousness poet dizzy. And it’s not merely that it’s a stream-of-consciousness medium, but rather, that it’s a stream-of-many-consciousnesses medium. So how does your brand keep up? How do you break into that fluidity and actually communicate?

It’s easier than you might think, but you may have to change or break free from your normal (comfortable) communication style. Being successful with Facebook wall posts requires that you learn some new rules and abandon that me-brand, you-consumer mold. Here’s a few tips to help you get started:

1. Start a conversation. The biggest reason anyone comes to Facebook is for social interaction, so give your fans what they want. Introduce yourself and open up the lines of communication. Start asking questions your fans want to answer. Try asking lifestyle questions, which are much more effective for rallying fans around a brand, instead of direct product or service questions. And get ready to take up the art of active listening.

2. Use their lingo. This requires some study, but the payoff in comments and conversations is well worth it. Scout your own page and learn how fans are talking to each other. This is about both the style of communication as well as the exact vocabulary used. Visit similar fan pages and take notes from pages with lively and active feeds. Just like in real life, it’s much easier to talk to someone who’s on your level.

3. Keep it short. When you have less than 10 seconds to reach your fans, less is undoubtedly more. Opt for short sentences and get right to the point. Don’t worry about being high-brow or wordy. One-sentence posts are actually preferred. Just looking at a short paragraph of text tells readers they have to invest time in reading and responding. That’s a big turn-off to busy social butterflies. It’s better to craft hard-hitting one-liners, so people know right way if they’re interested.

4. Give fans the spotlight. Even though Facebook is social, it’s undeniably a “me” medium, and you’ve got to let your fans have their time under the big lights. Almost everything you post needs to be about them, or they’re just going to find another page that meets their personal-social needs. Keep people on your page by constantly asking for their feedback and contributions. Transform them into resident heroes, sages, entertainers, and comedians, and you’ll build a real community.

5. Broadcast only when necessary. Your business or brand undoubtedly has some news or information that’s important to share with fans. Shout out about those happenings, but limit these posts to the types of announcements which are truly relevant and interesting. A constant broadcast of your brand and its accomplishments, services, features, or benefits runs the risk of boring and alienating fans.

Is Candy Evil? Confer with Your Social Network

Candy and Social Media

I quit smoking 10 years ago and in the process, ended up exchanging one oral fixation (smokes) for another (candy).  I’m not super-crazy about the stuff but do probably consume more of it than most people and even had to forbid our office manager from regularly filling a communal candy bowl so that I wouldn’t […]

I quit smoking 10 years ago and in the process, ended up exchanging one oral fixation (smokes) for another (candy).  I’m not super-crazy about the stuff but do probably consume more of it than most people and even had to forbid our office manager from regularly filling a communal candy bowl so that I wouldn’t gain (too much more) weight.   – I guess you could say, I’ve got a love/hate relationship with sweets.  So, it was with real interest that I read an article in this week’s New York Times with the title ‘Is Candy Evil or Just Misunderstood?’

While the story did address the pro or con question, the main gist of the piece was: people are passionate about candy!  This should probably come as no surprise.

There are blogs like Candy Addict and Candy Blog.  Apparently, last century doctors blamed candy for the spread of polio! And of course, all kinds of boutique candy companies are popping up – from Liddabit Sweets (quoted in the article) to my West Village neighborhood’s Chocolate Bar.

So, whenever people are passionate about something, where does it provoke the most attention or conversation?  It shouldn’t be a secret that (as of this writing) Skittles has 11,731,208 Facebook fans or that Nestle Crunch has a respectable 242,003 likes.

Candy and social media go together (like chocolate and peanut butter).  So seek out your favorites – whether they’re Life Savers Gummies or Dylan’s Candy Bar and partake in the conversation.  Happy Halloween.

Keith Richards Builds a Digital Life

Keith Richards’ new autobiography Life debuted yesterday, and from what I know about the man and his band, the book must truly be full of it!  In the best, most irreverent, original kind of way, of course. Keith’s book of Life has a great digital consciousness including a cool, but understated site, www.KeithRichards.com, and all […]

Keith Richards’ new autobiography Life debuted yesterday, and from what I know about the man and his band, the book must truly be full of it!  In the best, most irreverent, original kind of way, of course.

Keith’s book of Life has a great digital consciousness including a cool, but understated site, www.KeithRichards.com, and all the expected social links. Though I will say, Mr. Richards’ fandom and followings are not-unexpectedly small (given his generational chords); while, his publisher – Little, Brown – has a quite robust social outreach.

So, even before listening to his own introduction to the book, uploaded at www.keithrichards.com/Life, you get a flavor for just how real the book and experience is going to be.  This digital primer provides the emotional glue to the man and his place in the world that a book by itself could never really do.

Little, Brown has done a great job using Twitter in the days leading up to the book release, from seeding bite-sized juicy quotes and factoids, to trivia question giveaways, to even seeding clips of Johnny Depp reading the audio book. Fans have been posting about the book to Keef’s Facebook wall as well, adding fan drawings, photos of ticket stubs and more.

There are some missed opportunities here, too. Keef’s Twitter feed is clearly the work of a publicity team, and has no feel of coming from the man itself – a shame when you have one of the most unique, defining personas of the past 40 years of pop culture to leverage. There’s no sense of interaction between the icon and his fans on Twitter or Facebook, which many followers now rightly come to expect.

Nonetheless, how fitting that such a historically-significant musician from one of the most defining bands of any generation writes a memoir titled Life and it actually comes alive, in an emotionally relevant digital experience. Proving once again, as we inch towards 2011, that it now does take a “digital village” to really tell a story for this generation, let alone telling the amplified story of a musician for any generation!

Change Is In The Air

Fall is always a fresh and interesting time of year for me: the end of summer heat, the crispness of the early AM chill, and warm afternoons filled with memories of seasons gone by. This change of season could not be a better, timelier metaphor for the new Flightpath website and blog that launch today. […]

Fall is always a fresh and interesting time of year for me: the end of summer heat, the crispness of the early AM chill, and warm afternoons filled with memories of seasons gone by. This change of season could not be a better, timelier metaphor for the new Flightpath website and blog that launch today. Without going point by point, comprehensively, let me say our change to a fresh site design and a re-focused blog is based on our evolving point of view of the real importance of emotional content in a digital world.

What I am saying surely rings true for many of us who started early in the brave new world of digital marketing. I launched the agency that is now Flightpath back in 1994, and for quite some time, strong visual design and breakthrough technology won the day. That said, great technology is no longer the killer app (pun intended) of great digital marketing but, rather, functions now as a practical and understood fundamental. Visual design is still important, but as a means to an end, rather than an end unto itself. As an agency steeped in a constantly evolving skill set, we know and thoroughly appreciate the importance of the many sides of what digital fluency means today—from the broad view of the social web to the opportunities of dynamic SEO/SEM nimbleness to being very hip to app development and deployment.

So what’s the Flightpath story as we race toward 2011? It’s not a design story and it’s not rocket science either (read: tech). Our work on behalf of many of our clients over the past 12-to-18 months or so reflects a real evolution into what we think of as rich “emotional currency,” the telling of important and insightful brand stories.

Digital platforms, social media, and even the specific world of blogging have provided incredible tools to deliver compelling “humanity-infused” brand value and story. This is the first of many posts that will thread this discussion.

Our blog historically, over the past two years, has been about a collective agency review of “everything digital.” While this blog will still patrol the digital landscape for important, influencing developments across the industry, our refocused Flightpath blog will really earn its keep by focusing the majority of its time/posts on connecting across the “digital un-divide” between the digital and emotional world. We know there is a lot to explore, a lot to say regarding the how (let alone the where, when and why) of digital platforms, and a lot to share about these brand stories told from a very human vantage point. I love adding value to clients and to our readers. It’s why the idea of creating “emotional currency” really works for me; it’s a declaration of value.

Thanks for reading and welcome to our brave—yet quite emotional—new world.  Welcome to the New Flightpath Site – And Blog.

Live Matrix for What’s When on the Web™

This post won’t change your life, but Live Matrix might. Created by a former SVP at TV Guide and a pioneer in semantic web technology, Live Matrix promises to keep you updated on What’s When on the Web™. In a nutshell, it’s a grid of all the live upcoming events scheduled to happen anywhere on […]

This post won’t change your life, but Live Matrix might. Created by a former SVP at TV Guide and a pioneer in semantic web technology, Live Matrix promises to keep you updated on What’s When on the Web™. In a nutshell, it’s a grid of all the live upcoming events scheduled to happen anywhere on the internet, so you’ll never miss a beat—or a Gilt sale.

Like everything else these days, users create a custom profile and “follow” content channels that interest them.  I signed up yesterday, and currently, I’m following Wired for Wine, Mingle Media TV, G4 TV, The Indy Radio Factor, Gilt Women, and FORA.tv.  There have been some hiccups in this Beta version, such as unreasonable “account suspension” and the profile photo upload appears not to be working.  Little things like that are expected, though, so I’m not holding it against them.  However, as of right now, the whole site seems to be a little bit of an over glorified QVC timetable, as the majority of happenings revolve around product sales, reviews, and web infomercials.  That, too, I’m willing to let slide for awhile because, honestly, this whole idea is a beautiful step forward for the future of intelligent content streaming, channeling, and scheduling on the internet.

It’s refreshing that someone is wrangling up what’s useful on the web and organizing it in a practical way.  And as content improves, which it undoubtedly will, Live Matrix stands to become really, really important to daily life.  My best-of content scenario includes intelligent news hubs, niche lifestyle channels, and maybe even the return of music videos. I know that all of these things do exist out there on the web, but to have them aggregated, scheduled, and frequently updated is something truly advantageous.

The Transition to Being a Social Friendly Brand: Tasti D-Lite Tells All

I witnessed a compelling presentation from BJ Emerson, Social Technology Officer at Tasti D-Lite at today’s BDI Conference. The conference was dubbed “Mobile Social Communications” and BJ’s Case Study presentation was called “Using Social Technology to Reward Brand Loyalty.” While far from purely focused on mobile, BJ recounted the path of his organization from analog […]

I witnessed a compelling presentation from BJ Emerson, Social Technology Officer at Tasti D-Lite at today’s BDI Conference. The conference was dubbed “Mobile Social Communications” and BJ’s Case Study presentation was called “Using Social Technology to Reward Brand Loyalty.”

While far from purely focused on mobile, BJ recounted the path of his organization from analog entity to social media poster child, sharing a number of great insights along the way.

  1. Avoid Social Negligence: BJ explained that one of their first (successful) steps in the social space was to identify/locate existing brand advocates, connect with them and turn them into energized ambassadors. Engage with them directly and/or send them some freebies. This is a great way to get started.

  2. Leverage Search Engines: Cross-link between multiple channels (Facebook, YouTube, Wikipedia, etc.) for maximized search engine visibility in order to achieve the largest number of potential customer interactions.

  3. Use Targeted Twitter Searches: BJ told a great story about how he searched for “Empire State Building” within Twitter when they wanted to promote Tasti’s new ESB location. He hit the mother lode by identifying an ESB-dwelling blogger. Then, rewarded him with coupons and followed up with a delivery of physical goods to his office. This key influencer became a great ambassador/mouthpiece for the brand.

  4. Integrate Your Efforts: Tasti’s efforts peaked when they replaced their old-school loyalty punch cards with electronic smart cards that feed a master CRM database and even integrate directly with Twitter, automatically informing followers when you’ve made a purchase at Tasti.

  5. Foursquare Connections: Tasti D-Lite has effectively used Foursquare’s “Specials Nearby” engine to drive store traffic and spike sales.

Some of BJ’s final takeways included: “invest in relationships, “think long term,” “trust your customers.” From the mundane to the sublime, this set of actions has helped dramatically impact Tasti D-Lite’s growth. According their CMO, Bill Zinke, 90% of all of their marketing is now digital/social vs. 10% “traditional.”

There’s a “Face Time” for That! How “Face Time” Changes Everything!

Apple has changed the way many people do business and do living. But most of what Apple has done is show what we were missing, when we had no idea we were missing it. It is Steve Jobs’ genius to be able to create need (and sell that need) as part of the human condition. […]

Apple has changed the way many people do business and do living. But most of what Apple has done is show what we were missing, when we had no idea we were missing it. It is Steve Jobs’ genius to be able to create need (and sell that need) as part of the human condition. Most very successful and ultra creative people become wealthy filling a need in the marketplace, Mr. Jobs is of the rare few able to cultivate need time and time again.
But the need I believe Mr. Jobs intentionally (or unintentionally) brought to life is the need for more interpersonal, inter-business “face time”, but not of his making. Not magically on his iphone4 when connected to another one or even played out via Skype, but real human face time in the same room at the same time. Why? Because we are people, at least most of us reading this, and people- especially emotionally connected ones- connect to other people’s vibes and other people’s visceral output. It’s true, human’s secrete emotional juices when they are excited about an idea and/or about other exciting stuff- can we agree to just leave it at that?!
Given secretion happens, one would think that THAT alone should get any selling or client presentation situation away from Go 2 Meeting time, let alone email it in time, to some face time. But it is so easy not to think of the difference, not to believe being in a real room at the same time could make all the difference in the world in connecting on a human and big idea level. We’ve made it too easy to ignore our human-ness and even easier to buy into our technology enabled plug-in anywhere pluggins!

I am glad our agency has bought into the power and potential to make “meeting in human” whenever possible (and whenever cost smart, time smart) as a better way to do business. We know our client’s see the potential of “real face time” meetings when ideas go from the screen to a sketch (or ipad) to a full blown and totally spontaneous brainstorm. It’s like the truest form of emotional currency taking over and creating a world of its own.

Real time, real human meetings create the unscripted reality that other forms of information sharing just can’t.  It is just this “serendipity” that often gets lost not only in translation, but totally today.  So to be more relevant to your clients and to the creative and digital world we inhabit today, make the effort to make it real- whenever you can.

You’ll be glad you did!!!

Flightpath’s Maiden iPhone App Brings Lost Pets HomeAgain

At Flightpath, we often talk about our “constantly evolving skill set” and how things in the digital world are changing all the time. With that spirit in mind, I’m pleased to announce the release of our first iPhone App, developed on behalf of HomeAgain, the leading national pet recovery service from Schering-Plough Animal Health. The […]

At Flightpath, we often talk about our “constantly evolving skill set” and how things in the digital world are changing all the time. With that spirit in mind, I’m pleased to announce the release of our first iPhone App, developed on behalf of HomeAgain, the leading national pet recovery service from Schering-Plough Animal Health.

The Pet Rescuers app enables users to reunite lost pets with their owners. It has an interactive map of lost pets in their area, plus detailed pet info including photo, name, microchip number, and area last seen. Snoopy and the Peanuts gang help tie it all together with friendly messaging and fun graphics.

You can view a quick demo here or read more about in this story from USA Today.